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The Times They Are a-Changin' is the third studio album by American singer-songwriter Bob Dylan. It was released on February 10, 1964 through Columbia Records. Whereas his previous albums, Bob Dylan and The Freewheelin' Bob Dylan, combined original material and cover songs, this was the first to feature only original compositions. The album consists mostly of stark, sparsely arranged ballads concerning issues such as racism, poverty, and social change. The title track is one of Dylan's most famous; many feel that it captures the spirit of social and political upheaval that characterized the 1960s.
Live 1966: The "Royal Albert Hall" Concert is a two-disc live album by Bob Dylan, released in 1998. It is the second installment in the ongoing Bob Dylan Bootleg Series on Legacy Recordings, and has been certified a gold record by the RIAA. It was recorded at the Manchester Free Trade Hall during Dylan's 1966 world tour, though early bootlegs attributed the recording to the Royal Albert Hall so it became known as the Royal Albert Hall Concert. Extensively bootlegged for decades, it is an important document in the development of popular music during the 1960s.
The Bootleg Series Vol. 6: Bob Dylan Live 1964, Concert at Philharmonic Hall is a live album by Bob Dylan, released in 2004 on Legacy Records. It is the fourth installment of the ongoing Bob Dylan Bootleg Series. The album is the complete recording from the October 31, 1964 "Halloween" show at Philharmonic Hall in Manhattan by Bob Dylan.
"Just Like Tom Thumb's Blues" is a song written and performed by Bob Dylan. It was originally recorded on August 2, 1965, and released on the album Highway 61 Revisited. The song was later released on the compilation album Bob Dylan's Greatest Hits Vol. II and as two separate live versions recorded at concerts in 1966: the first of which appeared on the B-side of Dylan's "I Want You" single, with the second being released on The Bootleg Series Vol. 4: Bob Dylan Live 1966, The "Royal Albert Hall" Concert. The song has been covered by many artists, including Gordon Lightfoot, Cat Power, Nina Simone, Barry McGuire, Judy Collins, Frankie Miller, Linda Ronstadt, the Grateful Dead, Neil Young, The Black Crowes, Townes Van Zandt, and Bryan Ferry. Lightfoot's version was recorded only weeks after Dylan's original had been released and reached #3 on the Canadian RPM singles chart.
"The Times They Are a-Changin'" is a song written by Bob Dylan and released as the title track of his 1964 album of the same name. Dylan wrote the song as a deliberate attempt to create an anthem of change for the time, influenced by Irish and Scottish ballads. Released as a 45-rpm single in Britain in 1965, it reached number 9 on the UK Singles Chart. The song was not released as a single in the U.S. In 2019 it was certified Silver by BPI.
"It's All Over Now, Baby Blue" is a song written and performed by Bob Dylan and featured on his Bringing It All Back Home album, released on March 22, 1965, by Columbia Records. The song was recorded on January 15, 1965, with Dylan's acoustic guitar and harmonica and William E. Lee's bass guitar the only instrumentation. The lyrics were heavily influenced by Symbolist poetry and bid farewell to the titular "Baby Blue". There has been much speculation about the real life identity of "Baby Blue", with possibilities including Joan Baez, David Blue, Paul Clayton, Dylan's folk music audience, and even Dylan himself.
Heroes is a duet studio by American country music singers Johnny Cash and Waylon Jennings, released on Columbia Records in 1986.
Johnny & June is a compilation album and 60th overall album by American country singer Johnny Cash, released on Bear Family Records in 1978. Like The Unissued Johnny Cash it consists of material that was either unreleased or not widely available. Most of the songs were recorded from 1964 to 1965, with the exception of "Smiling Bill McCall" from 1960. The songs, "Cotton Picking Hands" and "Wer Kennt Den Weg" and "In Virginia" had been previously released on singles. "Thunderball" was recorded for the James Bond film, but was ultimately turned down in favor of Tom Jones.
"I Want You" is a song by American singer-songwriter Bob Dylan, which was released as a single in June 1966, and, later that month, on his seventh studio album, Blonde on Blonde. The song was written by Dylan, and produced by Bob Johnston. The song has been interpreted as a straightforward expression of lust, although critics have highlighted that the symbolism of the song is complex. It was the last song recorded for Blonde on Blonde, with several takes recorded in the early hours of March 10, 1966. It was included on Bob Dylan's Greatest Hits (1967). The song has received a largely positive critical reception, with a number of commentators highlighting Dylan's use of imagery, although some of the meanings are obscure.
