| 50th Anniversary Collection 1964 | ||||
|---|---|---|---|---|
 | ||||
| Compilation album by | ||||
| Released | December 2014 | |||
| Recorded | February 1 – November 27, 1964 | |||
| Genre | Folk | |||
| Length | 440:02 | |||
| Label | Sony Music Entertainment | |||
| Producer | John H. Hammond | |||
| Bob Dylan chronology | ||||
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The 50th Anniversary Collection 1964 is the third Bob Dylan collection released by Sony Music to prevent the recordings from legally entering the public domain in Europe. Released on vinyl only in December 2014 only 1,000 copies of the nine-LP set were produced. [1] [2]
| No. | Title | Length |
|---|---|---|
| 1. | "The Times They Are a-Changin'" | 2:36 |
| 2. | "Talking World War III Blues" | 4:53 |
| 3. | "The Lonesome Death of Hattie Carroll" | 5:27 |
| 4. | "A Hard Rain's a-Gonna Fall" | 6:02 |
| 5. | "Restless Farewell" | 5:03 |
| Total length: | 24:01 | |
| No. | Title | Length |
|---|---|---|
| 1. | "The Lonesome Death Of Hattie Carroll" (Live, 25 February 1964, The Steve Allen Show, Los Angeles) | 6:04 |
| 2. | "Bob and Eric Blues #1" | 6:35 |
| 3. | "Black Betty" | 1:22 |
| 4. | "Come All You Fair and Tender Ladies" | 4:48 |
| 5. | "Florida Woman" | 2:58 |
| 6. | "Johnny Cuckoo" | 3:47 |
| Total length: | 25:34 | |
| No. | Title | Length |
|---|---|---|
| 1. | "Money Honey" | 3:34 |
| 2. | "More and More" | 4:00 |
| 3. | "Mr. Tambourine Man" | 6:11 |
| 4. | "Susie Q" | 5:36 |
| 5. | "Harmonica Duet" | 2:27 |
| 6. | "Glory, Glory (Lay My Burden Down)" | 3:08 |
| Total length: | 24:56 | |
| No. | Title | Length |
|---|---|---|
| 1. | "Dr. Stangelove Blues" | 5:45 |
| 2. | "Stoned on the Mountain" | 1:35 |
| 3. | "Stoned on the Mountain" | 3:28 |
| 4. | "Walkin' Down the Line" | 3:00 |
| 5. | "Joshua Gone Barbados" | 4:03 |
| 6. | "With God on Our Side" (Live, May 1964, BBC Studios, London) | 2:00 |
| 7. | "Don't Think Twice, It's All Right" (Live, 14 May 1964, Didsbury Studios, Manchester) | 3:15 |
| Total length: | 23:06 | |
| No. | Title | Length |
|---|---|---|
| 1. | "The Times They Are A-Changin'" | 3:35 |
| 2. | "Girl from the North Country" | 3:49 |
| 3. | "Who Killed Davey Moore" | 3:17 |
| 4. | "Talkin' John Birch Paranoid Blues" | 3:28 |
| 5. | "Ballad of Hollis Brown" | 5:55 |
| 6. | "It Ain't Me Babe" | 4:29 |
| Total length: | 24:33 | |
| No. | Title | Length |
|---|---|---|
| 1. | "Walls of Red Wing" | 4:00 |
| 2. | "Chimes of Freedom" | 7:32 |
| 3. | "Mr. Tambourine Man" | 6:37 |
| 4. | "Eternal Circle" | 2:59 |
| Total length: | 21:08 | |
| No. | Title | Length |
|---|---|---|
| 1. | "A Hard Rain's a-Gonna Fall" | 7:44 |
| 2. | "Talkin' World War III Blues" | 5:41 |
| 3. | "Don't Think Twice, It's All Right" | 5:08 |
| 4. | "Only a Pawn in Their Game" | 5:47 |
| Total length: | 24:20 | |
| No. | Title | Length |
|---|---|---|
| 1. | "With God on Our Side" | 6:20 |
| 2. | "The Lonesome Death of Hattie Carroll" | 6:54 |
| 3. | "Restless Farewell" | 7:13 |
| 4. | "When the Ship Comes In" | 3:39 |
| Total length: | 24:06 | |
| No. | Title | Length |
|---|---|---|
| 1. | "Denise" | 3:01 |
| 2. | "It Ain't Me, Babe - Take I" | 2:07 |
