Peter Cowie | |
---|---|
Born | England | 24 December 1939
Alma mater | Magdalene College, Cambridge |
Occupation | Film historian |
Peter Cowie (born 24 December 1939) is a British film historian and author of more than thirty books on film. In 1963 he was the founder/publisher and general editor of the annual International Film Guide, a survey of worldwide film production, which he continued to edit for forty years.
Educated at Charterhouse School, and an exhibitioner in history at Magdalene College, Cambridge, [1] he began writing about film in 1960. He has contributed to many of the world's leading newspapers and periodicals, including The New York Times , The Wall Street Journal , The Sunday Times (London), the Los Angeles Times , Le Monde , Expressen , Neue Zürcher Zeitung , Sight and Sound , Variety and Film Comment .
His books include definitive surveys of the Scandinavian cinema, in particular the work of Swedish film director Ingmar Bergman. [2] In fact, Cowie himself has said that he belongs to a generation whose life was changed by seeing The Seventh Seal . [3]
In 1963 he published the first edition of International Film Guide which he continued to publish annually for 40 years. During the period 1963–1988, he published almost 100 books on film by various authors at The Tantivy Press in London, including classics like Robin Wood's Hitchcock's Films. He also launched annual publications on sport (International Cycling Guide, International Running Guide), classical music (International Music Guide), television (International TV and Video Guide) and the Nordic area (The Scandinavian Guide).
Other aspects of his work in the area of Scandinavian cinema include his service on the "Quality Awards" Jury of the Swedish Film Institute for 11 years from the 1970s where he was its only non-Nordic member. In 1989 he was decorated by King Carl XVI Gustaf of Sweden with the Royal Order of the Polar Star for his services to Swedish culture. During the 1980s he spent several years in Finland, and since 1983 was the director of the Nordic Film Festival in Hanasaari, Helsinki. Cowie has been on various juries, at the Cannes, Venice, Berlin, and Tampere festivals.
In 1989 he joined Variety and served as the international publishing director until 2000. [4] After he joined, International Film Guide was published as Variety International Film Guide until 2006. [5] In 1999, he edited The Variety Insider with detailed information on the year in entertainment as well as historical information. [6]
He is also interested in the work of American film directors as different as Francis Ford Coppola, Orson Welles, and John Ford. The Godfather Book (Faber, London, 1997) examined Coppola's trilogy of films, and after a visit to Monument Valley in Utah, he wrote an analysis of Ford's films which were shot there, John Ford and the American West (Abrams, New York, 2004), examining the importance of the location and the influences of 19th Century American painting. [7]
He has provided more than a dozen voice-over audio commentaries for DVD versions of classic films which form part of The Criterion Collection. Many of these commentaries are for the films of Bergman. In 2018 he served as Consultant on Criterion's 39-film box-set entitled Ingmar Bergman's Cinema.
He is a sometime visiting professor in film studies at the University of California, Santa Barbara. Between 2003 and 2020 he was a special consultant to the Berlin International Film Festival, working with Berlinale Talents. He has moderated panels and symposia at the Venice International Film Festival, [8] and also on behalf of the European Film Academy. In 2016, he moderated on-stage conversations with Sir Alan Parker, Jaco van Dermal, and Michael Roskam for the MEDIA Program's 25th anniversary celebrations in Brussels.
From 2004 to 2006, he was a member of the executive board at The European Film College in Ebeltoft, Denmark. In November 2006, to coincide with the centenary of the actress Louise Brooks, Cowie's Louise Brooks: Lulu Forever was published in Germany and the United States. [9] In 2008, Cowie co-edited Projections: The European Film Academy (Faber, London), and was a contributing editor to the Taschen volume, The Ingmar Bergman Archives. His most recent work includes Joan Crawford, the Enduring Star (Rizzoli, New York 2009), and Akira Kurosawa, Master of Cinema (Rizzoli, New York, 2010). [8] Also in 2010, he wrote a concise history of the Berlin International Film Festival (published by Bertz und Fischer, Berlin).
