Editor | Paul Muldoon |
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Author | Paul McCartney |
Country | UK |
Language | English |
Subject | Paul McCartney's lyrics |
Published | November 2, 2021 |
Publisher | Liveright, Penguin Books Ltd, C.H. Beck |
Pages | 960 |
ISBN | 978-1-63149-256-3 |
Website | Official website |
The Lyrics: 1956 to the Present is a book released in November 2021 by the English musician Paul McCartney and the Irish poet Paul Muldoon. It is published by Penguin Books Ltd in the United Kingdom, W.W. Norton/Liveright in the United States of America and C.H. Beck in Germany.
Muldoon's conversations recorded with McCartney for the book turned into a podcast McCartney: A Life in Lyrics, released throughout 2023 and 2024. [1]
The book consists of McCartney's discussions with Muldoon of the lyrics of 154 of his songs written during his time as a member of the rock bands the Beatles and Wings and as a solo artist. [2] [3] The songs are arranged alphabetically over two volumes. The book also includes many previously unseen photographs, paintings and handwritten texts. [2] Muldoon spoke with McCartney over five years in two- to three-hour sessions during the creation of the book and felt that McCartney's "insights into his own artistic process confirm a notion at which we had but guessed—that Paul McCartney is a major literary figure who draws upon, and extends, the long tradition of poetry in English". [3] [4] Muldoon felt that their conversations mimicked McCartney's writing sessions with John Lennon as they were both "determined never to leave the room without something interesting". [4]
McCartney had always previously declined to write an autobiography, recalling that he had been asked "More often than I can count" as "the time has never been right". McCartney has said that he has never kept a diary to recall the past but does have "my songs, hundreds of them, which I've learned serve much the same purpose. And these songs span my entire life". [5]
The book received mostly positive reviews. David Hepworth of The Guardian wrote that "Whereas the other Beatles wrote fitfully after the group broke up, Paul kept getting out his pencil, taking his guitar into a quiet corner and writing yet another song, less on the basis of inspiration than the feeling that it was a muscle he must use or lose. It's this more than 10,000 hours spent setting himself the eternal puzzle of getting from the beginning of a song to its end that enabled him to dazzle Dustin Hoffman by writing "Picasso's Last Words (Drink to Me)" in front of him. 'Can you write a song about anything?' Hoffman asked. Yes, Dustin, he clearly can." He was also impressed by the people mentioned by McCartney: "The index is a reminder of the fact that, having been actively famous for 60 years, Paul McCartney has met everyone he’s had a mind to meet. Having learned from Craig Brown's recent book that Malcolm Muggeridge came to see the Beatles play in Hamburg, I no longer bat an eyelid at the revelation that in 1964 Paul rocked up unannounced at the door of Bertrand Russell." [6]
David Hajdu of The New York Times noted that "McCartney shows how deeply he is steeped in literary history and how much his output as a songwriter has in common with the works of the likes of Dickens and Shakespeare." He concludes: "Aaaah … we realize: Paul really is a word man, the more literary and cerebral Beatle." [7]
David Kirby of The Washington Post praised the book and said that "Reading The Lyrics is like standing in a master chef’s kitchen as he prepares a dish, adding a dash of this and a spoonful of that and talking to us so winningly that we don’t realize till later that he has withheld an ingredient, one that, because he was so deeply engaged himself, he didn’t know he was withholding." [8]
Blake Morrison wrote in a review for the Guardian that the stories recalled by McCartney are unusual and entertaining:
Getting it down, he used dummy words: what became "Yesterday all my troubles seemed so far away" began as "scrambled eggs, oh my baby, how I love your legs". The backstories to the songs are often as interesting as the lyrics. With "Ticket to Ride" he and John were also thinking about a trip they'd made to Ryde, on the Isle of Wight; "Blackbird", with its "broken wings", was written after the assassination of Martin Luther King; "Hey Jude" was originally "Hey Jules" and written for the young Julian Lennon after John had divorced Cynthia; the portrait of a community in "Penny Lane" took its bearings from Dylan Thomas's Under Milk Wood while "She's Leaving Home" 'was almost like a shooting script for the Wednesday Play'.