| 3. | "Spanish Harlem Incident - Take III" | 3:09 |
| 4. | "Spanish Harlem Incident - Take III" | 1:31 |
| 5. | "Ballad in Plain D - Take II" | 2:02 |
| 6. | "I Don't Believe You (She Acts Like We Never Have Met) - Take I" | 4:07 |
| 7. | "I Don't Believe You (She Acts Like We Never Have Met) - Take III" | 3:56 |
| Total length: | 19:53 | |
| No. | Title | Length |
|---|---|---|
| 1. | "Chimes of Freedom - Take I" | 3:12 |
| 2. | "Chimes of Freedom - Take III" | 3:07 |
| 3. | "Mr. Tambourine Man - Take II" | 0:46 |
| 4. | "Black Crow Blues - Take I" | 1:20 |
| 5. | "Black Crow Blues - Take II" | 3:48 |
| 6. | "I Shall Be Free No. 10 - Take I" | 0:50 |
| 7. | "I Shall Be Free No. 10 - Take II" | 3:17 |
| 8. | "I Shall Be Free No. 10 - Take III" | 5:09 |
| 9. | "I Shall Be Free No. 10 - Take IV" | 4:43 |
| Total length: | 26:12 | |
| No. | Title | Length |
|---|---|---|
| 1. | "It Ain't Me, Babe" (Live, 24 July 1964, Newport Folk Festival) | 3:47 |
| 2. | "All I Really Want to Do" (Live, 26 July 1964, Newport Folk Festival) | 3:40 |
| 3. | "To Ramona" (Live, 26 July 1964, Newport Folk Festival) | 4:25 |
| 4. | "Mama, You Been on My Mind" (Live, 8 August 1964, Forest Hills Tennis Stadium, New York City) | 2:35 |
| 5. | "It Ain't Me, Babe" (Live, 8 August 1964, Forest Hills Tennis Stadium, New York City) | 3:51 |
| 6. | "With God on Our Side" (Live, 8 August 1964, Forest Hills Tennis Stadium, New York City) | 5:33 |
| Total length: | 23:51 | |
| No. | Title | Length |
|---|---|---|
| 1. | "The Times They Are A-Changin'" | 3:33 |
| 2. | "Girl from the North Country" | 4:06 |
| 3. | "Who Killed Davey Moore" | 3:40 |
| 4. | "Talkin' John Birch Paranoid Blues" | 4:12 |
| 5. | "To Ramona" | 5:11 |
| 6. | "Ballad of Hollis Brown" | 5:48 |
| Total length: | 26:30 | |
| No. | Title | Length |
|---|---|---|
| 1. | "Chimes of Freedom" | 7:18 |
| 2. | "I Don't Believe You (She Acts Like We Never Have Met)" | 4:18 |
| 3. | "It's Alright, Ma (I'm Only Bleeding)" | 9:54 |
| Total length: | 21:30 | |
| No. | Title | Length |
|---|---|---|
| 1. | "Mr. Tambourine Man" | 7:00 |
| 2. | "Talking World War III Blues" | 5:39 |
| 3. | "A Hard Rain's a-Gonna Fall" | 7:44 |
| 4. | "Don't Think Twice, It's All Right" | 4:20 |
| Total length: | 24:43 | |
| No. | Title | Length |
|---|---|---|
| 1. | "Only a Pawn in Their Game" | 4:53 |
| 2. | "With God on Our Side" | 6:35 |
| 3. | "It Ain't Me Babe" | 4:25 |
| 4. | "The Lonesome Death of Hattie Carroll" | 6:19 |
| 5. | "All I Really Want to Do" | 3:20 |
| Total length: | 26:22 | |
| No. | Title | Length |
|---|---|---|
| 1. | "Gates of Eden" | 6:04 |
| 2. | "If You Gotta Go, Go Now" | 2:54 |
| 3. | "It's Alright, Ma (I'm Only Bleeding)" | 8:26 |
| 4. | "Talking World War III Blues" | 5:29 |
| 5. | "Don't Think Twice, It's All Right" | 4:03 |
| 6. | "Mama, You Been on My Mind" | 2:17 |
| Total length: | 29:13 | |
| No. | Title | Length |
|---|---|---|
| 1. | "The Times They Are A-Changin'" | 3:17 |
| 2. | "Talkin' John Birch Paranoid Blues" | 3:36 |
| 3. | "To Ramona" | 4:20 |
| 4. | "Gates of Eden" | 7:34 |
| 5. | "If You Gotta Go, Go Now" | 2:26 |
| Total length: | 21:13 | |
| No. | Title | Length |
|---|---|---|
