The Key | ||||
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Studio album by | ||||
Released | 28 February 1983 | |||
Studio | Townhouse Studios, London, Polar Studios, Stockholm and New York | |||
Genre | Pop, rock | |||
Length | 38:38 | |||
Label | A&M | |||
Producer | Steve Lillywhite, Val Garay | |||
Joan Armatrading chronology | ||||
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Review scores | |
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Source | Rating |
Allmusic | [1] |
Christgau's Record Guide | B [2] |
Encyclopedia of Popular Music | [3] |
The Key is the eighth studio album by the British singer-songwriter Joan Armatrading, released on 28 February 1983 by A&M Records (AMLX64912). The album was recorded at Townhouse Studios in Shepherd's Bush, London; Polar Studios in Stockholm and also in New York.
The album spawned the single "Drop the Pilot", which became one of Armatrading's biggest hits, reaching number 11 in the UK Singles Chart over a 10-week stay. [4] It also quickly became a staple of Armatrading's live performances and has featured on many of her compilation albums. Armatrading and her backing band also performed the song on Top of the Pops in early 1983.
Steve Lillywhite was commissioned to produce the album; however, A&M Records judged the album to be not commercial enough and asked Armatrading to come up with some additional, more commercial, material. [5] She went away and wrote the tracks "Drop the Pilot" and "What Do Boys Dream", both of which were produced separately in New York by Val Garay. These two tracks therefore used a completely different set of musicians, which explains the length of the personnel list on this album. Armatrading described her process of song creation, from writing to final recording, at the time of The Key:
It takes me very little time to write the song. Ten, fifteen minutes at the most. But to arrange the song, I need to take all day. The song is written with whatever rhythm I've come up with, and I put the arrangement on top of that. I can keep it a little more to what I think it should be than if I allowed somebody else to do it. I sit at home with my little Portastudio, and I work up the bass part, record it; work up the guitar part, record that; the string part, whatever. Put it all down. I play the tape to the musicians so they hear what's happening, and we do it like that. Steve [Lillywhite] obviously has his sound, which is why I work with him: I like his drum sound, his guitar sound, all that stuff. [6]
Armatrading draws on a variety of musical styles for this album, from Stax style brass, rhythm and blues and punk, [7] as well as the rock guitar of Adrian Belew, who had played with David Bowie on Lodger .
The album's title refers to the door key which Armatrading habitually wore around her neck at that time and which is featured in the album's photography. She is also pictured playing a Gibson Les Paul electric guitar.
"(I Love It When You) Call Me Names" was written about two men in a band who were always arguing, [8] and features a guitar solo by Adrian Belew. It was released as a single, though it did not chart. It subsequently became a staple of Armatrading's live performances and has appeared on many of her compilation albums. Armatrading said of the song, "It's come out as a man and a woman, but I was really looking at two guys. Not two gay guys, just two guys who are friends who tend to treat each other like this, always calling each other names. There's sort of this love/hate relationship between them, but you get the feeling that they really enjoy this thing that they're going through." [6]
The album was a commercial success for Armatrading, reaching number 10 in the UK album charts and number 32 in the US album charts, as well as spawning the hit single "Drop the Pilot". It was certified Gold by the BPI. The album is one of only two Armatrading albums to reach the top 40 in the USA, the other being Me Myself I . [9] The album peaked at number 4 in Australia [10] and was that country's 7th biggest-selling album of the year. [11]
Debra Rae Cohen, writing in The New York Times , said that the album's songs "dwell on the underlying truths and unadmitted paradoxes of love, of independence, and the area where they overlap and struggle", that Armatrading "shows a new control in her arrangements", the album being "one more step in Miss Armatrading's continual journey" and that The Key should help her to "become a household name". [12] Rolling Stone 's Don Shewey, however, disapproved of the album's commercial approach, commenting that, "For more than ten years, Armatrading has remained a commercially marginal cult figure, and on The Key, she seems to have decided to part with the one thing standing between her and success: her originality. The album has several pleasantly energetic tunes that anybody could have written. And both her dramatic monologues and her love songs traffic in the kind of musical and lyrical clichés she previously has always avoided or transcended." He singled out "Call Me Names" and "The Key" as the only two standout tracks on the album, and gave it two and a half out of five stars. [13]
Martin C. Strong noted in The Great Rock Discography that the album was "well received" and represented one of Armatrading's "sole sojourns into the American Top 40". [14] Gillian G. Gaar, writing in She's A Rebel, described "(I Love It When You) Call Me Names" as "a cheeky song" and cited it, and the album generally, as an example of the "more commercial sound that resulted in greater album sales in America". [15]
The album was nominated for both the Grammy Awards for Best Rock Vocal Performance, Female and Best Album Package at the 1984 Grammy Awards.
All tracks written and arranged by Joan Armatrading.
