McCartney II | ||||
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Studio album by | ||||
Released | 16 May 1980 | |||
Recorded | June–July 1979 | |||
Studio | McCartney's home (Sussex) Spirit of Ranachan (Campbeltown) | |||
Genre | ||||
Length | 37:59 | |||
Label | Parlophone (UK) Columbia (US) | |||
Producer | Paul McCartney | |||
Paul McCartney chronology | ||||
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Singles from McCartney II | ||||
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McCartney II is the second solo studio album by the English musician Paul McCartney, released on 16 May 1980. It was recorded by McCartney at his home studio in the summer of 1979, shortly before the dissolution of his band Wings in 1981. Like his debut solo studio album, McCartney (1970), he performed all the instruments himself. It yielded three singles: "Coming Up", "Waterfalls", and "Temporary Secretary".
The album was a significant departure for McCartney, as much of it relies heavily on synthesizers and studio experimentation, while its music style embraces new wave and elements of electronica. It was initially released to largely unfavourable reviews by critics, though retrospective reception has been more positive [1] and the album has become a cult favourite. [2] In 2011, an expanded edition of McCartney II was issued with over a dozen bonus tracks. In 2020, the album was succeeded by McCartney III . In 2022, the trilogy was reissued in the McCartney I II III box set.
After the release of what turned out to be Wings' final album, Back to the Egg , McCartney went north to his farm in Scotland to begin some private recordings in July 1979. [3] "Check My Machine" samples dialogue from the 1957 Merrie Melodies cartoon featuring Tweety and Sylvester entitled Tweet Zoo . By sessions' end, he had recorded over 20 songs. With no immediate use for the recordings, he put them aside for the time being and returned to work with Wings to prepare for a UK tour that November and December.
Simultaneously with the performances (which included the new "Coming Up"), McCartney released his first solo single since 1971, the Christmas-themed "Wonderful Christmastime", backed with "Rudolph the Red-Nosed Reggae", which charted at No. 6 in the UK [4] but initially only at No. 83 in the US. [5] (The song later reached No. 28 in 2020. [6] ) The A-side was recorded during the McCartney II sessions, while its flip side had been cut in 1975. However, upcoming events were about to change McCartney's plans with Wings.
After years of visa refusals due to his past arrests for marijuana possession, Japan had finally allowed McCartney, and thus Wings, to perform. It would be the first instance McCartney had performed in the country since he had done so with the Beatles in 1966, and anticipation was running high with Wings' tour completely sold out. However, upon his arrival in Tokyo on 16 January 1980, a search of McCartney's luggage revealed a bag containing 219 grams of marijuana, prompting his immediate arrest and eventually cancelling the tour. After a nine-day jail stay, McCartney was released and returned home to his Scottish farm. Deciding to put Wings on hold while he contemplated his future, he now decided to issue his solo recordings from the previous summer. [7]
McCartney II was named in follow-up to his debut album McCartney (1970) because McCartney plays all instruments on both albums; [8] he has also since stated that he had specifically hired a 16-track machine and "a couple of microphones" with which to record this album, adding that he had himself alternately played the drums used in several recording in either the kitchen or bathroom in order to achieve the echo he sought on particular songs. [1]
Featuring arrangements that are heavy on synthesisers, McCartney II has been said to represent McCartney's "acceptance of new wave," [8] and has been described as "airless proto-electronica." [9] The album is often experimental, with most of its songs having been described as strange "eccentric synthpop". [10] Although McCartney denies any direct influences on the album, [2] he admired the "eccentricity" and "not-mainstream attitude" of Talking Heads' David Byrne. [11] McCartney was also inspired by experimental composers John Cage, Cornelius Cardew and Luciano Berio; McCartney explained: "I went to their concerts in London because I had plenty of time on my hands so it was the kind of thing I would go and see. Again, just to see what it was about, not necessarily because I was a massive fan. It was more like: what is a prepared piano? Oh, that's what it is. You know, funky stuff like that." [11]
