Cold Cuts | |
---|---|
Compilation album by | |
Released | Unreleased |
Recorded | 1970–1987 |
Studio | Various |
Genre | Rock |
Producer | Paul McCartney |
Cold Cuts (also known as part of Hot Hitz/Kold Kutz) is an unreleased album of outtakes by Paul McCartney & Wings. [1]
The first iteration of the album was planned to be released in 1975 and the project was revisited several times over the years, changing the tracklist and adding overdubs to the tracks, until it was abandoned permanently in the late 1980s. The songs considered for the album were recorded during McCartney's solo career and with Wings in the 1970s and 1980s.
The album was originally conceived as a budget release in 1975, composed of non-album singles and previously unreleased tracks. [2] [3] During Wings' recording sessions in Nashville, Tennessee in July 1974 several new songs were recorded and some previously unused tracks were overdubbed for a potential compilation album, variously referred to as Cold Cuts or Hot Hitz and Kold Kutz. The album was slated for release in March 1975 but never materialized. [4] [5] There is no information about the track selection for the album during this period. Songs recorded or overdubbed during the Nashville sessions in July 1974 but eventually shelved include: "Send Me The Heart", "Hey Diddle" and "Wide Prairie". [6]
McCartney returned to the project in 1978 and presented it to EMI/Capitol in October 1978 as a hits and rarities compilation to be titled Hot Hitz/Kold Kutz. [7] The label was not convinced and the compilation was repackaged as Wings Greatest and released in November 1978. [7] [8] The Kold Kutz disc would be leaked in 1988 as bootleg LP titled Cold Cuts (Another Early Version). [9]
McCartney returned to the project in late 1980, this time it was to be a standalone album retitled Cold Cuts. [10] Additional overdubs were added to the tracks "A Love for You", "Waterspout", "My Carnival" and "Same Time Next Year" in January 1981. [11] [12]
The new version of Cold Cuts removed the Linda McCartney and Denny Laine vocal tracks and instrumentals and added newly recorded tracks during London Town and Back to the Egg sessions instead in order to create a more commercial offering. [7] The album was planned to be released in early 1981, however Columbia Records, McCartney's then new label, was not interested in releasing an album of outtakes and it was shelved. [13] It was also believed that its release soon after the murder of John Lennon would seem inappropriate. [3] [12] This version of the album was also bootlegged. [14]
The project was rebooted again in late 1986 with arranger-producer Richard Nilesand. [15] "My Carnival" was excluded as it was released the previous year as b-side and new tracks from Paul McCartney's solo recordings were considered for the tracklisting, including "Blue Sway" from the McCartney II sessions for which a large string section by Nilesand was added. "A Love for You" also received further overdubs. [16] In 1987, this version of the album leaked onto the bootleg market as an LP titled Cold Cuts (Club Sandwich SP-11)
The final sessions that attempted an official release of Cold Cuts was in August 1987. McCartney mixed and edited another version of the album with producer Chris Thomas and engineer Bill Price. [17] Additional work was done to "Mama's Little Girl" and "Same Time Next Year". [8] According to an interview with McCartney, this version was to feature album art by Saul Steinberg. [8] [1] Steinberg's art would later appear on the "Put It There" single cover.
In 1987 McCartney's new manager, Richard Odgen, recommended that, at this point in McCartney's career, releasing a best-of compilation would be a better idea, so Cold Cuts was scrapped in place of All the Best! that was released in November 1987. [7] Previously unreleased track "Waterspout" was initially planned to be released on that album but was pulled at the last minute.
After bootleg versions of "Cold Cuts" appeared on the market, McCartney abandoned the project permanently. [18]
This section needs additional citations for verification .(November 2013) |
Below is a list of the possible tracks that were under consideration over the lifetime of the project. Most of these songs have appeared on various bootlegs connected to the album.
