"I Got the Freight Train Blues" | |
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Single by Rambling Red Foley acc. by Cumberland Ridge Runners | |
B-side | "Echoes of My Plantation Home" |
Released | 1934 |
Recorded | Chicago, c.March 21, 1934 |
Genre | Hillbilly |
Length | 2:53 |
Label | Several ARC affiliates [lower-alpha 1] |
Songwriter(s) | John Lair |
"Freight Train Blues" is an early American hillbilly-style country music song written by John Lair. He wrote it for Red Foley, who recorded the song with the title "I Got the Freight Train Blues" in 1934. The tune was subsequently recorded by several musicians, with popular renditions by Roy Acuff in 1936 and 1947. Bob Dylan later adapted it for his self-titled debut album (1962).
John Lair was a Kentucky native, who had a long career in the music industry. [2] He was a prolific songwriter and was responsible for about 500 compositions. [3] In an interview, he explained that he wrote the song "in memory of the sound of the train that punctuated his youth in the southern United States". [3] His lyrics include:
Lair wrote the song for fellow Kentuckian Red Foley, who recorded it in Chicago around March 21, 1934. [1] Foley was backed by the Cumberland Ridge Runners, a string band which included Lair and others who played a variety of instruments, such as fiddle, dulcimer, banjo, and mandolin. [4]
In 1934, Foley's recording was issued by several American Record Corporation (ARC) labels, including Banner, Conqueror, Perfect, Melotone, Romeo, and Oriole. [1] The 78 rpm record was released before music publications such as Billboard tracked sales of hillbilly or country singles. The song is included on Foley anthologies, such as Old Shep: The Red Foley Recordings 1933–1950 (Bear Family Records, 2006). [5]
"Freight Train Blues" | |
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Single by Roy Acuff and His Crazy Tennesseeans | |
B-side | "Wabash Cannon Ball" |
Released | December 1938 |
Recorded | Chicago, October 21, 1936 |
Genre | Hillbilly |
Length | 2:44 |
Label | Vocalion [lower-alpha 2] |
Songwriter(s) | John Lair |
Roy Acuff recorded his first version of "Freight Train Blues" in Chicago on October 21, 1936, with his group, billed as "Roy Acuff and His Crazy Tennesseeans". [6] Group harmonica player Sam "Dynamite" Hatcher, who "prefer[red] blues-tinged numbers", [7] provided the vocal, while Acuff added the simulated train whistle. [8] Dobro player Clell Summey performed the slide guitar fills that run through out the song. [7]
Vocalion Records issued it as a single in December 1938, with "Wabash Cannon Ball" as the flip-side. [9] [lower-alpha 2] However, only "Wabash Cannon Ball" is included in Billboard's listings of "American Folk Tunes", where it appeared at least 25 times between 1939 and 1943. [9]
The popularity of the record led Columbia Records to arrange for Acuff record another version. [8] The session took place in Hollywood, California, in January 1947, with Acuff's backing band, the Smoky Mountain Boys. [11] This time, Acuff provided his own vocal and modified the lyrics, including reordering the first verse: [12]
I was born in Dixie in a boomer's shack
Just a little shanty by the railroad track
The humming of the drivers was my lullaby
And a freight train whistle taught me how to cry.
