Led Zeppelin II

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Led Zeppelin II
Led Zeppelin - Led Zeppelin II.jpg
Studio album by
Released22 October 1969 (1969-10-22)
RecordedApril–August 1969
Label Atlantic
Producer Jimmy Page
Led Zeppelin chronology
Led Zeppelin
Led Zeppelin II
Led Zeppelin III
Singles from Led Zeppelin II
  1. "Whole Lotta Love" / "Living Loving Maid (She's Just A Woman)"
    Released: 7 November 1969 (US)

Led Zeppelin II is the second album by the English rock band Led Zeppelin, released on 22 October 1969 in the United States and on 31 October 1969 in the United Kingdom by Atlantic Records. Recording sessions for the album took place at several locations in both the United Kingdom and North America from January to August 1969. The album's production was credited to the band's lead guitarist and songwriter Jimmy Page, and it was also Led Zeppelin's first album on which Eddie Kramer served as engineer. It was entirely recorded using the core band members, Page (guitar), Robert Plant (vocals, harmonica), John Paul Jones (bass, keyboards) and John Bonham (drums).

Album collection of recorded music, words, sounds

An album is a collection of audio recordings issued as a collection on compact disc (CD), vinyl, audio tape, or another medium. Albums of recorded music were developed in the early 20th century as individual 78-rpm records collected in a bound book resembling a photograph album; this format evolved after 1948 into single vinyl LP records played at ​33 13 rpm. Vinyl LPs are still issued, though album sales in the 21st-century have mostly focused on CD and MP3 formats. The audio cassette was a format widely used alongside vinyl from the 1970s into the first decade of the 2000s.

Rock music is a broad genre of popular music that originated as "rock and roll" in the United States in the early 1950s, and developed into a range of different styles in the 1960s and later, particularly in the United States and the United Kingdom. It has its roots in 1940s and 1950s rock and roll, a style which drew heavily from the genres of blues, rhythm and blues, and from country music. Rock music also drew strongly from a number of other genres such as electric blues and folk, and incorporated influences from jazz, classical and other musical styles. Musically, rock has centered on the electric guitar, usually as part of a rock group with electric bass, drums, and one or more singers. Usually, rock is song-based music usually with a 4/4 time signature using a verse–chorus form, but the genre has become extremely diverse. Like pop music, lyrics often stress romantic love but also address a wide variety of other themes that are frequently social or political.

Led Zeppelin English rock band

Led Zeppelin were an English rock band formed in London in 1968. The group consisted of vocalist Robert Plant, guitarist Jimmy Page, bassist/keyboardist John Paul Jones and drummer John Bonham. Along with Black Sabbath and Deep Purple, the band's heavy, guitar-driven sound has led them to be cited as one of the originators of heavy metal. Their style drew from a wide variety of influences, including blues, psychedelia and folk music.


The album exhibited the band's evolving musical style of blues-derived material and their guitar riff-based sound. It has been described as the band's heaviest album. [1] Six of the nine songs were written by the band, while the other three were reinterpretations of Chicago blues songs by Willie Dixon and Howlin' Wolf. One single, "Whole Lotta Love", was released outside of the UK (the band would release no UK singles during their career), and peaked as a top-ten single in over a dozen markets around the world.

The Chicago blues is a form of blues music indigenous to Chicago, Illinois. Chicago blues is an electric blues style of urban blues.

Willie Dixon American blues musician

William James Dixon was an American blues musician, vocalist, songwriter, arranger and record producer. He was proficient in playing both the upright bass and the guitar, and sang with a distinctive voice, but he is perhaps best known as one of the most prolific songwriters of his time. Next to Muddy Waters, Dixon is recognized as the most influential person in shaping the post–World War II sound of the Chicago blues.

Howlin Wolf American blues singer, guitarist and harmonica player

Chester Arthur Burnett, known as Howlin' Wolf, was a Chicago blues singer, guitarist, and harmonica player, originally from Mississippi. With a booming voice and imposing physical presence, he is one of the best-known Chicago blues artists. The musician and critic Cub Koda noted, "no one could match Howlin' Wolf for the singular ability to rock the house down to the foundation while simultaneously scaring its patrons out of its wits." Producer Sam Phillips recalled, "When I heard Howlin' Wolf, I said, 'This is for me. This is where the soul of man never dies.'" Several of his songs, including "Smokestack Lightnin'", "Killing Floor" and "Spoonful", have become blues and blues rock standards. In 2011, Rolling Stone magazine ranked him number 54 on its list of the "100 Greatest Artists of All Time".

