"When the Levee Breaks" | |
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Single by Kansas Joe & Memphis Minnie | |
Released | August–September 1929 |
Recorded | New York City, June 18, 1929 |
Genre | Country blues |
Length | 3:11 |
Label | Columbia |
Songwriter(s) |
|
"When the Levee Breaks" is a country blues song written and first recorded by Memphis Minnie and Kansas Joe McCoy in 1929. The lyrics reflect experiences during the upheaval caused by the Great Mississippi Flood of 1927.
"When the Levee Breaks" was re-worked by English rock group Led Zeppelin as the last song on their untitled fourth album. Singer Robert Plant used many of the original lyrics and the songwriting is credited to Memphis Minnie and the individual members of Led Zeppelin. [1] Many other artists have performed and recorded versions of the song.
When blues musical duo Kansas Joe McCoy and Memphis Minnie wrote "When the Levee Breaks", the Great Mississippi Flood of 1927 was still fresh in people's memories. [2] The flooding affected 26,000 square miles of the Mississippi Delta –hundreds were killed and hundreds of thousands of residents were forced to evacuate. [3] The event is the subject of several blues songs, the most popular being "Backwater Blues" by Bessie Smith (1927) and "Mississippi Heavy Water Blues" by Barbecue Bob (1928). [4]
Ethel Douglas, Minnie's sister-in-law, recalled that Minnie was living with her family near Walls, Mississippi, when the levee broke in 1927. [2] The song's lyrics recount the personal toll on a man who lost his home and family. Despite the tragedy, biographers also see in it a statement of rebirth. [5]
McCoy and Minnie recorded "When the Levee Breaks" during their first session for Columbia Records in New York City on June 18, 1929. [1] The song features McCoy on vocals and rhythm guitar. [6] Minnie, the more accomplished guitarist of the two, provided the embellishments using a finger picked-style in a Spanish or open G tuning. [7] Music journalist Charles Shaar Murray identifies Joe McCoy as the actual songwriter. [1] However, as with all their Columbia releases, regardless of who sang the song, the record labels list the artist as "Kansas Joe and Memphis Minnie". [8]
Columbia issued the song on the then-standard 78 rpm phonograph record, with "That Will Be Alright", another vocal performance by McCoy, on the flip-side in August or June 1929. [8] The record was released before record industry publications, such as Billboard began tracking so-called race records, but it has been called a moderate hit. [9] "When the Levee Breaks" is included on several Memphis Minnie compilation albums and blues roots albums featuring various artists. [10]
"When the Levee Breaks" | |
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Song by Led Zeppelin | |
from the album Led Zeppelin IV | |
Released | November 8, 1971 |
Recorded | 1971 |
Studio | Headley Grange, Headley, Hampshire, England |
Genre | |
Length | 7:08 |
Label | Atlantic |
Songwriter(s) | |
Producer(s) | Jimmy Page |
Led Zeppelin recorded "When the Levee Breaks" for their untitled fourth album. When considering material for the group to record, singer Robert Plant suggested the Kansas Joe McCoy and Memphis Minnie song. [11] Jimmy Page commented that while Plant's lyrics identified with the original, he developed a new guitar riff that set it apart. [11] However, it is John Bonham's drumming that is usually noted as the defining characteristic of the song. [12]
Before the released version, Led Zeppelin attempted the song twice. They recorded an early version of the song in December 1970 at Headley Grange, using the Rolling Stones Mobile Studio. It was later released as "If It Keeps On Raining" on the 2015 reissue of Coda . Prior to relocating to Headley Grange, they tried unsuccessfully to record it at Island Studios at the beginning of the recording sessions for their fourth album. [12]
Page and John Paul Jones based their guitar and bass lines on the original song. [13] However, they did not follow its twelve-bar blues I–IV–V–I structure, but instead used a one-chord or modal approach to give it a droning sound. [1] Plant used many of the lyrics, but took a different melodic approach. [14] He also added a harmonica part; during mixing, a reverse echo effect was created, whereby the echo is heard ahead of the source. [12]
