Eck Robertson | |
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Background information | |
Birth name | Alexander Campbell Robertson |
Born | November 20, 1887 Delaney, Arkansas, United States |
Origin | Amarillo, Texas |
Died | February 15, 1975 87) Borger, Texas, United States | (aged
Genres | Country |
Occupation(s) | Musician, piano tuner |
Instrument(s) | Fiddle, Banjo, Guitar |
Years active | 1920s – 1960s |
Labels | Victor, County |
Alexander Campbell "Eck" Robertson (born November 20, 1887, in Delaney, Arkansas, died February 15, 1975, in Borger, Texas) was an American fiddle player, mostly known for commercially recording the first country music songs in 1922 with Henry Gilliland (1845 - 1924).
Robertson was born in Arkansas and grew up on a farm in the Texas panhandle where his family moved when he was three years old. His father, grandfather and uncles were fiddlers who competed in local contests. His father, a veteran of the Civil War, was also a farmer, and later quit fiddling to become a preacher. [1] At the age of five, Robertson began learning to play the fiddle, and later learned banjo and guitar. In 1904, at the age of 16, he decided to become a professional musician and left home to travel with a medicine show through Indian Territory. In 1906, he married and settled in Vernon, Texas, and became a piano tuner for the Total Line Music Company. [2]
Robertson and his wife Nettie performed at silent movie theaters and fiddling contests through the region. As the son of a Confederate veteran, Robertson was able to attend the annual Old Confederate Soldiers' Reunions across the South, and became a regular performer at these events. He met 74-year-old fiddler Henry C. Gilliland at one of these reunions, and the two began performing together. After the reunion in June 1922, Gilliland and Robertson traveled to New York City, auditioned for and received a recording contract with the Victor Talking Machine Company. [1] On Friday, June 30, 1922, Robertson and Gilliland recorded four fiddle duets for Victor. These probably represent the first commercial recordings of country music performers. Two of them, "Arkansaw Traveler" and "Turkey in the Straw", were released on Victor. Two others, "Forked Deer" and "Apple Blossom", were never issued. At the company's request, Robertson returned the next day, July 1, without Gilliland and recorded six additional sides. Four of them - "Sallie Gooden", "Ragtime Annie", "Sally Johnson/Billy in the Low Ground" and "Done Gone" - were released on Victor over the next two years. The other two, "General Logan Reel/Dominion Hornpipe" and "Brilliancy and Cheatum", remain unissued. [2] Robertson's rendition of "Sallie Gooden" is now a classic since he played the traditional fiddle tune followed by 12 variations.
Robertson's first record, with his solo "Sallie Gooden" on one side and duet "Arkansaw Traveler" on the other, was released on September 1, 1922, but was not widely circulated until the spring of 1923. Sales figures are not known, but Victor did not promote the record strongly. [2] His next two records were released in 1923 and 1924, but only after the summer of 1923, when Fiddlin' John Carson's recordings on Okeh Records kicked off a boom in old-time country music record sales. In 1925, Victor started using a new electrical recording process, but Robertson's 1922 acoustically made recordings continued to be made available for several years, being listed in “The Catalog of Victor Records 1930”. [2] [3]
Robertson approached Victor about recording again, and in 1929 arranged to meet a Victor field recording engineer in Dallas, Texas. This time he included his wife Nettie on guitar, his daughter Daphne on tenor guitar and his son Dueron on tenor banjo. On August 12, 1929, the group recorded four fiddle tunes - "Texas Wagoner", "There's a Brown Skin Gal Down the Road", "Amarillo Waltz" and "Brown Kelly Waltz". On October 10, the Robertson family band returned to Dallas and recorded two fiddle duets with Texas fiddler J. B. Cranfill, "Great Big Taters" and "Run Boy Run". Two additional tunes were recorded that evening, "Apple Blossom" and "My Frog Ain't Got No Blues", but were not issued. The next day, October 11, the band recorded "Brilliancy Medley", released in September 1930, and the ballad "The Island Unknown", released in December 1929. That day the band also recorded three additional sides that were not released - "My Experience on the Ranch" and remakes of "Arkansaw Traveler" and "Sallie Gooden". [2]
The week of September 20, 1940, Robertson recorded 100 fiddle tunes at Jack Sellers Studios in Dallas, Texas. Unfortunately, there is no song listing from these sessions, and none of the tunes have ever surfaced. [2]
Robertson continued to perform extensively at dances, theaters, fiddlers' conventions and on radio. In 1963, John Cohen, Mike Seeger and Tracy Schwarz visited Robertson at his home in Amarillo, Texas and taped some of his music, which was released on County Records as Eck Robertson, Famous Cowboy Fiddler. Robertson appeared at the UCLA Folk Festival in 1964, and at the Newport Folk Festival in 1965, accompanied by the New Lost City Ramblers. [1]
Robertson died in 1975 in Borger, Texas and was interred at the Westlawn Memorial Park Cemetery. His tombstone is engraved "World's Champion Fiddler." [1]
Year | Title | Label | Number | Notes |
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1922 | "Sallie Gooden" / "Arkansaw Traveler" | Victor | 18956 | Recorded 7/1/1922 and 6/30/1922, B side duet with Henry C. Gilliland |
