Good as I Been to You | ||||
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Studio album by | ||||
Released | November 3, 1992 | |||
Recorded | Mid-1992 | |||
Studio | Bob Dylan's garage studio, Malibu | |||
Genre | ||||
Length | 55:31 | |||
Label | Columbia | |||
Producer | Debbie Gold | |||
Bob Dylan chronology | ||||
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Good as I Been to You is the twenty-eighth studio album by American singer-songwriter Bob Dylan, released on November 3, 1992, by Columbia Records. The title comes from the second line of side 2 track 4.
It is composed entirely of traditional folk songs and covers, and is Dylan's first entirely solo, acoustic album since Another Side of Bob Dylan in 1964. It is also his first collection not to feature any original compositions since Dylan in 1973.
On the charts, Good as I Been to You reached No. 51 in the US [1] and No. 18 in the UK, [2] and helped to restore Dylan's critical standing following the disappointing Under the Red Sky . The album's highest chart position worldwide was in Norway, where it peaked at No. 11.
Since launching the Never Ending Tour in June 1988, traditional covers became a feature at virtually every Dylan concert, often as part of an acoustic set. After recording Under the Red Sky in 1990, Dylan would not release an original song until 1997, and during that time, he would increasingly rely on his stockpile of covers for 'fresh' material. Dylan called these covers "the music that's true for me". [3]
Dylan scheduled studio time at Chicago's Acme Studios in early June 1992, hiring long-time associate David Bromberg as his producer. An album's worth of cover songs were recorded at these sessions with the accompaniment of a full band. [4] The recording engineers were Blaise Barton and Dan White. [5] For reasons unknown, Dylan scrapped the release of this album, deciding to record solo acoustic material instead. Two songs from the Bromberg sessions, "Duncan and Brady" and "Miss the Mississippi", would eventually be released on the album The Bootleg Series Vol. 8: Tell Tale Signs: Rare and Unreleased 1989–2006. All of the songs for Good As I Been to You were recorded later at Dylan's garage studio at his home in Malibu, sessions that are believed to have taken place from late July to early August 1992. [6] [7]
Producer credit was given to Dylan's longtime friend Debbie Gold while Micajah Ryan was credited with engineering and mixing the sessions. [8] Ryan later recalled that "Debbie had a great working relationship with Bob, so that took some of the edge off for me – and for Dylan as well. He consulted Debbie on every take. He trusted her and she was never afraid to tell him the truth, and, boy, was she persistent, often convincing him to stay with a song long after he seemed to lose interest. He’d come in each day with at least a couple of songs to work on. He’d do several takes in every key and tempo until he felt he got it". [9]
Dylan recorded a wide range of traditional songs: "Froggie Went A-Courtin'," "Blackjack Davey" and the anti-recruiting "Arthur McBride" were part of the British and Irish tradition of folk songs. "Little Maggie" was a popular bluegrass standard. "Diamond Joe" was well-known thanks to fellow folk revivalist Ramblin' Jack Elliott. "Frankie and Albert" and "Sittin' on Top of the World" both had long, deep roots in folk-blues. Dylan also covered songs that weren't authentically traditional, such as "Tomorrow Night" (best known for Lonnie Johnson's hit version in 1947 and a version by Elvis Presley released in 1965) and Stephen Foster's "Hard Times". [10]
When time came to sequence the album, producer Debbie Gold was unable to convince Dylan to include "You Belong to Me". Though it wasn't authentically traditional, it was popular enough to be covered by Jo Stafford, Patti Page and Dean Martin. The most popular version was recorded by the Duprees, one of the final Italian doo wop groups to make a wave in the early 1960s. Dylan's version from the Good As I Been to You sessions eventually appeared in Oliver Stone's controversial 1994 film Natural Born Killers and on its accompanying soundtrack album. [11]
Stereogum ran an article to coincide with Dylan's 80th birthday on May 24, 2021 in which 80 musicians were asked to name their favorite Dylan song. The Strokes' Albert Hammond Jr. selected "You Belong to Me", noting "It’s just a very powerful song. You can’t explain sometimes how songs hit you...It’s impressive to keep going and still create stuff. It’s one of my favorite songs. Any mix I make for anyone, I put it on there. I know it’s not his. But you can definitely have something that’s not yours and own it. He’s done that a lot". [12]