John Bonham's drumming, played on a Ludwig kit, was recorded in the lobby of Headley Grange using two Beyerdynamic M 160 microphones which were hung up a flight of stairs; output from these were passed to a pair of Helios F760 compressor/limiters set aggressively to obtain a breathing effect. A Binson Echorec, a delay effects unit, was also used. [9] [15] [16]
Portions of the song were recorded at a different tempo, then slowed down, explaining the "sludgy" sound, particularly on the harmonica and guitar solos. [17] It was the only song on the album that was mixed at Sunset Sound in Hollywood, California (the rest being remixed in London). [18] Page identifies the panning on the song's ending as one of his favourite mixes "when everything starts moving around except for the voice, which remains stationary". [19] The song was difficult to recreate live and the band played it only a few times, in the early stages of their 1975 U.S. Tour. [12]
Music critic Robert Christgau cited Led Zeppelin's version of "When the Levee Breaks" as their fourth album's greatest achievement. He argued that, because it plays like an authentic blues song and "has the grandeur of a symphonic crescendo", their version both transcends and dignifies "the quasi-parodic overstatement and oddly cerebral mood of" their past blues songs. [20] Mick Wall called it a "hypnotic, blues rock mantra". [21] AllMusic critic Stephen Thomas Erlewine, in a retrospective review, commented that the song was the only piece on their fourth album on par with "Stairway to Heaven" and called it "an apocalyptic slice of urban blues ... as forceful and frightening as Zeppelin ever got, and its seismic rhythms and layered dynamics illustrate why none of their imitators could ever equal them." [22] In The Rolling Stone Album Guide (2004), Greg Kot wrote that the song showed the band's "hard-rock blues" at their most "momentous". [23] However, group biographer Keith Shadwick notes the song "suffers from too few ideas added to the ingredients as the minutes tick by, compared with 'Black Dog'" and other songs on the first side of the album. [13]
A second version of the song was released in 2014 on the second disc of the remastered two-disc deluxe edition of Led Zeppelin IV. This version, known as "When The Levee Breaks (Alternate UK Mix in Progress)", was recorded on May 19, 1971, at the Rolling Stones Mobile Studio at Headley Grange. This mix runs 7:09, while the original runs 7:08.
Robert Plant performed the song with Alison Krauss on their 2022 tour. One concert reviewer described Plant's vocal as "astonishing, channeling every flood he had seen in his 74 years into the emotional resonance of his voice". [24]
Bonham's drum beat is one of the most widely sampled in popular music. [11] [25] According to Esquire magazine's Miles Raymer:
The two-bar break that opens "When the Levee Breaks" is one of the most monumental pieces of rock drumming ever recorded, and one of the most widely sampled pieces of music ever, having appeared in songs by everyone from Eminem and Dr. Dre to New Age artist Mike Oldfield and Sophie B. Hawkins. [26]
Led Zeppelin were an English rock band formed in London in 1968. The band comprised Robert Plant (vocals), Jimmy Page (guitar), John Paul Jones and John Bonham (drums). With a heavy, guitar-driven sound and drawing from influences including blues and folk music, Led Zeppelin are cited as a progenitor of hard rock and heavy metal. They significantly influenced the music industry, particularly in the development of album-oriented rock and stadium rock.
Led Zeppelin III is the third studio album by the English rock band Led Zeppelin, released on 5 October 1970. It was recorded in three locations. Much of the work was done at Headley Grange, a country house, using the Rolling Stones Mobile Studio. Additional sessions were held at Island Studios and Olympic Studios in London. As with the prior album, the band eschewed the use of guest musicians, with all music performed by band members Robert Plant (vocals), Jimmy Page (guitars), John Paul Jones, and John Bonham (drums). The range of instruments played by the band was greatly enhanced on this album, with Jones especially emerging as a talented multi-instrumentalist, playing a wide range of keyboard and stringed instruments, including various synthesizers, mandolin and double bass, in addition to his usual bass guitar. As with prior albums, Page served as producer on the album, with mixing done by Andy Johns and Terry Manning.
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