"Girl from the North Country" is a song written by Bob Dylan. It was recorded at Columbia Recording Studios in New York City in April 1963, and released the following month as the second track on Dylan's second studio album, The Freewheelin' Bob Dylan. Dylan re-recorded the song as a duet with Johnny Cash in February 1969. That recording became the opening track on Nashville Skyline, Dylan's ninth studio album.
"Can You Please Crawl Out Your Window?" is a folk rock song written by American musician Bob Dylan. In 1965, Columbia Records released it as a single, which reached number 58 on the US Billboard Hot 100 chart, and number 17 on the UK chart in January 1966. While Dylan never included the song on any of his studio albums, it appears on compilations, such as Biograph and Side Tracks.
"When the Ship Comes In" is a folk music song by Bob Dylan, released on his third album, The Times They Are a-Changin', in 1964.
"Farewell Angelina" is a song written by Bob Dylan in the mid-1960s, and most famously recorded by Joan Baez.
The Bob Dylan World Tour 1966 was a concert tour undertaken by American musician Bob Dylan, from February to May 1966. Dylan's 1966 World Tour was notable as the first tour where Dylan employed an electric band backing him, following him "going electric" at the 1965 Newport Folk Festival. The musicians Dylan employed as his backing band were known as the Hawks, who later became famous as the Band.
"Big River" is a song written and originally recorded by Johnny Cash. Released as a single by Sun Records in 1958, it went as high as #4 on the Billboard country music charts and stayed on the charts for 14 weeks.
"I Still Miss Someone" is a song co-written by Johnny Cash and his nephew Roy Cash, Jr. and originally recorded by American country music singer Johnny Cash. He first recorded it in 1958 as the B-side to "Don't Take Your Guns to Town".
Bob Dylan bootleg recordings are unreleased performances by American singer-songwriter Bob Dylan, that have been circulated throughout the public without undergoing an official, sanctioned release. It is commonly misconceived that bootlegs are only restricted to audio, but bootleg video performances, such as Dylan's 1966 film Eat the Document, which remains officially unreleased, are considered to be bootlegs. Dylan is generally considered to be the most bootlegged artist in rock history, rivaled only by the Grateful Dead.
"Lay Down Your Weary Tune" is a song written by Bob Dylan in 1963. Dylan originally recorded it for his album The Times They Are a-Changin', but his version of the song was not officially released until 1985 on the Biograph box set. In the album liner notes, Dylan claims that in the song he was trying to capture the feeling of a Scottish ballad he had just heard on a 78 rpm record. The specific ballad Dylan was referring to has not been identified, but speculation includes "The Water Is Wide", "O Waly, Waly" and "I Wish, I Wish".
Chimes of Freedom: The Songs of Bob Dylan Honoring 50 Years of Amnesty International is a charity compilation album featuring new recordings of compositions by Bob Dylan by multiple artists, released on January 24, 2012. Proceeds from the album were donated to the human rights organization Amnesty International. It debuted in the U.S at number 11 on the Billboard 200 with 22,000 copies sold while the 2-CD version available at Starbucks debuted at number 38 with more than 10,200 copies sold.
"Mama, You Been on My Mind" is a song by American singer-songwriter Bob Dylan. Written in 1964 during a trip to Europe, the song dealt with his recent breakup with his girlfriend, Suze Rotolo. Dylan first recorded the song in June of that year during a session for his album Another Side of Bob Dylan. However, the song was not included on the album, and Dylan's version remained unreleased until 1991. In total, in the 1990s and 2000s four versions were put out on Dylan's Bootleg Series of releases, including two live performances with Joan Baez from 1964 and 1975.
References
- ↑ "One Too Many Mornings | The Official Bob Dylan Site". www.bobdylan.com. Retrieved 2018-07-19.
- ↑ "Peter Viney: One Too Many Mornings".
- ↑ "Songs We Love: The Highwaymen, 'One Too Many Mornings'". NPR.org. Retrieved 2018-07-19.
- ↑ Searles, Malcolm C. (2018). The Association ‘Cherish’: The Story of America’s First Folk-Rock Band. Leicestershire: Troubador Publishing Ltd. p. 65. ISBN 978-1-78901-361-0.
- ↑ Whitburn, Joel (2007). Joe Whitburn's Billboard Top Pop Singles 1955-2006 (11th ed.). Menomonee Falls, Wisc.: Record Research. p. 69. ISBN 978-0-89820-172-7.
- ↑ "Peter Viney: One Too Many Mornings".
- ↑ "BAP/Niedecken". Collector's guide to Dylan covers. Retrieved 28 October 2019.
- ↑ https://www.discogs.com/release/12339322-Jerry-Jeff-Walker-Walkers-Collectibles-Ridin-HighPlus
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