Song | Origins | Release(s) |
---|---|---|
"A Love for You" | Recorded in 1970 during the Ram sessions, the track received additional overdubs by Laurence Juber and Steve Holley from Wings' third line-up. [3] | Newly prepared version of the song was released in 2003 on The In-Laws soundtrack album. Another mix of the song dating to 1986 was released on the 2012 reissue of Ram . [19] [20] |
"Best Friend" | Recorded live during the 1972 Wings Over Europe Tour. [21] It was originally intended to be released on the double album version of Red Rose Speedway . | Released on the 2018 reissue of Red Rose Speedway and the 2018 live album Wings Over Europe . |
"Blue Sway" | Recorded in 1979 during the McCartney II sessions. The track received additional overdubs by producer/arranger Richard Niles in 1986. | Both versions, with and without overdubs, were released on the 2011 reissue of McCartney II. |
"Cage" | Recorded in 1978 and planned for Back to the Egg , but it removed from the album at the last minute in favour of "Baby's Request". [22] This song features the chords C-A-G-E as its riff, to go along with the lyrics. | Unreleased |
"Did We Meet Somewhere Before?" | Recorded in 1978 during the sessions for Back to the Egg . [23] The track was intended as the main theme for Warren Beatty's film Heaven Can Wait but got rejected. [24] A snippet of the track was used in the film Rock 'n' Roll High School although it did not appear on the soundtrack album nor in the screen credits. | Unreleased |
"Hey Diddle" | Recorded in 1970 during the Ram sessions as a Paul and Linda duet. Later, the track received further overdubs when Wings were in Nashville in 1974. | The first official release of the song was a snippet of home demo performance from 1971 with "Bip Bop" on the Wingspan: Hits and History compilation. The original 1971 studio version was released in 2012 on the Special Edition reissue of Ram. [19] The Nashville version was released on the 2014 reissue of Venus and Mars . [25] A complete home demo version was released on the 2018 reissue of Wild Life . |
"I Would Only Smile" | Written by Denny Laine and recorded in 1972 during the Red Rose Speedway sessions, it was intended to be released on the double album version of Red Rose Speedway. | Released on Denny Laine's album Japanese Tears in 1980. [21] An alternative mix was released on the 2018 reissue of Red Rose Speedway . |
"Lunch Box/Odd Sox" | Recorded in 1975 during the Venus and Mars sessions. | Released as the B-side of "Coming Up" in 1980. |
"Mama's Little Girl" | Recorded in 1972 during the Red Rose Speedway sessions. It was intended to be on the double album version of Red Rose Speedway. | Released as the B-side of "Put It There" in 1990. [21] Included on the 1993 reissue of Wild Life and on the 2018 reissue of Red Rose Speedway . |
"My Carnival" | Recorded during the Venus and Mars sessions in New Orleans in 1975. | Released as the B-side of "Spies Like Us" in 1985. Included on the 2014 reissue of Venus and Mars |
"Night Out" | Recorded in 1972 during the Red Rose Speedway sessions. It was overdubbed multiple times by different incarnations of Wings. [21] it was intended to be released on the double album version of Red Rose Speedway. | A primarily instrumental version dating from 1972 was released on the 2018 reissue of Red Rose Speedway . |
"Oriental Nightfish" | Written by Linda McCartney and recorded with Wings in 1973. | Released on Linda McCartney's album Wide Prairie in 1998. |
"Proud Mum/Proud Mum (Reprise)" | Two instrumental tracks recorded in 1974 during the Venus and Mars sessions, under the name "The Whippets". [26] The songs were meant to be in a commercial for Mother's Pride bread, but they were never used. [27] | Unreleased |
"Robber's Ball" | Recorded in 1978 during the Back to the Egg sessions. [28] | Unreleased |
"Same Time Next Year" | Recorded in 1978 for the film Same Time, Next Year , but it was rejected because too much of the plot was given away in the lyrics. [29] | Released as the B-side of "Put It There" in 1990. |
"Seaside Woman" | Written by Linda McCartney and recorded in 1972 during the Red Rose Speedway sessions. It was intended to be released on the double album version of Red Rose Speedway. | Released as a single in 1977 under the name Suzy and the Red Stripes. [30] Included on Linda McCartney's album Wide Prairie in 1998. An alternative mix was released on the 2018 reissue of Red Rose Speedway. |
