Standing Stone | ||||
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Studio album by | ||||
Released | 25 September 1997 (US) 29 September 1997 (UK) | |||
Recorded | 30 April – 2 May 1997 | |||
Studio | EMI Studios, Abbey Road | |||
Genre | Contemporary classical | |||
Length | 74:46 | |||
Label | EMI Classics | |||
Producer | John Fraser | |||
Paul McCartney chronology | ||||
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Paul McCartney classical album chronology | ||||
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Standing Stone is Paul McCartney's second full-length release of original classical music (coming after 1991's Liverpool Oratorio ), although he defined it as orchestral music. It was issued shortly after the release of Flaming Pie . The world premiere performance was held at The Royal Albert Hall on 14 October 1997. [1]
Following up on 1991's Paul McCartney's Liverpool Oratorio , the Standing Stone project was composed out of a long poem McCartney authored to describe the way Celtic man might have wondered about the origins of life and the mystery of existence. [1] McCartney composed the work as a commission from Richard Lyttleton, the then president of EMI Classics, to celebrate EMI's centenary. Unlike Liverpool Oratorio, the project was not an operatic performance of a story, but an instrumental one, though employing the use of a choir.
For the first time in his career, McCartney used a personal computer and software to help compose. The work was recorded by the 80 piece London Symphony Orchestra, a 120-member choir, and conducted by Lawrence Foster at EMI's Abbey Road Studios. Standing Stone was engineered by John Kurlander and mixed and edited at Hog Hill Mill Studios, McCartney's private studio in Sussex, England.
It was released on compact disc which included a 48-page booklet. The booklet reprinted in full McCartney's original poem that inspired the project, an essay by Andrew Stewart, and reproductions of two paintings by Paul from 1994 named Standing Stone Story and Standing Stone Story II. A two LP vinyl edition, limited to 2,500 copies, was also released.
The cover is one of the many photos taken by Linda McCartney during late 1969/early 1970 that would initially be seen on the inside gatefold cover of Paul's first album McCartney . This project was her husband's last release before Linda died of breast cancer on 17 April 1998, having been diagnosed almost three years earlier.
A documentary was made during the sessions, The Making of Standing Stone, and subsequently broadcast on BBC and PBS. The world premiere performance at The Royal Albert Hall was also filmed and broadcast on Channel 5 in the UK. The concert and documentary were later released together on DVD.
Review scores | |
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Source | Rating |
AllMusic | [2] |
Encyclopedia of Popular Music | [3] |
MusicHound | [4] |
The Rolling Stone Album Guide | [5] |
Released on 25 September 1997 in the US, [1] and 29 September in the UK, [6] Paul McCartney's Standing Stone topped the classical music charts, and managed a one-week stand at number 194 on the US pop album listings.
All pieces by Paul McCartney.
The Symphony No. 1 in E minor, Op. 39, by Jean Sibelius is a symphony started in 1898, and finished in early 1899, when Sibelius was 33. The work was first performed on 26 April 1899 by the Helsinki Orchestral Society, conducted by the composer, in an original version which has not survived. After the premiere, Sibelius made some revisions, resulting in the version performed today. The revised version was completed in the spring and summer of 1900, and was first performed in Berlin by the Helsinki Philharmonic, conducted by Robert Kajanus on 1 July 1900.
Hugo Emil Alfvén was a Swedish composer, conductor, violinist, and painter.
Ludwig van Beethoven's Symphony No. 1 in C major, Op. 21, was dedicated to Baron Gottfried van Swieten, an early patron of the composer. The piece was published in 1801 by Hoffmeister & Kühnel of Leipzig. It is not known exactly when Beethoven finished writing this work, but sketches of the finale were found to be from 1795.
The Symphony No. 9 in C major, D 944, known as The Great, is the final symphony completed by Franz Schubert. It was first published by Breitkopf & Härtel in 1849 as "Symphonie / C Dur / für großes Orchester" and listed as Symphony No. 8 in the New Schubert Edition. Originally called The Great C major to distinguish it from his Symphony No. 6, the Little C major, the subtitle is now usually taken as a reference to the symphony's majesty. Unusually long for a symphony of its time, a typical performance of The Great lasts an hour when all repeats indicated in the score are taken. The symphony was not professionally performed until a decade after Schubert's death.
