The tin whistle, also called the penny whistle, is a simple six-holed woodwind instrument. It is a type of fipple flute, putting it in the same class as the recorder, Native American flute, and other woodwind instruments that meet such criteria. A tin whistle player is called a whistler. The tin whistle is closely associated with Irish traditional music and Celtic music. Other names for the instrument are the flageolet, English flageolet, Scottish penny whistle, tin flageolet, or Irish whistle.
Zimbabwean music is heavily reliant on the use of instruments such as the mbira, Ngoma drums and hosho. Their music symbolizes much more than a simple rhythm, as the folk and pop style styled music was used as a symbol of hope for Zimbabweans looking to gain independence from Rhodesia. Music has played a significant role in the history of Zimbabwe, from a vital role in the traditional Bira ceremony used to call on ancestral spirits, to protest songs during the struggle for independence. The community in Zimbabwe used music to voice their resistance to their oppression, as one of the only weapons they had available to fight back with. In the eighties, the Music of Zimbabwe was at the center of the African Music scene thanks to genres such as Sungura and Jit. However, several performers were banned by state TV and radio leading to the closing of several music venues.
The South African music scene includes both popular (jive) and folk forms like Zulu isicathamiya singing and harmonic mbaqanga. Other popular genres are Marabi, Kwaito, house music, Isicathamiya, Gqom, rock music, hip hop and Amapiano.
The native folk music of Mozambique has been highly influenced by Portuguese colonisation and local language forms. The most popular style of modern dance music is marrabenta. Mozambican music also influenced another Lusophone music in Brazil, like maxixe, and mozambique style in Cuba and New York City.
The music of New York is a diverse and important field in the world of music. It has long been a thriving home for popular genres such as jazz, rock, soul music, R&B, funk, and the urban blues, as well as classical and art music. It is the birthplace of hip hop, garage house, boogaloo, doo wop, bebop, punk rock, disco, and new wave. It is also the birthplace of salsa music, born from a fusion of Cuban and Puerto Rican influences that came together in New York's Latino neighborhoods in the 1960s. The city's culture, a melting pot of nations from around the world, has produced vital folk music scenes such as Irish-American music and Jewish klezmer. Beginning with the rise of popular sheet music in the early 20th century, New York's Broadway musical theater, and Tin Pan Alley's songcraft, New York has been a major part of the American music industry.
Music of Malawi has historically been influenced through its triple cultural heritage of British, African, and American music. Malawians have long been travelers and migrant workers, and as a result, their music has spread across the African continent and blended with other music forms. One of the prime historical causes of the Malawian musical melting pot was World War II, when soldiers both brought music to distant lands and also brought them back. By the end of the war, guitar and banjo duos were the most popular type of dance bands. Both instruments were imported. Malawians working in the mines in South Africa and Mozambique also led to fusion and blending in music styles, giving rise to music styles like Kwela.
Kwela is a pennywhistle-based street music from southern Africa with jazzy underpinnings and a distinctive, skiffle-like beat. It evolved from the marabi sound and brought South African music to international prominence in the 1950s.
The music of Namibia includes a number of folk styles, as well as pop, rock, reggae, jazz, house and hip hop.
Mthutuzeli Dudu Pukwana was a South African saxophonist, composer and pianist.
Mango Groove is an 11-piece South African Afropop band whose music fuses pop and township music—especially marabi and kwela.
The Makgona Tsohle Band was a South African instrumental band that is noted for creating the mbaqanga music style. Mbaqanga is an acculturated popular South African music that emerged in the 19th century. Mbaqanga is also referred to as township jive. The group was formed in 1964 at Mavuthela, and became the Mavuthela house band. It garnered success by backing fellow Mavuthela-Gallo stars, Mahlathini and the Mahotella Queens. It is often referred to as the South African equivalent to Motown's The Funk Brothers.
South African jazz is the jazz of South Africa.
Aaron "Big Voice Jack" Lerole was a South African singer and penny whistle player. Lerole was a leading performer in the kwela music of 1950s South Africa. Lerole was the bandleader of Elias and His Zig-Zag Jive Flutes, who had an international hit record in 1958 with "Tom Hark". He co-founded the fusion band Mango Groove in 1984, and later collaborated with Dave Matthews Band, a rock band from the United States.
Elias and His Zig-Zag Jive Flutes was a kwela band, formed in the mid-1950s by brothers Elias and Jack Lerole, along with David Ramosa and Zeph Nkabinde. The four young men played on the streets of Alexandra, a township in Johannesburg, South Africa. In the early days they called themselves the Alex Shamba Boys. Jack Lerole was only in his early teens when he and Elias started playing penny whistle. Ramosa and Nkabinde joined them, and they developed a unique sound: Unlike earlier kwela groups, they incorporated guitar and vocal harmony. The "jive flute" in the name Elias and His Zig-Zag Jive Flutes is the penny whistle.
Isak Roux is a South African born German composer born in 1959. He is known for his arrangements of South African music, especially his work with the musical groups Ladysmith Black Mambazo and Kwela Tebza.
Nicolaas Cornelius Carstens more commonly known as Nico Carstens, was a South African musician, accordionist, and songwriter.
Zimbabwean Jazz, also known as Afro Jazz was developed in the 20th century. Its history can be traced from its early colonial era.
Strike David Vilakazi was a South African vocalist, drummer, trumpeter, composer, and music producer. He was known for composing the anti-apartheid song "Meadowlands", and for his career as a producer, during which he was influential in the development of mbaqanga.
Mango Groove is the self-titled debut album of Mango Groove, a South African pop fusion band whose sound is influenced by township music. Seven of the eleven songs on the album were released as singles. The album sold extremely well, breaking national sales records and maintaining a high rank in the radio charts for a year. The band dedicated the album to Mickey Vilakazi, a bandmate who died in June 1988.
The Hidden Years Music Archive is an archive and interdisciplinary research project dedicated to the preservation and study of alternative and popular South African music. Established by David Marks in 1990, the archive holds a collection of around 175 000 items, which includes sound recordings, photographs, posters, programs, documents, press cuttings, notebooks, and diaries... The Hidden Years is a repository of urban folk tunes, township jazz expressions, country rock music, choir works, maskanda, and various traditional musics. In 2013 the archive was donated to the Documentation Centre for Music at Stellenbosch University and has since been managed by Dr Lizabé Lambrechts as the principal researcher and project leader. From 2017 the project has been hosted by the Africa Open Institute for Music, Research and Innovation at Stellenbosch University.
