Festival | |
---|---|
Directed by | Murray Lerner |
Written by | Murray Lerner |
Produced by | Murray Lerner [1] |
Starring | |
Cinematography | Murray Lerner Stanley Meredith Francis Grumman George Pickow |
Edited by | Howard Alk |
Production company | Patchke Productions |
Distributed by | Peppercorn-Wormser |
Release date |
|
Running time | 97 minutes |
Country | United States |
Language | English |
Festival (stylized as Festival!) is a 1967 American documentary film about the Newport Folk Festivals of the mid-1960s, and the burgeoning counterculture movement of the era, written, produced, and directed by Murray Lerner.
The movie was filmed over the course of four festivals at Newport (1963-1966), and includes footage of Bob Dylan’s controversial 1965 electric set.
Roger Ebert gave the film 3+1⁄2 out of four stars. His highest praise was for the editors, explaining, "They make their points quietly, with humor and understatement. The result is marvelously entertaining." He also gave credit to Lerner for making "full use of the strength of documentary film, the ability to catch unrehearsed moments that reveal personality." [2]
Festival was nominated for an Academy Award for Best Documentary Feature in 1968. [3]
The film features appearances by the following artists: [4] [5] [6]
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Peter Seeger was an American folk singer-songwriter, musician and social activist. He was a fixture on nationwide radio in the 1940s, and had a string of hit records in the early 1950s as a member of The Weavers, notably their recording of Lead Belly's "Goodnight, Irene," which topped the charts for 14 weeks in 1950. Members of the Weavers were blacklisted during the McCarthy Era. In the 1960s, Seeger re-emerged on the public scene as a prominent singer of protest music in support of international disarmament, civil rights, workers' rights, counterculture, environmental causes, and ending the Vietnam War.
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Harold Leventhal was an American music manager. Leventhal's career began as a song plugger for Irving Berlin and then Benny Goodman. While working for Goodman, he connected with a new artist, Frank Sinatra, booking him as a singer for a Benny Goodman event. Leventhal later managed The Weavers, Woody Guthrie, Pete Seeger, Alan Arkin, Judy Collins, Theodore Bikel, Arlo Guthrie, Joan Baez, Mary Travers, Tom Paxton, Don McLean and many others, and promoted major concert events in the genre, thus playing a significant role in the popularization and influence of American folk music in the 1950s and 1960s. He died in 2005 at the age of 86.
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I'm Not There is a 2007 musical drama film directed by Todd Haynes, who co-wrote the screenplay with Oren Moverman, based on a story by Haynes. An experimental biographical film, it is inspired by the life and music of American singer-songwriter Bob Dylan, with six actors depicting different facets of Dylan's public personas: Christian Bale, Cate Blanchett, Marcus Carl Franklin, Richard Gere, Heath Ledger, and Ben Whishaw. A caption at the start of the film declares it to be "inspired by the music and the many lives of Bob Dylan"; this is the only mention of Dylan in the film apart from song credits, and his only appearance in it is concert footage from 1966 shown during the film's final moments.
Murray Lerner was an American documentary and experimental film director and producer.
The American folk music revival began during the 1940s and peaked in popularity in the mid-1960s. Its roots went earlier, and performers like Josh White, Burl Ives, Woody Guthrie, Lead Belly, Big Bill Broonzy, Richard Dyer-Bennet, Oscar Brand, Jean Ritchie, John Jacob Niles, Susan Reed, Paul Robeson, Bessie Smith, Ma Rainey and Cisco Houston had enjoyed a limited general popularity in the 1930s and 1940s. The revival brought forward styles of American folk music that had in earlier times contributed to the development of country and western, blues, jazz, and rock and roll music.
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The Other Side of the Mirror: Bob Dylan at the Newport Folk Festival is a 2007 documentary film about Bob Dylan's appearances at the Newport Folk Festival in three successive years: 1963, 1964, and 1965, directed by Murray Lerner.
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