CD Review

Last updated
CD Review
Digital Audio.jpg
First issue of CD Review (as Digital Audio), September 1984
EditorLarry Canale
Categories Music magazine
FrequencyMonthly
First issueSeptember 1984;36 years ago (1984-09)
Final issue
Number
May 1996 (1996-05)
141
CompanyWGE Pub
Country United States
Based in Peterborough, NH
Language English
ISSN 1041-8342

CD Review (formerly known as Digital Audio and Digital Audio and Compact Disc Review) is a discontinued American monthly magazine that specialized in reviewing albums and audio electronics, especially compact discs. [1] The magazine was founded by publisher Wayne Green. [2] The magazine lasted from September 1984 to May 1996. [3]

History

In the first issue of CD Review (as Digital Audio), Ken Pohlmann, columnist for Audio and assistant professor at the University of Miami, introduced the magazine's purpose. Pohlmann wrote "This monthly column will examine the professional side of digital audio, offering slices of insight and wisdom, as well as gossip from the recording studio and the manufacturers that equip it. In this way, the listening community will understand the sometimes invisible origins of recorded music." Pohlmann also wrote that CD sales would eventually outsell LPs and would eventually become "the dominant medium for home, car, and portable listening." [4] Among the first reviews for the magazine include Abbey Road by The Beatles, Synchronicity by The Police, The Key by Joan Armatrading, and Secret Messages by Electric Light Orchestra, all of which were released on compact discs. [5]

Related Research Articles

Compact disc Digital optical disc data storage format

The compact disc (CD) is a digital optical disc data storage format that was co-developed by Philips and Sony to store and play digital audio recordings. It was released in 1982 branded as Digital Audio Compact Disc.

CD-i Video game console and interactive multimedia CD player

The Compact Disc-Interactive is a digital optical disc data storage format that was mostly developed and marketed by Dutch company Philips. It was created as an extension of CDDA and CD-ROM and specified in the Green Book, co-developed by Philips and Sony, to combine audio, text and graphics. The two companies initially expected to impact the education/training, point of sale, and home entertainment industries, but CD-i eventually became best known for its video games.

Sega CD Video game console add-on

The Sega CD, released as the Mega-CD in most regions outside North America and Brazil, is a CD-ROM accessory for the Mega Drive/Genesis produced by Sega as part of the fourth generation of video game consoles. It was released on December 12, 1991 in Japan, October 15, 1992 in North America, and April 2, 1993 in Europe. It plays CD-based games and adds hardware functionality such as a faster central processing unit and graphic enhancements such as sprite scaling and rotation. It can also play audio CDs and CD+G discs.

Compact Disc Digital Audio Audio data format used on the compact disc

Compact Disc Digital Audio, also known as Digital Audio Compact Disc or simply as Audio CD, is the standard format for audio compact discs. The standard is defined in the Red Book, one of a series of Rainbow Books that contain the technical specifications for all CD formats.

MiniDisc Magneto-optical storage medium, mainly used for audio

The MiniDisc (MD) is a magneto-optical disc-based data storage format offering a capacity of 60, 74, and later, 80 minutes of digitized audio or 1 gigabyte of Hi-MD data. Sony brand audio players went on the market in September 1992.

Super Audio CD Read-only optical disc for high-fidelity audio storage

Super Audio CD (SACD) is a read-only optical disc format for audio storage, introduced in 1999. It was developed jointly by Sony and Philips Electronics, and intended to be the successor to the Compact Disc (CD) format.

In music, a single is a type of release, typically a song recording of fewer tracks than an LP record or an album. This can be released for sale to the public in a variety of formats. In most cases, a single is a song that is released separately from an album, although it usually also appears on an album. Typically, these are the songs from albums that are released separately for promotional uses such as digital download, or video release. In other cases a recording released as a single may not appear on an album.

Sound can be recorded and stored and played using either digital or analog techniques. Both techniques introduce errors and distortions in the sound, and these methods can be systematically compared. Musicians and listeners have argued over the superiority of digital versus analog sound recordings. Arguments for analog systems include the absence of fundamental error mechanisms which are present in digital audio systems, including aliasing and quantization noise. Advocates of digital point to the high levels of performance possible with digital audio, including excellent linearity in the audible band and low levels of noise and distortion.

CD player Electronic device that plays audio compact discs

A CD player is an electronic device that plays audio compact discs, which are a digital optical disc data storage format. CD players were first sold to consumers in 1982. CDs typically contain recordings of audio material such as music or audiobooks. CD players may be part of home stereo systems, car audio systems, personal computers, or portable CD players such as CD boomboxes. Most CD players produce an output signal via a headphone jack or RCA jacks. To use a CD player in a home stereo system, the user connects an RCA cable from the RCA jacks to a hi-fi and loudspeakers for listening to music. To listen to music using a CD player with a headphone output jack, the user plugs headphones or earphones into the headphone jack.

