Kraft is a composition for solo ensemble, electronics, and orchestra by the Finnish composer Magnus Lindberg. The work was commissioned by the Helsinki Festival and was first performed on September 4, 1985 by the Toimii ensemble and the Finnish Radio Symphony Orchestra under the direction of Esa-Pekka Salonen. The piece was awarded the International Rostrum of Composers in 1986 and won the Nordic Council Music Prize in 1988. [1]
An orchestra is a large instrumental ensemble typical of classical music, which combines instruments from different families, including bowed string instruments such as the violin, viola, cello, and double bass, brass instruments such as the horn, trumpet, trombone and tuba, woodwinds such as the flute, oboe, clarinet and bassoon, and percussion instruments such as the timpani, bass drum, triangle, snare drum and cymbals, each grouped in sections. Other instruments such as the piano and celesta may sometimes appear in a fifth keyboard section or may stand alone, as may the concert harp and, for performances of some modern compositions, electronic instruments.
Magnus Gustaf Adolf Lindberg is a Finnish composer and pianist. He was the New York Philharmonic's composer-in-residence from 2009 to 2012 and has been the London Philharmonic Orchestra's composer-in-residence since the beginning of the 2014–15 season.
The Helsinki Festival is the largest multi-arts festival in Finland. It is also called Finland's biggest cultural event in terms of visitors. In 2015, around 295,000 people visited the Helsinki Festival.
Kraft has a duration of approximately 25 minutes and is composed in two numbered movements. It was composed between 1983 and 1985. Lindberg described the electronic elements of the piece in the score program notes, writing:
A movement is a self-contained part of a musical composition or musical form. While individual or selected movements from a composition are sometimes performed separately, a performance of the complete work requires all the movements to be performed in succession. A movement is a section, "a major structural unit perceived as the result of the coincidence of relatively large numbers of structural phenomena".
A unit of a larger work that may stand by itself as a complete composition. Such divisions are usually self-contained. Most often the sequence of movements is arranged fast-slow-fast or in some other order that provides contrast.
All the musical material of the piece has been prepared with a micro-computer, with programmes written in FORTH allowing a very flexible control of rhythm and chord processes. The programme is based on a formalization of rules for creation of rhythmic events, gestures and temporal processes, and an environment allowing a graphical output for metric notation. Similar rule-based programmes control the creation of harmonic material by a comparison to previously defined and accepted chordal successions given by the composer.
He added, "The control of amplification and spatialization of the soloists during the performance is done with an application written in PreFORM and running on a Macintosh computer allowing a precise control of movement in the hall in real time." [1]
The Macintosh is a family of personal computers designed, manufactured, and sold by Apple Inc. since January 1984. The original Macintosh was the first mass-market personal computer that featured a graphical user interface, built-in screen and mouse. Apple sold the Macintosh alongside its popular Apple II family of computers for almost ten years before they were discontinued in 1993.
The work is scored for an ensemble of soloists and a large orchestra consisting of four flutes (4th doubling piccolo), alto flute, three oboes, cor anglais, three clarinets (doubling E-flat clarinet), bass clarinet, alto saxophone, three bassoons, contrabassoon, four horns, four trumpets, four trombones, tuba, four percussionists, two harps, piano (doubling celesta), and strings. The soloists comprise a clarinet (doubling E-flat clarinet, bass clarinet, and contrabass clarinet), two percussionists, piano, cello, a sound controller, and the conductor; these soloists must from time to time leave the stage to play an assortment of junkyard percussion instruments or perform various other extended techniques. [1]
The Western concert flute is a transverse (side-blown) woodwind instrument made of metal or wood. It is the most common variant of the flute. A musician who plays the flute is called a flautist, flutist, flute player, or (rarely) fluter.
The piccolo is a half-size flute, and a member of the woodwind family of musical instruments. The modern piccolo has most of the same fingerings as its larger sibling, the standard transverse flute, but the sound it produces is an octave higher than written. This gave rise to the name ottavino, which the instrument is called in the scores of Italian composers. It is also called flauto piccolo or flautino.
The alto flute is a type of Western concert flute, a musical instrument in the woodwind family. It is the next extension downward of the C flute after the flûte d'amour. It is characterized by its distinct, mellow tone in the lower portion of its range. It is a transposing instrument in G, and uses the same fingerings as the C flute.
