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Arnold Morgan Whittall (born 11 November 1935) is a British musicologist, Emeritus Professor of Musical Theory and Analysis at King's College London. His academic work, including books and articles in academic journals such as Music & Letters, focuses on the theory and analysis of music, modernism in music of the 20th and 21st centuries, and musical style and structure in the works of Richard Wagner. He has also for over 60 years written extensively about new music in non-academic journals such as The Musical Times.[1]
At Nottingham in the late 1960s Whittall had pioneered an MA degree course in Contemporary Music (e.g. Lutyens, Messiaen) with emphasis on analysis, which he further developed at MA level at Cardiff. In 1975 he was appointed Reader in Music,[8] and from 1982 Professor of Musical Theory and Analysis, at King's College London.[9] He taught for the MMus degree in Music Analysis,[10] and supervised PhD dissertations, as well as contributing to undergraduate courses. That year, Whittall and Jonathan Dunsby founded the journal Music Analysis, with Dunsby as the founding editor.[11][12]
In 1985 Whittall was a Visiting Professor at Yale University. He retired from King’s College in 1996;[13] but continued part-time teaching there until 2012.
Works
Whittall has written 12 books on aspects of music, many articles for scholarly journals, numerous reviews of publications, performances and recordings. He has served for many years as music adviser to Cambridge University Press and as editor of two of its book series.[14]
Since the 1960s, he has contributed extensively to musicology through the publication of books, articles and provided chapters to multi-authored books.[15] Whittall's initial publications focussed on Benjamin Britten before shifting to 20th-century music more generally. Other publications have addressed key discussions within musicology such as semiotics and modernisms; while others are focussed on the music of specific composers such as Anton Webern, Pierre Boulez, Thomas Adès, and Howard Skempton.
Among his contributions to public musicology were his many broadcasts for the BBC Radio 3"College Concerts" series (1977–1983), introducing contemporary Western art music to radio audiences, and he has continued his public advocacy for successive generations of contemporary classical composers into the 2020s. He also collaborated with his wife, the late Mary Whittall, in her translation of books on music from German.[16]
Books
Schoenberg Chamber Music. London: British Broadcasting Corporation, 1972.[17][18]
Music since the First World War. London: Dent, 1977.[18]
The Music of Britten and Tippett – Studies in Themes and Techniques. Cambridge: Cambridge University Press, 1982[19]
Romantic Music: a concise history from Schubert to Sibelius. London: Thames and Hudson, 1987[18][20]
Whittall, Arnold. "Music under the Sign of Modernism: From Wagner to Boulez, and Britten". In The Dawn of Music Semiology: Essays in Honor of Jean-Jacques Nattiez, edited by Jonathan Dunsby, 97-116. Woodbridge: Boydell and Brewer, 2017.
Whittall, Arnold. "'Subtle Shifts': Howard Skempton's Twenty-First-Century Modernism". Tempo 72, Issue 284 (2018): 7-19.
Whittall, Arnold. "Adès at 50: Precarious Poise". Tempo 75, Issue 298 (2021): 10-19.
↑ Whittall, Arnold (1987). Romantic Music: A Concise History from Schubert to Sibelius: with 51 Illustrations. Thames and Hudson. ISBN978-0-500-20215-9.
↑ Dunsby, Jonathan; Whittall, Arnold (1988). Music Analysis in Theory and Practice. Faber. ISBN978-0-571-10069-9.
↑ Whittall, Arnold (1999). Musical Composition in the Twentieth Century. Oxford University Press.
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