"Sitting on Top of the World" | |
---|---|
Single by Mississippi Sheiks | |
B-side | "Lonely One in This Town" |
Released | 1930 |
Recorded | February 17, 1930 |
Genre | Country blues |
Length | 3:10 |
Label | Okeh |
Songwriter(s) | Walter Vinson, Lonnie Chatmon |
"Sitting on Top of the World" (also "Sittin' on Top of the World") is a country blues song written by Walter Vinson and Lonnie Chatmon. They were core members of the Mississippi Sheiks, who first recorded it in 1930. Vinson claimed to have composed the song one morning after playing at a white dance in Greenwood, Mississippi. [1] It became a popular crossover hit, and was inducted into the Grammy Hall of Fame in 2008. [2]
"Sitting on Top of the World" has become a standard of traditional American music. [3] The song has been widely recorded in a variety of different styles – folk, blues, country, bluegrass, rock –often with considerable variations and/or additions to the original verses. The lyrics of the original song convey a stoic optimism in the face of emotional setbacks, and the song has been described as a "simple, elegant distillation of the Blues". In 2018, it was selected for preservation in the National Recording Registry by the Library of Congress as being "culturally, historically, or aesthetically significant". [4]
The title line of "Sitting on Top of the World" is similar to a well-known popular song of the 1920s, "I'm Sitting on Top of the World", written by Ray Henderson, Sam Lewis and Joe Young (popularized by Al Jolson in 1926). However, the two songs are distinct, both musically and lyrically. Similarities have also been noted between "Sitting on Top of the World" and an earlier song by Tampa Red. [5]
Lyrically, "Sitting on Top of the World" has a simple structure consisting of a series of rhyming couplets, each followed by the two-line chorus. The structural economy of the song seems to be conducive to creative invention, giving the song a dynamic flexibility exemplified by the numerous and diverse versions that exist. The song has a strophic nine-bar blues structure. Bar nine provides rhythmic separation between stanzas, the end of one stanza and the relatively large pickup at the beginning of the next. [6]
After the Mississippi Sheiks original, renditions of "Sitting on Top of the World" were recorded by a number of artists. [3] Following a recording for Bluebird Records by Milton Brown and His Musical Brownies, the song became a staple in the repertoire of country and bluegrass artists, such as Bob Wills and his Texas Playboys and Bill Monroe. [1]
Howlin' Wolf reworked the song as a Chicago blues, which Chess Records issued as a single in 1957 and later included on the popular compilation series The Real Folk Blues (1966). [7] For the recording, he was backed by a typical blues ensemble consisting of electric guitar (Hubert Sumlin), piano (Hosea Lee Kennard), bass (Alfred Elkins), and drums (Earl Phillips). [7] During performances later in his career, Howlin' Wolf often closed his sets with "Sitting on Top of the World". [8] As with several of his songs, it was adapted by rock groups during the 1960s. [8] Some rock-oriented versions showed considerable variation: a version by the Grateful Dead was played at a very fast tempo of 252 beats per minute (bpm), while Cream performed it at a very slow 44 bpm. [9]
Jack White recorded an acoustic version for the soundtrack to the 2003 film Cold Mountain . An AllMusic review included "For the most part, the White Stripes frontman successfully transplants himself into the [traditional country and Americana] genre, utilizing his throaty warble on Howlin' Wolf's 'Sittin' on Top of the World' like a dust-bowl carny." [10]
McKinley Morganfield, known professionally as Muddy Waters, was an American blues singer and musician who was an important figure in the post-World War II blues scene, and is often cited as the "father of modern Chicago blues". His style of playing has been described as "raining down Delta beatitude".
Muddy Waters (1913–1983) was an American blues artist who is considered a pioneer of the electric Chicago blues and a major influence on the development of blues and rock music. He popularized several early Delta blues songs, such as "Rollin' and Tumblin'", "Walkin' Blues", and "Baby, Please Don't Go", and recorded songs that went on to become blues standards, including "Hoochie Coochie Man", "Mannish Boy", and "Got My Mojo Working". During his recording career from 1941 to 1981, he recorded primarily for two record companies, Aristocrat/Chess and Blue Sky; they issued 62 singles and 13 studio albums.
Chester Arthur Burnett, better known by his stage name Howlin' Wolf, was an American blues singer and guitarist. He was at the forefront of transforming acoustic Delta blues into electric Chicago blues, and over a four-decade career, recorded blues, rhythm and blues, rock and roll, and psychedelic rock. He is regarded as one of the most influential blues musicians of all time.
Chess Records was an American record company established in 1950 in Chicago, specializing in blues and rhythm and blues. It was the successor to Aristocrat Records, founded in 1947. It expanded into soul music, gospel music, early rock and roll, and jazz and comedy recordings, released on the Chess and its subsidiary labels Checker and Argo/Cadet. The Chess catalogue is owned by Universal Music Group and managed by Geffen Records and Universal Music Enterprises.
Alex or Aleck Miller, known later in his career as Sonny Boy Williamson, was an American blues harmonica player, singer and songwriter. He was an early and influential blues harp stylist who recorded successfully in the 1950s and 1960s. Miller used various names, including Rice Miller and Little Boy Blue, before calling himself Sonny Boy Williamson, which was also the name of a popular Chicago blues singer and harmonica player. To distinguish the two, Miller has been referred to as Sonny Boy Williamson II.