Kraft has been highly praised by music critics. Reviewing the New York City premiere, Anthony Tommasini of The New York Times called it "a sound barrage for large orchestra" and wrote, "Though Kraft bustles with heady, impish music, it is a brilliant, serious-minded contemporary work." Tommasini continued, "Kraft begins with spasms of thick chords that slowly disintegrate, until only scraggly lines for cello and clarinet are audible. The piece evolves in blocks of sound and constantly changing episodes. At one point there is a kind of fractured chorale, full of brassy slides and swelling strings. At another, the music erupts in slashing bursts that dissolve into gentle gong tones coming from all around the hall, almost like pagoda music." He added, "Though Mr. Lindberg devised the rhythmic relationships in Kraft through mathematical formulas, I could believe that he had written the piece intuitively, since it comes across as spontaneous and keeps you wondering what will happen next." [2]
The City of New York, usually called either New York City (NYC) or simply New York (NY), is the most populous city in the United States. With an estimated 2017 population of 8,622,698 distributed over a land area of about 302.6 square miles (784 km2), New York is also the most densely populated major city in the United States. Located at the southern tip of the state of New York, the city is the center of the New York metropolitan area, the largest metropolitan area in the world by urban landmass and one of the world's most populous megacities, with an estimated 20,320,876 people in its 2017 Metropolitan Statistical Area and 23,876,155 residents in its Combined Statistical Area. A global power city, New York City has been described as the cultural, financial, and media capital of the world, and exerts a significant impact upon commerce, entertainment, research, technology, education, politics, tourism, art, fashion, and sports. The city's fast pace has inspired the term New York minute. Home to the headquarters of the United Nations, New York is an important center for international diplomacy.
Anthony "Tony" Tommasini is chief music critic for The New York Times, and has authored three books.
The New York Times is an American newspaper based in New York City with worldwide influence and readership. Founded in 1851, the paper has won 127 Pulitzer Prizes, more than any other newspaper. The Times is ranked 17th in the world by circulation and 2nd in the U.S.
Nick Kimberley of The Observer also praised the work, observing, "Its circus aspects at all times served the musical logic. The initial sonic cataclysm splinters into tiny, often barely audible fragments that Lindberg then reassembles. A bridging episode for flutes and percussion radiates stillness before Lindberg fashions a final cathartic explosion." [3] Ivan Hewett of BBC Music Magazine similarly opined, "Magnus Lindberg is a composer who likes extremes. Whenever his music visits the middle range of gesture and dynamic, you can be pretty sure that it’s only a stage on some compelling journey to the outer regions, either of high, whispering delicacy, or of growling, brass- and gong-coloured tumult. His idiom is revealed at its most persuasive in his orchestral piece Kraft." [4] The music critic Andrew Clements remarked, "With explosive gestures, vivid sonorities and a huge battery of percussion arrayed around the auditorium, Kraft still packs a powerful punch, though now it appears more generalised and less discriminating in its harmonic organisation than later Lindberg." [5]
The Observer is a British newspaper published on Sundays. In the same place on the political spectrum as its sister papers The Guardian and The Guardian Weekly, whose parent company Guardian Media Group Limited acquired it in 1993, it takes a social liberal or social democratic line on most issues. First published in 1791, it is the world's oldest Sunday newspaper.
BBC Music Magazine is a monthly magazine. The first issue appeared in June 1992. BBC Worldwide, the commercial subsidiary of the BBC was the original owner and publisher together with the Warner Music Enterprises during its initial phase. Immediate Media Company has been the publisher since 2012.
However, Arnold Whittall of Gramophone gave the work only lukewarm marks, saying, "...despite the bravura of the confrontations it contrives between the orchestra (with electronics in attendance) and a team of clarinet, cello, piano and percussion soloists, the effect remains unashamedly earth-bound: sometimes dense to the point of congestion, other times highly fragmented, but not quite coming into focus in the way the more regular rhythmic patterns and rooted harmonic processes of the later works make possible." [6]
A concerto is a musical composition generally composed of three movements, in which, usually, one solo instrument is accompanied by an orchestra or concert band. It is accepted that its characteristics and definition have changed over time. In the 17th century, sacred works for voices and orchestra were typically called concertos, as reflected by J. S. Bach's usage of the title "concerto" for many of the works that we know as cantatas.
Esa-Pekka Salonen is a Finnish orchestral conductor and composer. He is principal conductor and artistic advisor of the Philharmonia Orchestra in London, conductor laureate of the Los Angeles Philharmonic, and music director-designate of the San Francisco Symphony.
Toimii is an ensemble for new music founded in the spring of 1980 by Finnish composer Magnus Lindberg with several other young composers and instrumentalists connected with the Sibelius Academy. Along with the new-music appreciation group Korvat auki, it did much to bring new music to listeners in Finland in the 1980s and 1990s.
The International Rostrum of Composers (IRC) is an annual forum organized by the International Music Council that offers broadcasting representatives the opportunity to exchange and publicize pieces of contemporary classical music. It is funded by contributions from participating national radio networks.
Peter Lieberson was an American classical composer.
Jukka Tiensuu is a Finnish contemporary classical composer, harpsichordist, pianist and conductor.