Review scores | |
---|---|
Source | Rating |
AllMusic | [13] |
Robert Christgau | B+ [14] |
The Encyclopedia of Popular Music | [15] |
MusicHound Rock: The Essential Album Guide | [16] |
Orlando Sentinel | [17] |
Rolling Stone | (favorable) [18] |
The response to Good as I Been to You was surprisingly positive, particularly for an album with very modest ambitions. It drew comparisons with the acoustic sets featured in Dylan's "Never Ending Tour" shows, drawing much praise for his interpretive skills. A number of critics pointed out that Dylan's voice was now physically ravaged, but the focus was often on the phrasing. "Dylan sounds now, in comparison to his younger self, like one of those ghosts," wrote David Sexton of The Sunday Telegraph , "but a powerful ghost. The effect is not so much nostalgia...as deeply inward". [19]
In a four (out of five) star review in Rolling Stone magazine, critic David Wild wrote: "In its stripped-down intensity, Good As I Been to You recalls the midshow acoustic segments that in recent years have been a consistent highlight of Dylan’s Never Ending Tour. Even more than that, the album’s intimate, almost offhand approach suggests what it would be like to sit backstage with his Bobness while he runs through a set of some of his favorite old songs. This is a passionate, at times almost ragged piece of work that seems to have been recorded rather than produced in any conventional sense". [20]
David Bowie was a fan of both Good as I Been to You and World Gone Wrong , stating in a 1997 interview that "[Dylan's] albums have a great class to them, even those albums where he is actually playing songs of long-dead blues singers". [21]
Spectrum Culture included two of the album's tracks, "Jim Jones" and "Froggie Went a Courtin' " on a 2020 list of "Bob Dylan's 20 Best Songs of the 1990s". [22]
NJArts' Jay Lustig wrote that Good as I Been to You is a "solid but not exactly essential addition to [Dylan's] catalog" and cited "You're Gonna Quit Me" as the highlight of the album. [23]
All songs are traditional, arranged by Bob Dylan , except where noted.
No. | Title | Writer(s) | Length |
---|---|---|---|
1. | "Frankie & Albert" | arranged by Mississippi John Hurt | 3:50 |
2. | "Jim Jones" | 3:52 | |
3. | "Blackjack Davey" | 5:47 | |
4. | "Canadee-i-o" | arranged by Nic Jones | 4:20 |
5. | "Sittin' on Top of the World" | Walter Vinson and Lonnie Chatmon | 4:27 |
6. | "Little Maggie" | 2:52 | |
7. | "Hard Times" | Stephen Foster | 4:31 |
Total length: | 29:39 |
No. | Title | Writer(s) | Length |
---|---|---|---|
1. | "Step It Up and Go" | 2:54 | |
2. | "Tomorrow Night" | Sam Coslow, Will Grosz | 3:42 |
3. | "Arthur McBride" | arranged by Paul Brady | 6:20 |
4. | "You're Gonna Quit Me" | Blind Blake | 2:46 |
5. | "Diamond Joe" | 3:14 | |
6. | "Froggie Went a Courtin'" | 6:26 | |
Total length: | 25:22 |
"Frog Went a-Courtin'" is an English-language folk song. Its first known appearance is in Wedderburn's Complaynt of Scotland (1549) under the name "The Frog cam to the Myl dur", though this is in Scots rather than English. There is a reference in the London Company of Stationers' Register of 1580 to "A Moste Strange Weddinge of the Frogge and the Mouse." There are many texts of the ballad; however the oldest known musical version is found in Thomas Ravenscroft's Melismata in 1611.
David Bromberg is an American multi-instrumentalist, singer, and songwriter. An eclectic artist, Bromberg plays bluegrass, blues, folk, jazz, country and western, and rock and roll. He is known for his quirky, humorous lyrics, and the ability to play rhythm and lead guitar at the same time.
New Morning is the eleventh studio album by the American singer-songwriter Bob Dylan, released on October 21, 1970 by Columbia Records.
Bob Dylan at Budokan is a live album by American singer-songwriter Bob Dylan, released August 1978 on Columbia Records in Japan only, followed by a worldwide release in April 1979. It was recorded during his 1978 world tour and is composed mostly of the artist's "greatest hits". The performances in the album are radically altered from the originals, using almost all the musicians that played on Street-Legal, but relying on a much larger band and stronger use of woodwind and backing singers. In some respects the arrangements are more conventional than the original arrangements, for which the album was criticized. For a few critics, such as Janet Maslin of Rolling Stone, the differences between the older and newer arrangements had become less important.
