External links
- "Walter T. Everett: Professor of Music Theory", Music.UMich.edu.
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Walter Everett is a music theorist specializing in popular music who teaches at the University of Michigan.
His books include The Beatles as Musicians: Revolver through the Anthology (1999, ISBN 978-0-19-512941-0), which has been called "the most important work to appear on the Beatles thus far", [1] and its follow-up volume, The Beatles as Musicians: The Quarry Men through Rubber Soul (2001). He also wrote The Foundations of Rock: From 'Blue Suede Shoes' to 'Suite: Judy Blue Eyes' (2008, ISBN 978-0-19-531024-5) and has contributed to titles in the Cambridge Companions to Music series.
Gary Burns, editor of the journal Popular Music and Society, describes Everett's Beatles as Musicians volumes as a "monumental two-book set" that has furthered the field of musicological study begun in 1973 by Wilfrid Mellers. [2] According to Michael Frontani, author of The Beatles: Image and the Media, the books represent a "landmark of scholarship" about the band's music. [3]
Everett received the Kjell Meling Award for Distinction in the Arts and Humanities. [1]
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Art rock is a subgenre of rock music that generally reflects a challenging or avant-garde approach to rock, or which makes use of modernist, experimental, or unconventional elements. Art rock aspires to elevate rock from entertainment to an artistic statement, opting for a more experimental and conceptual outlook on music. Influences may be drawn from genres such as experimental music, avant-garde music, classical music, and jazz.
Rubber Soul is the sixth studio album by the English rock band the Beatles. It was released on 3 December 1965 in the United Kingdom, on EMI's Parlophone label, accompanied by the non-album double A-side single "Day Tripper" / "We Can Work It Out". The original North American release, issued by Capitol Records, contains ten of the fourteen songs and two tracks withheld from the band's Help! album. Rubber Soul was met with a highly favourable critical response and topped sales charts in Britain and the United States for several weeks.
Revolver is the seventh studio album by the English rock band the Beatles. It was released on 5 August 1966, accompanied by the double A-side single "Eleanor Rigby" / "Yellow Submarine". The album was the Beatles' final recording project before their retirement as live performers and marked the group's most overt use of studio technology to date, building on the advances of their late 1965 release Rubber Soul. It has since become regarded as one of the greatest and most innovative albums in the history of popular music, with recognition centred on its range of musical styles, diverse sounds and lyrical content.
"What Goes On" is a song by the English rock band the Beatles, featured as the eighth track on their 1965 album Rubber Soul. The song was later released as the B-side of the US single "Nowhere Man", and then as the tenth track on the North America-only album Yesterday and Today. It is the only song by the band credited to Lennon–McCartney–Starkey and the only song on Rubber Soul that features Ringo Starr on lead vocals. The song reached number 81 on the US Billboard Hot 100 in 1966.
"Think for Yourself" is a song by the English rock band the Beatles from their 1965 album Rubber Soul. It was written by George Harrison, the band's lead guitarist, and, together with "If I Needed Someone", marked the start of his emergence as a songwriter beside John Lennon and Paul McCartney. The song's lyrics advocate independent thinking and reflect the Beatles' move towards more sophisticated concepts in their writing at this stage of their career. The song has invited interpretation as both a political statement and a love song, as Harrison dismisses a lover or friend in a tone that some commentators liken to Bob Dylan's 1965 single "Positively 4th Street". Among musicologists, the composition has been recognised as adventurous in the degree of tonal ambiguity it employs across parallel major and minor keys and through its suggestion of multiple musical modes.
A tack piano is an altered version of an ordinary piano, in which objects such as thumbtacks or nails are placed on the felt-padded hammers of the instrument at the point where the hammers hit the strings, giving the instrument a tinny, more percussive sound. It is used to evoke the feeling of a honky-tonk piano.
"Drive My Car" is a song by the English rock band the Beatles, written primarily by Paul McCartney, with lyrical contributions from John Lennon. It was first released on the band's 1965 album Rubber Soul as the opening track. The song later appeared in North America on the Yesterday and Today collection, again to open the record, as the track had been dropped from the American version of Rubber Soul.
"Good Day Sunshine" is a song by the English rock band the Beatles from their 1966 album Revolver. It was written mainly by Paul McCartney and credited to the Lennon–McCartney partnership. McCartney intended it as a song in the style of the Lovin' Spoonful's contemporaneous hit single "Daydream". The recording includes multiple pianos played in the barrelhouse style and evokes a vaudevillian mood.