Led Zeppelin II was a commercial success, and was the band's first album to reach number one on charts in the UK and the US. The album's cover designer David Juniper was nominated for a Grammy Award for Best Recording Package in 1970. On 15 November 1999, the album was certified 12× Platinum by the Recording Industry Association of America (RIAA) for sales passing 12 million copies. Since its release, various writers and music critics have regularly cited Led Zeppelin II as one of the greatest and most influential albums of all time. [2]

The Grammy Award for Best Recording Package is one of a series of Grammy Awards presented for the visual look of an album. It is presented to the art director of the winning album, not to the performer(s), unless the performer is also the art director.

In the United States, the Recording Industry Association of America (RIAA) awards certification based on the number of albums and singles sold through retail and other ancillary markets. Other countries have similar awards. Certification is not automatic; for an award to be made, the record label must request certification. The audit is conducted against net shipments after returns, which includes albums sold directly to retailers and one-stops, direct-to-consumer sales and other outlets.

Recording Industry Association of America Trade organization representing the recording industry in the U.S.

The Recording Industry Association of America (RIAA) is a trade organization that represents the recording industry in the United States. Its members consist of record labels and distributors, which the RIAA says "create, manufacture and/or distribute approximately 85% of all legally sold recorded music in the United States." The RIAA headquarters is in Washington, D.C.


Led Zeppelin II was conceived during a busy period of Led Zeppelin's career from January through August 1969, when they completed four European and three American concert tours. [3] Each song was separately recorded, mixed and produced at various studios in the UK and North America. The album was written on tour, during periods of a couple of hours in between concerts, a studio was booked and the recording process begun, necessarily resulting in spontaneity and urgency, which is reflected in the sound. [3] Several songs resulted from improvisation while touring, including during the instrumental sections of "Dazed and Confused", and were recorded mostly live in the studio. [4]

Dazed and Confused (song) Song popularized by Led Zeppelin

"Dazed and Confused" is a song written by American singer-songwriter Jake Holmes in 1967. Performed in a folk rock-style, he recorded it for his debut album "The Above Ground Sound" of Jake Holmes. Although some concluded that it was about a bad acid trip, Holmes insists the lyrics refer to the effects of a girl's indecision on ending a relationship.

The album used a wide variety of recording studios in the UK and the US. Some of these were ill-equipped; one studio in Vancouver, credited as "a hut", [5] had an 8-track set-up without even proper headphone facilities. [6] A more favourable set-up was Mystic Studios in Hollywood, Los Angeles with Chris Huston engineering. [6] Lead singer Robert Plant later complained that the writing, recording, and mixing sessions were done in many different locations, and criticised the writing and recording process. [7] "Thank You", "The Lemon Song" and "Moby Dick" were overdubbed during the tour, while the mixing of "Whole Lotta Love" and "Heartbreaker" was also done on tour. Page later stated "In other words, some of the material came out of rehearsing for the next tour and getting new material together." [8]

Hollywood District in Los Angeles, California, United States

Hollywood is a neighborhood in the central region of Los Angeles, California, notable as the home of the U.S. film industry, including several of its historic studios. Its name has come to be a shorthand reference for the industry and the people associated with it.

Los Angeles City in California

Los Angeles, officially the City of Los Angeles is often called by its initials L.A.. It is the most populous city in California; the second most populous city in the United States, after New York City; and the third most populous city in North America, after Mexico City and New York City. With an estimated population of nearly four million people, Los Angeles is the cultural, financial, and commercial center of Southern California. The city is known for its Mediterranean-like climate, ethnic diversity, Hollywood, the entertainment industry, and its sprawling metropolis.

Robert Plant British singer-songwriter and producer

Robert Anthony Plant is an English singer, songwriter, and musician, best known as the lead singer and lyricist of the rock band Led Zeppelin.

