Hille Perl (born Hildegard Perl born 1965 in Bremen [1] ) is a German virtuoso performer of the viola da gamba and lirone.
Her father Helmut Perl was an organist, musicologist and author who specialized in Mozart. [2] [3] She decided to play the viola da gamba after attending a Wieland Kuijken concert when she was five years old. [4] She studied with Niklas Trüstedt (Berlin) [5] and Pere Ros and Ingrid Stampa (Hamburg). [6] Her daughter Marthe Perl (born 1983) [7] and niece Sarah Perl also play viol. [8]
She is considered to be one of the world's finest viola da gamba players, [9] [10] specializing in solo and ensemble music of the 17th and 18th centuries. She has a particular interest in French Baroque repertoire for seven-string bass viola da gamba. She also performs Spanish, Italian, German, and modern repertoire for the instrument and has released many CDs.
Her long-time performing partner is Lee Santana, who plays the lute, theorbo, chitarrone, and baroque guitar. In addition to an original 18th-century gamba made by Matthais Alban in Tyrol, 1687, she plays a seven-string Tielke replica made by Ingo Muthesius and a six-string Italian gamba made by Claus Derenbach.
Her main instrument, the Alban gamba, was discovered in 1952 in an Austrian convent, and was restored by Ingo Muthesius. Muthesius replaced the neck, while retaining the original lion's head scroll and peg box. Claus Derenbach has made a new bridge and fingerboard. The body remains original. Unusually, no sister instrument has been found to date, though the top-wood corresponds with violins surviving from Alban's workshop in Bozen, where he worked with his two sons until 1712. The instrument was bequeathed to Perl in the previous owner's will. [11]
Perl lives with her family on a small farm in Lower Saxony and has been teaching since 2002 as a professor at the University of the Arts Bremen. [1] She has co-founded several ensembles, including the Sirius Viols and Los Otros. [12] She appeared in Michael Haneke's 2017 movie Happy End, playing gamba.
Perl was a member of The Harp Consort, directed by Andrew Lawrence-King, for a number of years; discography and other information are available there.
Perl has also played substantial parts on a number of other records for which she was not a principal, including the following.
Starting in 2020, the ORLANDOviols viola da gamba ensemble, of which Perl is a member, began giving online concerts. The players are physically separated, but using the ovbox [14] device and software, can still play and perform together.
Several individual pieces are also available, including three composed by Lee Santana, and one by John Cage.
The ORLANDOviols ensemble: Hille Perl, Frauke Hess, Júlia Vető, Martha Perl, Claas Harders, and Giso Grimm.
Georg Philipp Telemann was a German Baroque composer and multi-instrumentalist. He is one of the most prolific composers in history, at least in terms of surviving oeuvre. Telemann was considered by his contemporaries to be one of the leading German composers of the time, and he was compared favourably both to his friend Johann Sebastian Bach, who made Telemann the godfather and namesake of his son Carl Philipp Emanuel, and to George Frideric Handel, whom Telemann also knew personally.
The viol, viola da gamba, or informally gamba, is any one of a family of bowed, fretted, and stringed instruments with hollow wooden bodies and pegboxes where the tension on the strings can be increased or decreased to adjust the pitch of each of the strings. Frets on the viol are usually made of gut, tied on the fingerboard around the instrument's neck, to enable the performer to stop the strings more cleanly. Frets improve consistency of intonation and lend the stopped notes a tone that better matches the open strings. Viols first appeared in Spain and Italy in the mid-to-late 15th century, and were most popular in the Renaissance and Baroque (1600–1750) periods. Early ancestors include the Arabic rebab and the medieval European vielle, but later, more direct possible ancestors include the Venetian viole and the 15th- and 16th-century Spanish vihuela, a six-course plucked instrument tuned like a lute that looked like but was quite distinct from the four-course guitar.
A chaconne is a type of musical composition often used as a vehicle for variation on a repeated short harmonic progression, often involving a fairly short repetitive bass-line which offers a compositional outline for variation, decoration, figuration and melodic invention. In this it closely resembles the passacaglia. It originates and was particularly popular in the Baroque era; a large number of Chaconnes exist from the 17th- and 18th- centuries.
The trio sonata is a genre, typically consisting of several movements, with two melody instruments and basso continuo. It originated in the early 17th century and was a favorite chamber ensemble combination in the Baroque era.
This is a list of notable events in music that took place in the year 1735.
The year 1730 in music involved some significant events.
The Harp Consort is an international early music ensemble directed by Andrew Lawrence-King, specialising in Baroque opera, early dance-music, and historical World Music.