"I've Just Seen a Face" is a song by the English rock band the Beatles. It was released in August 1965 on their album Help!, except in North America, where it appeared as the opening track on the December 1965 release Rubber Soul. Written and sung by Paul McCartney, the song is credited to the Lennon–McCartney partnership. The song is a cheerful love ballad, its lyrics discussing a love at first sight while conveying an adrenaline rush the singer experiences that makes him both enthusiastic and inarticulate.
"Hey Bulldog" is a song by the English rock band the Beatles released on their 1969 soundtrack album Yellow Submarine. Credited to Lennon–McCartney, but written primarily by John Lennon, it was finished in the recording studio by both Lennon and Paul McCartney. The song was recorded during the filming of the "Lady Madonna" promotional film, and, with "Lady Madonna", is one of the few Beatles songs based on a piano riff.
"I'm Down" is a song by the English rock band the Beatles, written by Paul McCartney and credited to Lennon–McCartney. It was released on a non-album single as the B-side to "Help!" in July 1965. The song originated in McCartney's attempt to write a song in the style of Little Richard, whose song "Long Tall Sally" the band regularly covered.
"She's a Woman" is a song by the English rock band the Beatles, written primarily by Paul McCartney and credited to Lennon–McCartney. It was released on a non-album single in November 1964 as the B-side to "I Feel Fine", except in North America, where it also appeared on the album Beatles '65, released in December 1964. Though it was the B-side, it charted in the US, reaching number four on the Billboard Hot 100 and number eight on the Cash Box Top 100. The song originated in McCartney's attempt to write a song in the style of Little Richard. The lyrics include the first reference to drugs in a Beatles song, with the line "turn(s) me on" referring to marijuana.
"Pretty Ballerina" is a song written by pianist Michael Brown that was released as a single by his band the Left Banke in December 1966. It peaked at number 15 on the Billboard Hot 100 chart and number 4 on the Canadian RPM chart.
Nowhere Man is the 12th extended play (EP) by the English rock band the Beatles. It was released on 8 July 1966. It includes four songs from their album Rubber Soul, which had been released in December 1965. The EP was only issued in mono, with the Parlophone catalogue number GEP 8952.
Alan W. Pollack is an American musicologist best known for having musically analyzed every song released by the English rock band the Beatles. He started the task in 1989 and finished in 2000, with 187 original songs and 25 cover songs. The analyses have come to be known as the "Notes on ..." series, as each is entitled "Notes on 'Love Me Do'", "Notes on 'Help!'" and so on. The notes were released weekly, usually on Wednesdays, on the rec.music.beatles usenet group.
"Moonchild" is the fourth track from British progressive rock band King Crimson's debut album, In the Court of the Crimson King.
In music, the ♭VII–V7 cadence is a cadence using the chord progression from the subtonic (♭VII) to the dominant seventh (V7). It resolves to I making the full cadence ♭VII–V7–I.
"That's the Way Boys Are" is a song written by Mark Barkan and Ben Raleigh, first recorded by Lesley Gore and released in March 1964 – her fifth hit single, following four consecutive top five hits on Billboard's Hot 100. In late April 1964, with the British Invasion in full swing, "That's the Way Boys Are" peaked at No. 12 on the Hot 100; hits by UK acts The Beatles and The Dave Clark Five accounted for five of the singles in the Top Ten. The track was produced by Quincy Jones and arranged by Claus Ogerman and features on Gore's third album, Boys, Boys, Boys.
A count off, count in, or lead-in is a verbal, instrumental or visual cue used in musical performances and recordings to ensure a uniform entrance to the performance by the musicians and to establish the piece's initial tempo, time signature and style. Although a count off usually lasts just one or two bars, it is able to convey the music's style, tempo, and dynamics from the leader to the other performers. A count off is generally in the same style of the piece of music—for instance, a joyful swing tune should have an energized count off. A misleading lead-in, one which indicates a different meter than that of the piece, is a false trail. Counting off is evident in musical genres other than Western classical and popular music; Ghanaian ethnomusicologist J. H. Kwabena Nketia has observed the benefits of such techniques in West African music.
"Journey to the Center of the Mind" is a song released by the Amboy Dukes in 1968. It reached number 16 on the Billboard charts in 1968 and number 19 in Canada.