In 2017, Cowie was a producer of the Criterion Collection's largest-ever boxed set of DVDs/Blu-rays -- "100 Years of Olympic Films 1912-2012", and contributed a book-length study of the more than fifty documentaries on the Olympics.
Cowie has provided audio commentaries for the following films in The Criterion Collection:
Wild Strawberries is a 1957 Swedish drama film written and directed by Ingmar Bergman. The original Swedish title is Smultronstället, which literally means "the wild strawberry patch" but idiomatically signifies a hidden gem of a place, often with personal or sentimental value, and not widely known. The cast includes Victor Sjöström in his final screen performance as an old man recalling his past, as well as Bergman regulars Bibi Andersson, Ingrid Thulin, and Gunnar Björnstrand. Max von Sydow also appears in a small role.
Michelangelo Antonioni was an Italian director and filmmaker. He is best known for his "trilogy on modernity and its discontents"—L'Avventura (1960), La Notte (1961), and L'Eclisse (1962)—as well as the English-language film Blowup (1966). His films have been described as "enigmatic and intricate mood pieces" that feature elusive plots, striking visual composition, and a preoccupation with modern landscapes. His work substantially influenced subsequent art cinema. Antonioni received numerous awards and nominations throughout his career, being the only director to have won the Palme d'Or, the Golden Lion, the Golden Bear and the Golden Leopard.
Cries and Whispers is a 1972 Swedish period drama film written and directed by Ingmar Bergman and starring Harriet Andersson, Kari Sylwan, Ingrid Thulin and Liv Ullmann. The film, set in a mansion at the end of the 19th century, is about three sisters and a servant who struggle with the terminal cancer of one of the sisters (Andersson). The servant (Sylwan) is close to her, while the other two sisters confront their emotional distance from each other.
Ingrid Lilian Thulin was a Swedish actress and director who collaborated with filmmaker Ingmar Bergman. She was often cast as harrowing and desperate characters, and earned acclaim from both Swedish and international critics. She won the Cannes Film Festival Award for Best Actress for her performance in Brink of Life (1958) and the inaugural Guldbagge Award for Best Actress in a Leading Role for The Silence (1963), and was nominated for a Best Supporting Actress BAFTA for Cries and Whispers (1972).
Fanny and Alexander is a 1982 period drama film written and directed by Ingmar Bergman. The plot focuses on two siblings and their large family in Uppsala, Sweden during the first decade of the twentieth century. Following the death of the children's father, their mother remarries a prominent bishop who becomes abusive towards Alexander for his vivid imagination.
Persona is a 1966 Swedish avant-garde psychological drama film written, directed, and produced by Ingmar Bergman and starring Bibi Andersson and Liv Ullmann. The story revolves around a young nurse named Alma (Andersson) and her patient, well-known stage actress Elisabet Vogler (Ullmann), who has suddenly stopped speaking. They move to a cottage, where Alma cares for Elisabet, confides in her, and begins having trouble distinguishing herself from her patient.
Scenes from a Marriage is a 1973 Swedish television miniseries written and directed by Ingmar Bergman. Over the course of six hour-long episodes, it explores the disintegration of the marriage between Marianne, a divorce lawyer, and Johan, a psychology professor. The series spans a period of 10 years. Bergman's teleplay draws on his own experiences, including his relationship with Ullmann. It was shot on a small budget in Stockholm and Fårö in 1972.
Sight and Sound is a monthly film magazine published by the British Film Institute (BFI). It conducts the well-known, once-a-decade Sight and Sound Poll of the Greatest Films of All Time, ongoing since 1952.
Janus Films is an American film distribution company. The distributor is credited with introducing numerous films, now considered masterpieces of world cinema, to American audiences, including the films of Michelangelo Antonioni, Sergei Eisenstein, Ingmar Bergman, Federico Fellini, Akira Kurosawa, Satyajit Ray, François Truffaut, Yasujirō Ozu and many other well-regarded directors. Ingmar Bergman's The Seventh Seal (1957) was the film responsible for the company's initial growth.