Morrison concluded in his review that "Stripped of the music, the words on the page can look random or banal. But at best he's a wonderfully versatile lyricist: troubadour, comedian, elegist, social commentator, pasticheur. And anyone with even half an interest in the Beatles will find The Lyrics fascinating." [9]
McCartney: A Life in Lyrics | |
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Presentation | |
Hosted by | Paul Muldoon |
Starring | Paul McCartney |
Created by | iHeartPodcasts, MPL, Pushkin Industries |
Length | 19–39 minutes |
Country of origin | United States |
Publication | |
Original release | 2023-10-04 |
Muldoon's conversations recorded with McCartney for the book turned into a podcast McCartney: A Life in Lyrics, with a two series co-producted by iHeartPodcasts, MPL Communications, and Pushkin Industries. [1] [10] Season 1 was released on audio streaming platforms between October and December 2023. Season 2 was released between February and April 2024. [11]
Julian Charles John Lennon is an English musician, photographer, author, and philanthropist. He is the son of Beatles member John Lennon and his first wife, Cynthia, and he is named after his paternal grandmother, Julia Lennon. Julian inspired three Beatles songs: "Lucy in the Sky with Diamonds" (1967), "Hey Jude" (1968), and "Good Night" (1968). His parents divorced in 1968 after his father had an affair with Yoko Ono. Around the world he has had eight hit singles.
Beatles for Sale is the fourth studio album by the English rock band the Beatles. It was released on 4 December 1964 in the United Kingdom on EMI's Parlophone label. The album marked a departure from the upbeat tone that had characterised the Beatles' previous work, partly due to the band's exhaustion after a series of tours that had established them as a worldwide phenomenon in 1964. Beatles for Sale was not widely available in the US until 1987, when the Beatles' catalogue was standardised for release on CD. Instead, eight of the album's fourteen tracks appeared on Capitol Records' concurrent release, Beatles '65, issued in North America only.
"Paul is dead" is an urban legend and conspiracy theory alleging that English pop musician Paul McCartney of the Beatles died in 1966 and was secretly replaced by a look-alike. The rumour began circulating in 1966, gaining broad popularity in September 1969 following reports on American college campuses.
"Lucy in the Sky with Diamonds" is a song by the English rock band the Beatles from their 1967 album Sgt. Pepper's Lonely Hearts Club Band. It was written primarily by John Lennon with assistance from Paul McCartney, and credited to the Lennon–McCartney songwriting partnership. Lennon's son Julian inspired the song with a nursery school drawing that he called "Lucy – in the sky with diamonds". Shortly before the album's release, speculation arose that the first letter of each of the nouns in the title intentionally spelled "LSD", the initialism commonly used for the hallucinogenic drug lysergic acid diethylamide. Lennon repeatedly denied that he had intended it as a drug song, and attributed the song's fantastical imagery to his reading of Lewis Carroll's Alice in Wonderland books.
"A Day in the Life" is a song by the English rock band the Beatles that was released as the final track of their 1967 album Sgt. Pepper's Lonely Hearts Club Band. Credited to Lennon–McCartney, the opening and closing sections of the song were mainly written by John Lennon, with Paul McCartney primarily contributing the song's middle section. All four Beatles played a role in shaping the final arrangement of the song.
"Hey Jude" is a song by the English rock band the Beatles that was released as a non-album single in August 1968. It was written by Paul McCartney and credited to the Lennon–McCartney partnership. The single was the Beatles' first release on their Apple record label and one of the "First Four" singles by Apple's roster of artists, marking the label's public launch. "Hey Jude" was a number-one hit in many countries around the world and became the year's top-selling single in the UK, the US, Australia and Canada. Its nine-week run at number one on the Billboard Hot 100 tied the all-time record in 1968 for the longest run at the top of the US charts, a record it held for nine years. It has sold approximately eight million copies and is frequently included on music critics' lists of the greatest songs of all time.
"When I'm Sixty-Four" is a song by the English rock band The Beatles, written by Paul McCartney and released on their 1967 album Sgt. Pepper's Lonely Hearts Club Band. It was one of the first songs McCartney wrote; he was about 14, probably in April or May 1956. The song was recorded in a key different from the final recording; it was sped up at the request of McCartney to make his voice sound younger. It prominently features a trio of clarinets throughout.
