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The cello ( CHEL-oh), or violoncello ( VY-ə-lən-CHEL-oh, Italian pronunciation: [vjolonˈtʃɛllo]), is a bowed (sometimes plucked and occasionally hit) string instrument of the violin family. Its four strings are usually tuned in perfect fifths: from low to high, C2, G2, D3 and A3. The viola's four strings are each an octave higher. Music for the cello is generally written in the bass clef, with tenor clef, and treble clef used for higher-range passages.
A fiddle is a bowed string musical instrument, most often a violin. It is a colloquial term for the violin, used by players in all genres, including classical music. Although in many cases violins and fiddles are essentially synonymous, the style of the music played may determine specific construction differences between fiddles and classical violins. For example, fiddles may optionally be set up with a bridge with a flatter arch to reduce the range of bow-arm motion needed for techniques such as the double shuffle, a form of bariolage involving rapid alternation between pairs of adjacent strings. To produce a "brighter" tone than the deep tones of gut or synthetic core strings, fiddlers often use steel strings. The fiddle is part of many traditional (folk) styles, which are typically aural traditions—taught "by ear" rather than via written music.
The viol, viola da gamba, or informally gamba, is any one of a family of bowed, fretted, and stringed instruments with hollow wooden bodies and pegboxes where the tension on the strings can be increased or decreased to adjust the pitch of each of the strings. Frets on the viol are usually made of gut, tied on the fingerboard around the instrument's neck, to enable the performer to stop the strings more cleanly. Frets improve consistency of intonation and lend the stopped notes a tone that better matches the open strings. Viols first appeared in Spain in the mid-to-late 15th century, and were most popular in the Renaissance and Baroque (1600–1750) periods. Early ancestors include the Arabic rebab and the medieval European vielle, but later, more direct possible ancestors include the Venetian viole and the 15th- and 16th-century Spanish vihuela, a six-course plucked instrument tuned like a lute that looked like but was quite distinct from the four-course guitar.
Bowed string instruments are a subcategory of string instruments that are played by a bow rubbing the strings. The bow rubbing the string causes vibration which the instrument emits as sound.
The lijerica is a musical instrument from the Croatian region of Dalmatia and Croat parts of eastern Herzegovina. It is a pear-shaped, three-stringed instrument which is played with a bow. It is played to accompany the traditional linđo dance from the region. The lijerica's name comes from the lyra, the bowed instrument of the Byzantine Empire which it probably evolved from.
Hille Perl is a German virtuoso performer of the viola da gamba and lirone.
The violin family of musical instruments was developed in Italy in the 16th century. At the time the name of this family of instruments was viole da braccio which was used to distinguish them from the viol family. The standard modern violin family consists of the violin, viola, cello, and (possibly) double bass.
The violin, viola and cello were first built in the early 16th century, in Italy. The earliest evidence for their existence is in paintings by Gaudenzio Ferrari from the 1530s, though Ferrari's instruments had only three strings. The Académie musicale, a treatise written in 1556 by Philibert Jambe de Fer, gives a clear description of the violin family much as we know it today.
The lyra viol is a small bass viol, used primarily in England in the seventeenth century.
Viola bastarda refers to a highly virtuosic style of composition or extemporaneous performance, as well as to the altered viols created to maximize players' ability to play in this style. In the viola bastarda style, a polyphonic composition is reduced to a single line, while maintaining the same range as the original, and adding divisions, improvisations, and new counterpoint. The style flourished in Italy in the late 16th and early 17th centuries. Francesco Rognoni, a prominent composer of divisions, stated that although works using the bastarda techniques could be played by a number of instruments, including organ, lute, and harp, the "queen" of bastarda technique was the viol because of its agility and large range.
The Harp Consort is an international early music ensemble directed by Andrew Lawrence-King, specialising in Baroque opera, early dance-music, and historical World Music.
The lira da braccio was a European bowed string instrument of the Renaissance. It was used by Italian poet-musicians in court in the 15th and 16th centuries to accompany their improvised recitations of lyric and narrative poetry. It is most closely related to the medieval fiddle, or vielle, and like the vielle had a leaf-shaped pegbox with frontal pegs. Fiddles with drone strings are seen beginning in the 9th century, and the instrument continued to develop through the 16th century. In many depictions of the instrument, it is being played by mythological characters, frequently members of angel consorts, and most often by Orpheus and Apollo. The lira da braccio was occasionally used in ensembles, particularly in the intermedi, and may have acted as a proto-continuo instrument.
