Blind Willie McTell was an American Piedmont blues and ragtime singer and guitarist. He played with a fluid, syncopated fingerstyle guitar technique, common among many exponents of Piedmont blues. Unlike his contemporaries, he came to use twelve-string guitars exclusively. McTell was also an adept slide guitarist, unusual among ragtime bluesmen. His vocal style, a smooth and often laid-back tenor, differed greatly from the harsher voices of many Delta bluesmen such as Charley Patton. McTell performed in various musical styles, including blues, ragtime, religious music, and hokum.
Physical Graffiti is the sixth album by the English rock band Led Zeppelin. Released as a double album on 24 February 1975 in the United States and on 28 February 1975 in the United Kingdom, it was the group's first album to be released under their new label, Swan Song Records. The band wrote and recorded eight new songs for the album in early 1974 at Headley Grange, a country house in Hampshire, which gave them ample time to improvise arrangements and experiment with recording. The total playing time covered just under three sides of an LP, so they decided to expand it into a double album by including previously unreleased tracks from the sessions for the band's earlier albums Led Zeppelin III (1970), Led Zeppelin IV (1971) and Houses of the Holy (1973). The album covered a range of styles including hard rock, progressive rock, rock 'n' roll and folk. The album was then mixed over summer 1974 and planned for an end-of-year release; however, its release was delayed because the Peter Corriston-designed die-cut album cover proved difficult to manufacture.
Booker T. Washington "Bukka" White was an American Delta blues guitarist and singer.
Blind Willie Johnson was an American gospel blues singer and guitarist. His landmark recordings completed between 1927 and 1930—thirty songs in total—display a combination of powerful "chest voice" singing, slide guitar skills, and originality that has influenced generations of musicians. Even though Johnson's records sold well, as a street performer and preacher, he had little wealth in his lifetime. His life was poorly documented, but over time, music historians such as Samuel Charters have uncovered more about Johnson and his five recording sessions.
"Trampled Under Foot" is a song by English rock group Led Zeppelin. A funk-influenced piece with John Paul Jones on clavinet, it was included on their 1975 album Physical Graffiti. The song was released as a single in several countries and was frequently performed in concert.
"The Rover" is a song by English rock band Led Zeppelin written by guitarist Jimmy Page and singer Robert Plant. Although mostly recorded years earlier, it was released on the group's 1975 double album, Physical Graffiti.
"In the Light" is a song by English rock band Led Zeppelin from their 1975 album Physical Graffiti. The song was composed primarily by bassist/keyboardist John Paul Jones on synthesiser, though singer Robert Plant and guitarist Jimmy Page also received songwriting credits.
"Ten Years Gone" is a song by English rock band Led Zeppelin from their 1975 album Physical Graffiti. Record producer Rick Rubin has described the song as, "A deep, reflective piece with hypnotic, interweaving riffs. Light and dark, shadow and glare. It sounds like nature coming through the speakers."
"You'll Need Somebody on Your Bond" is a gospel song that is attributed to both tradition and to gospel blues musician Blind Willie Johnson. Johnson first recorded the song in December 1930, although Delta blues musician Charley Patton recorded a similar "You're Gonna Need Somebody When You Die" in October 1929. Over the years, several other musicians have recorded renditions of the song.
"Custard Pie" is the opening track on the English rock band Led Zeppelin's sixth album, Physical Graffiti, released in 1975.
"Walkin' Blues" or "Walking Blues" is a blues standard written and recorded by American Delta blues musician Son House in 1930. Although unissued at the time, it was part of House's repertoire and other musicians, including Robert Johnson and Muddy Waters, adapted the song and recorded their own versions.
"It's Nobody's Fault but Mine" or "Nobody's Fault but Mine" is a song first recorded by gospel blues artist Blind Willie Johnson in 1927. It is a solo performance with Johnson singing and playing slide guitar. The song has been interpreted and recorded by numerous musicians in a variety of styles, including Led Zeppelin on their 1976 album Presence.
The Soul of a Man is an album of "twenty haunting spiritual blues songs" recorded in the late 1920s and 1930 by the American gospel blues singer and guitarist Blind Willie Johnson that was released by Charly Records in 2003.
Reverend J. C. Burnett was an American preacher who recorded gospel songs and sermons extensively in the late-1920s and intermittently thereafter until the 1940s. During his heyday, recording for Columbia Records, Burnett was one of the most commercially successful preachers on race records, alongside Reverend J. M. Gates and Reverend A. W. Nix. Years following Burnett's close of his recording career, his sermons still receive attention on compilation albums and from musical artists, particularly Bob Dylan.
"Ragged & Dirty" is an old southern blues song, popular in Memphis and other cities of Tennessee and Mississippi. The song was recorded and improvised by many southern blues artists in the 1920s and 1930s, and is still covered by many younger blues musicians.
The Complete Blind Willie Johnson is a compilation album of all the known recordings by American gospel blues singer-guitarist Blind Willie Johnson. As part of the Roots N' Blues series, it was released jointly by Columbia Records and Legacy Recordings, on April 27, 1993. All of the tracks on the two-compact disc set were originally issued by Columbia on the then-standard two-sided 78 rpm record format.
American Epic: The Best of Blind Willie Johnson is a compilation album released to accompany the award-winning American Epic documentary film series. It collects performances from Blind Willie Johnson's five recording sessions for Columbia Records in Dallas, Atlanta, and New Orleans between 1927 and 1930. The album was released as a 16-track download and a vinyl LP.
"I Shall Be Free" is a song by American singer-songwriter Bob Dylan. It was recorded on 6 December 1962 at Studio A, Columbia Recording Studios, New York, produced by John Hammond. The song was released as the closing track on The Freewheelin' Bob Dylan on 27 May 1963, and has been viewed as a comedic counterpoint to the album's more serious material. Dylan has never performed the song in concert.