Recording sessions for the album took place at Olympic and Morgan Studios in London, England; A&M, Quantum, Sunset, Mirror Sound and Mystic Studios in Los Angeles; Ardent Studios in Memphis, Tennessee; A&R, Juggy Sound, Groove and Mayfair Studios in New York City; and the "hut" in Vancouver. [9] [5] Production was entirely credited to Jimmy Page, with Eddie Kramer engineering. [6] Kramer later said, "The famous Whole Lotta Love mix, where everything is going bananas, is a combination of Jimmy and myself just flying around on a small console twiddling every knob known to man." [6]

Olympic Studios cinema in Barnes, Richmond, London, England, formerly also used as a film and recording studio

Olympic Sound Studios was a renowned independent commercial recording studio, best known for the many legendary rock and pop recordings made there from the late 1960s onwards. It has been described as the "go-to studio for many of rock and pop's leading lights in the music industry's golden era, from the Rolling Stones and Jimi Hendrix to Led Zeppelin and the Beatles", and as being of the same importance as Abbey Road Studios. The studio's sound mixing desks eventually became famous in their own right, and were later manufactured commercially.

Morgan Studios, also known as Morgan Sound Studios, were recording studios at 169-171 High Road, Willesden, north west London. The studios were notable for many recordings of the 1960s and 1970s by some of the most important British bands and artists such as Ten Years After, Arrows, Yes, The Kinks, Donovan, Vivian Stanshall, Paul Simon, Led Zeppelin, Pink Floyd, Greenslade, Joan Armatrading, Cat Stevens, Paul McCartney, Jethro Tull, Rod Stewart, Black Sabbath, UFO and The Cure. The studio was also notable for having the first 24-track tape machine in England made by Ampex.

Sunset Sound Recorders recording studio

Sunset Sound Recorders is a recording studio in Hollywood, California, United States located at 6650 Sunset Boulevard.

Kramer later gave great credit to Page for the sound that was achieved, despite the inconsistent conditions in which it was recorded: "We cut some of the tracks in some of the most bizarre studios you can imagine ... but in the end it sounded bloody marvellous ... there was one guy in charge and that was Mr. Page." [10] Page and Kramer spent two days mixing the album at A&R Studios. [10]

Music and lyrics

The finished tracks reflect the evolving sound of the band and their live performances. [11] [12] Plant made his first songwriting contributions on Led Zeppelin II; he had been unable to contribute to the writing process for the first album because of a prior contract with CBS Records. [13]

Side one

"Whole Lotta Love" was built around a three-note Page riff. The lyrics were taken directly from Willie Dixon's "You Need Love", which led to the group being sued for plagiarism, eventually settling out of court. The arrangement also resembles the Small Faces track "You Need Loving". [13] [14] The middle section of the track contained a variety of overdubbed instruments and vocals which were mixed live by Page and Kramer, making full use of stereo panning and other controls available on the desk. The song was edited down to a single in the US, where it became a top 5 hit. In the UK, a single release was cancelled; the group never issued any singles there during their active career together. [15] It was finally issued as a single in 1997. [16] The song was subsequently re-recorded by the Collective Consciousness Society; this version became the theme tune to the BBC TV show Top of the Pops , which ensured it would be well-known by everyone in Britain. [17]

Led Zeppelin performed "Whole Lotta Love" at every gig from June 1969 onwards. It was the closing number of their live shows between 1970 and 1973, often extended to form a rock'n'roll medley towards the end of the set. A different arrangement of the song was played for the Knebworth Fayre concerts in 1979. It was the last song the group ever performed live with Bonham, on 7 July 1980. "Whole Lotta Love" has since been critically praised as one of the definitive heavy metal tracks, though the group have never considered themselves to fit that specific style. [17]

"What Is and What Should Never Be" was primarily written by Plant. It features a variety of dynamics during the track, along with flanged vocals and wide-panned stereo guitars. [17]

"The Lemon Song" was a re-arrangement of Howlin' Wolf's "Killing Floor", which had become a regular part of the group's live show during 1969. It was mostly recorded live and expanded to include new lyrics, including the sexually-charged phrase "squeeze my lemon" which was borrowed from Robert Johnson's "Travelling Riverside Blues", which the band had played for the BBC radio show Top Gear broadcast on 29 June 1969. [17] [18] [19] [20]

"Thank You" was written by Plant as a love song to his wife, Maureen. Page played twelve-string guitar and Jones played Hammond organ on the track. [17]

Side two

"Heartbreaker" was mostly written by Page as a showcase for his guitar skills, including an unaccompanied solo in the middle of the song. It quickly became a live favourite, being performed regularly from October 1969 onwards, and throughout the group's career. [17]