The Piano Concerto is a concerto for solo piano and orchestra in three movements by the Finnish composer Esa-Pekka Salonen. The work was jointly commissioned by the New York Philharmonic, the BBC, the NDR Symphony Orchestra, and Radio France. It was premiered February 1, 2007 in Avery Fisher Hall, New York City, with Salonen conducting the pianist Yefim Bronfman and the New York Philharmonic. Salonen dedicated the piece to Yefim Bronfman.
The Flute Concerto is a composition for solo flute and orchestra by the American composer Elliott Carter. The work was commissioned by Elena Bashkirova for the Jerusalem International Chamber Music. Carter began the composition in September 2007 and completed it in March 2008 at the age of 99. The piece was first performed at the Jerusalem International YMCA on September 9, 2008 by the flutist Emmanuel Pahud and the Jerusalem International Chamber Music Ensemble under the conductor Daniel Barenboim.
The Asko Concerto is a concerto for chamber orchestra by the American composer Elliott Carter. The work was commissioned by the Dutch chamber group Asko Ensemble, for which the piece is titled. It was composed in January 2000 and was first performed in Concertgebouw, Amsterdam on April 26, 2000, by the Asko ensemble under the conductor Oliver Knussen. The piece is dedicated to Asko/Schönberg.
The Cello Concerto No. 2 is the second cello concerto by the Finnish composer Magnus Lindberg. It was commissioned by the Los Angeles Philharmonic in June 2013 to fill the planned premiere date of Oliver Knussen's then delayed Cello Concerto. The work was first performed in the Walt Disney Concert Hall, Los Angeles, on October 18, 2013 by the Finnish cellist Anssi Karttunen and the Los Angeles Philharmonic under the direction of Esa-Pekka Salonen.
Souvenir is a composition for chamber orchestra by the Finnish composer Magnus Lindberg. The work was commissioned by the New York Philharmonic, for which Lindberg was then composer-in-residence. It was given its world premiere on November 19, 2010 at Symphony Space, New York City, by the New York Philharmonic under the direction of Alan Gilbert. The piece was written in memoriam for Lindberg's friend and fellow composer Gérard Grisey.
The Concerto for Orchestra is an orchestral composition by the Finnish composer Magnus Lindberg. The work was commissioned by the BBC and was composed between 2002 and 2003. It was given its world premiere by the BBC Symphony Orchestra under the direction of Jukka-Pekka Saraste on September 30, 2003 at the Barbican Centre, London.
The Cello Concerto No. 1 is a composition for solo cello and orchestra by the Finnish composer Magnus Lindberg. It was first performed in the Cité de la Musique, Paris on May 6, 1999 by the cellist Anssi Karttunen and the Orchestre de Paris under the direction of Esa-Pekka Salonen.
The Concerto for Piano and Orchestra is the first piano concerto by the Finnish composer Magnus Lindberg. The work was commissioned by the Helsinki Festival on September 4, 1991 and completed in 1994. It is dedicated to the pianist Paul Crossley.
Fresco is an orchestral composition by the Finnish composer Magnus Lindberg. The work was commissioned by the Los Angeles Philharmonic. Its world premiere was given in Los Angeles on March 12, 1998 by the Los Angeles Philharmonic under the direction of Esa-Pekka Salonen, to whom the piece is dedicated.
Sculpture is an orchestral composition by the Finnish composer Magnus Lindberg. The music was commissioned by the Los Angeles Philharmonic with support from the Koussevitzky Music Foundation to celebrate the orchestra's inaugural season at the Walt Disney Concert Hall. Its world premiere was given by the Los Angeles Philharmonic under the direction of Esa-Pekka Salonen on October 6, 2005.
Parada is an orchestral composition by the Finnish composer Magnus Lindberg. The piece was composed for the music festival Related Rocks which celebrates the works of Lindberg and related composers. Its world premiere was given at The Anvil, Basingstoke on February 6, 2002 by the Philharmonia Orchestra under the direction of Esa-Pekka Salonen, to whom the work is dedicated.
Cantigas is an orchestral composition by the Finnish composer Magnus Lindberg. The work was commissioned by the Cleveland Orchestra and was composed between 1998 and early 1999. Its world premiere was performed in Cleveland by the Cleveland Orchestra under the direction of Christoph von Dohnányi on April 1, 1999.
The Cello Concerto is a composition for cello and orchestra by the Finnish composer Esa-Pekka Salonen. The work was co-commissioned by the Chicago Symphony Orchestra, the New York Philharmonic, the Barbican Centre, and the Elbphilharmonie. It was completed in 2017 and was first performed by the cellist Yo-Yo Ma and the Chicago Symphony Orchestra under the direction of Salonen on March 9, 2017. The piece is dedicated to Yo-Yo Ma.