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Highway 61 Revisited is the sixth studio album by the American singer-songwriter Bob Dylan, released on August 30, 1965, by Columbia Records. Dylan continued the musical approach of his previous album Bringing It All Back Home (1965), using rock musicians as his backing band on every track of the album in a further departure from his primarily acoustic folk sound, except for the closing track, the 11-minute ballad "Desolation Row". Critics have focused on the innovative way Dylan combined driving, blues-based music with the subtlety of poetry to create songs that captured the political and cultural climate of contemporary America. Author Michael Gray argued that, in an important sense, the 1960s "started" with this album.
Renaldo and Clara is a 1978 American film directed by Bob Dylan and starring Bob Dylan, Sara Dylan and Joan Baez. Written by Dylan and Sam Shepard, the film incorporates three distinct film genres: concert footage, documentary interviews, and dramatic fictional vignettes reflective of Dylan's song lyrics and life.
The Rolling Thunder Revue was a 1975–76 concert tour by American singer-songwriter Bob Dylan with numerous musicians and collaborators. The purpose of the tour was to allow Dylan, who was a major recording artist and concert performer, to play in smaller auditoriums in less populated cities where he could be more intimate with his audiences.
The Bootleg Series Vol. 5: Bob Dylan Live 1975, The Rolling Thunder Revue is a live album by Bob Dylan released by Columbia Records in 2002. The third installment in the ongoing Bob Dylan Bootleg Series on Legacy Records, it documents the Rolling Thunder Revue led by Dylan prior to the release of the album Desire. Until the release of this album, the only official live documentation of the Rolling Thunder Revue was Hard Rain, recorded during the less critically well received second leg of the tour.
No Direction Home: Bob Dylan is a 2005 documentary film by Martin Scorsese that traces the life of Bob Dylan, and his impact on 20th-century American popular music and culture. The film focuses on the period between Dylan's arrival in New York in January 1961 and his "retirement" from touring following his motorcycle accident in July 1966. This period encapsulates Dylan's rise to fame as a folk singer and songwriter where he became the center of a cultural and musical upheaval, and continues through the electric controversy surrounding his move to a rock style of music.
"Ballad of a Thin Man" is a song written and recorded by Bob Dylan, and released in 1965 on his sixth studio album, Highway 61 Revisited.
"Leopard-Skin Pill-Box Hat" is a song by the American singer-songwriter Bob Dylan, which was released on the second side of his seventh studio album Blonde on Blonde (1966). The song was written by Dylan, and produced by Bob Johnston. Dylan has denied that the song references any specific individual, although critics have speculated that it refers to Edie Sedgwick, who Dylan had spent time with in December 1965.
"Tombstone Blues" is a song by American singer-songwriter Bob Dylan, which was released as the second track on his sixth studio album Highway 61 Revisited (1965). The song was written by Dylan, and produced by Bob Johnston. Critical interpretations of the song have suggested that the song references the Vietnam War and US President Lyndon Baines Johnson.
"Just Like Tom Thumb's Blues" is a song written and performed by Bob Dylan. It was originally recorded on August 2, 1965, and released on the album Highway 61 Revisited. The song was later released on the compilation album Bob Dylan's Greatest Hits Vol. II and as two separate live versions recorded at concerts in 1966: the first of which appeared on the B-side of Dylan's "I Want You" single, with the second being released on The Bootleg Series Vol. 4: Bob Dylan Live 1966, The "Royal Albert Hall" Concert. The song has been covered by many artists, including Gordon Lightfoot, Cat Power, Nina Simone, Barry McGuire, Judy Collins, Frankie Miller, Linda Ronstadt, the Grateful Dead, Neil Young, The Black Crowes, Townes Van Zandt, Bryan Ferry, and The Handsome Family. Lightfoot's version was recorded only weeks after Dylan's original had been released and reached #3 on the Canadian RPM singles chart.
"Stuck Inside of Mobile with the Memphis Blues Again" is a song by American singer-songwriter Bob Dylan from his seventh studio album, Blonde on Blonde (1966). The song was written by Dylan and produced by Bob Johnston. It has nine verses, each featuring a distinct set of characters and circumstances. All 20 takes of "Stuck Inside of Mobile with the Memphis Blues Again" were recorded in the early hours of February 17, 1966, at Columbia Records's A Studio in Nashville, Tennessee, with the last take selected for the album. This version also appears on Dylan's second compilation album, Bob Dylan's Greatest Hits Vol. II (1971).
By 1965, Bob Dylan was the leading songwriter of the American folk music revival. The response to his albums The Freewheelin' Bob Dylan and The Times They Are a-Changin' led the media to label him the "spokesman of a generation".