"Living Loving Maid (She's Just a Woman)" was purported to be written about a groupie the band encountered while touring the US. The group disliked the track, considering it to be little more than filler, and consequently it was never played live by the group. Plant performed the track live on his 1990 solo tour. [17]

"Ramble On" was written by Plant. The lyrics were inspired by J. R. R. Tolkien, and similar themes appeared on subsequent Led Zeppelin albums. The track made good use of dynamics, moving from a quiet acoustic guitar in the opening, to a variety of overdubbed electric guitars towards the end. [21] It was never performed live by Led Zeppelin during their main career, but Plant has performed the song regularly on solo tours, and it was part of Page and Plant's live set in the mid-1990s. It was finally performed live for the first time by Led Zeppelin at the Ahmet Ertegun Tribute Concert in 2007. [22]

"Moby Dick" was designed as a showcase for Bonham's drum solo. It was originally called "Pat's Delight" (after his wife) and features a variety of drums and percussive instruments played with bare hands as well as drumsticks. It was a regular part of Led Zeppelin's live show, developing to include additional percussion and electronic drums. [21]

"Bring It On Home" was a cover of a Willie Dixon song originally performed by Sonny Boy Williamson II. Led Zeppelin's arrangement includes a faster middle section in addition to the straightforward blues structure of the original. It was played live regularly throughout late 1969 and 1970. [21]


The World War I photograph on which the album sleeve was based Bundesarchiv Bild 183-2004-0430-501, Jagdstaffel 11, Manfred v. Richthofen.jpg
The World War I photograph on which the album sleeve was based

The album sleeve design was from a poster by David Juniper, who was simply told by the band to come up with an interesting idea. Juniper was a fellow student of Page's at Sutton Art College in Surrey. [23]

Juniper's design was based on a photograph of the Jagdstaffel 11 Division of the German Air Force during World War I, the Flying Circus led by the Red Baron. Juniper pasted the faces of the band on top of the original photograph, and added faces from a few other photographs as well. The blonde-haired woman on the cover is French actress Delphine Seyrig in her role as Marie-Magdalene in the film Mister Freedom , a leftist anti-war satire by William Klein (1969). The cover also pictured the outline of a Zeppelin on a brown background (similar to the cover of the band's first album), which gave the album its nickname "Brown Bomber". [24]

Release and reception

The album was released on 22 October 1969 on Atlantic Records, with advance orders of 400,000 copies. [25] The advertising campaign was built around the slogans 'Led Zeppelin – The Only Way to Fly' and 'Led Zeppelin II Now Flying'. [13] In the United States, some commercially duplicated reel-to-reel copies of Led Zeppelin II made by Ampex bore the title Led Zeppelin II – The Only Way to Fly on their spine. Commercially, Led Zeppelin II was the band's first album to hit No. 1 in the US, knocking The Beatles' Abbey Road (1969) twice from the top spot, where it remained for seven weeks. [13] By April 1970 it had registered three million American sales, whilst in Britain it enjoyed a 138-week residence on the LP chart, climbing to the top spot in February 1970. [13] In November Ritchie Yorke reported in Billboard that while the album had achieved "staggering" sales, as a hard rock record it was considered unsuitable for North American Top 40 radio stations, who were "dreary and detached from the mainstream of contemporary rock music". [26]

The album also yielded Led Zeppelin's biggest hit, "Whole Lotta Love". This song reached No. 4 on the Billboard Hot 100 in January 1970, after Atlantic went against the group's wishes by releasing a shorter version on 45. The single's B-side, "Living Loving Maid (She's Just a Woman)", also hit the Billboard chart, peaking at No. 65 in April 1970. The album helped establish Led Zeppelin as an international concert attraction as for the next year, the group continued to tour relentlessly, initially performing in clubs and ballrooms, then in larger auditoriums and eventually stadiums as their popularity grew. [27]