Mastering (audio) Form of audio post-production

Mastering, a form of audio post production, is the process of preparing and transferring recorded audio from a source containing the final mix to a data storage device, the source from which all copies will be produced. In recent years digital masters have become usual, although analog masters—such as audio tapes—are still being used by the manufacturing industry, particularly by a few engineers who specialize in analog mastering.

Album Collection of audio recordings issued as a collection on compact disc (CD), vinyl, audio tape, or another medium

An album is a collection of audio recordings issued as a collection on compact disc (CD), vinyl, audio tape, or another medium. Albums of recorded sound were developed in the early 20th century as individual 78-rpm records collected in a bound book resembling a photograph album; this format evolved after 1948 into single vinyl LP records played at 33+13 rpm.

Digital recording

In digital recording, an audio or video signal is digitized, converting into a stream of discrete numbers representing the changes over time in air pressure for audio, or chroma and luminance values for video. This number stream is saved to a storage device. To play back a digital recording, the numbers are retrieved and converted back into their original analog audio or video forms so that they can be heard or seen. The digitized number streams themselves are never actually heard or seen, being hidden by the process.

High Definition Compatible Digital (HDCD) is a proprietary audio encode-decode process that claims to provide increased dynamic range over that of standard Red Book audio CDs, while retaining backward compatibility with existing compact disc players.

Kees Schouhamer Immink

Kornelis Antonie "Kees" Schouhamer Immink is a Dutch scientist, inventor, and entrepreneur, who pioneered and advanced the era of digital audio, video, and data recording, including popular digital media such as Compact Disc, DVD and Blu-ray Disc. He has been a prolific and influential engineer, who holds more than 1100 U.S. and international patents. A large portion of the commonly used audio and video playback and recording devices use technologies based on his work. His contributions to coding systems assisted the digital video and audio revolution, by enabling reliable data storage at information densities previously unattainable.

CD Video Hybrid analogue video/digital audio format

CD Video is a format of optical media disc that was introduced in 1987 that combines the technologies of standard compact disc and LaserDisc. CD-V discs are the same size as a standard 12-cm audio CD, and contain up to 20 minutes' worth of CD Audio that can be played on any audio CD player. It also contains up to 5 minutes of LaserDisc video information with digital CD-quality sound, which can be played back on a newer LaserDisc player capable of playing CD-V discs or CD-V-only players.

Loudness war increasing audio levels in recorded music

The loudness war is a trend of increasing audio levels in recorded music, which reduces audio fidelity and — according to many critics — listener enjoyment. Increasing loudness was first reported as early as the 1940s, with respect to mastering practices for 7-inch singles. The maximum peak level of analog recordings such as these is limited by varying specifications of electronic equipment along the chain from source to listener, including vinyl and Compact Cassette players. The issue garnered renewed attention starting in the 1990s with the introduction of digital signal processing capable of producing further loudness increases.

DMP Digital Music Products

DMP Digital Music Products was one of the first digital recording labels, generally specializing in jazz artists. DMP was founded in 1983 by engineer Tom Jung after leaving Sound 80 recording studios in Minneapolis, Minnesota.

<i>Audio</i> (magazine)

Audio magazine was a periodical published from 1947 to 2000, and was America's longest-running audio magazine. Audio published reviews of audio products and audio technology as well as informational articles on topics such as acoustics, psychoacoustics and the art of listening. Audio claimed to be the successor of Radio magazine which was established in 1917.

<i>Byte</i> (magazine) Defunct American microcomputer magazine

Byte was an American microcomputer magazine, influential in the late 1970s and throughout the 1980s because of its wide-ranging editorial coverage. Whereas many magazines were dedicated to specific systems or the home or business users' perspective, Byte covered developments in the entire field of "small computers and software", and sometimes other computing fields such as supercomputers and high-reliability computing. Coverage was in-depth with much technical detail, rather than user-oriented. Byte started in 1975, shortly after the first personal computers appeared as kits advertised in the back of electronics magazines. Byte was published monthly, with an initial yearly subscription price of $10. Print publication ceased in 1998 and online publication in 2013.

High-resolution audio is a term for audio files with greater than 44.1 kHz sample rate or higher than 16-bit audio bit depth. It commonly refers to 96 or 192 kHz sample rates. However, there also exist 44.1 kHz/24-bit, 48 kHz/24-bit and 88.2 kHz/24-bit recordings that are labeled HD Audio.

References

  1. Winship, Frederick M. (October 11, 1986). "The Cd Boom: Demand Increases For Laser Sound". Orlando Sentinel. Retrieved February 28, 2017.
  2. Grant, Doug (September 18, 2013). "Wayne Green has left the building". EDN. Retrieved February 28, 2017.
  3. Hansen, Larry David (February 1985). "Wayne Green As "Intrapreneur"". Venture Magazine. Retrieved February 28, 2017.
  4. Ken Pohlmann (September 1984). "Celebrating a New Issue". Digital Audio. 1 (1): 8–13. Retrieved June 12, 2017.
  5. "Compact Disc-ussions". Digital Audio. 1 (1): 73–76. September 1984. Retrieved June 12, 2017.