The Virgin Spring is a 1960 Swedish film directed by Ingmar Bergman. Considered as a precursor of rape and revenge film; set in medieval Sweden, it is a tale about a father's merciless response to the rape and murder of his young daughter. The story was adapted by screenwriter Ulla Isaksson from a 13th-century Swedish ballad, "Töres döttrar i Wänge". Bergman researched the legend of Per Töre with an eye to an adaptation, considering an opera before deciding on a film version. Given criticism of the historical accuracy of his 1957 film The Seventh Seal, he also invited Isaksson to write the screenplay. Other influences included the 1950 Japanese film Rashomon. Max von Sydow played Töre.
From the Life of the Marionettes is a 1980 television film directed by Ingmar Bergman. The film was produced in West Germany with a German-language screenplay and soundtrack while Bergman was in "tax exile" from his native Sweden. It is filmed in black and white apart from two colour sequences at the beginning and end of the film.
Hour of the Wolf is a 1968 Swedish psychological horror film directed by Ingmar Bergman and starring Max von Sydow and Liv Ullmann. The story explores the disappearance of fictional painter Johan Borg, who lived on an island with his wife Alma (Ullmann) while plagued with frightening visions and insomnia.
The Touch is a 1971 romantic drama film directed by Ingmar Bergman and starring Max von Sydow, Bibi Andersson, Elliott Gould, and Sheila Reid. The film tells the story of an affair between a married woman and an impetuous foreigner. It contains references to the Virgin Mary and the Holocaust.
Through a Glass Darkly is a 1961 Swedish drama film written and directed by Ingmar Bergman, and starring Harriet Andersson, Gunnar Björnstrand, Max von Sydow and Lars Passgård. The film tells the story of a schizophrenic young woman (Andersson) vacationing on a remote island with her husband, novelist father (Björnstrand), and frustrated younger brother (Passgård).
Winter Light is a 1963 Swedish drama film written and directed by Ingmar Bergman and starring his regulars, Gunnar Björnstrand, Ingrid Thulin and Max von Sydow. It follows Tomas Ericsson (Björnstrand), pastor of a small rural Swedish church, as he deals with an existential crisis and his Christianity.
Ansiktet, also released as The Magician, is a 1958 Swedish film written and directed by Ingmar Bergman, starring Max von Sydow and Ingrid Thulin. The plot follows a traveling magician named Albert Vogler, whose allegedly supernatural live shows are challenged by the skeptical population of a small village.
Diary of a Country Priest is a 1951 French drama film written and directed by Robert Bresson, and starring Claude Laydu in his debut film performance. A faithful adaptation of Georges Bernanos' novel of the same name, which had won the Grand prix du roman de l'Académie française in 1936, it tells the story of a sickly young Catholic priest who has been assigned a small village in northern France as his first parish. The film was lauded for Laydu's performance, which has been called one of the greatest in the history of cinema, and won numerous awards, including the Grand Prize at the Venice International Film Festival and the Prix Louis Delluc.
Andrew Annandale Sinclair FRSL FRSA was a British novelist, historian, biographer, critic, filmmaker, and a publisher of classic and modern film scripts. He has been described as a "writer of extraordinary fluency and copiousness, whether in fiction or in American social history".
Ingmar Bergman's Cinema is a Blu-ray disc box set featuring 39 films directed by Ingmar Bergman, released by the Criterion Collection on November 20, 2018 in the United States. The set spans Bergman's early career, beginning in the 1940s, up to his final film in 2003. The films are organized non-chronologically, and are instead presented in four groupings that mimic the procession of a film festival. Accompanying the discs is a book featuring critical essays on each of the films, intended to guide the viewer through the experience. Of the 39 films featured, 17 had not been previously released by the Criterion Collection prior to their inclusion in the set.