According to Stephen Dalton of The Quietus , parts of the album are reminiscent of krautrock and "the whole post-punk disco boom", and described most of the album as "an alluringly weird mash-up of trip-hop, Krautrock and synth-pop." [2] McCartney said that, "rather than me emulating anyone, it was more a question of me seeing what I could do with it. And again, not necessarily thinking I was making an album, just to have some time to experiment. These days I would say that with The Fireman project. So I've always been into that – if you go from 'Tomorrow Never Knows' through McCartney I, McCartney II, The Fireman…" [2] Many of the most synthesised tracks are instrumentals which have been described as ambient; journalist Stephen Thomas Erlewine compared them "to a sprightly variation" of the instrumentals from the second side of Low (1977) by David Bowie, albeit with a warmer, less menacing sound. [12] The instrumental "Frozen Jap" came about as McCartney was experimenting with synths and stumbled upon, in his words, an "Oriental"-sounding melody. The title was meant to be a placeholder as McCartney found earlier song names like "Crystalline Icicles Overhang the Little Cabin By the Ice-Capped Mount Fuji" and "Snow Scene in the Orient" to sound clumsy. On Japanese copies of the album, the title was changed to "Frozen Japanese" because McCartney was unaware that "jap" was seen as a racial slur. [13]
Lead single "Coming Up" – an uplifting dance number – appeared that April with a video (Paul playing all the bandmates, dubbed 'The Plastic Macs', except for the backing singers played by Linda) and with two B-sides by Wings: "Coming Up (Live at Glasgow)", recorded during Wings' December 1979 show there, and the piano laden instrumental "Lunch Box/Odd Sox" (a Venus and Mars outtake). An immediate UK No. 2 hit, "Coming Up" was flipped over for the live Wings version in the US where it became another No. 1 for McCartney, greatly raising hopes for his first solo album proper in years. The live Wings version of "Coming Up" was also included as a one-sided 7-inch single in copies of McCartney II within the US and Canada.[ citation needed ]
"Temporary Secretary" features frantic synthesiser lines and lyrics about requiring a secretary of any skill level for a short period of time. McCartney dubbed the song an "experiment," saying that he found the concept of a temporary secretary humorous. "Temporary Secretary" was released as a 12" single in Britain, backed with the experimental non-album track "Secret Friend". Author Howard Sounes thought it a "sexy" track. [14] The single was only released in a quantity of 25,000 copies, failing to make an impact on the charts. The single artwork was created by Jeff Cummins of Hipgnosis. [15] The song was performed live for the first time at the London O2 Arena on 23 May 2015. [16] It was sampled in the 3D RDN remix of "Deep Deep Feeling" on McCartney III Imagined .
Contemporary reviews | |
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Review scores | |
Source | Rating |
Robert Christgau | C [17] |
Marshall Fine | (unfavourable) [18] |
Los Angeles Times | (unfavourable) [19] |
Rolling Stone | (unfavourable) [20] |
Smash Hits | 5/10 [21] |
Sounds | (favourable) [22] |
McCartney II was released in mid-May. The album debuted in UK at number one on the UK Albums Chart, becoming McCartney's first number-one there since Venus and Mars in 1975. [4] EMI reported that the album was on track to equal the sales of Band on the Run . [23] The second single from the album, "Waterfalls", peaked at number nine in the singles chart. [4]
In the US, initial sales were strong thanks to the hit single "Coming Up" and the album reached number three in its second week on the Billboard album chart where it remained for five weeks. [24] "Waterfalls" went virtually unnoticed in the US, only "bubbling under" the Billboard Hot 100 at number 106 for one week. The album quickly dropped down the charts and was off the Billboard chart after 19 weeks, McCartney's shortest run since Wild Life . It was one of his lowest-selling albums in the US up to that point. [25]