| 1. | "It's Alright, Ma (I'm Only Bleeding)" | 7:30 |
| 2. | "Mr. Tambourine Man" | 6:02 |
| 3. | "A Hard Rain's a-Gonna Fall" | 6:15 |
| 4. | "Talking World War III Blues" | 4:43 |
| 5. | "Don't Think Twice, It's All Right" | 4:21 |
| Total length: | 28:51 | |
Bob Dylan is the debut studio album by American singer-songwriter Bob Dylan, released on March 19, 1962 by Columbia Records. The album was produced by Columbia talent scout John H. Hammond, who had earlier signed Dylan to the label, a decision which was at the time controversial. The album primarily features folk standards, but also includes two original compositions, "Talkin' New York" and "Song to Woody". The latter was an ode to Woody Guthrie, a major influence in Dylan's early career.
John Wesley Harding is the eighth studio album by American singer-songwriter Bob Dylan, released on December 27, 1967, by Columbia Records. Produced by Bob Johnston, the album marked Dylan's return to semi-acoustic instrumentation and folk-influenced songwriting after three albums of lyrically abstract, blues-indebted rock music. John Wesley Harding shares many stylistic threads with, and was recorded around the same time as, the prolific series of home recording sessions with The Band, partly released in 1975 as The Basement Tapes, and released in complete form in 2014 as The Bootleg Series Vol. 11: The Basement Tapes Complete.
A bootleg recording is an audio or video recording of a performance not officially released by the artist or under other legal authority. Making and distributing such recordings is known as bootlegging. Recordings may be copied and traded among fans without financial exchange, but some bootleggers have sold recordings for profit, sometimes by adding professional-quality sound engineering and packaging to the raw material. Bootlegs usually consist of unreleased studio recordings, live performances or interviews without the quality control of official releases.
Bob Dylan is an American singer-songwriter. Often regarded as one of the greatest songwriters of all time, Dylan has been a major figure in popular culture during a career spanning more than 60 years. Much of his most celebrated work dates from the 1960s, when songs such as "Blowin' in the Wind" (1963) and "The Times They Are a-Changin'" (1964) became anthems for the civil rights and antiwar movements. His lyrics during this period incorporated a range of political, social, philosophical, and literary influences, defying pop music conventions and appealing to the burgeoning counterculture.
"I Don't Believe You " is a song written and performed by Bob Dylan and released on his fourth studio album Another Side of Bob Dylan in 1964.
Bob Dylan bootleg recordings are unreleased performances by American singer-songwriter Bob Dylan, that have been circulated throughout the public without undergoing an official, sanctioned release. It is commonly misconceived that bootlegs are only restricted to audio, but bootleg video performances, such as Dylan's 1966 film Eat the Document, which remains officially unreleased, are considered to be bootlegs. Dylan is generally considered to be the most bootlegged artist in rock history, rivaled only by the Grateful Dead.
