Sleight of Hand | ||||
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Studio album by | ||||
Released | 12 May 1986 | |||
Studio | Bumpkin Studios | |||
Genre | Pop rock | |||
Length | 40:28 | |||
Label | A&M | |||
Producer | Joan Armatrading | |||
Joan Armatrading chronology | ||||
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Singles from Sleight of Hand | ||||
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Sleight of Hand is the tenth studio album by British singer-songwriter Joan Armatrading, released on 12 May 1986 by A&M Records. It was recorded and produced by Armatrading at Bumpkin Studio, her own purpose built studio in the grounds of her home. The album peaked at No. 34 on the UK Album Charts, No. 70 on the US Billboard 200, and No. 39 in Australia. [1] It was certified Silver by the British Phonographic Industry for sales in excess of 60,000 copies.
Armatrading began work on the album in November 1985, following the release of her previous studio album Secret Secrets in February of that year. She had planned for some time to produce her own albums and had gradually assumed control of many aspects of recording and production. However, when approaching the project of producing her very first album, she was nervous about the possibility of her record label, A&M, refusing to release the album [2] (A&M had initially refused to release her eighth studio album The Key (1983) on the grounds that it was not commercial enough, and had asked Armatrading to write some additional, more commercial material). [3]
To deal with this possibility, Armatrading decided to have a dry run, and record and produce samples that would eventually become Sleight of Hand. To do this, she asked bass guitarist Steve Greetham and keyboardist Alex White, who toured with her following the release of Secret Secrets, to come to her studio and record songs for her new album. This was unusual for Armatrading as she normally kept her studio and touring bands separate, using different musicians – on this occasion she wanted musicians around her that she knew and felt comfortable with, and who would be supportive during her first attempt at production. [4] They drafted in drummer Geoff Dugmore with the plan that the three musicians, plus Armatrading playing all guitars, would record some songs – with Armatrading also producing, to see how it went. Steve Greetham noted at the time that it was "very unusual" for Armatrading to ask members of her touring band to record with her, but said he and Alex White "were very pleased to be able to do it." [2]
Armatrading had already recorded some demos on her own, with a drum machine, guitar and keyboards; and during November and December 1985 the quartet recorded some songs based on those. Armatrading then decided her recording equipment "wasn't good enough" [4] and had it upgraded with a 24-track tape machine and better musical instruments. From January 1986, she drafted in Mark Wallis to engineer the new album and she and the band re-recorded, calling in session musicians to do some overdubs, and asking guitarist Eddie Golga to play on one track – "Laurel and the Rose". Armatrading recorded her vocals in seclusion, as she had done since the album Back to the Night (1975), being too shy to record in front of other people. After the recordings were complete, she asked Steve Lillywhite, who had produced Walk Under Ladders (1981) and The Key (1983), to do the mixing.
In a 1986 interview, Armatrading said that she considered it to be one of her best albums and that it was "an overall rock album as opposed to a jazz song here and another bit there. It's a complete album in terms of sound and songs." [5]
Armatrading gave an interview to Tracks magazine in June 1986 in which she explained the background and thoughts to the various songs on the album.
"Reach Out" was released as a single. It is a Motown referenced song, referring back to the Four Tops' 1967 hit single "Reach Out I'll Be There" and their album Reach Out .
The idea for "Angel Man" came from a film script Armatrading was sent and also from the fact that her younger brother, the actor Tony Armatrading, [6] had appeared in the TV series Angels .
"One More Chance" carries overtones of Princes' album 1999 .
"Jesse" is also based on a film script, though in an interview in 1988 with broadcaster Paul Gambaccini, Armatrading stated that she came to "hate" the song. [7] The song was also released as a single, with its B-side "The River's on Fire" – not available on the album. [8]
"Don Juan" was Armatrading's favourite track because it is "romantic … a nice, soppy love song … and I like that." [9]
"Kind Words (And a Real Good Heart)" was released as a single in May 1986 but entered the UK Singles Chart for just one week, peaking at No. 81. [10] It also reached No. 37 on the US Billboard Mainstream Rock chart.
