Magnus Gustaf Adolf Lindberg (born 27 June 1958) [1] is a Finnish composer and pianist. He was the New York Philharmonic's composer-in-residence from 2009 to 2012 and the London Philharmonic Orchestra's composer-in-residence from 2014 to 2017.
Magnus Gustaf Adolf Lindberg (born 27 June 1958) [1] is a Finnish composer and pianist. He was the New York Philharmonic's composer-in-residence from 2009 to 2012 and the London Philharmonic Orchestra's composer-in-residence from 2014 to 2017.
Lindberg was born in Helsinki, where he studied at the Sibelius Academy under Einojuhani Rautavaara and Paavo Heininen, beginning with piano. He attended summer courses in Siena (with Franco Donatoni) and Darmstadt (with Brian Ferneyhough). After graduating in 1981, he traveled widely in Europe, attending private studies with Vinko Globokar and Gérard Grisey in Paris, and observing Japanese drumming and punk rock in Berlin.
Lindberg's juvenilia include the large orchestral work Donor, composed at age 16. Quintetto dell’Estate (1979) is generally held to be Lindberg's first opus. His first piece performed by a professional orchestra was Sculpture II in 1982, the second part of a trilogy whose first and third sections were long unwritten. His first great success came with "Action-Situation-Signification" (1982), the first work in which he explored musique concrète . This piece was written for and premiered by the new-music ensemble Toimii ("It Works" in Finnish), which Lindberg founded in the summer of 1980. Around the same period, Lindberg founded an informal grouping known as the Ears Open Society including Lindberg and his contemporaries Eero Hämeenniemi, Jouni Kaipainen, Kaija Saariaho, Esa-Pekka Salonen and Herman Rechberger. [2] He is a trained pianist and has performed several of his works as part of Toimii.
Kraft (1983–85), another piece written for Toimii, is Lindberg's largest work to date, with harmonies of over 70 notes and a meter-high score. It uses traditional instrumentation as well as percussion on scrap metal and spoken word. After finishing it Lindberg found it hard to compose, and with the exception of 1986's Ur, which he called "Kraft in chamber form", he entered a creative hiatus that lasted over two years. During this time he was not only rethinking his style but also recovering from a tropical disease contracted during travel in Indonesia.
Kraft made use of a chaconne-type structure where the progression of the piece is based on a repeated chain of chords. It was this idea that served as the basis for Lindberg's next style. He returned with an orchestral trilogy consisting of Kinetics (1988), Marea (1989–90), and Joy (1990). Though Lindberg became less interested in electronic manipulation of sound, he continued to explore the possibilities of compositional software, and Engine displays complex computer-generated counterpoint. Since Joy, Lindberg has gradually refined his style, orchestrations and harmonies. This showed itself first in Corrente for chamber ensemble (1992) and its subsequent orchestral version, Corrente II, and in Duo Concertante (1992). In these works Lindberg showed influences ranging from Pierre Boulez and Tristan Murail to Igor Stravinsky and minimalism. His symphonic work Aura (1994) reflects a newer, more eclectic style.
Lindberg has since built upon these developments, further refining his style, which now leans toward a type of new tonality hinted at in works such as Joy and Aura. This development has culminated in one of his most popular scores to date, his Clarinet Concerto (2002), which has a folk-like melody and rich orchestration. His recent work, Two Episodes, was premiered at the BBC Proms on 24 July 2016. It is a companion piece to Beethoven's Ninth Symphony, containing allusions to both the symphony and other works by the composer, rather in the same way that I.M. Pei's Louvre Pyramid complements the Tuileries Palace in Paris. [3]
Lindberg has received a number of composition prizes, including the Prix Italia (1986), the UNESCO International Rostrum of Composers (1986), the Nordic Council Music Prize (1988) for Kraft, and the Royal Philharmonic Society Prize for large-scale composition (1992).
Lindberg became the new composer-in-residence at the New York Philharmonic for the 2009–2010 season at the invitation of the incoming music director Alan Gilbert. [4] The Philharmonic's September 2009 opening night gala, which was Gilbert's debut as music director, featured a well-received new work by Lindberg, EXPO . [5] Lindberg's fourth and final commission as composer-in-residence was the Piano Concerto No. 2, which was premiered on 3 May 2012. [6] [7]
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Souvenir is a composition for chamber orchestra by the Finnish composer Magnus Lindberg. The work was commissioned by the New York Philharmonic, for which Lindberg was then composer-in-residence. It was given its world premiere on November 19, 2010 at Symphony Space, New York City, by the New York Philharmonic under the direction of Alan Gilbert. The piece was written in memoriam for Lindberg's friend and fellow composer Gérard Grisey.
Kraft is a composition for solo ensemble, electronics, and orchestra by the Finnish composer Magnus Lindberg. The work was commissioned by the Helsinki Festival and was first performed on September 4, 1985 by the Toimii ensemble and the Finnish Radio Symphony Orchestra under the direction of Esa-Pekka Salonen. The piece was awarded the International Rostrum of Composers in 1986 and won the Nordic Council Music Prize in 1988.
The Concerto for Piano and Orchestra is the first piano concerto by the Finnish composer Magnus Lindberg. The work was commissioned by the Helsinki Festival on September 4, 1991 and completed in 1994. It is dedicated to the pianist Paul Crossley.
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