Bob Dylan at Budokan | ||||
---|---|---|---|---|
Live album by | ||||
Released | 21 August 1978 | |||
Recorded | 28 February and 1 March 1978 | |||
Venue | Nippon Budokan Hall, Tokyo, Japan | |||
Genre | Rock | |||
Length | 99:41 | |||
Label | CBS/Sony | |||
Producer | Don DeVito | |||
Bob Dylan chronology | ||||
|
Bob Dylan at Budokan is a live album by American singer-songwriter Bob Dylan, released August 1978 on Columbia Records in Japan only, followed by a worldwide release in April 1979. It was recorded during his 1978 world tour and is composed mostly of the artist's "greatest hits". The performances in the album are radically altered from the originals, using almost all the musicians that played on Street-Legal , but relying on a much larger band and stronger use of woodwind and backing singers. In some respects the arrangements are more conventional than the original arrangements, for which the album was criticized. For a few critics, such as Janet Maslin of Rolling Stone , the differences between the older and newer arrangements had become less important. [1]
The audio recording is from shows on 28 February and 1 March 1978. Columbia Records released this double LP in Japan on 21 August 1978. Later that year, it was released in Australia and New Zealand. On 23 April 1979, spurred by extensive importing and at least one counterfeit European edition, Columbia released the album to worldwide markets. [2] The shows were the fourth and fifth in an eight-show appearance at Nippon Budokan Hall in Tokyo, Japan.
An expanded version of the album, titled The Complete Budokan 1978 , featuring all of the songs on the original release in newly remixed and remastered form, and featuring 36 previously unreleased tracks, was released on 17 November 2023 by Columbia Records. This release comprises Dylan's Budokan concerts from 28 February and 1 March 1978 in their entirety. In a press release, chief engineer Tom Suzuki said of the remix: “We mixed the record with the keyword ‘passion’ in mind . . . The result is a mix that surpasses the original 1978 release, providing a crisper and clearer sound where each instrument and Bob Dylan’s voice are distinctly audible". [3]
Review scores | |
---|---|
Source | Rating |
Allmusic | [4] |
Christgau's Record Guide | C+ [5] |
The Encyclopedia of Popular Music | [6] |
Rolling Stone | [7] |
Bob Dylan at Budokan reached No. 13 in the U.S. and went gold, while simultaneously peaking at No. 4 in the UK.
In a sarcastic review published in his "Consumer Guide" column, Robert Christgau gave the album a C+ rating, writing "I believe this double LP was made available so our hero could boast of being outclassed by Cheap Trick, who had the self-control to release but a single disc from this location". [5] Critic Jimmy Guterman named it one of the worst albums ever released in the history of rock. [8]
However, the album received stronger reviews in Europe, and critic Janet Maslin (then a music critic for Rolling Stone magazine) defended the album in her review. "The method here is hit-or-miss, and the results are correspondingly spotty", Maslin wrote. "The fire and brimstone are behind Dylan, [but] this hardly means the fight has gone out of him: Bob Dylan at Budokan is a very contentious effort—and, for the most part, a victorious one". [1]
NJArts' Jay Lustig called it the "least essential" of Dylan's three live albums of the 1970s but also noted that it allowed him to bring "some new nuances to his material" and cited "the slow, aching 'I Want You" as the standout track. [9]
Stereogum ran an article to coincide with Dylan's 80th birthday on 24 May 2021 in which 80 musicians were asked to name their favorite Dylan songs. Steve Gunn selected the Budokan version of "Shelter from the Storm", noting that "the delivery is declarative and minimal, holding a steady line and giving the song a different life than the original. There’s a new confidence, which gives one of my all-time favorite Dylan lines new resonance: 'I came in from the wilderness, a creature void of form'. Dylan’s life is full of comeback waves, and the energy propulsing through this song is testament to his genius for looking deeper into his art". [10]
Despite its initial lukewarm reception, the album has developed a cult following over the years, with some commentators expressing admiration for its "innovative arrangements" [11] and referring to it as an "overlooked classic". [12]
All tracks are written by Bob Dylan; except where indicated
No. | Title | Length |
---|---|---|
1. | "Mr. Tambourine Man" | 4:54 |
2. | "Shelter from the Storm" | 4:30 |