Critical reaction to Led Zeppelin II was not positive initially. John Mendelsohn wrote a negative review of the record for Rolling Stone , in which he mocked the group's heavy sound and white blues, while writing that "until you've listened to the album eight hundred times, as I have, it seems as if it's just one especially heavy song extended over the space of two whole sides". [28] In The Village Voice , Robert Christgau jokingly referred to the band as "the best of the wah-wah mannerist groups, so dirty they drool on demand", while complaining that "all the songs sound alike", before assigning the album a "B" grade. [29] He nonetheless conceded in 1970 that "Led Zeppelin simply out-heavied everyone" the previous year, "pitting Jimmy Page's repeated low-register fuzz riffs against the untiring freak intensity of Robert Plant's vocal. This trademark has only emerged clearly on the second album, and more and more I am coming to understand it as an artistic triumph." [30]

On 10 November 1969, the album was certified gold by the Recording Industry Association of America and in 1990 it was certified 5× platinum reflecting shipping of five million copies. By 14 November 1999, Led Zeppelin II had shipped twelve million copies and was certified 12× platinum by the RIAA. [31] The 2014 reissue of the album helped itself get back into the Billboard Top 10 when it got to No.9. [32]


Retrospective professional ratings
Review scores
AllMusic Star full.svgStar full.svgStar full.svgStar full.svgStar full.svg [33]
Blender Star full.svgStar full.svgStar full.svgStar full.svgStar empty.svg [34]
Encyclopedia of Popular Music Star full.svgStar full.svgStar full.svgStar full.svgStar full.svg [35]
Entertainment Weekly A+ [36]
MusicHound Rock 4.5/5 [37]
Q Star full.svgStar full.svgStar full.svgStar full.svgStar empty.svg [38]
The Rolling Stone Album Guide Star full.svgStar full.svgStar full.svgStar full.svgStar full.svg [39]

Led Zeppelin II has since been regarded as the quintessential heavy metal album. [40] AllMusic editor Stephen Thomas Erlewine said it "provided the blueprint for all the heavy metal bands that followed it". [11] The album was described as a "brilliant if heavy-handed blues-rock offensive", by popular music scholar Ronald Zalkind. [41] According to Robert Santelli's The Big Book of Blues: A Biographical Encyclopedia (2001), Led Zeppelin "had already begun to move beyond its blues-rock influences, venturing into previously unexplored hard-rock territories". [42] Blues-derived songs like "Whole Lotta Love", "Heartbreaker", "The Lemon Song", "Moby Dick", and "Bring It On Home" have been seen as representing standards of the metal genre, where the guitar-based riff (rather than vocal chorus or verses) defines the song and provides the key hook. [15] Such arrangements and emphasis were at the time atypical in popular music. [11] Page's guitar solo in "Heartbreaker" featuring rapid-fire runs of notes tapped only by the left hand, was a major inspiration to the later work of metal soloists and "shredders" such as Eddie Van Halen and Steve Vai. [43]

Since its initial critical reception, Led Zeppelin II has earned several accolades from music publications, frequently ranked on critics' "best album" lists. [2] In 1989, Spin magazine ranked the album No. 5 on its list of The 25 Greatest Albums of All Time. [2] In 1990, CD Review ranked it sixth on their list of top 50 CDs for starting a "pop/rock" library; an accompanying blurb described the album as "white boy blues with a hard rock edge". [44] In 2000, Q magazine placed Led Zeppelin II at number 37 in its list of the 100 Greatest British Albums Ever. [45] In 2003, the album was ranked number 75 on Rolling Stone magazine's list of the 500 greatest albums of all time. [46] The album was also included in the book 1001 Albums You Must Hear Before You Die . [47]


Grammy Award United States"Grammy Award for Best Recording Package" [48] 1970Nominee
Guitarist United Kingdom"Top 50 Most Influential Guitar Albums of All Time Ever" [49] 19943
Mojo United Kingdom"The 100 Greatest Albums Ever Made" [50] 199641
PlatendraaierThe Netherlands - dutch"Top 30 Albums of the 60s" [51] 201511
The GuitarUnited States"Album of the Millennium" [52] 19996
Rolling Stone United States"The 500 Greatest Albums of All Time" [46] 200379
Q United Kingdom"100 Greatest Albums Ever" [53] 200337
Rock Hard Germany "The 500 Greatest Rock & Metal Albums of All Time" [54] 2005318
Robert DimeryUnited States"1001 Albums You Must Hear Before You Die" [55] 2006*
Classic Rock United Kingdom"100 Greatest British Rock Album Ever" [56] 20068
Rock and Roll Hall of Fame United States"The Definitive 200: Top 200 Albums of All-Time" [57] 200747
QUnited Kingdom"50 Years of Great British Music (1960s)" [58] 2008*

(*) designates unordered lists.