The critical reception to McCartney II was mostly negative. Many critics found the album slight, with its experimental, synth-based compositions and its handful of instrumentals. Record World magazine described it as "arguably the least well-received solo work of any Beatle". [26]
Retrospective reviews | |
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Review scores | |
Source | Rating |
AllMusic | [8] |
The Encyclopedia of Popular Music | [27] |
The Essential Rock Discography | 5/10 [28] |
MusicHound | [29] |
Pitchfork | 7.2/10 [10] |
Q | [30] |
The Quietus | (favourable) [31] |
Record Collector | [32] |
The Rolling Stone Album Guide | [33] |
Retrospective reviews have rated the album more highly. [34] [35] Some writers credit it as a forerunner to the sound of 1980s pop. [36]
In 2003, Mojo placed the album at number 26 on their list of the "Top 50 Eccentric Albums". [37] In 2014, NME included the album on their list of "101 Albums to Hear Before You Die", whose list entries were chosen by different musicians; McCartney II was picked by Austin Williams of Swim Deep. [38]
In 2018, Pitchfork ranked it at number 186 in their list of "The 200 Best Albums of the 1980s". They called it a "strange, guileless wisp of a synth-pop record" and wrote that although "[o]riginally derided as a novelty, McCartney II is now remarkable in its prescience of the lo-fi and bedroom pop movements." [39]
The initial issue of McCartney on compact disc featured "Check My Machine" and "Secret Friend" as bonus tracks. The two songs were originally released as the B-sides of "Waterfalls" and "Temporary Secretary", respectively. In 1993, McCartney II was remastered and reissued on CD as part of "The Paul McCartney Collection" series with Wings' 1979 hit "Goodnight Tonight" added as a third bonus track.
When the new remastered version was released on 13 June 2011 as part of the Paul McCartney Archive Collection , [40] the album re-entered the UK charts at number 108. [41]
The album was reissued on 5 August 2022 in a boxset entitled McCartney I II III , consisting of 3 LPs or 3 CDs, along with the first and third albums of the trilogy. [42]
McCartney II was described as an influence on Hot Chip's album Made in the Dark (2008), especially with songs like "Wrestlers", "Bendable Poseable", "Whistle for Will" and "We're Looking for a Lot of Love". [43] "Now There Is Nothing" from the band's later album In Our Heads (2012) has been described as a homage to McCartney II, with their guitarist Al Doyle explaining the song has "quite deliberately quirky time signature changes and key changes and these sort of very wandering harmonies—very typical of that period and McCartney productions." [44] Alexis Taylor of the group has described McCartney II as one of his favourite albums of all time. [11] The album has also been championed by multiple other musicians such as disc jockey Erol Alkan, Chris Carter of Throbbing Gristle, Gruff Rhys of Super Furry Animals and Ty Bulmer of New Young Pony Club. [11]
All songs written by Paul McCartney.
Side one
Side two
Additional tracks on the 1993 CD reissue
In 2011, the album was re-issued by Hear Music/Concord Music Group as part of the second set of releases, alongside McCartney , in the Paul McCartney Archive Collection . It was released in various formats: [45]
Disc 1 – The original 11-track album
Disc 2 – Bonus Audio 1
Disc 3 – Bonus Audio 2
Disc 4 – DVD
Note
^[a] signifies previously unreleased material.
Original release
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Year-end charts
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Notes
Band on the Run is the third studio album by the British–American rock band Paul McCartney and Wings, released on 30 November 1973. It was McCartney's fifth album after leaving the Beatles in April 1970 and his final album on Apple Records. Although sales were modest initially, its commercial performance was aided by two hit singles – "Jet" and "Band on the Run" – such that it became the top-selling studio album of 1974 in the United Kingdom and Australia, in addition to revitalising McCartney's critical standing. It remains McCartney's most successful album and the most celebrated of his post-Beatles works.
Venus and Mars is the fourth studio album by the British–American rock band Wings. Released in May 1975 as the follow-up to Band on the Run, Venus and Mars continued Wings' run of commercial success and provided a springboard for a year-long worldwide tour. The album was Paul McCartney's first post-Beatles album to be released worldwide by Capitol Records rather than Apple.