Notation for the 1947 version shows a key of C major with a "shuffle" tempo of 160 beats per minute in common or 4/4 time. [13] Acuff's vocal on the chorus shifts between his normal range and a falsetto. [13] Although his voice lowered over the years and prompted him to forgo some tunes in his repertoire, he continued to perform "Freight Train Blues" and could "even do a Jimmie Rodgers type yodel". [14]
Columbia released the single in 1947, again with "Wabash Cannon Ball" (also re-recorded) as the single's flip side. [9] In October 1947, Columbia packaged four of Acuff's 78s (eight songs) together as an early album, with the title Songs of the Smoky Mountains. [9] "Freight Train Blues" appears on several Acuff anthologies, including the Columbia albums Greatest Hits (1970) [15] and The Essential Roy Acuff: 1936–1949 (1992). [16]
"Freight Train Blues" was the last song Bob Dylan recorded to appear on his debut album, Bob Dylan (1962). [3] The recording session took place at Columbia's studios in New York City on November 22, 1961. [3] The album notes indicate that the song "was adapted from an old disk by Roy Acuff". [17] However, unlike Acuff's or Foley's renditions, Dylan performs it as a solo piece, with his vocal accompanied by guitar and harmonica. [3] He also plays the song at a unusually fast tempo for a folk song, [18] which several biographers have commented on:
Dylan also added some new lyrics and at various times, Columbia has listed the song as being in the "public domain" [17] or "arranged by B. Dylan". [21] However, author Todd Harvey has identified John Lair's 1930s composition as the base for the songs "most commonly performed by folk revivalists and country musicians". [22]
Highway 61 Revisited is the sixth studio album by American singer-songwriter Bob Dylan, released on August 30, 1965, by Columbia Records. Having until then recorded mostly acoustic music, Dylan used rock musicians as his backing band on every track of the album, except for the closing track, the 11-minute ballad "Desolation Row". Critics have focused on the innovative way Dylan combined driving, blues-based music with the subtlety of poetry to create songs that captured the political and cultural chaos of contemporary America. Author Michael Gray has argued that, in an important sense, the 1960s "started" with this album.
Bringing It All Back Home is the fifth studio album by American singer-songwriter Bob Dylan. It was released on March 22, 1965, by Columbia Records.
Bob Dylan is the eponymous debut studio album by American singer-songwriter Bob Dylan, released on March 19, 1962 by Columbia Records. The album was produced by Columbia talent scout John H. Hammond, who had earlier signed Dylan to the label, a decision which was at the time controversial. The album primarily features folk standards, but also includes two original compositions, "Talkin' New York" and "Song to Woody". The latter was an ode to Woody Guthrie, a major influence in Dylan's early career.
Roy Claxton Acuff was an American country music singer, fiddler, and promoter. Known as the "King of Country Music", Acuff is often credited with moving the genre from its early string band and "hoedown" format to the singer-based format that helped make it internationally successful. In 1952, Hank Williams told Ralph Gleason, "He's the biggest singer this music ever knew. You booked him and you didn't worry about crowds. For drawing power in the South, it was Roy Acuff, then God."
"The Great Rock Island Route", popularized as "Wabash Cannonball" and various other titles, is a 19th century American folk song that describes the scenic beauty and predicaments of a fictional train, the Wabash Cannonball Express, as it traveled on the Great Rock Island Railroad. The song has become a country music staple and common marching band repertoire. The only train to actually bear the name was created in response to the song's popularity, with the Wabash Railroad renaming its daytime express service between Detroit and St. Louis as the Wabash Cannon Ball from 1949 until discontinuation during the formation of Amtrak in 1971.
Benny Edward Martin, was an American bluegrass fiddler who invented the eight-string fiddle. Throughout his musical career he performed with artists such as the Bluegrass Boys, Don Reno, the Smoky Mountain Boys and Flatt and Scruggs, and later performed and recorded with the Stanley Brothers, Hylo Brown, Jimmy Martin, Johnnie and Jack, and the Stonemans, among others. He was inducted into the International Bluegrass Music Hall of Fame in 2005.
Donald W. Gant was an American singer, songwriter and record producer.
"Man of Constant Sorrow" is a traditional American folk song first published by Dick Burnett, a partially blind fiddler from Kentucky. The song was originally titled "Farewell Song" in a songbook by Burnett dated to around 1913. A version recorded by Emry Arthur in 1928 gave the song its current titles.