2014 reissue

2014 reissue ratings
Aggregate scores
Metacritic 95/100 [59]
Review scores
The Austin Chronicle Star full.svgStar full.svgStar full.svgStar empty.svgStar empty.svg [60]
Consequence of Sound A− [61]
Pitchfork 10/10 [62]
Q Star full.svgStar full.svgStar full.svgStar full.svgStar full.svg [63]
Rolling Stone Star full.svgStar full.svgStar full.svgStar full.svgStar half.svg [64]

Along with the group's self-titled debut album and their third album, Led Zeppelin III , the album was remastered and reissued on 2 June 2014. The reissue comes in six formats: a standard CD edition, a deluxe two-CD edition, a standard LP version, a deluxe two-LP version, a super deluxe two-CD plus two-LP version with a hardback book, and as high-resolution, 96k/24-bit digital downloads. The deluxe and super deluxe editions feature bonus material containing alternative takes, backing tracks and the previously unreleased instrumental, "La La". [65] The reissue was released with an altered colour version of the original album's artwork as its bonus disc's cover. [66]

The reissue was met with widespread critical acclaim. At Metacritic, which assigns a normalized rating out of 100 to reviews from mainstream publications, the album received an average score of 95, based on 10 reviews. [59] Pitchfork journalist Mark Richardson said, "the reissue sounds as thrilling as ever", [62] while Julian Marszalek of The Quietus noted the bonus disc's "intriguing insight" into the original record's creation. [67] In Rolling Stone, David Fricke wrote, "the alternate takes highlight Robert Plant's ripening vocal poise and, in a rough mix of 'Ramble On', the decisive, melodic force of John Paul Jones' bass and John Bonham's drumming." [64] "As a two-disc set", Consequence of Sound 's Michael Madden wrote, "this reissue is both a reminder of the original album's wallop and a closer look at the alchemy of a band increasingly attuned to ideas of progression." [61] Raoul Hernandez from The Austin Chronicle was more critical of the bonus disc, finding it to be "the thinest of extras" offered by the reissue program. [60]

Track listing

Side one
1."Whole Lotta Love"5:34
2."What Is and What Should Never Be"
  • Page
  • Plant
3."The Lemon Song"
4."Thank You"
  • Page
  • Plant
Side two
  • Bonham
  • Jones
  • Page
  • Plant
2."Living Loving Maid (She's Just a Woman)"
  • Page
  • Plant
3."Ramble On"
  • Page
  • Plant
4."Moby Dick" (instrumental)
  • Bonham
  • Jones
  • Page
5."Bring It On Home"Dixon4:19


2014 deluxe edition bonus disc
1."Whole Lotta Love" (Rough mix with vocal)5:38
2."What Is and What Should Never Be" (Rough mix with vocal)
  • Page
  • Plant
3."Thank You" (Backing track)
  • Page
  • Plant
4."Heartbreaker" (Rough mix with vocal)
  • Bonham
  • Jones
  • Page
  • Plant
5."Living Loving Maid (She's Just a Woman)" (Backing track)
  • Page
  • Plant
6."Ramble On" (Rough mix with vocal)
  • Page
  • Plant
7."Moby Dick" (Intro/Outro rough mix)
  • Bonham
  • Jones
  • Page
8."La La" (Backing track)
  • Page
  • Jones
Total length:32:39



Adapted from album credits.[ which? ]

George Chkiantz at Olympic Studios, London: "Whole Lotta Love", "What Is and What Should Never Be"
Chris Huston at Mirror Sound, Los Angeles: "The Lemon", "Moby Dick"
Andy Johns at Morgan Studios, London: "Thank You", "Living Loving Maid (She's Just a Woman)"
Eddie Kramer at A & R Studios, Juggy Sound Studio, and Atlantic Studios (resp.), New York: "Heartbreaker", "Ramble On", "Bring It On Home"

Digitally remastered editions

Additional engineering for prev. unreleased studio outtakes – Drew Griffiths at Metropolis Mastering, London
Mastering of prev. unreleased tracks - John Davis at Metropolis Mastering, London