Bass violin is the modern term for various 16th- and 17th-century bass instruments of the violin family. They were the direct ancestor of the modern cello. Bass violins were usually somewhat larger than the modern cello, but tuned to the same nominal pitches or sometimes one step lower. Contemporaneous names for these instruments include "basso de viola da braccio," "basso da braccio," or the generic term "violone," which simply meant "large fiddle." The instrument differed from the violone of the viol, or "viola da gamba" family in that like the other violins it had at first three, and later usually four strings, as opposed to five, six, or seven strings, it was tuned in fifths, and it had no frets. With its F-holes and stylized C-bouts it also more closely resembled the viola da braccio.
Erin Headley is an American lirone player, teacher, and director of several early music groups. She teaches at the University of Southampton in England.
Atalante Migliorotti was an Italian Renaissance musician, instrument maker and assistant to Leonardo da Vinci.
The Catacoustic Consort is an early music chamber ensemble based in Cincinnati, Ohio. It was founded in 2001 by Annalisa Pappano. It specializes in historically informed performances of Baroque and Renaissance music.
The violetta was a 16th-century musical instrument. It is believed to have been similar to a violin, but occasionally had only three strings, particularly before the 17th century. The term was later used as an umbrella for a variety of string instruments. Some of the instruments that fall under its umbrella are the viol, viola, viola bastarda, viola da braccio, viola d'amore, violetta marina, tromba marina and the viola da gamba, viola pomposa, violino piccolo, violoncello, and the violin. Many of the instruments within this family contained anywhere from three to eight strings, either had frets or did not, was built with either very narrow ribs or wide ribs, and most unique of all either did or did not contain sympathetic strings. Sympathetic strings, are strings that sit below the regular strings and vibrate, or resonate, in sympathy with the strings above them as they’re played. According to The New Grove Dictionary of Musical Instruments, one of the earliest inceptions of the term came from G.M. Lanfranco, a lesser known 16th century Italian composer, who uses the term “violetta” in one of his books titled Scintille di musica in 1533.
Imke David is a German viol player, author, Professor and Ensemble-Member.
Viola da braccio is a term variously applied during the baroque period to instruments of the violin family, in distinction to the viola da gamba and the viol family to which the latter belongs. At first "da braccio" seems to encompass the entire violin family. Monteverdi's Orfeo designates an entire six-part string section "viole da brazzo", apparently including bass instruments held between the knees like the cello and bass violin. His Selva morale (1641) contains a piece calling for "due violini & 3 viole da brazzo ouero 3 Tronboni", reflecting a general shift in meaning towards the lower instruments. Eventually it came to be reserved for the alto member, the viola. A famous example is Bach's Sixth Brandenburg Concerto (1721), combining two viole da braccio with two viole da gamba. The German word for viola, Bratsche, is a relic of this last use.
References
- ↑ "Grove Dictionary of Music and Musicians, ed. L. Macy (accessed 11 November 2006)". Archived from the original on 2008-05-16. Retrieved 2006-11-11.
- ↑ Pio Stefano (2012). Viol and Lute Makers of Venice. Venezia, Italy: Venice research. p. 441. ISBN 9788890725203. Archived from the original on 2018-03-13. Retrieved 2020-02-28.
- ↑ "Baroque Musical Instruments". Catacoustic Consort. Archived from the original on 19 December 2012. Retrieved 14 December 2012.
- ↑ "Grove Dictionary of Music and Musicians, ed. L. Macy - Erin Headley, "Lirone"". Archived from the original on 2008-05-16. Retrieved 2006-11-11.
- ↑ "claas harders - viola da gamba - lirone". Claasharders.de. Retrieved 19 April 2021.
- ↑ "Laura Vaughan | Viols and Lirone". Lauravaughan.com. Retrieved 19 April 2021.
- ↑ "Log into Facebook". Facebook.com. Retrieved 19 April 2021.
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Sources
- Erin Headley. "Lirone", Grove Music Online , ed. L. Macy (accessed November 11, 2006), grovemusic.com Archived 2008-05-16 at the Wayback Machine (subscription access).
- John Weretka. "Homer the lironist: P.F. Mola, Art and Music in the Baroque"
- Imke David "Die sechzehn Saiten der italienischen Lira da gamba", orfeo Verlag, 1999, ISBN 3-9806730-0-6