"Love Minus Zero/No Limit" is a song written by Bob Dylan for his fifth studio album Bringing It All Back Home, released in 1965. Its main musical hook is a series of three descending chords, while its lyrics articulate Dylan's feelings for his lover, and have been interpreted as describing how she brings a needed zen-like calm to his chaotic world. The song uses surreal imagery, which some authors and critics have suggested recalls Edgar Allan Poe's "The Raven" and the biblical Book of Daniel. Critics have also remarked that the style of the lyrics is reminiscent of William Blake's poem "The Sick Rose".
"Simple Twist of Fate", a song by American singer-songwriter Bob Dylan, was recorded on September 19, 1974, and was released in 1975 as the second song on his 15th studio album Blood on the Tracks.
"One Too Many Mornings" is a song by Bob Dylan, released on his third studio album The Times They Are a-Changin' in 1964. The chords and vocal melody are in some places very similar to the song "The Times They Are A-Changin'". "One Too Many Mornings" is in the key of C Major and is fingerpicked.
"When I Paint My Masterpiece" is a 1971 song written by Bob Dylan. It was first released by The Band, who recorded the song for their album Cahoots, released on September 15, 1971.
From Newport to the Ancient Empty Street in L.A is a bootleg recording of live performances by Bob Dylan. It contains recordings of Dylan performing at the Newport Folk Festival in July 1964 and July 1965. There are also recordings of Dylan performing at the Hollywood Bowl in September 1965. The album contains one performance omitted from the film The Other Side of the Mirror which records Dylan's Newport performances: a live version of "It Takes a Lot to Laugh, It Takes a Train to Cry" from July 1965.
"Mama, You Been on My Mind" is a song by American singer-songwriter Bob Dylan. Written in 1964 during a trip to Europe, the song dealt with his recent breakup with his girlfriend, Suze Rotolo. Dylan first recorded the song in June of that year during a session for his album Another Side of Bob Dylan. However, the song was not included on the album, and Dylan's version remained unreleased until 1991. In total, in the 1990s and 2000s four versions were put out on Dylan's Bootleg Series of releases, including two live performances with Joan Baez from 1964 and 1975.
Bob Dylan is an American musician, singer-songwriter, music producer, artist, and writer. He has been an influential figure in popular music and culture for more than five decades. Much of his most celebrated work dates from the 1960s when he was an informal chronicler and a seemingly reluctant figurehead of social unrest.
The Never Ending Tour is the popular name for Bob Dylan's endless touring schedule since June 7, 1988.
Bob Dylan – The Rolling Thunder Revue: The 1975 Live Recordings is a box set of 1975 live recordings by Bob Dylan, released on June 7, 2019. For this tour, Dylan assembled a loose collective of a backing band called Guam and played across North America for several dozen shows. The tie-in Netflix documentary film Rolling Thunder Revue: A Bob Dylan Story by Martin Scorsese was released the following week. A similar compilation was released in 2002 entitled Bob Dylan Live 1975, The Rolling Thunder Revue, as part of Dylan's ongoing Bootleg Series. That compilation was re-released on vinyl as a companion to the later release.
References
- ↑ Bruce Pollock (2014-03-18). Rock Song Index: The 7500 Most Important Songs for the Rock and Roll Era. Routledge. p. 188. ISBN 978-1-135-46296-3.
- 1 2 3 4 5 6 7 "It Takes a Lot to Laugh, It Takes a Train to Cry" . Retrieved 2009-06-24.
- 1 2 3 Hinchey, J. (2002). Like a Complete Unknown. pp. 120–126. ISBN 0-9723592-0-6.
- 1 2 3 4 5 6 Williams, P. (1990). Bob Dylan Performing Artist. pp. 156–163. ISBN 0-88733-131-9.
- 1 2 3 Shelton, R. (1997). No Direction Home. p. 280. ISBN 0-306-80782-3.
- 1 2 3 4 5 6 Andy Gill (1998). Don't Think Twice It's Alright. p. 85. ISBN 1-56025-185-9.
- 1 2 Santelli, R. (2005). The Bob Dylan Scrapbook:1956-1966. pp. 49–50. ISBN 978-0-7432-2828-2.
- ↑ Erlewine, S.T. "The Bootleg Series, Vol. 5: Bob Dylan Live 1975 – The Rolling Thunder Revue". AllMusic . Retrieved 2014-09-02.
- ↑ "Hear John Mayer, Bob Dylan Performances With Wynton Marsalis". Rolling Stone. 2018-02-21. Retrieved 2021-04-15.
- ↑ "It Takes a Lot to Laugh, It Takes a Train to Cry | The Official Bob Dylan Site". www.bobdylan.com. Retrieved 2021-04-15.
- ↑ "100 Greatest Dylan Songs". Mojo. November 2005. Retrieved 2009-07-04.
