Hille Perl

Last updated
Hille Pearl and Lee Santana at a concert in the Small Hall of the St. Petersburg Philharmonic. 10.25.2014..jpg Khille Perl i Li Santana na kontserte v Malom zale Sankt-Peterburgskoi filarmonii. 25.10.2014..jpg
Hille Pearl and Lee Santana at a concert in the Small Hall of the St. Petersburg Philharmonic. 10.25.2014..jpg

Hille Perl (born Hildegard Perl born 1965 in Bremen [1] ) is a German virtuoso performer of the viola da gamba and lirone.

Contents

Biography

Her father Helmut Perl was an organist, musicologist and author who specialized in Mozart. [2] [3] She decided to play the viola da gamba after attending a Wieland Kuijken concert when she was five years old. [4] She studied with Niklas Trüstedt (Berlin) [5] and Pere Ros and Ingrid Stampa (Hamburg). [6] Her daughter Marthe Perl (born 1983) [7] and niece Sarah Perl also play viol. [8]

She is considered to be one of the world's finest viola da gamba players, [9] [10] specializing in solo and ensemble music of the 17th and 18th centuries. She has a particular interest in French Baroque repertoire for seven-string bass viola da gamba. She also performs Spanish, Italian, German, and modern repertoire for the instrument and has released many CDs.

Her long-time performing partner is Lee Santana, who plays the lute, theorbo, chitarrone, and baroque guitar. In addition to an original 18th-century gamba made by Matthais Alban in Tyrol, 1687, she plays a seven-string Tielke replica made by Ingo Muthesius and a six-string Italian gamba made by Claus Derenbach.

Her main instrument, the Alban gamba, was discovered in 1952 in an Austrian convent, and was restored by Ingo Muthesius. Muthesius replaced the neck, while retaining the original lion's head scroll and peg box. Claus Derenbach has made a new bridge and fingerboard. The body remains original. Unusually, no sister instrument has been found to date, though the top-wood corresponds with violins surviving from Alban's workshop in Bozen, where he worked with his two sons until 1712. The instrument was bequeathed to Perl in the previous owner's will. [11]

Perl lives with her family on a small farm in Lower Saxony and has been teaching since 2002 as a professor at the University of the Arts Bremen. [1] She has co-founded several ensembles, including the Sirius Viols and Los Otros. [12] She appeared in Michael Haneke's 2017 movie Happy End, playing gamba.

Discography

1990s

2000s

2010s

2020s

Supporting

Perl was a member of The Harp Consort, directed by Andrew Lawrence-King, for a number of years; discography and other information are available there.

Perl has also played substantial parts on a number of other records for which she was not a principal, including the following.

1990s (supporting)

2000s (supporting)

  • Jacob Klein, Six Sonaten für Violoncello op.4. Sonatas 5(a), 2(A), 4(E), 1(B), 3(G), 6(e). Kristin von der Goltz, cello; with Lee Santana, lute. Raumklang RK 06667 (2004)
  • Dépaysements, Willy Merz. Music by Merz on the "artifice of temporalities", for voice and piano (Linda Campanella and Cristina Barbuti), and solo gamba (Perl), contrabassoon (Merz), percussion (Thierry Miroglio), bassoon (Diego Chenna), and viola (Danilo Rossi). Stradivarius STR 33699 (2005)
  • Heinrich Ignaz Biber (1644-1704). Violin sonatas from the Kremsier archive: in c, D, E, g, B, and Ciacona in D; also Georg Muffat (1635-1704)'s Sonata in D. Anton Steck, violin; with Christian Rieger, harpsichord and organ, Lee Santana, archlute and chitarrone. cpo 777 124-2 (2005)
  • Antoine Dard. 6 sonates pour le violoncelle avec la basse continue (1759). Kristin von der Goltz, cello, with Christine Schornsheim, harpsichord. Raumklang RK 2701 (2007)
  • India: Arias, Madrigals and Laments. Music by Sigismondo d'India. Gudrun Anders (soprano), Sigrun Richter (arciliuto and chitarrone); Perl plays lirone as well as gamba. Christophorus CHE1342 (11 August 2008)
  • Venezia 1625: Sonate, Symphonie, Ciaccone, Canzone, & Toccate. Music by G.B. Fontana, M. Uccelini, B. Storace, T. Merula, S. Rossi, D. Castello, A. Piccinini. Maurice Steger, recorder and direction, with Lee Santana (chitarrone), and others. Harmonia Mundi HMC 902024 (2009)
  • Michaelisvesper. Music by Michael Praetorius. Knabenchor Hannover, Jörg Breiding, director. With Hille Perl & the Sirius Viols. Rondeau (2009-01-04)