1923 | "Turkey in the Straw" / "Ragtime Annie" | Victor | 19149 | Recorded 6/30/1922 and 7/1/1922, A side duet with Henry C. Gilliland |
1924 | "Sally Johnson/Billy in the Low Ground" / "Done Gone" | Victor | 19372 | Recorded 7/1/1922, with pianist Nat Shilkret |
1929 | "Texas Wagoner" / "There's a Brown Skin Gal Down the Road" | Victor | V40145 | Recorded 8/12/1929, with wife, son and daughter. |
1929 | "The Island Unknown Part 1" / "The Island Unknown Part 2" | Victor | V40166 | Recorded 10/11/1929, with wife, son and daughter. |
1929 | "Run Boy Run" / "Great Big Taters" | Victor | V40205 | Recorded 10/10/1929, with J.B. Cranfill |
1930 | "Brilliancy Medley" / "Amarillo Waltz" | Victor | V40298 | Recorded 10/11/1929 and 8/12/1929, with wife, son and daughter. |
1930 | "Brown Kelly Waltz Part 1" / "Brown Kelly Waltz Part 2" | Victor | V40334 | Recorded 8/12/1929, with wife, son and daughter. Reissued as Bluebird 5777 and Montgomery Ward 4908 |
Year | Title | Label | Number | Notes |
---|---|---|---|---|
1989 | Eck Robertson, Famous Cowboy Fiddler | County | 202 | 1963 field recording, Amarillo, Texas [7] |
Year | Title | Label | Number | Notes |
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1976 | Master Fiddler | Sonyatone | STR-201 | Reissue of the Victor recordings, 1922-1929 [8] |
1998 | Old-Time Texas Fiddler | County | CO-3515-CD | Reissue of the Victor recordings, 1922-1929 [9] |
A fiddle is a bowed string musical instrument, most often a violin. It is a colloquial term for the violin, used by players in all genres, including classical music. Although in many cases violins and fiddles are essentially synonymous, the style of the music played may determine specific construction differences between fiddles and classical violins. For example, fiddles may optionally be set up with a bridge with a flatter arch to reduce the range of bow-arm motion needed for techniques such as the double shuffle, a form of bariolage involving rapid alternation between pairs of adjacent strings. To produce a "brighter" tone than the deep tones of gut or synthetic core strings, fiddlers often use steel strings. The fiddle is part of many traditional (folk) styles, which are typically aural traditions—taught "by ear" rather than via written music.
Old-time music is a genre of North American folk music. It developed along with various North American folk dances, such as square dancing, contra dance, clogging, and buck dancing. It is played on acoustic instruments, generally centering on a combination of fiddle and plucked string instruments, most often the banjo, guitar, and mandolin. Together, they form an ensemble called the string band, which along with the simple banjo-fiddle duet have historically been the most common configurations to play old-time music. The genre is considered a precursor to modern country music.
The Bristol Sessions were a series of recording sessions held in 1927 in Bristol, Tennessee, considered by some as the "Big Bang" of modern country music. The recordings were made by Victor Talking Machine Company producer Ralph Peer. Bristol was one of the stops on a two-month, $60,000 trip that took Peer through several major southern cities and yielded important recordings of blues, ragtime, gospel, ballads, topical songs, and string bands. The Bristol Sessions marked the commercial debuts of Jimmie Rodgers and the Carter Family. As a result of the influence of these recording sessions, Bristol has been called the "birthplace of country music". Since 2014, the town has been home to the Birthplace of Country Music Museum.
"The Arkansas Traveler" is an American folk song first published by Mose Case, a humorist and guitarist from New York, in 1863. The song was based on the composition "The Arkansas Traveller" by Sandford C. Faulkner and is the Arkansas official historic song.
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Jesse Donald "Uncle Jimmy" Thompson was an American old-time fiddle player and singer-songwriter. He is best remembered as the first performer to play on Nashville's Grand Ole Opry, appearing with founder and host George D. Hay on the evening of November 28, 1925. The positive response generated by Thompson's performance would be an important influence on the show's creative direction in its formative years. While Thompson made only a handful of recordings late in his life, his cantankerous and eccentric personality and his fiddle skills have made him one of the best-known icons of early country music.
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Old timefiddle is the style of American fiddling found in old-time music. Old time fiddle tunes are derived from European folk dance forms such as the jig, reel, breakdown, schottische, waltz, two-step, and polka. When the fiddle is accompanied by banjo, guitar, mandolin, or other string instruments, the configuration is called a string band. The types of tunes found in old-time fiddling are called "fiddle tunes", even when played by instruments other than a fiddle.
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Canadian fiddle is the aggregate body of tunes, styles and musicians engaging the traditional folk music of Canada on the fiddle. It is an integral extension of the Anglo-Celtic and Québécois French folk music tradition but has distinct features found only in the Western hemisphere.
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