Ram is the only studio album credited to the husband-and-wife music duo Paul and Linda McCartney, and the former's second album post-Beatles. Released on 17 May 1971 by Apple Records, it was recorded in New York with guitarists David Spinozza and Hugh McCracken, and future Wings drummer Denny Seiwell. Three singles were issued from the album: "Uncle Albert/Admiral Halsey", "The Back Seat of My Car" and "Eat at Home". The recording sessions also yielded the non-album single "Another Day".
Wild Life is the debut studio album by the British-American rock band Wings and the third studio album by Paul McCartney after the breakup of the Beatles. The album was mainly recorded in seven sessions between 24 July and 4 September 1971, at EMI Studios by McCartney, his wife Linda, session drummer Denny Seiwell, whom they had worked with on the McCartneys' previous album Ram, and guitarist Denny Laine, formerly of the English rock band the Moody Blues. It was released by Apple Records on 7 December in the UK and US, to lukewarm critical and commercial reaction.
Red Rose Speedway is the second studio album by the English-American rock band Wings, although credited to "Paul McCartney and Wings". It was released through Apple Records on 4 May 1973, preceded by its lead single, the ballad "My Love". By including McCartney's name in the artist credit, the single and album broke with the tradition of Wings' previous records. The change was made in the belief that the public's unfamiliarity with the band had been responsible for the weak commercial performance of the group's 1971 debut album Wild Life.
Wingspan: Hits and History is a compilation album by English musician Paul McCartney, featuring material spanning his first solo album McCartney in 1970 to the 1984 Give My Regards to Broad Street movie soundtrack. It features songs recorded with Wings in addition to solo material.
Wings at the Speed of Sound is the fifth studio album by the British–American rock band Wings, released on 26 March 1976. Issued at the height of the band's popularity, it reached the top spot on the US album chart—the band's fourth consecutive album to do so—and peaked at number 2 on the UK album chart. Both singles from the album also reached the top 5 of the UK and US singles charts, with "Silly Love Songs" reaching number 1 in the US.
Wings over America is a triple live album by the British–American rock band Wings, released in December 1976. The album was recorded during the American leg of the band's 1975–76 Wings Over the World tour. It peaked at number 8 on the UK Albums Chart and reached number 1 on the US Billboard Top LPs & Tape chart.
London Town is the sixth studio album by the British–American rock group Wings. It was released in March 1978, two years after its predecessor, Wings at the Speed of Sound. The album had a long and tumultuous gestation during which the band's tour plans for 1977 were cancelled, due to Linda McCartney becoming pregnant with her and Paul McCartney's fourth child and two members of Wings having departed, leaving the band as a trio comprising Paul, Linda and Denny Laine. Recording sessions were held intermittently over a period of a year, mainly at Abbey Road Studios in London and aboard a luxury yacht in the Virgin Islands.
Pipes of Peace is the fourth solo studio album by English singer-songwriter Paul McCartney, released on 31 October 1983. As the follow-up to the popular Tug of War, the album came close to matching the commercial success of its predecessor in Britain but peaked only at number 15 on America's Billboard Top LPs & Tape chart. While Pipes of Peace was the source of international hit singles such as "Say Say Say" and the title track, the critical response to the album was less favourable than that afforded to Tug of War.
Give My Regards to Broad Street is the fifth solo studio album by Paul McCartney and the soundtrack to the film of the same name. It features covers of Beatles' songs, Wings and solo tracks by McCartney, as well as a few new songs. The album reached number 1 on the UK chart. The lead single, "No More Lonely Nights", was BAFTA and Golden Globe Award nominated. It was also to be his final album to be released under Columbia Records, which had been his US label for over five years.