Under the Red Sky is the twenty-seventh studio album by American singer-songwriter Bob Dylan, released on September 10, 1990, by Columbia Records. It was produced by Don Was, David Was, and Dylan.
World Gone Wrong is the twenty-ninth studio album by American singer-songwriter Bob Dylan, released on October 26, 1993, by Columbia Records.
"Buckets of Rain" is a song by Bob Dylan, recorded on September 19, 1974, in New York City and released in 1975 on Dylan's critically acclaimed album Blood on the Tracks.
"Thunder on the Mountain" is a song written and performed by American singer-songwriter Bob Dylan, released in 2006 as the first track on his album Modern Times. Like much of Dylan's 21st century output, he produced the song himself under the pseudonym Jack Frost.
"I Threw It All Away" is a song by American singer-songwriter Bob Dylan. The track appeared on Dylan's album Nashville Skyline in 1969, and was released as its first single later that year, where it reached number 85 on the Billboard Hot 100, and number 30 on the UK Singles Chart. It is considered to be one of the best and most popular songs on the album.
Christmas in the Heart is the thirty-fourth studio album and first Christmas album by American singer-songwriter Bob Dylan, released on October 13, 2009, by Columbia Records. The album comprises a collection of hymns, carols, and popular Christmas songs. All Dylan's royalties from the sale of this album benefit the charities Feeding America in the USA, Crisis in the UK, and the World Food Programme in perpetuity.
"Everything is Broken" is an uptempo rock song written and recorded by American singer-songwriter Bob Dylan, and released as the first single from his 1989 album Oh Mercy, where it appears as the third track. It was later anthologized on the compilation albums The Essential Bob Dylan in 2000 and Dylan in 2007. The song spent eight weeks on Billboard's "Mainstream Rock Songs" chart, peaking at number eight on October 27, 1989. It was produced by Daniel Lanois.
David Bromberg is the debut album by American multi-instrumentalist and singer-songwriter David Bromberg. It was released by Columbia Records in February 1972. The album includes "The Holdup", written by Bromberg and George Harrison, and "Sammy's Song", which features Bob Dylan on harmonica.
"To Be Alone with You" is a country-rock song by American singer-songwriter Bob Dylan, released as the third track on his 1969 album Nashville Skyline.
Try Me One More Time is an album by David Bromberg. It was released by Appleseed Recordings on February 27, 2007. It was Bromberg's first studio album in almost 18 years, since 1989's Sideman Serenade.
"Duquesne Whistle" is a song written by Bob Dylan and Grateful Dead lyricist Robert Hunter that appears as the opening track on Dylan's 2012 studio album Tempest. It was first released as a digital single on August 27, 2012 through Columbia Records then as a music video two days later. A limited edition "Record Store Day" 7" stereo single was released on November 23, 2012. It was also anthologized on the 2014 reissue of The Essential Bob Dylan. Like much of Dylan's 21st-century output, he produced the song himself using the pseudonym Jack Frost.
Shadows in the Night is the thirty-sixth studio album by Bob Dylan, released by Columbia Records on February 3, 2015. The album consists of covers of traditional pop standards made famous by Frank Sinatra, chosen by Dylan. Like most of his 21st century output, Dylan produced the album himself under the pseudonym Jack Frost.
Fallen Angels is the thirty-seventh studio album by Bob Dylan, released by Columbia Records on May 20, 2016.
"Sweetheart Like You" is a song by Bob Dylan that appeared as the second track of his 1983 album Infidels. The song was recorded on April 18, 1983 and released as a single in December 1983, with "Union Sundown" as its B-Side.
Rough and Rowdy Ways is the thirty-ninth studio album by American singer-songwriter Bob Dylan, released on June 19, 2020, through Columbia Records. It is Dylan's first album of original songs since his 2012 album Tempest, following three releases that covered traditional pop standards. The album was recorded at Sound City Studios from January to early March 2020. The session musicians included all of the then-current members of Dylan's Never Ending Tour band alongside other musicians, such as Blake Mills and Fiona Apple. The album's sound was described by critics as Americana, folk, blues, and rhythm and blues.
"I Shall Be Free" is a song by American singer-songwriter Bob Dylan. It was recorded on 6 December 1962 at Studio A, Columbia Recording Studios, New York, produced by John Hammond. The song was released as the closing track on The Freewheelin' Bob Dylan on 27 May 1963, and has been viewed as a comedic counterpoint to the album's more serious material. Dylan has never performed the song in concert.
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