3. | "Love Minus Zero/No Limit" | 3:52 |
4. | "Ballad of a Thin Man" | 4:47 |
5. | "Don't Think Twice, It's All Right" | 4:55 |
Total length: | 22:58 |
No. | Title | Length |
---|---|---|
1. | "Maggie's Farm" | 5:06 |
2. | "One More Cup of Coffee (Valley Below)" | 3:19 |
3. | "Like a Rolling Stone" | 6:31 |
4. | "I Shall Be Released" | 4:12 |
5. | "Is Your Love in Vain?" | 4:02 |
6. | "Going, Going, Gone" | 4:22 |
Total length: | 27:32 |
No. | Title | Writer(s) | Length |
---|---|---|---|
1. | "Blowin' in the Wind" | 4:25 | |
2. | "Just Like a Woman" | 5:03 | |
3. | "Oh, Sister" | Bob Dylan, Jacques Levy | 4:44 |
4. | "Simple Twist of Fate" | 4:15 | |
5. | "All Along the Watchtower" | 3:20 | |
6. | "I Want You" | 2:34 | |
Total length: | 24:21 |
No. | Title | Length |
---|---|---|
1. | "All I Really Want to Do" | 3:37 |
2. | "Knockin' on Heaven's Door" | 4:00 |
3. | "It's Alright, Ma (I'm Only Bleeding)" | 6:04 |
4. | "Forever Young" | 5:38 |
5. | "The Times They Are a-Changin'" | 5:31 |
Total length: | 24:50 |
Weekly charts
| Year-end charts
|
Region | Certification | Certified units/sales |
---|---|---|
Australia (ARIA) [25] | Platinum | 70,000^ |
Canada (Music Canada) [26] | Gold | 50,000^ |
United States (RIAA) [27] | Gold | 500,000^ |
^ Shipments figures based on certification alone. |
Blood on the Tracks is the fifteenth studio album by American singer-songwriter Bob Dylan, released on January 20, 1975, by Columbia Records. The album marked Dylan's return to Columbia after a two-album stint with Asylum Records. Dylan began recording the album at an A & R studio in New York City in September 1974. In December, shortly before Columbia was due to release the album, Dylan abruptly re-recorded much of the material in Sound 80 studio in Minneapolis. The final album contains five tracks recorded in New York and five from Minneapolis. The album’s songs have been linked to tensions in Dylan's personal life, including his estrangement from his then-wife Sara. One of their children, Jakob Dylan, has described the songs as "my parents talking." In interviews, Dylan has denied that the songs on the album are autobiographical.
Backless is the sixth solo studio album by Eric Clapton, released in November 1978. Produced by Glyn Johns, and released by RSO Records, Backless reached no. 8 on the pop charts. While the single "Promises" only reached no. 37 on the UK Singles Chart, it was a much bigger success in the US, reaching no. 9 on the Billboard Hot 100. The follow-up single, "Watch Out for Lucy", was the B-side of "Promises", but reached no. 40 on the Billboard 100 on its own merit. Later in 1980 "Tulsa Time" was #30 on the Billboard 100 with the 1977 song "Cocaine" as B-side. It was Clapton's last studio album to feature his longtime bassist Carl Radle, who died in 1980.
Just One Night is a 1980 double album by Eric Clapton, recorded live at the Budokan Theatre, Tokyo, Japan, December 1979 when Clapton was touring to support Backless, his latest record at that time. The sleeve contains a Japanese painting by Ken Konno. The album reached No. 2 in the U.S. and No. 3 in the UK, and was certified gold by RIAA.
Sheik Yerbouti is a double album by American musician Frank Zappa, released in March 1979 as the first release on Zappa Records, distributed by Phonogram Inc. in the United States and Canada. The album was released in other countries by CBS Records. It is mostly made up of live material recorded in 1977 and 1978, with extensive overdubs added in the studio. In an October 1978 interview, Zappa gave the working album title as Martian Love Secrets. It was later released on a single CD.
Hi Infidelity is the ninth studio album by American rock band REO Speedwagon, released on November 21, 1980, by Epic Records. The album became a big hit in the United States, peaking at number one on the Billboard 200, spending 15 weeks at number one. It went on to become the biggest-selling album of 1981, eventually being certified 10 times platinum by the Recording Industry Association of America.
The Last Waltz is the second live album by the Band, released on Warner Bros. Records in 1978, catalogue 3WS 3146. It is the soundtrack to the 1978 film of the same name, and the final album by the original configuration of the Band. It peaked at No. 16 on the Billboard 200.
Street-Legal is the eighteenth studio album by American singer-songwriter Bob Dylan, released on June 15, 1978, by Columbia Records. The album was a departure for Dylan, who assembled a large pop-rock band with female backing vocalists for its recording.