Flowers in the Dirt is the eighth solo studio album by Paul McCartney. The album was released on 5 June 1989 on Parlophone, as he was embarking on his first world tour since the Wings Over the World tour in 1975–76. It earned McCartney some of his best reviews for an album of original songs since Tug of War (1982). The album made number one in the United Kingdom and Norway and produced several hit singles. The album artwork was a collaboration between artist Brian Clarke, who painted the canvas and arranged the flowers, and Linda McCartney, who produced the cover photography.
Tug of War is the third solo studio album by the English musician Paul McCartney, released on 26 April 1982. It is his 11th album overall following the break up of the Beatles in 1970, his first album released after the dissolution of his band Wings the previous year, and his first album following the murder of his former songwriting partner John Lennon. The cover features an abstract oil painting by the artist Brian Clarke, a frequent McCartney collaborator, incorporating an overpainted transparency of a portrait of Paul taken by Linda McCartney.
"Coming Up" is a song written and performed by the English rock musician Paul McCartney, released as the opening track on his second solo studio album McCartney II (1980). Like other songs on the album, the song has a synthesised sound, featuring sped-up vocals created by using a vari-speed tape machine. McCartney played all instruments.
"With a Little Luck" is a single by the band Wings from their 1978 album London Town. It reached number 1 on the Billboard Hot 100 chart in May 1978.
"Waterfalls" is a Paul McCartney ballad from his first solo album after Wings, McCartney II. The song has a minimalist sound, with McCartney only playing a Fender Rhodes electric piano and a synthesizer and singing, and a short solo performed on acoustic guitar.
"Wonderful Christmastime" is a Christmas song by English musician Paul McCartney. Recorded during the sessions for his solo album McCartney II (1980), it was released as a single in November 1979 following Wings' final album Back to the Egg earlier that year. It was McCartney's first solo single in over eight years since "Eat at Home" in 1971. "Wonderful Christmastime" has charted within the top 10 in Austria, Germany, Ireland, Latvia, the Netherlands, and the United Kingdom as well as the top 20 in Canada, Slovakia, Sweden, and Switzerland. It is a lauded song during Christmas and has been covered throughout the years by numerous artists.
The discography of the British-American rock band Wings, also known as Paul McCartney and Wings, consisted of seven studio albums, one live album, two compilation albums, 29 singles and 19 music videos. Founded in 1971 by former Beatle Paul McCartney, his wife Linda McCartney, Denny Laine and Denny Seiwell after the release of the McCartneys' album Ram, the band made their debut with Wild Life, released in December that year. The album garnered minimal commercial success and received generally poor reviews. In 1972, the band added Henry McCullough to the lineup and released several non-album singles, including "Give Ireland Back to the Irish", "Mary Had a Little Lamb", and "Hi, Hi, Hi", before releasing their second album, Red Rose Speedway, in 1973. While receiving mixed reviews, the album and its lead single, "My Love" were huge commercial successes, both reaching number one in the US charts. Wings' continued their commercial success with the title track to the James Bond film Live and Let Die. At the beginning of the recording sessions for their next album, McCullough and Seiwell left the band prompting the McCartneys and Laine to record their next album as a trio. Backed by the successful singles, "Jet" and the title track, the album, Band on the Run, became Wings' most successful album, reaching number one in both the US and the UK. The album also garnered highly positive reviews from critics and significantly restored McCartney's tarnished post-Beatles reputation.
All the Best! is the second official compilation album of Paul McCartney's music, after 1978's Wings Greatest. It was released in 1987 on Capitol Records and Parlophone Records.
McCartney I II III is a box set by English musician Paul McCartney. Released on August 5, 2022, it contains McCartney's three eponymous solo albums: McCartney (1970), McCartney II (1980), and McCartney III (2020). The release was made available on CD and both limited edition colored and standard black vinyl. All three albums feature McCartney on all instruments and vocals, with the exception of harmony vocals provided by Linda McCartney on McCartney, and the track "Slidin'" from McCartney III, which features drums and guitar performed by members of his backing band. Additionally, the three albums were primarily recorded at McCartney's home studios, with the first recorded in London, the second in Scotland and the third in Sussex.
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