2010s (supporting)

  • Telemann: Spirituosa. Music by Telemann: Quintet in D (TWV 44:1), sonata in A (TWV 42:A10), sonata in a (TWV42:a5), trio sonatas in G (TWV 42:G7), b (TWV 42:h5), and D (TWV 42:D11), sonate in A (TWV44:35), sonata in A (TWV 40:200), sonata in e (TWV 42:e12). Concerto Melante, with Reinhold Friedrich (trumpet) on the first piece and Perl (gamba) on the second. DHM 88697626632 (2010-08-23)
  • De Profundis. Music by Orazio Benevoli, Michel Godard, Lee Santana, and others. Paul Willenbrock (bass), Michel Godard (serpent), Alain Buet (bass), Philippe Roche (bass), Perl (viol), Lee Santana (chitarrone). Carpe Diem CD16274 (2010-08-24)
  • Italian Madrigals. Music by Heinrich Schütz. Dresdner Kammerchor, Hans-Christoph Rademann, director. With Dorothee Mields, Perl (reportedly playing lute), Sirius Viols, and others. Carus 83.237 (2011-05-16)
  • Knabenchor Hannover (Hanover Boys' Choir). Jörg Breiding, director of music. Music by Monteverdi, Praetorius, Schütz, Hammerschmidt, Buxtehude, Vivaldi, Bach, Mendelssohn, Koerppen, Strohbach, Weiss, Rutter. With the Sirius Viols, Bremer Lautten Chor, Himlische Cantorey, Concerto Palatino, Johann Rosenmüller Ensemble, Musica Alta Ripa, Barockensemble L'Arco, Kammersymphonie Hannover, NDR Radiophilharmonie, Nürnberger Symphoniker. Rondeau Production ROP 7014 (2012)
  • Brandenburgische Konzerte (Brandenburg Concertos). Music by J.S. Bach. Hofkapelle München with Rüdiger Lotter (violin, direction), Dorothee Oberlinger (flute) and Hille and Marthe Perl (gambas). DHM 88765477882 (2013-11-01)
  • Auferstehungshistorie SWV 50 (Carus Schütz-Edition Vol. 9). Music by Heinrich Schütz. Dresdner Kammerchor, Christoph Rademann, director. With Georg Poplutz, Hille Perl, Lee Santana, and others. Carus 83.256 (2014-07-03)
  • Lukaspassion & Die Sieben Worte. Music by Heinrich Schütz. Dresdner Kammerchor, Christoph Rademann, director. With Ulrike Hofbauer, Hille Perl, Lee Santana, and others. Carus 83.253 (2013)
  • Johannes-Passion BWV 245. Music by J.S. Bach. Stuttgart Hymnus Choir Boys and Handel's Company, Rainer Johannes Homburg, director. With Veronika Winter, Franz Vitzthum, Andreas Post, Hille Perl, and others. MDG (2017-01-15)
  • Die Gesamteinspielung Box 1 (Carus Schütz-Edition). Music by Heinrich Schütz. Dresdner Kammerchor, Christoph Rademann, director. With Dorothee Mields, Sarah Perl, Hille Perl, Lee Santana, and others. Carus 83.041, 11 CDs (2016-10-07)
  • Die Gesamteinspielung Box 2 (Carus Schütz-Edition). Music by Heinrich Schütz. Dresdner Kammerchor, Christoph Rademann, director. With Dorothee Mields, Sarah Perl, Hille Perl, Lee Santana, and others. Carus 83.042, 8 CDs (2017-08-20)
  • Secret History. Music by Josquin Desprez and Tomás Luis de Victoria. John Potter (vocals), Anna Maria Friman (vocals), Ariel Abramovich (vihuela), Jacob Heringman (vihuela), Lee Santana (vihuela), Perl (viola da gamba). ECM 4811463 (2017-08-25)
  • St Matthew Passion. Music by J.S. Bach. Bachchor Mainz, Bachorchester Mainz, Ralf Otto, director. With Christian Rathgeber (tenor), Perl (viola da gamba), Sabine Bauer (harpsichord), and others. Naxos 8574036-38 (2019-03-08)

2020s (supporting)