"Send Me the Heart" | Written by Laine and McCartney, recorded by Wings during the Nashville sessions in 1974. After the recording of "Sally G" Paul challenged Denny Laine to write a country song too. [31] | Released on Laine's album Japanese Tears in 1980. |
"Thank You Darling" | Recorded in 1972 during the Red Rose Speedway sessions. It was intended to be on the double album version of Red Rose Speedway. | Released on the Red Rose Speedway 2018 reissue. |
"Tomorrow" | A instrumental remake of the song from the album Wild Life . Recorded in 1974 during the Venus and Mars sessions, under the name "The Whippets". [32] | Unreleased |
"Tragedy" | A cover of Thomas Wayne's 1959 ballad. It was recorded in 1972 during the Red Rose Speedway sessions. It was intended to be released on the double album version of Red Rose Speedway. [21] | Released in 2018 on the deluxe reissue of Red Rose Speedway . |
"Twice in a Lifetime" | Recorded in 1985, it was the theme from the film Twice in a Lifetime . | Released as a bonus track on the 1993 reissue of Pipes of Peace . |
"Waterspout" | Recorded in 1977 during the London Town sessions, with additional overdubs done in 1987. Planned to be added to All the Best! but was ultimately scrapped in favour of "C Moon". [33] | Unreleased |
"Wide Prairie" | Written by Linda McCartney and recorded in 1973, with overdubs done in Nashville in 1974. | An edited version, omitting two sections with lead vocals by Paul, was released on Linda McCartney's album Wide Prairie in 1998. |
To date, an official track listing has never been announced. However, various bootlegs of the different versions have appeared on the market. These bootleg versions show the Cold Cuts project in its various stages of mixing and different overdubs on the recordings over the years.
Side one:
Side two:
Side three:
Side four:
Side one:
Side two:
Side one:
Side two:
The Beatles Anthology is a multimedia retrospective project consisting of a television documentary, a three-volume set of double albums, and a book describing the history of the Beatles. Beatles members Paul McCartney, George Harrison and Ringo Starr participated in the making of the works, which are sometimes referred to collectively as the Anthology project, while John Lennon appears in archival interviews.
The Beatles' bootleg recordings are recordings of performances by the Beatles that have attained some level of public circulation without being available as a legal release. The term most often refers to audio recordings, but also includes video performances. Starting with vinyl releases in the 1970s, through CD issues in the late 1980s, and continuing with digital downloads starting in the mid 1990s, the Beatles have been, and continue to be, among the most bootlegged artists.
Paul McCartney and Wings, often billed simply as Wings, were an English-American rock band formed in 1971 in London by former Beatles songwriter, bassist, guitarist, and singer Paul McCartney; his wife Linda McCartney on keyboards; session drummer Denny Seiwell; and former Moody Blues guitarist Denny Laine. They were noted for their commercial successes, musical eclecticism, and frequent personnel changes. They went through three lead guitarists and four drummers. The core trio of the McCartneys and Laine, however, remained intact throughout the group's existence.
Back to the Egg is the seventh and final studio album by the British–American rock band Wings, released in June 1979 on Parlophone in the UK and Columbia Records in North America. Co-produced by Chris Thomas, the album reflects band leader Paul McCartney's embracing of contemporary musical trends such as new wave and punk, and marked the arrival of new Wings members Laurence Juber and Steve Holley. Back to the Egg adopts a loose conceptual theme around the idea of a working band, and its creation coincided with a period of considerable activity for the group, which included making a return to touring and work on several television and film projects.
Venus and Mars is the fourth studio album by the British–American rock band Wings. Released in May 1975 as the follow-up to Band on the Run, Venus and Mars continued Wings' run of commercial success and provided a springboard for a year-long worldwide tour. The album was Paul McCartney's first post-Beatles album to be released worldwide by Capitol Records rather than Apple.