Review scores | |
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Source | Rating |
AllMusic | [11] |
Encyclopedia of Popular Music | [12] |
In a contemporary review for the Los Angeles Times , critic Steve Hochman wrote that the album conveyed a "tough, vulnerable stance" through its melodies, rhythms and lyrics, and said that Armatrading had "found the best producer for her distinctive work: Joan Armatrading". [13]
In a retrospective review for AllMusic, critic Dave Connolly referred to Sleight of Hand as "a well crafted album [with] uncluttered production [and] expressiveness and energy", singling out the tracks "Russian Roulette", "Don Juan" and "Laurel and the Rose" for special mention, and giving the album a rating of 3 out of 5 stars. [11]
Hugh Fielder of Sounds magazine said in a 1986 review that the song "One More Chance" was Armatrading's "most stunning song since 'Love and Affection'". [14]
Bass player Steve Greetham noted later that "[Armatrading's] acoustic guitar is amazing – absolutely amazing", and gave the opinion that if she focused on that instead of electric guitars and other instruments, she'd sell "a bucket-load". [4] In this he echoed the sentiments of Mike Howlett, who had produced Secret Secrets.
Bassist Steve Greetham and drummer Geoff Dugmore, who played on the album, were invited to tour with Armatrading, but declined. Geoff Dugmore had other work projects and Steve Greetham "couldn't face another six months on the road.". [15] Armatrading felt let down that the pair declined to tour with her. The tour ended badly for Armatrading when she collapsed with exhaustion after coming off stage, and she couldn't complete the tour – many of the American concerts were cancelled as were the Australian ones.
The feeling at the time was, according to Greetham, [16] that Armatrading had reached a low point, she'd been pushing herself too hard and her albums weren't selling as well as they used to. She decided to take a year off and planned in future to cut her touring down.
During her year off Armatrading stayed away from "anything to do with music". [16] She bought a stud farm near Hindhead in Surrey as a business venture in case she could no longer make a living from music [17] and spent the rest of her time in the garden, or sleeping and watching TV. She said: "I didn't play my guitar, I didn't write, didn't listen to much music or anything." [16]
All songs written and arranged by Joan Armatrading.
Side one
Side two
Credits are adapted from the Sleight of Hand liner notes. [18]
Musicians
| Production and artwork
|
Chart | Peak position |
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Australian Albums (ARIA) [19] | 39 |
New Zealand Albums (RMNZ) [20] | 42 |
UK Albums (OCC) [21] | 34 |
US Billboard 200 [22] | 70 |
{{cite AV media notes}}
: CS1 maint: others in cite AV media (notes) (link)Joan Anita Barbara Armatrading, is a Kittitian-English singer-songwriter and guitarist.
"Love and Affection" is a song by Kittitian-English singer-songwriter Joan Armatrading. Her fourth single, and her third for A&M Records, it was her first chart success. It reached number 10 in the UK Singles Chart in November 1976. One of her best-known recordings, it has been described as a "deceptively feisty ballad ... an instant classic." It appeared on her eponymous third album. The song has twice been used as the title track of compilation albums, for 1999's Love and Affection: The Best of Joan Armatrading and 2003's Love and Affection: Classics 1975–1983.
Joan Armatrading is the third studio album by British singer-songwriter Joan Armatrading, released in 1976 by A&M Records. It was her first album to be recorded entirely in London, as her first two albums – Whatever's for Us and Back to the Night being partially recorded in France and Wales respectively in addition to London.
"Down to Zero" is a 1976 song by British singer-songwriter Joan Armatrading. It features pedal steel guitar by B. J. Cole and drums by Kenney Jones of the Faces.
Whatever's for Us is the debut album of British singer-songwriter Joan Armatrading. The album was a collaboration between Armatrading and singer-songwriter Pam Nestor. At the time the two were musical partners and wrote over a hundred songs together. Armatrading sings lead vocals and plays piano and acoustic guitar, while Nestor co-wrote most of the songs.
Back to the Night is the second studio album by the British singer-songwriter Joan Armatrading. The album was released in April 1975 by A&M Records.
To the Limit is the fifth studio album by British singer-songwriter Joan Armatrading, released in September 1978 by A&M.
The Key is the eighth studio album by the British singer-songwriter Joan Armatrading, released on 28 February 1983 by A&M Records (AMLX64912). The album was recorded at Townhouse Studios in Shepherd's Bush, London; Polar Studios in Stockholm and also in New York.