Vittorio Ghielmi is an Italian musician, conductor, composer. Compared by critics to Jasha Heifetz ("Diapason") for his virtuosity, and described as "An Alchemist of sound" for the intensity and versatility of his musical interpretations, Vittorio Ghielmi attracted notice while still very young for his new approach to the viola da gamba and to the sound of early music repertoire. His multifaceted training has made him an appreciated and creative musician as well as a sought-after conductor and coach for modern orchestras or orchestras with original instruments. He is Professor for viola da gamba and Head of the Department für Alte Musik at the Mozarteum Universität Salzburg and visiting professor at the Royal College of London. He is graduate at the Università Cattolica di Milano. He was born in Milan, Italy, where as a child he began his study of music with the violin, the double bass and later the viola da gamba and composition. In 1995 he was the winner of the "Concorso Internazionale Romano Romanini per strumenti ad arco" (Brescia). His fieldwork within old musical traditions surviving in forgotten parts of the world and bringing new perspectives to the interpretation of European "early music" led to him being presented the "Erwin Bodky Award" . He studied the viol with Roberto Gini, Wieland Kuijken and Christophe Coin (Paris). Associations with instrument maker, engineer and humanist Luc Breton (CH) as well as with many musicians of non-European traditions have been fundamental to his musical career, creating a deeper reflexion on the nature of sound used in early and modern European tradition . As viola da gamba soloist or conductor, he has appeared with many of the world's most famous orchestras in the fields of both classical and ancient music. He performs since youth recitals in duos with his brother Lorenzo Ghielmi and with the lutenist Luca Pianca, in the most important halls. As soloist or chamber musician, he has shared the stage with artists such as Gustav Leonhardt (duo), Cecilia Bartoli, Andràs Schiff, Thomas Quasthoff, Mario Brunello, Viktoria Mullova, Giuliano Carmignola, Christophe Coin, Reinhard Goebel, Giovanni Antonini, Ottavio Dantone, Enrico Bronzi etc. He is one of the few viola da gamba players regularly invited to appear as a soloist-conductor with orchestra. He has been invited to play in the world première of many new compositions, many of which have been dedicated to him . From 2007 to 2011 he was assistant to Riccardo Muti at the Salzburg festival. In 2007 he conceived with the Argentinian singer Graciela Gibelli and conducted a show, based on Buxtehude's "Membra Jesu Nostri", with the American film maker Marc Reshovsky (Hollywood) and the Swedish choir "Rilke Ensemble" (G.Eriksson); the project was produced by the Semana de musica religiosa de Cuenca (Madrid) and brought later to the Musikfest Stuttgart in 2010. Over three nights in 2009, he gave a performance of Forqueray's complete works for viola da gamba at De Bijloke, Ghent (B). He has been artist in residence at Musikfest Stuttgart 2010, the Segovia festival 2011, and the Bozar Bruxelles 2011. In 2012 he conducted Handel's Water music at the Portogruaro Festival (Venice) with a spectacle on the river Lemene conceived by Monique Arnaud. In 2018 he conducted the Opera Pygmalion by Rameau at the Drottningholms Slottsteater (Stockholm), with the régie of Saburo Teshigawara.; the new conception of this spectacle was so described in the Financial Times : "In their new production for Drottningholm Slottsteater, the Japanese dancer and choreographer Saburo Teshigawaraand Italian conductor and viola da gamba player Vittorio Ghielmi create a genuine masterpiece which combines exquisite music-making with experimental dance and modern lighting effects with the theatre’s unique 18th-century stage technology. Indeed, it is some time since the theatre has been so marvellously and innovatively put to use.“
New Collegium is a baroque orchestra and chamber ensemble based in The Netherlands. The orchestra was founded in 2006 by Brazilian/Italian harpsichordist Claudio Ribeiro.
Desmond John Dupré was an English lutenist, guitarist, gambist and a prominent figure in the 20th century revival of early music. He was known particularly for his recordings on lute and viola da gamba, notably with counter-tenor Alfred Deller.
Lee Santana is an American lutenist and composer, resident in Bremen, Germany.
Ernst Wallfisch was a prominent viola soloist, recording artist and pedagogue, primarily remembered along with his wife, pianist Lory Wallfisch, as partners of the Wallfisch Duo.
The Sonata in G major for two flutes and basso continuo, BWV 1039, is a trio sonata by Johann Sebastian Bach. It is a version, for a different instrumentation, of the Gamba Sonata, BWV 1027. The first, second and fourth movement of these sonatas also exist as a trio sonata for organ.
The Paris quartets is a collective designation for two sets of Chamber music compositions, each consisting of six works for flute, violin, viola da gamba, and continuo, by Georg Philipp Telemann, first published in 1730 and 1738, respectively. Telemann called his two collections Quadri and Nouveaux Quatuors. The collective designation "Paris quartets" was only first bestowed upon them in the second half of the twentieth century by the editors of the Telemann Musikalische Werke, because of their association with Telemann's celebrity visit to Paris in 1737–38. They bear the numbers 43:D1, 43:D3, 43:e1, 43:e4, 43:G1, 43:G4, 43:g1, 43:A1, 43:A3, 43:a2, 43:h1, 43:h2 in the TWV.
The Telemann-Werke-Verzeichnis, abbreviated TWV, is the numbering system identifying compositions by Georg Philipp Telemann, published by musicologist Martin Ruhnke.
The sonatas for viola da gamba and harpsichord, BWV 1027–1029, are three sonatas composed by Johann Sebastian Bach for viola da gamba and harpsichord. They probably date from the late 1730s and early 1740s.
Georg Philipp Telemann's collection of Twelve Fantasias for Viola da Gamba Solo, TWV 40:26–37, was published in Hamburg in 1735, titled Fantaisies pour la Basse de Violle. The fantasias for viola da gamba were considered lost until an original print was found in a private collection in 2015. They were published by Edition Güntersberg in 2016, and first recorded and performed again by Thomas Fritzsch the same year.
Alice Piérot is a French Baroque violinist.
Thomas Fritzsch is a German viol player and musicologist who has appeared internationally. He has been instrumental in reviving rediscovered music, such as Telemann's 12 Fantasias for Viola da Gamba and works by Carl Friedrich Abel, playing them in concerts and first recordings, and publishing them by Edition Güntersberg. He initiated a music festival in Köthen, Abel's hometown, on the occasion of the composer's tercentenary in 2023.