"One Too Many Mornings" | |
---|---|
Song by Bob Dylan | |
from the album The Times They Are a-Changin' | |
Released | January 13, 1964 |
Recorded | October 24, 1963 |
Genre | Folk |
Length | 2:41 |
Label | Columbia |
Songwriter(s) | Bob Dylan |
Producer(s) | Tom Wilson |
"One Too Many Mornings" is a song by Bob Dylan, released on his third studio album The Times They Are a-Changin' in 1964. [1] The chords and vocal melody are in some places very similar to the song "The Times They Are A-Changin'". "One Too Many Mornings" is in the key of C Major and is fingerpicked.
In addition to featuring the song on The Times They Are a-Changin', Dylan subsequently performed "One Too Many Mornings" in electric arrangements -- notably during his 1966 world tour and in 1976 during his second Rolling Thunder Revue tour. Dylan's May 17, 1966 live performance of the song, recorded at Manchester Free Trade Hall, was featured on The Bootleg Series Vol. 4: Bob Dylan Live 1966, The "Royal Albert Hall" Concert (1998), while a "Rolling Thunder" version was featured on the live album Hard Rain (1976). In 2016, all Dylan's recorded live performances of the song from 1966 were released in the boxed set The 1966 Live Recordings , with the May 26, 1966 performance released separately on the album The Real Royal Albert Hall 1966 Concert.
In 1967, Dylan recorded a version of the song with The Band on which he shares vocals with Richard Manuel which was included on various unofficial bootleg albums, before being officially released in 2014 on Dylan's album The Bootleg Series Vol. 11: The Basement Tapes Complete. [2]
In 2020, Dylan released a version of the song from a 1970 recording session with George Harrison on the limited edition issue, 50th Anniversary Collection: 1970.
Johnny Cash covered the song numerous times, including on the album Johnny & June in 1978. He also recorded two versions of the song with Dylan while Dylan was recording Nashville Skyline . The song, along with several others he recorded with Dylan, were released in 2019 on Travelin' Thru—The Bootleg Series Volume 15 1967-1969. Cash would cover it again as a duet with Waylon Jennings for the album Heroes . In 2012, a remix combining Cash's original vocals with new recordings by the Avett Brothers was included on the benefit album Chimes of Freedom: The Songs of Bob Dylan Honoring 50 Years of Amnesty International . In 2014, Willie Nelson and Kris Kristofferson, who, along with Jennings and Cash made up the supergroup The Highwaymen, added their vocals to the Heroes track. [3]
Other versions include:
Another Side of Bob Dylan is the fourth studio album by the American singer and songwriter Bob Dylan, released on August 8, 1964, by Columbia Records.
The Times They Are a-Changin' is the third studio album by the American singer-songwriter Bob Dylan. It was released on February 10, 1964, through Columbia Records. Whereas his previous albums, Bob Dylan and The Freewheelin' Bob Dylan, combined original material and cover songs, this was the first to feature only original compositions. The album consists mostly of stark, sparsely arranged ballads concerning issues such as racism, poverty, and social change. The title track is one of Dylan's most famous; many feel that it captures the spirit of social and political upheaval that characterized the 1960s.
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Live 1966: The "Royal Albert Hall" Concert is a two-disc live album by Bob Dylan, released in 1998. It is the second installment in the ongoing Bob Dylan Bootleg Series on Legacy Recordings, and has been certified a gold record by the RIAA. It was recorded at the Manchester Free Trade Hall during Dylan's 1966 world tour, though early bootlegs attributed the recording to the Royal Albert Hall so it became known as the Royal Albert Hall Concert. Extensively bootlegged for decades, it is an important document in the development of popular music during the 1960s.
The Bootleg Series Vol. 6: Bob Dylan Live 1964, Concert at Philharmonic Hall is a live album by Bob Dylan, released in 2004 on Legacy Records. It is the fourth installment of the ongoing Bob Dylan Bootleg Series. The album is the complete recording from the October 31, 1964 "Halloween" show at Philharmonic Hall in Manhattan by Bob Dylan.
"Just Like Tom Thumb's Blues" is a song written and performed by Bob Dylan. It was originally recorded on August 2, 1965, and released on the album Highway 61 Revisited. The song was later released on the compilation album Bob Dylan's Greatest Hits Vol. II and as two separate live versions recorded at concerts in 1966: the first of which appeared on the B-side of Dylan's "I Want You" single, with the second being released on The Bootleg Series Vol. 4: Bob Dylan Live 1966, The "Royal Albert Hall" Concert. The song has been covered by many artists, including Gordon Lightfoot, Cat Power, Nina Simone, Barry McGuire, Judy Collins, Frankie Miller, Linda Ronstadt, the Grateful Dead, Neil Young, The Black Crowes, Townes Van Zandt, and Bryan Ferry. Lightfoot's version was recorded only weeks after Dylan's original had been released and reached #3 on the Canadian RPM singles chart.
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"Girl from the North Country" is a song written by Bob Dylan. It was recorded at Columbia Recording Studios in New York City in April 1963, and released the following month as the second track on Dylan's second studio album, The Freewheelin' Bob Dylan. Dylan re-recorded the song as a duet with Johnny Cash in February 1969. That recording became the opening track on Nashville Skyline, Dylan's ninth studio album.
"When the Ship Comes In" is a folk music song by Bob Dylan, released on his third album, The Times They Are a-Changin', in 1964.
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The Bob Dylan World Tour 1966 was a concert tour undertaken by the American musician Bob Dylan, from February to May 1966. Dylan's 1966 World Tour was notable as the first tour where Dylan employed an electric band backing him, following him "going electric" at the 1965 Newport Folk Festival. The musicians Dylan employed as his backing band were known as the Hawks, who later became famous as the Band.
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"Mama, You Been on My Mind" is a song by American singer-songwriter Bob Dylan. Written in 1964 during a trip to Europe, the song dealt with his recent breakup with his girlfriend, Suze Rotolo. Dylan first recorded the song in June of that year during a session for his album Another Side of Bob Dylan. However, the song was not included on the album, and Dylan's version remained unreleased until 1991. In total, in the 1990s and 2000s four versions were put out on Dylan's Bootleg Series of releases, including two live performances with Joan Baez from 1964 and 1975.