The Original Mono Recordings is a box set compilation album of recordings by Bob Dylan, released in October 2010 on Legacy Recordings, catalogue 88697761042. It consists of Dylan's first eight studio albums in mono on nine compact discs, the album Blonde on Blonde being issued on two discs in its original vinyl format. It does not include the singles collection Bob Dylan's Greatest Hits released during the same time span. The set includes a 56-page booklet with photographs, discographical information, and an essay by Greil Marcus. It peaked at No. 152 on the Billboard 200.
"John Brown" is an anti-war song written and composed by American singer-songwriter Bob Dylan. Written in October 1962, the song was never included on any of Dylan's official studio albums.
The 50th Anniversary Collection: The Copyright Extension Collection, Volume 1 is the first collection by Bob Dylan that Sony Music released to prevent the recordings from legally entering the public domain in Europe. The album features studio and live recordings from 1962 that have not previously been commercially released. Sony reportedly released only 100 copies each of the four-CD-R "1962" set. The set was released only in Europe.
The Beatles Bootleg Recordings 1963 is a compilation album of 59 previously unreleased recordings by English rock band the Beatles, released on 17 December 2013, exclusively through the iTunes Store. While it was initially only available for a few hours, it later became available again for purchase. The release was timed to extend the copyright of the 1963 recordings under EU law by 20 years – the EU protects recordings for 70 years only if they are formally released.
The Complete Album Collection Vol. One is a forty-seven disc box set released on November 4, 2013, by Bob Dylan. It includes thirty-five albums released between 1962 and 2012, six live albums, and a compilation album unique to the set, Side Tracks, which contains previously released material unavailable on regular studio or live albums.
The 50th Anniversary Collection 1963 is the second Bob Dylan collection released by Sony Music to prevent the recordings from legally entering the public domain in Europe. Released on vinyl only in November 2013, only 100 copies of the six-LP set were produced.
Lost on the River: The New Basement Tapes is an album produced by T Bone Burnett featuring a collective of musicians recording under the moniker The New Basement Tapes—Elvis Costello, Rhiannon Giddens, Taylor Goldsmith, Jim James and Marcus Mumford.
The Bootleg Series Vol. 11: The Basement Tapes Complete is a compilation album of unreleased home recordings made in 1967 by Bob Dylan and the group of musicians that would become the Band, released on November 3, 2014 on Legacy Records. It is the ninth installment of the Bob Dylan Bootleg Series, available as a six-disc complete set, and as a separate set of highlights – in a two-disc format common to the rest of the series – entitled The Basement Tapes Raw.
Keep an Eye on Summer – The Beach Boys Sessions 1964 is a compilation album of studio and live recordings by the Beach Boys, released on December 2, 2014 exclusively through the iTunes Store. It is a follow-up to the similar release The Big Beat 1963, composed of various selections related to Brian Wilson and the Beach Boys, released one year earlier.
The Big Beat 1963 is a compilation album released on December 17, 2013, exclusively through digital distribution. It features selections of early demos and recordings made by Brian Wilson in the early 1960s with such acts as the Beach Boys and the Honeys.
The 1966 Live Recordings is a 36-CD boxset of live recordings from the 1966 Live Tour by Bob Dylan, released on Legacy Records in November 2016. It includes every known recording from the tour, including audience tapes. Most of the set was unreleased at that point and some tapes never circulated before.
The Bootleg Series Vol. 14: More Blood, More Tracks is a compilation album by American singer-songwriter Bob Dylan. The 12th installment in the ongoing Bob Dylan Bootleg Series, it was released by Legacy Records on November 2, 2018. The compilation focuses on recordings Dylan made in September and December 1974 for his 1975 album Blood on the Tracks. The release comes in both a one disc standard edition and a six disc deluxe edition. It is the first volume since the third where the standard edition is not a double disc.
"Talkin' Bear Mountain Picnic Massacre Blues" is a song by American singer-songwriter Bob Dylan. It was written by Dylan in June 1961, and recorded on April 25, 1962, at Studio A, Columbia Recording Studios, New York, produced by John Hammond. It is a humorous talking blues, which Dylan wrote after Noel Stookey gave him a press clipping about how the sale of forged tickets for a Father's Day picnic trip to Bear Mountain State Park had led to overcrowding and injuries.