Real Live is a live album by American singer-songwriter Bob Dylan, released on November 29, 1984, by Columbia Records. Recorded during the artist's 1984 European Tour, most of the album was recorded at Wembley Stadium on 7 July, but "License to Kill" and "Tombstone Blues" come from St James' Park, Newcastle on 5 July, and "I and I" and "Girl from the North Country" were recorded at Slane Castle, Ireland on 8 July.
World Gone Wrong is the twenty-ninth studio album by American singer-songwriter Bob Dylan, released on October 26, 1993, by Columbia Records.
Live 1966: The "Royal Albert Hall" Concert is a two-disc live album by Bob Dylan, released in 1998. It is the second installment in the ongoing Bob Dylan Bootleg Series on Legacy Recordings, and has been certified a gold record by the RIAA. It was recorded at the Manchester Free Trade Hall during Dylan's 1966 world tour, though early bootlegs attributed the recording to the Royal Albert Hall so it became known as the Royal Albert Hall Concert. Extensively bootlegged for decades, it is an important document in the development of popular music during the 1960s.
Out of Order is the fifteenth studio album by Rod Stewart, released in 1988. It features the hit singles "Lost in You", "Forever Young", "My Heart Can't Tell You No", and "Crazy About Her". The album was produced by Stewart and members of The Power Station: guitarist Andy Taylor, and bassist Bernard Edwards. Chic drummer Tony Thompson also plays on the record.
Dylanesque is the twelfth studio album by English singer Bryan Ferry, released on 5 March 2007 by Virgin Records. The album consists of cover versions of ten Bob Dylan songs and one traditional song that Dylan himself covered on his first album. It charted at number five in both the United Kingdom and Sweden. Soon after completion of the album, Ferry returned with most of the same musicians to film live re-recordings of the songs in the studio. The film, which includes interview clips with Ferry, is available on the DVD, Dylanesque Live: The London Sessions.
Beautiful Noise is the tenth album by American singer-songwriter Neil Diamond, released in 1976. Diamond's third album with Columbia Records, it was produced by Robbie Robertson, known for his work with The Band. Garth Hudson of The Band also contributed organ to several songs on the album. Diamond performed the album track "Dry Your Eyes" with The Band at their farewell show The Last Waltz, which was filmed by director Martin Scorsese and made into a 1978 documentary of the same title.
Stingray is the sixth studio album by Joe Cocker, released in 1976. It follows Cocker's pattern of recording mainly cover versions containing just one original song, "Born Thru Indifference". Bob Dylan remained a favourite artist for Cocker to cover with two Dylan songs on this release. Dylan's version of "The Man In Me" appeared on New Morning but "Catfish" would not be released until 1991 on the first volume of The Bootleg Series.
Together Through Life is the thirty-third studio album by singer-songwriter Bob Dylan, released on April 28, 2009, by Columbia Records. The release of the album, which reached number 1 in multiple countries, was unexpected and surprised fans. Dylan co-wrote most of the songs with Robert Hunter and recorded with musicians including Mike Campbell of Tom Petty and the Heartbreakers, and David Hidalgo of Los Lobos. The album was recorded at Jackson Browne's Groove Masters studio in Santa Monica, California and produced by Dylan under the pseudonym Jack Frost.
Shadows in the Night is the thirty-sixth studio album by Bob Dylan, released by Columbia Records on February 3, 2015. The album consists of covers of traditional pop standards made famous by Frank Sinatra, chosen by Dylan. Like most of his 21st century output, Dylan produced the album himself under the pseudonym Jack Frost.
Fallen Angels is the thirty-seventh studio album by Bob Dylan, released by Columbia Records on May 20, 2016.
Triplicate is the thirty-eighth studio album by Bob Dylan, released by Columbia Records on March 31, 2017. As with most of Dylan's 21st century output, he produced the album himself under the pseudonym Jack Frost.
Bob Dylan – The Rolling Thunder Revue: The 1975 Live Recordings is a box set of 1975 live recordings by Bob Dylan, released on June 7, 2019. For this tour, Dylan assembled a loose collective of a backing band called Guam and played across North America for several dozen shows. The tie-in Netflix documentary film Rolling Thunder Revue: A Bob Dylan Story by Martin Scorsese was released the following week. A similar compilation was released in 2002 entitled Bob Dylan Live 1975, The Rolling Thunder Revue, as part of Dylan's ongoing Bootleg Series. That compilation was re-released on vinyl as a companion to the later release.
The Complete Budokan 1978 is a box set of 1978 live recordings by Bob Dylan. It was released on November 17, 2023, through Columbia Records and Legacy Recordings.