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John Dunstaple was an English composer whose music helped inaugurate the transition from the medieval to the Renaissance periods. The central proponent of the Contenance angloise style,Dunstaple was the leading English composer of his time,and is often coupled with William Byrd and Henry Purcell as England's most important early music composers. His surviving music is exclusively vocal,and frequently uses isorhythms,while pioneering the prominent use of harmonies with thirds and sixths. His style would have an immense influence on the subsequent music of continental Europe,inspiring composers such as Du Fay,Binchois,Ockeghem and Busnois.
Jehan de Lescurel was a composer-poet of late medieval music. Jehan's extensive surviving oeuvre is an important and rare examples of the formes fixes before the time of Guillaume de Machaut;it consists of 34 works:20 ballades,12 rondeaus and two long narrative poems,diz entés. All but one of his compositions is monophonic,representing the end of the trouvère tradition and the beginning of the polyphonic ars nova style centered around the formes fixes.
Isorhythm is a musical technique using a repeating rhythmic pattern,called a talea,in at least one voice part throughout a composition. Taleae are typically applied to one or more melodic patterns of pitches or colores,which may be of the same or a different length from the talea.
Philippe de Vitry was a French composer-poet,bishop and music theorist in the ars nova style of late medieval music. An accomplished,innovative,and influential composer,he was widely acknowledged as a leading musician of his day,with Petrarch writing a glowing tribute,calling him:"... the keenest and most ardent seeker of truth,so great a philosopher of our age." The important music treatise Ars nova notandi (1322) is usually attributed to Vitry.
Ars nova refers to a musical style which flourished in the Kingdom of France and its surroundings during the Late Middle Ages. More particularly,it refers to the period between the preparation of the Roman de Fauvel (1310s) and the death of composer Guillaume de Machaut in 1377. The term is sometimes used more generally to refer to all European polyphonic music of the fourteenth century. For instance,the term "Italian ars nova" is sometimes used to denote the music of Francesco Landini and his compatriots,although Trecento music is the more common term for the contemporary 14th-century music in Italy. The "ars" in "ars nova" can be read as "technique",or "style". The term was first used in two musical treatises,titled Ars novae musicae by Johannes de Muris,and a collection of writings attributed to Philippe de Vitry often simply called "Ars nova" today. Musicologist Johannes Wolf first applied to the term as description of an entire era in 1904.
Ars subtilior is a musical style characterized by rhythmic and notational complexity,centered on Paris,Avignon in southern France,and also in northern Spain at the end of the fourteenth century. The style also is found in the French Cypriot repertory. Often the term is used in contrast with ars nova,which applies to the musical style of the preceding period from about 1310 to about 1370;though some scholars prefer to consider ars subtilior a subcategory of the earlier style. Primary sources for ars subtilior are the Chantilly Codex,the Modena Codex,and the Turin Manuscript.
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Franco of Cologne was a German music theorist and possibly a composer. He was one of the most influential theorists of the Late Middle Ages,and was the first to propose an idea which was to transform musical notation permanently:that the duration of any note should be determined by its appearance on the page,and not from context alone. The result was Franconian notation,described most famously in his Ars cantus mensurabilis.
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Johannes de Muris,or John of Murs,was a French mathematician,astronomer,and music theorist best known for treatises on the ars nova musical style,titled Ars nove musice.
Byttering was an English composer during the stylistic transitional from medieval to Renaissance music. Five of his compositions have survived in the Old Hall Manuscript,where the musicologist Peter Wright contends they "form a small yet distinctive corpus of work notable for its technical ambition and musical accomplishment".
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The Lambeth Choirbook –also known as the Arundel Choirbook –is an illuminated choirbook dating to the sixteenth century. It contains music for 7 Masses,4 Magnificats,and 8 motets. Much of the music is by Tudor-period composers. The major contributors are Robert Fayrfax and Nicholas Ludford;between them they contributed at least ten of its nineteen pieces. Only three of Fayrfax's works have his name attached to them,but five other pieces are known as his;these,along with two by Ludford,are known from concordances in the Caius Choirbook and other manuscripts. Seven anonymous pieces exist in the book:
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(Thomas?) Damett was an English composer during the stylistic transitional from medieval to Renaissance music.
David Fallows is an English musicologist specializing in music of the late Middle Ages and early Renaissance,as well as the performance practice of music. He is a leader in fifteenth-century music studies,particularly secular song,Guillaume Dufay,and Josquin des Prez,both the subject of landmark biographies Fallows has written.
Gilbert Reaney was an English musicologist who specialized in medieval and Renaissance music,theory and literature. Described as "one of the most prolific and influential musicologists of the past century",Reaney made significant contributions to his fields of expertise,particularly on the life and works of Guillaume de Machaut,as well as medieval music theory.
The American Institute of Musicology (AIM) is a musicological organization that researches,promotes and produces publications on early music. Founded in 1944 by Armen Carapetyan,the AIM's chief objective is the publication of modern editions of medieval,Renaissance and early Baroque compositions and works of music theory. Among the series it produces are the Corpus mensurabilis musicae (CMM),Corpus Scriptorum de Musica (CSM) and Corpus of Early Keyboard Music (CEKM). In CMM specifically,the AIM has published the entire surviving oeuvres of a considerable amount of composers,most notably the complete works of Guillaume de Machaut and Guillaume Du Fay,among many others. The CSM,which focuses on music theory,has published the treatises of important theorists such as Guido of Arezzo and Jean Philippe Rameau. The breadth and quality of publications produced by the AIM constitutes a central contribution to the study,practice and performance of early music.
References
- ↑ "Margaret Bent | Oxford University Faculty of Music". music.ox.ac.uk. University of Oxford.
- ↑ diamm.ac.uk
- ↑ Frank Llewellyn Harrison Medal of the Society for Musicology, musicologyireland.com; accessed 22 July 2015.
- 1 2 "Book of Members, 1780–2010: Chapter B" (PDF). American Academy of Arts and Sciences. Retrieved 15 June 2011.
- ↑ "APS Member History". search.amphilsoc.org. Retrieved 17 March 2021.
- ↑ "Academics shine in New Year's honours". Times Higher Education. 4 January 2008. Retrieved 30 April 2016.