The Symphony No. 5 in D major/D minor, Op. 107, known as the Reformation, was composed by Felix Mendelssohn in 1830 in honor of the 300th anniversary of the Presentation of the Augsburg Confession. The Confession is a key document of Lutheranism and its Presentation to Emperor Charles V in June 1530 was a momentous event of the Protestant Reformation. This symphony was written for a full orchestra and was Mendelssohn's second extended symphony. It was not published until 1868, 21 years after the composer's death – hence its numbering as '5'. Although the symphony is not very frequently performed, it is better known today than when it was originally published. Mendelssohn's sister, Fanny Mendelssohn Hensel, chose the name Reformation Symphony.
Ulvi Cemal Erkin was a member of the pioneer group of symphonic composers in Turkey, born in the period 1904–1910, who later came to be called The Turkish Five. These composers set out the direction of music in the newly established Turkish Republic. These composers distinguished themselves with their use of Turkish folk music and modal elements in an entirely Western symphonic style.
The Symphony No. 2 in D major, Op. 43, by Jean Sibelius was started in winter 1901 in Rapallo, Italy, shortly after the successful premiere of the popular Finlandia, and finished in 1902 in Finland. Sibelius said, "My second symphony is a confession of the soul."
Paul McCartney's Liverpool Oratorio is a live album by Paul McCartney and Carl Davis, released in 1991. It is McCartney's first major foray into classical music. Composed in collaboration with Carl Davis to commemorate the Royal Liverpool Philharmonic Orchestra's 150th anniversary, the project received media attention upon its unveiling in June 1991.
The Symphony No. 4 in D minor, Op. 120, composed by Robert Schumann, was first completed in 1841. Schumann heavily revised the symphony in 1851, and it was this version that reached publication.
Ecce Cor Meum is the fourth classical album by Paul McCartney. The album was released on 25 September 2006 by EMI Classics. An oratorio in four movements, it is produced by John Fraser, written in Latin and English, and scored for orchestra and boys and adult choir. The oratorio was partly inspired by McCartney's wife Linda. It is also the only classical album by McCartney that was not released on vinyl.
The Symphony No. 7, Op. 113 by Malcolm Arnold was finished in 1973. It is in three movements:
Pyotr Ilyich Tchaikovsky composed his Orchestral Suite No. 3 in G, Op. 55 in 1884, writing it concurrently with his Concert Fantasia in G, Op. 56, for piano and orchestra. The originally intended opening movement of the suite, Contrastes, instead became the closing movement of the fantasia. Both works were also intended initially as more mainstream compositions than they became; the fantasia was intended as a piano concerto, while the suite was conceived as a symphony.
Gavriil Popov composed his Symphony No. 3 for string orchestra, subtitled Heroic Symphony but also known as the Spanish, between 1939 and 1946. At ca. 55 minutes it is Popov's longest symphony. It consists of five movements, four highly dynamic movements drawing on Spanish dances framing a twenty-minute-long memorial on the Spanish Civil War.
George Dyson's Psalm CVII Symphony and Overture, is a choral symphony written in 1910 as part of the composer's studies at Oxford for his Doctorate in Music. Not rediscovered until 2014, it is one of the few compositions surviving from the composer's early years.
A Midsummer Night's Dream is a 51-minute studio album containing the overture and most of the incidental music that Felix Mendelssohn wrote to accompany William Shakespeare's play of the same name. It is performed by Judith Blegen, Frederica von Stade, the Women's Voices of the Mendelssohn Club of Philadelphia and the Philadelphia Orchestra under the direction of Eugene Ormandy. It was released in 1977.
The Symphony No. 2 in E minor, Op. 17, is a three-movement orchestral composition written from 1936 to 1937 by the Swedish composer Lars-Erik Larsson. The piece premiered in Stockholm on 24 November 1937 with Larsson conducting the Concert Society Orchestra. In response to unfavorable critical reviews, Larsson immediately withdrew the symphony after its premiere—a fate that, too, had earlier befallen his First and would later befall his Third symphonies.
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