  • The Complete Vocal Works. Music by Jan Pieterszoon Sweelinck. Gesualdo Consort Amsterdam, Harry van der Kamp, conductor. Lee Santana (lute), Bernard Winsemius (organ), Perl (viola da gamba), and others. Originally released 2009-2012; released by note 1 music (17 CDs), 8 424562 224117 (2021)
  • Cantiones Sacrae. Music by Heinrich Schütz. Dresdner Kammerchor, Hans-Christoph Rademann, director. With Frauke Hess (violin), Perl (viola da gama), Lee Santana (theorbo), and others. Carus 5093252 (2021-08-20)
  • Delicacy, Nadine Henrichs. Original works and arrangements for viola from the 18th century. Music by Telemann, Braun, J.S. Bach, and others. Henrichs, viola and arranger, with Péter Barczi (violin), Perl (viola da gamba), Michael Behringer (harpsichord), Annekatrin Beller (violoncello). Carpe Diem CD-16328 (2022)
  • A Day with Suzanne (A Tribute to Leonard Cohen), Joel Frederiksen and Ensemble Phoenix Munich. Covers of several Leonard Cohen songs, sung by Frederiksen, who also plays lute, interspersed with both vocal and instrumental pieces from other centuries, including "Susanne un jour" by Orlando di Lasso and "Adieu mes amours" by Josquin des Prez. Emma-Lisa Roux, voice and lute; Perl, viola da gamba; Domen Marincic, gamba and virginal. DHM 19658725022 (2021)
  • Sonaten für Cello & Bc op.5 Nr.1-6. Music by Francesco Geminiani. Kristin von der Goltz, baroque cello. Perl, viola da gamba; Andreas Küppers, harpsichord; Christoph Dangel, baroque cello; Thomas Boysen, lute and theorbo. cpo 555402-2 (2023)

ORLANDOviols

Starting in 2020, the ORLANDOviols viola da gamba ensemble, of which Perl is a member, began giving online concerts. The players are physically separated, but using the ovbox [14] device and software, can still play and perform together.

Several individual pieces are also available, including three composed by Lee Santana, and one by John Cage.

The ORLANDOviols ensemble: Hille Perl, Frauke Hess, Júlia Vető, Martha Perl, Claas Harders, and Giso Grimm.

Related Research Articles

<span class="mw-page-title-main">Georg Philipp Telemann</span> German Baroque composer (1681–1767)

Georg Philipp Telemann was a German Baroque composer and multi-instrumentalist. He is one of the most prolific composers in history, at least in terms of surviving oeuvre. Telemann was considered by his contemporaries to be one of the leading German composers of the time, and he was compared favourably both to his friend Johann Sebastian Bach, who made Telemann the godfather and namesake of his son Carl Philipp Emanuel, and to George Frideric Handel, whom Telemann also knew personally.

<span class="mw-page-title-main">Viol</span> Bowed, fretted and stringed instrument

The viol, viola da gamba, or informally gamba, is any one of a family of bowed, fretted, and stringed instruments with hollow wooden bodies and pegboxes where the tension on the strings can be increased or decreased to adjust the pitch of each of the strings. Frets on the viol are usually made of gut, tied on the fingerboard around the instrument's neck, to enable the performer to stop the strings more cleanly. Frets improve consistency of intonation and lend the stopped notes a tone that better matches the open strings. Viols first appeared in Spain and Italy in the mid-to-late 15th century, and were most popular in the Renaissance and Baroque (1600–1750) periods. Early ancestors include the Arabic rebab and the medieval European vielle, but later, more direct possible ancestors include the Venetian viole and the 15th- and 16th-century Spanish vihuela, a six-course plucked instrument tuned like a lute that looked like but was quite distinct from the four-course guitar.

<span class="mw-page-title-main">Chaconne</span> Type of musical composition

A chaconne is a type of musical composition often used as a vehicle for variation on a repeated short harmonic progression, often involving a fairly short repetitive bass-line which offers a compositional outline for variation, decoration, figuration and melodic invention. In this it closely resembles the passacaglia. It originates and was particularly popular in the Baroque era; a large number of Chaconnes exist from the 17th- and 18th- centuries.

The trio sonata is a genre, typically consisting of several movements, with two melody instruments and basso continuo. It originated in the early 17th century and was a favorite chamber ensemble combination in the Baroque era.

This is a list of notable events in music that took place in the year 1735.

The year 1730 in music involved some significant events.

The Harp Consort is an international early music ensemble directed by Andrew Lawrence-King, specialising in Baroque opera, early dance-music, and historical World Music.