"Poor Boy Blues", or "Poor Boy, Long Ways From Home", is a traditional blues song that has been cited as one of the oldest in the genre. As with most traditional blues songs, there is great variation in the melody and lyrical content as performed by different artists. However, there is often a core verse containing some variation of the line "I'm a poor boy a long way from home."
The Real Folk Blues is a series of blues albums released between 1965 and 1967 by Chess Records, later reissued MCA Records. Each album in the series highlighted the music of one major Chess artist, including John Lee Hooker, Howlin' Wolf, Muddy Waters, and Sonny Boy Williamson II. The series, overseen by Marshall Chess, was a reaction to the increasing audience for the blues following the British Invasion. Companion discs, titled More Real Folk Blues, were released for many of the artists. Hooker's companion disc was not released until 1991. Beginning in 1999 the albums were re-released as single-disc compilations.
The Mississippi Sheiks were a popular and influential American guitar and fiddle group of the 1930s. They were notable mostly for playing country blues but were adept at many styles of popular music of the time. They recorded around 70 tracks, primarily in the first half of the 1930s. In 2004, they were inducted into the Mississippi Musicians Hall of Fame.
"Spoonful" is a blues song written by Willie Dixon and first recorded in 1960 by Howlin' Wolf. Called "a stark and haunting work", it is one of Dixon's best known and most interpreted songs. Etta James and Harvey Fuqua had a pop and R&B record chart hit with their duet cover of "Spoonful" in 1961, and it was popularized in the late 1960s by the British rock group Cream.
"Killing Floor" is a 1964 song by American blues singer-songwriter and guitarist Howlin' Wolf. Called "one of the defining classics of Chicago electric blues", "Killing Floor" became a blues standard with recordings by various artists. It has been acknowledged by the Blues Foundation Hall of Fame, which noted its popularity among rock as well as blues musicians. English rock group Led Zeppelin adapted the song for their "The Lemon Song", for which Howlin' Wolf is named as a co-author.
"Smokestack Lightning" is a blues song recorded by Howlin' Wolf in 1956. It became one of his most popular and influential songs. It is based on earlier blues songs, and numerous artists later interpreted it.
"Wang Dang Doodle" is a blues song written by Willie Dixon. Music critic Mike Rowe calls it a party song in an urban style with its massive, rolling, exciting beat. It was first recorded by Howlin' Wolf in 1960 and released by Chess Records in 1961. In 1965, Dixon and Leonard Chess persuaded Koko Taylor to record it for Checker Records, a Chess subsidiary. Taylor's rendition quickly became a hit, reaching number thirteen on the Billboard R&B chart and number 58 on the pop chart. "Wang Dang Doodle" became a blues standard and has been recorded by various artists. Taylor's version was added to the United States National Recording Registry in 2023.
"Who Do You Love?" is a song written by American rock and roll pioneer Bo Diddley. Recorded in 1956, it is one of his most popular and enduring works. The song represents one of Bo Diddley's strongest lyrical efforts and uses a combination of hoodoo-type imagery and boasting. It is an upbeat rocker, but the original did not use the signature Bo Diddley beat rhythm.
"Little Red Rooster" is a blues standard credited to arranger and songwriter Willie Dixon. The song was first recorded in 1961 by American blues musician Howlin' Wolf in the Chicago blues style. His vocal and slide guitar playing are key elements of the song. It is rooted in the Delta blues tradition and the theme is derived from folklore. Musical antecedents to "Little Red Rooster" appear in earlier songs by blues artists Charlie Patton and Memphis Minnie.
"Forty-Four" or "44 Blues" is a blues standard whose origins have been traced back to early 1920s Louisiana. However, it was Roosevelt Sykes, who provided the lyrics and first recorded it in 1929, that helped popularize the song. "Forty-Four," through numerous adaptations and recordings, remains in the blues lexicon eighty years later.
Walter Vinson was an American Memphis blues guitarist, singer and songwriter. He was a member of the Mississippi Sheiks, worked with Bo Chatmon and his brothers, and co-wrote the blues standard "Sitting on Top of the World". He is erroneously known as Walter Vincson or Walter Vincent. He sometimes recorded as Walter Jacobs, using his mother's maiden name.
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Echford Lee Cooper Jr., known as Lee Cooper, was an American blues guitarist. Because of his relatively short career and the anonymous role of session musicians in the 1950s, Cooper is said to be "overlooked and highly underrated." Cooper was an early master of the preferred bold style of Chicago blues guitar, so much so that he became the first successor to Howlin' Wolf's original lead guitarist.
Live and Cookin', subtitled at Alice's Revisited, is a live album by blues musician Howlin' Wolf, released by Chess Records in 1972.
More Real Folk Blues is a compilation album by blues musician Howlin' Wolf, released by Chess Records in 1967. It includes songs that were recorded in Memphis and Chicago between 1953 and 1956.
the composition of the song is problematic (the melody was first recorded by Tampa Red).