"Just Like Tom Thumb's Blues" is a song written and performed by Bob Dylan. It was originally recorded on August 2, 1965, and released on the album Highway 61 Revisited. The song was later released on the compilation album Bob Dylan's Greatest Hits Vol. II and as two separate live versions recorded at concerts in 1966: the first of which appeared on the B-side of Dylan's "I Want You" single, with the second being released on The Bootleg Series Vol. 4: Bob Dylan Live 1966, The "Royal Albert Hall" Concert. The song has been covered by many artists, including Gordon Lightfoot, Nina Simone, Barry McGuire, Judy Collins, Frankie Miller, Linda Ronstadt, the Grateful Dead, Neil Young, The Black Crowes, Townes Van Zandt, and Bryan Ferry. Lightfoot's version was recorded only weeks after Dylan's original had been released and reached #3 on the Canadian RPM singles chart.
"I Saw the Light" is a country gospel song written by Hank Williams. Williams was inspired to write the song while returning from a concert by a remark his mother made while they were arriving in Montgomery, Alabama. He recorded the song during his first session for MGM Records, and released in September 1948. Williams' version did not enjoy major success during its initial release, but eventually it became one of his most popular songs and the closing number for his live shows. It was soon covered by other acts, and has become a country gospel standard.
"Mother Earth" is a blues song recorded by Memphis Slim in 1951. A slow twelve-bar blues, it is one of Slim's best-known songs and reached number seven in the Billboard R&B chart in 1951.
"Talkin' New York" is the second song on Bob Dylan's eponymous first album, released in 1962. A talking blues, the song describes his feelings on arriving in New York City from Minnesota, his time playing coffee houses in Greenwich Village, and his life as a folksinger without a record deal. The lyrics express the apparent difficulty he had finding gigs as a result of his unique sound, with a character in the song telling Dylan: "You sound like a hillbilly; We want folk singers here."
"Honey, Just Allow Me One More Chance" is a song recorded by blues musician Henry "Ragtime Texas" Thomas in 1927, under the title "Honey, Won't You Allow Me One More Chance". It was covered by Bob Dylan on his album The Freewheelin' Bob Dylan, which came out on May 27, 1963.
"It Takes a Lot to Laugh, It Takes a Train to Cry" is a song written by Bob Dylan, that was originally released on his album Highway 61 Revisited. It was recorded on July 29, 1965. The song was also included on an early, European Dylan compilation album entitled Bob Dylan's Greatest Hits 2.
"To Be Alone with You" is a country-rock song by American singer-songwriter Bob Dylan, released as the third track on his 1969 album Nashville Skyline.
A Tribute to Roy Acuff: The King of Country Music is a studio album by American country artist Hank Locklin. It was released in February 1962 via RCA Victor Records. It was co-was produced by Chet Atkins and Anita Kerr. The project was a tribute record to fellow country artist and Grand Ole Opry member Roy Acuff. It featured a collection of 12 songs recorded famously by Acuff up to that point in his own career. The album received positive reviews and reception from critics following its release.
"Dear Landlord" is a song by American singer-songwriter Bob Dylan. It was recorded on November 29, 1967, at Columbia Recording Studios, Nashville, produced by Bob Johnston. The song was released on Dylan's album John Wesley Harding on December 27, 1967. It is a piano blues that has been interpeted as an address to his then-manager Albert Grossman.
"You're No Good" is a song by Jesse Fuller that appeared as the first track on Bob Dylan's eponymous debut album, released on November 20, 1961. Dylan learnt the song directly from Fuller in Denver; Fuller's own recorded version was not released until May 13, 1963, on his album San Francisco Bay Blues. The song concerns the narrator's difficult relationship with a woman, and concludes with the narrator wanting to "lay down and die". Dylans version is more uptempo than Fuller's, and has some changes to the lyrics. Bob Dylan received a generally negative critical reception on release, although some later critics have praised the album and its opening track.
"Highway 51 Blues" is a song composed by American blues pianist Curtis Jones, released on a 78 record on January 12, 1938. Bob Dylan's track "Highway 51", released as the closing track of his debut album Bob Dylan on March 19, 1962, incorporated the tune from Jones's version.
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