RegionCertification Certified units/sales
Argentina (CAPIF) [86] Gold30,000^
Australia (ARIA) [87] 4× Platinum280,000^
Austria (IFPI Austria) [88] Gold25,000*
Canada (Music Canada) [89] 9× Platinum900,000^
France (SNEP) [90] 2× Gold200,000*
Germany (BVMI) [91] Platinum500,000^
Italy (FIMI) [92] Gold50,000*
Spain (PROMUSICAE) [93] Gold50,000^
United Kingdom (BPI) [94] 4× Platinum1,200,000^
United States (RIAA) [31] 12× Platinum12,000,000^

*sales figures based on certification alone
^shipments figures based on certification alone

See also

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"Whole Lotta Love" is a song by English hard rock band Led Zeppelin. It is the opening track on the band's second album, Led Zeppelin II, and was released in the United States, several countries in Europe, and Japan as a single; as with other Led Zeppelin songs, no single was released in the United Kingdom. The US release became their first hit single, being certified Gold on 13 April 1970, having sold one million copies. It reached number one in Australia and Germany and number four in the Netherlands and the United States. Parts of the song were adapted from Willie Dixon's "You Need Love", recorded by Muddy Waters in 1962; originally uncredited to Dixon, a lawsuit in 1985 was settled with a payment to Dixon and credit on subsequent releases.

Living Loving Maid (Shes Just a Woman) original song written and composed by Robert Plant, Jimmy Page

"Living Loving Maid " is a song by the English rock band Led Zeppelin from their album Led Zeppelin II, released in 1969. It was also released as the B-side of the single "Whole Lotta Love". The song is about a groupie who stalked the band early in their career. A misprint by Atlantic Records resulted in the original UK pressings of Led Zeppelin II being titled "Livin' Lovin' Wreck ", with the "Wreck" corrected to "Maid" and the subtitle changed on the US and later releases.

"Travelling Riverside Blues" is a blues song written by the bluesman Robert Johnson. He recorded it on June 20, 1937, in Dallas, Texas, during his last recording session. The song was unreleased until its inclusion on the 1961 Johnson compilation album King of the Delta Blues Singers.

Immigrant Song 1970 single by Led Zeppelin

"Immigrant Song" is a 1970 song by the English rock band Led Zeppelin. It is built upon a repeating riff and features lyrical references to Norse mythology, with singer Robert Plant's howling vocals mentioning war-making and Valhalla. The song was included on their third studio album, Led Zeppelin III and released as a single. Several live recordings have also been issued on various Led Zeppelin albums. Other artists have recorded renditions of the song or performed it live.

Ramble On song

"Ramble On" is a song by English rock band Led Zeppelin from their 1969 album Led Zeppelin II. It was co-written by Jimmy Page and Robert Plant, and was recorded in 1969 at Juggy Sound Studio, New York City, during the band's second concert tour of North America. In 2010, the song was ranked number 440 on list of Rolling Stone's 500 Greatest Songs of All Time.

Bring It On Home (Sonny Boy Williamson II song) song

"Bring It On Home" is a blues song written by American music arranger and songwriter Willie Dixon. Sonny Boy Williamson II recorded it in 1963, but the song was not released until 1966. Led Zeppelin adapted it in part as a homage to Williamson in 1969 and subsequently, the song has been recorded by several artists.

<i>BBC Sessions</i> (Led Zeppelin album) 1997 live album by Led Zeppelin

BBC Sessions is a compilation album featuring studio sessions and a live concert recorded by English rock group Led Zeppelin for the BBC. It was released on 11 November 1997, by Atlantic Records. Disc one consists of material from four different 1969 BBC sessions. Disc two contains most of the 1 April 1971 concert from the Paris Theatre in London. Disc three was only included in a limited run of album releases and features rare interviews from 1969, 1976/1977, and 1990.

<i>In Through the Out Door</i> 1979 studio album by Led Zeppelin

In Through the Out Door is the eighth and final studio album by the English rock band Led Zeppelin. It was recorded over a three-week period in November and December 1978 at ABBA's Polar Studios in Stockholm, Sweden, and released by Swan Song Records on 15 August 1979. In 1980, the band's drummer John Bonham died, and they disbanded soon after.

Good Times Bad Times single

"Good Times Bad Times" is a song by the English rock band Led Zeppelin, featured as the opening track on their 1969 debut album Led Zeppelin. The song was Led Zeppelin's first single released in the US, where it reached the Billboard Hot 100 chart.



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