Steppin' Out is a live album by the British singer-songwriter Joan Armatrading. The title is taken from her song of the same name which was first released in 1975 on her second studio album Back to the Night. A DVD with the same title, containing concerts recorded by WDR in 1979 and 1980, was released in 2004.
Secret Secrets is the ninth studio album by British singer-songwriter Joan Armatrading, released on 4 February 1985 by A&M. The album was recorded and mixed at Battery Studios, in Willesden, London. It reached number 14 on the UK Album Chart and was certified Silver by the British Phonographic Industry for sales in excess of 60,000 copies. The album peaked at number 18 in Australia. The album had little success with singles, with its only charting hit, "Temptation", stalling at no.65 on the UK Singles Chart.
The Shouting Stage is the 11th studio album by the British singer-songwriter Joan Armatrading, released on 29 June 1988 by A&M Records. It was written, arranged and produced entirely by Armatrading herself, and recorded at her home studio (Bumpkin), with mixing done at Olympic Studios, London.
Hearts and Flowers is the twelfth studio album by British singer-songwriter Joan Armatrading. The album was written, arranged and produced by Armatrading; recorded at Bumpkin Studios, her own studios in the grounds of her home; mixed at The Grey Room in Los Angeles and mastered at Sterling Sound, New York. Armatrading began writing the album in 1989 and finished it in April 1990. It was released on 4 June 1990 by A&M Records.
What's Inside is the fourteenth studio album by British singer-songwriter Joan Armatrading. The album was written, arranged and produced by Armatrading, co-produced by David Tickle and recorded at the A&M Recording Studios in Hollywood. The strings were recorded at Abbey Road Studios, London, with the Kronos Quartet's contribution recorded at The Plant Recording Studios, Sausalito, California and The Memphis Horns recorded at Kiva Recording Studio, Memphis, Tennessee. The album was released in 1995 by RCA and was Armatrading's only album for the label. She had left A&M in 1992 after an eighteen-year association with the company.
Lovers Speak is the fifteenth studio album by British singer-songwriter Joan Armatrading, and was released on 25 March 2003. Three tracks from the album were released by Telstar on 10 March 2003 as a sampler.
Geoff Dugmore is a Scottish drummer, musical director and producer. He was a member of the bands the Europeans, and Wildlife.
Into the Blues is the sixteenth studio album by British singer-songwriter Joan Armatrading, released on 1 May 2007. The album was recorded by Armatrading at Bumpkin Studios, her own purpose-built studios. It was released on the 429 label (17625) and on the Hypertension label. The album was released in 2008 as a deluxe edition, with a DVD.
This Charming Life is the seventeenth studio album by British singer-songwriter Joan Armatrading, and was released on 30 March 2010. The album was recorded during 2009 by Armatrading at Bumpkin Studios, her own purpose-built studios, and mastered at Metropolis Studios. It was released on the 429 label and the Hypertension label. Armatrading's third live album Live at the Royal Albert Hall was recorded as part of the tour that accompanied the release of This Charming Life.
Live: All the Way from America is a live album by the British singer-songwriter Joan Armatrading. It was Armatrading's second live album, following the 1979 release of Steppin' Out, and was, therefore, the first live album she had released in twenty-five years. Armatrading was on tour following the release of her 2003 studio album Lovers Speak, and a concert from this tour was recorded on 25 June 2003 at the Lillian Fontaine Garden Theatre in Saratoga, California. The album takes its title from her 1980 song "All the Way from America", which originally appeared on the album Me Myself I. It was released in 2004 on digital format, CD and DVD by Savoy Records / SLG, and re-released in 2009 in CD format on the 429 Records label.
Not Too Far Away is the nineteenth studio album by British singer-songwriter Joan Armatrading, and was released on 18 May 2018. Armatrading produced the album herself, arranged the strings and plays and programmes all instruments.
"Kind Words (And a Real Good Heart)" is a song written and recorded by British singer-songwriter Joan Armatrading, released as a single from her tenth studio album, Sleight of Hand (1986). The single entered the UK Singles Chart for just one week, peaking at No. 81. It also reached No. 37 on the US Billboard Mainstream Rock chart.