Ram is the only studio album credited to the husband-and-wife music duo Paul and Linda McCartney, and the former’s second album post-Beatles. Released on 17 May 1971 by Apple Records, it was recorded in New York with guitarists David Spinozza and Hugh McCracken, and future Wings drummer Denny Seiwell. Three singles were issued from the album: "Uncle Albert/Admiral Halsey", "The Back Seat of My Car" and "Eat at Home". The recording sessions also yielded the non-album single "Another Day".
Wild Life is the debut studio album by the British-American rock band Wings and the third studio album by Paul McCartney after the breakup of the Beatles. The album was mainly recorded in seven sessions between 24 July and 4 September 1971, at EMI Studios by McCartney, his wife Linda, session drummer Denny Seiwell, whom they had worked with on the McCartneys' previous album Ram, and guitarist Denny Laine, formerly of the English rock band the Moody Blues. It was released by Apple Records on 7 December in the UK and US, to lukewarm critical and commercial reaction.
Red Rose Speedway is the second studio album by the English-American rock band Wings, although credited to "Paul McCartney and Wings". It was released through Apple Records on 4 May 1973, preceded by its lead single, the ballad "My Love". By including McCartney's name in the artist credit, the single and album broke with the tradition of Wings' previous records. The change was made in the belief that the public's unfamiliarity with the band had been responsible for the weak commercial performance of the group's 1971 debut album Wild Life.
Wings over America is a triple live album by the British–American rock band Wings, released in December 1976. The album was recorded during the American leg of the band's 1975–76 Wings Over the World tour. It peaked at number 8 on the UK Albums Chart and reached number 1 on the US Billboard Top LPs & Tape chart.
Wings Greatest is a compilation album by the British–American rock band Wings, released in the U.K. December 1, 1978. It was the band's last release through Capitol in the US. The album is notable as being the first official retrospective release from Paul McCartney's post-Beatles career.
"Mrs. Vandebilt" is a song by the British–American rock band Paul McCartney and Wings from the album Band on the Run. The track was not issued as a single in the UK or US, but was a single in Continental Europe and Australia.
In the summer of 1972, Paul McCartney's newly formed band, Wings, set out on a concert tour of Europe, in a double decker bus, WNO 481.
Kum Back is the first bootleg album by the Beatles, released in January 1970. The album is an early version of what would become Let It Be, sourced from a tape recording of an acetate prepared by the band's engineer, Glyn Johns. It is one of the earliest commercial rock bootlegs, the first being Great White Wonder by Bob Dylan which was released several months earlier.
Japanese Tears is the third album by guitarist Denny Laine, released shortly before the demise of Paul McCartney's band Wings, of which Laine was a member. The album was released in 1980.
"Mama's Little Girl" is a song by Paul McCartney & Wings that was taped in March 1972 during the Red Rose Speedway recording sessions.
Standard Time is the debut album by former Wings guitarist Laurence Juber, released in 1982.
Wings Over the World is a 1979 television music documentary film featuring the rock band Wings. It consists of concert performances from their acclaimed Wings Over the World tour of 1975-1976, together with behind-the-scenes footage. Also included is a short excerpt of Wings rehearsing at London's Institute of Contemporary Arts before their 1972 UK university tour. Problems with the audio from the 1976 live performances delayed the film's release until 16 March 1979 in the United States and 8 April 1979 in the United Kingdom, by which time, band members Jimmy McCulloch and Joe English had left the group and been replaced.
"Tomorrow" is a song by the British–American band Wings from their debut album Wild Life, released in December 1971. It was written by band members Paul McCartney and Linda McCartney. In 1976, American singer David Cassidy had a hit with his cover version of the song.
Return to Pepperland is the name given to an unfinished recording project by English musician Paul McCartney with American record producer Phil Ramone. The songs recorded during these sessions have been the basis of bootleg albums usually titled Return to Pepperland.