<span class="mw-page-title-main">Vittorio Ghielmi</span>

Vittorio Ghielmi is an Italian musician, conductor, composer. Compared by critics to Jasha Heifetz ("Diapason") for his virtuosity, and described as "An Alchemist of sound" for the intensity and versatility of his musical interpretations, Vittorio Ghielmi attracted notice while still very young for his new approach to the viola da gamba and to the sound of early music repertoire. His multifaceted training has made him an appreciated and creative musician as well as a sought-after conductor and coach for modern orchestras or orchestras with original instruments. He is Professor for viola da gamba and Head of the Department für Alte Musik at the Mozarteum Universität Salzburg and visiting professor at the Royal College of London. He is graduate at the Università Cattolica di Milano. He was born in Milan, Italy, where as a child he began his study of music with the violin, the double bass and later the viola da gamba and composition. In 1995 he was the winner of the "Concorso Internazionale Romano Romanini per strumenti ad arco" (Brescia). His fieldwork within old musical traditions surviving in forgotten parts of the world and bringing new perspectives to the interpretation of European "early music" led to him being presented the "Erwin Bodky Award" . He studied the viol with Roberto Gini, Wieland Kuijken and Christophe Coin (Paris). Associations with instrument maker, engineer and humanist Luc Breton (CH) as well as with many musicians of non-European traditions have been fundamental to his musical career, creating a deeper reflexion on the nature of sound used in early and modern European tradition . As viola da gamba soloist or conductor, he has appeared with many of the world's most famous orchestras in the fields of both classical and ancient music. He performs since youth recitals in duos with his brother Lorenzo Ghielmi and with the lutenist Luca Pianca, in the most important halls. As soloist or chamber musician, he has shared the stage with artists such as Gustav Leonhardt (duo), Cecilia Bartoli, Andràs Schiff, Thomas Quasthoff, Mario Brunello, Viktoria Mullova, Giuliano Carmignola, Christophe Coin, Reinhard Goebel, Giovanni Antonini, Ottavio Dantone, Enrico Bronzi etc. He is one of the few viola da gamba players regularly invited to appear as a soloist-conductor with orchestra. He has been invited to play in the world première of many new compositions, many of which have been dedicated to him . From 2007 to 2011 he was assistant to Riccardo Muti at the Salzburg festival. In 2007 he conceived with the Argentinian singer Graciela Gibelli and conducted a show, based on Buxtehude's "Membra Jesu Nostri", with the American film maker Marc Reshovsky (Hollywood) and the Swedish choir "Rilke Ensemble" (G.Eriksson); the project was produced by the Semana de musica religiosa de Cuenca (Madrid) and brought later to the Musikfest Stuttgart in 2010. Over three nights in 2009, he gave a performance of Forqueray's complete works for viola da gamba at De Bijloke, Ghent (B). He has been artist in residence at Musikfest Stuttgart 2010, the Segovia festival 2011, and the Bozar Bruxelles 2011. In 2012 he conducted Handel's Water music at the Portogruaro Festival (Venice) with a spectacle on the river Lemene conceived by Monique Arnaud. In 2018 he conducted the Opera Pygmalion by Rameau at the Drottningholms Slottsteater (Stockholm), with the régie of Saburo Teshigawara.; the new conception of this spectacle was so described in the Financial Times : "In their new production for Drottningholm Slottsteater, the Japanese dancer and choreographer Saburo Teshigawaraand Italian conductor and viola da gamba player Vittorio Ghielmi create a genuine masterpiece which combines exquisite music-making with experimental dance and modern lighting effects with the theatre’s unique 18th-century stage technology. Indeed, it is some time since the theatre has been so marvellously and innovatively put to use.“

New Collegium is a baroque orchestra and chamber ensemble based in The Netherlands. The orchestra was founded in 2006 by Brazilian/Italian harpsichordist Claudio Ribeiro.

Desmond John Dupré was an English lutenist, guitarist, gambist and a prominent figure in the 20th century revival of early music. He was known particularly for his recordings on lute and viola da gamba, notably with counter-tenor Alfred Deller.

<span class="mw-page-title-main">Lee Santana</span> American musician and composer

Lee Santana is an American lutenist and composer, resident in Bremen, Germany.

<span class="mw-page-title-main">Ernst Wallfisch</span> Violist, recording artist and pedagogue (1920 - 1979)

Ernst Wallfisch was a prominent viola soloist, recording artist and pedagogue, primarily remembered along with his wife, pianist Lory Wallfisch, as partners of the Wallfisch Duo.