Musicians
Musicians on "Drop the Pilot" & "What Do Boys Dream"
| Production team
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Weekly charts
| Year-end charts
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Region | Certification | Certified units/sales |
---|---|---|
United Kingdom (BPI) [25] | Gold | 100,000^ |
^ Shipments figures based on certification alone. |
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Joan Armatrading is the third studio album by British singer-songwriter Joan Armatrading, released in 1976 by A&M Records. It was her first album to be recorded entirely in London, as her first two albums – Whatever's for Us and Back to the Night being partially recorded in France and Wales respectively in addition to London.
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"Down to Zero" is a 1976 song by British singer-songwriter Joan Armatrading. It features pedal steel guitar by B. J. Cole and drums by Kenney Jones of the Faces.
Whatever's for Us is the debut album of British singer-songwriter Joan Armatrading. The album was a collaboration between Armatrading and singer-songwriter Pam Nestor. At the time the two were musical partners and wrote over a hundred songs together. Armatrading sings lead vocals and plays piano and acoustic guitar, while Nestor co-wrote most of the songs.
To the Limit is the fifth studio album by British singer-songwriter Joan Armatrading, released in September 1978 by A&M.
Steppin' Out is a live album by the British singer-songwriter Joan Armatrading. The title is taken from her song of the same name which was first released in 1975 on her second studio album Back to the Night. A DVD with the same title, containing concerts recorded by WDR in 1979 and 1980, was released in 2004.
Secret Secrets is the ninth studio album by British singer-songwriter Joan Armatrading, released on 4 February 1985 by A&M. The album was recorded and mixed at Battery Studios, in Willesden, London. It reached number 14 on the UK Album Chart and was certified Silver by the British Phonographic Industry for sales in excess of 60,000 copies. The album peaked at number 18 in Australia. The album had little success with singles, with its only charting hit, "Temptation", stalling at no.65 on the UK Singles Chart.
Sleight of Hand is the tenth studio album by British singer-songwriter Joan Armatrading, released on 12 May 1986 by A&M Records. It was recorded and produced by Armatrading at Bumpkin Studio, her own purpose built studio in the grounds of her home. The album peaked at No. 34 on the UK Album Charts, No. 70 on the US Billboard 200, and No. 39 in Australia. It was certified Silver by the British Phonographic Industry for sales in excess of 60,000 copies.
What's Inside is the fourteenth studio album by British singer-songwriter Joan Armatrading. The album was written, arranged and produced by Armatrading, co-produced by David Tickle and recorded at the A&M Recording Studios in Hollywood. The strings were recorded at Abbey Road Studios, London, with the Kronos Quartet's contribution recorded at The Plant Recording Studios, Sausalito, California and The Memphis Horns recorded at Kiva Recording Studio, Memphis, Tennessee. The album was released in 1995 by RCA and was Armatrading's only album for the label. She had left A&M in 1992 after an eighteen-year association with the company.
Into the Blues is the sixteenth studio album by British singer-songwriter Joan Armatrading, released on 1 May 2007. The album was recorded by Armatrading at Bumpkin Studios, her own purpose-built studios. It was released on the 429 label (17625) and on the Hypertension label. The album was released in 2008 as a deluxe edition, with a DVD.
Live: All the Way from America is a live album by the British singer-songwriter Joan Armatrading. It was Armatrading's second live album, following the 1979 release of Steppin' Out, and was, therefore, the first live album she had released in twenty-five years. Armatrading was on tour following the release of her 2003 studio album Lovers Speak, and a concert from this tour was recorded on 25 June 2003 at the Lillian Fontaine Garden Theatre in Saratoga, California. The album takes its title from her 1980 song "All the Way from America", which originally appeared on the album Me Myself I. It was released in 2004 on digital format, CD and DVD by Savoy Records / SLG, and re-released in 2009 in CD format on the 429 Records label.
How Cruel is a 12-inch one-sided EP by British singer-songwriter Joan Armatrading, which was released in November 1979 on A&M. The title track had previously appeared on Armatrading's live album Steppin' Out, which was not released in the US. The EP was released in the US and elsewhere, but not in the UK. It peaked at #19 on the Norwegian Albums Chart. It was nominated for the Grammy Award for Best Female Rock Vocal Performance at the 23rd Annual Grammy Awards in 1981. The single from this EP was "Rosie"/"How Cruel" (1979/1980), which reached #49 in the UK and #52 in Australia. "Rosie" was included on Armatrading's first compilation album, 1983's Track Record, as well as her 2004 live album Live: All the Way from America. All four tracks from this EP were placed at the start of the second CD of Armatrading's 2003 compilation album Love and Affection: Joan Armatrading Classics (1975–1983).
This article is the discography of British singer-songwriter Joan Armatrading.
Track Record is the first compilation album by British singer-songwriter Joan Armatrading, released in 1983 on A&M Records.