"Michelle" is a song by the English rock band the Beatles from their 1965 album Rubber Soul. It was composed principally by Paul McCartney, with the middle eight co-written with John Lennon. The song is a love ballad with part of its lyrics sung in French.
Lennon–McCartney was the songwriting partnership between English musicians John Lennon (1940–1980) and Paul McCartney of the Beatles. It is widely considered one of the greatest, best known and most successful musical collaborations ever by records sold, with the Beatles selling over 600 million records worldwide as of 2004. Between 5 October 1962 and 8 May 1970, the partnership published approximately 180 jointly credited songs, of which the vast majority were recorded by the Beatles, forming the bulk of their catalogue.
"Eleanor Rigby" is a song by the English rock band the Beatles from their 1966 album Revolver. It was also issued on a double A-side single, paired with "Yellow Submarine". Credited to the Lennon–McCartney songwriting partnership, the song is one of only a few in which John Lennon and Paul McCartney later disputed primary authorship. Eyewitness testimony from several independent sources, including George Martin and Pete Shotton, supports McCartney's claim to authorship.
"The Ballad of John and Yoko" is a song by the English rock band the Beatles that was released as a non-album single in May 1969. It was written by John Lennon and credited to the Lennon–McCartney partnership, and chronicles the events surrounding the wedding of Lennon and Yoko Ono. The song was the Beatles' 17th UK number-one single and their last for 54 years until "Now and Then" in 2023. In the United States, it was banned by some radio stations due to the lyrics' reference to Christ and crucifixion. The single peaked at number 8 on the US Billboard Hot 100. The song has subsequently appeared on compilation albums such as Hey Jude, 1967–1970, Past Masters, and 1.
"Lady Madonna" is a song by the English rock band the Beatles, written primarily by Paul McCartney and credited to Lennon–McCartney. In March 1968 it was released as a mono non-album single, backed with "The Inner Light". The song was recorded on 3 and 6 February 1968, before the Beatles left for India, and its boogie-woogie style signalled a more conventional approach to writing and recording for the group following the psychedelic experimentation of the previous two years.
"In My Life" is a song by the English rock band the Beatles, released on their 1965 studio album, Rubber Soul. Credited to the Lennon–McCartney songwriting partnership, the song is one of only a few in which there is dispute over the primary author; John Lennon wrote the lyrics, but he and Paul McCartney later disagreed over who wrote the melody. George Martin contributed the piano solo bridge.
"I Saw Her Standing There" is a song by the English rock band the Beatles, written by Paul McCartney and John Lennon. It is the opening track on the band's 1963 debut UK album Please Please Me and their debut US album Introducing... The Beatles.
"I'm a Loser" is a song by the English rock band the Beatles, originally released on Beatles for Sale in the United Kingdom, later released on Beatles '65 in the United States, both in 1964. Written by John Lennon, and credited to Lennon–McCartney, it was considered for release as a single until Lennon wrote "I Feel Fine".
"Hey Bulldog" is a song by the English rock band the Beatles released on their 1969 soundtrack album Yellow Submarine. Credited to Lennon–McCartney, but written primarily by John Lennon, it was finished in the recording studio by both Lennon and Paul McCartney. The song was recorded during the filming of the "Lady Madonna" promotional film, and, with "Lady Madonna", is one of the few Beatles songs based on a piano riff.
"Be-Bop-a-Lula" is a rockabilly song first recorded in 1956 by Gene Vincent and His Blue Caps.
Sir James Paul McCartney is an English singer, songwriter and musician who gained worldwide fame with the Beatles, for whom he played bass guitar and shared primary songwriting and lead vocal duties with John Lennon. One of the most successful composers and performers of all time, McCartney is known for his melodic approach to bass-playing, versatile and wide tenor vocal range, and musical eclecticism, exploring genres ranging from pre–rock and roll pop to classical, ballads, and electronica. His songwriting partnership with Lennon is the most successful in modern music history.
The Beatles were originally a quartet, but only Paul McCartney and Ringo Starr remain.
Paul Du Noyer is an English rock journalist and author. He has written and edited for the music magazines NME, Q and Mojo. Du Noyer is the author of several books on the music industry, rock musicians, London and on his hometown, Liverpool.