<span class="mw-page-title-main">Sonata in G major for two flutes and basso continuo, BWV 1039</span>

The Sonata in G major for two flutes and basso continuo, BWV 1039, is a trio sonata by Johann Sebastian Bach. It is a version, for a different instrumentation, of the Gamba Sonata, BWV 1027. The first, second and fourth movement of these sonatas also exist as a trio sonata for organ.

<span class="mw-page-title-main">Paris quartets</span> 1730-38 compositions by Georg Philipp Telemann

The Paris quartets is a collective designation for two sets of Chamber music compositions, each consisting of six works for flute, violin, viola da gamba, and continuo, by Georg Philipp Telemann, first published in 1730 and 1738, respectively. Telemann called his two collections Quadri and Nouveaux Quatuors. The collective designation "Paris quartets" was only first bestowed upon them in the second half of the twentieth century by the editors of the Telemann Musikalische Werke, because of their association with Telemann's celebrity visit to Paris in 1737–38. They bear the numbers 43:D1, 43:D3, 43:e1, 43:e4, 43:G1, 43:G4, 43:g1, 43:A1, 43:A3, 43:a2, 43:h1, 43:h2 in the TWV.

The Telemann-Werke-Verzeichnis, abbreviated TWV, is the numbering system identifying compositions by Georg Philipp Telemann, published by musicologist Martin Ruhnke.

<span class="mw-page-title-main">Sonatas for viola da gamba and harpsichord (Bach)</span>

The sonatas for viola da gamba and harpsichord, BWV 1027–1029, are three sonatas composed by Johann Sebastian Bach for viola da gamba and harpsichord. They probably date from the late 1730s and early 1740s.

<span class="mw-page-title-main">12 Fantasias for Viola da Gamba (Telemann)</span>

Georg Philipp Telemann's collection of Twelve Fantasias for Viola da Gamba Solo, TWV 40:26–37, was published in Hamburg in 1735, titled Fantaisies pour la Basse de Violle. The fantasias for viola da gamba were considered lost until an original print was found in a private collection in 2015. They were published by Edition Güntersberg in 2016, and first recorded and performed again by Thomas Fritzsch the same year.

Alice Piérot is a French Baroque violinist.

<span class="mw-page-title-main">Thomas Fritzsch</span> German viol player and musicologist

Thomas Fritzsch is a German viol player and musicologist who has appeared internationally. He has been instrumental in reviving rediscovered music, such as Telemann's 12 Fantasias for Viola da Gamba and works by Carl Friedrich Abel, playing them in concerts and first recordings, and publishing them by Edition Güntersberg. He initiated a music festival in Köthen, Abel's hometown, on the occasion of the composer's tercentenary in 2023.

References

  1. 1 2 "Prof. Hille Perl - Zur Person". Hochschule für Künste Bremen (in German). Retrieved 2023-06-14.
  2. "Sie verblüfft ihre Fans, erfindet sich immer wieder neu". www.kreiszeitung.de (in German). 2017-01-27. Retrieved 2023-06-14.
  3. "Helmut Perl". www.schott-music.com (in German). Retrieved 2023-06-14.
  4. Näher, Sabine (2017-02-02). "Interview Hille Perl - "Das Landleben ist ein herrliches Korrektiv"". concerti.de (in German). Retrieved 2023-06-14.
  5. Aryeh Oron: Hille Perl (Viola da gamba), Bach Cantatas website
  6. Paul Collins God's new man: the election of Benedict XVI and the legacy of John Paul II "(an instrument from the late medieval and Renaissance periods, and the forerunner of the modern cello) and a former professor at Hamburg's Musityiochschule and teacher of one of today's best known viola da gamba players, Hille Perl."
  7. weser-kurier.de. ""Manche denken bei Viola da gamba an Shrimps"". weser-kurier-de (in German). Retrieved 2023-06-14.
  8. "Hille, Marte und Sarah Perl - Kulturfestspiele Schlösser und Gärten der Mark". KulturSchlagLicht (in German). Retrieved 2023-06-14.
  9. "Hille Perl Tanzmusik". www.schlossfestspiele.de (in German). Retrieved 2023-06-14.
  10. "Hille Perl und die Königin der Streichinstrumente". MUSIK HEUTE (in German). 2014-08-30. Retrieved 2023-06-14.
  11. Paraphrased from the liner notes to the 2019 recording of the J.S. Bach flute sonatas, written by Perl.
  12. Projects, Hille Perl website, http://www.hillenet.net/projects/
  13. orlandoviols.de
  14. ORLANDOviols consort box