The Fireman | |
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Background information | |
Origin | England |
Genres | EDM, ambient, industrial, neo-psychedelia |
Years active | 1992–present |
Labels | Hydra/EMI Records (UK) Capitol/EMI Records (US) One Little Indian (UK) ATO Records/MPL (US) MapleMusic Recordings (Canada) |
Members | Paul McCartney Youth |
The Fireman is an English experimental music duo of Paul McCartney and Youth formed in 1993. Their music catalogue ranges from rock to electronica, evolving over more than two decades and three albums. Although officially anonymous until 2008 with the release of the album Electric Arguments , [1] the group members' names had been known to the public since soon after the release of their first album. [2]
In 1993, the Fireman released its first album, Strawberries Oceans Ships Forest , and followed that with Rushes in 1998. In 2000, Youth also took part in McCartney's similarly styled Liverpool Sound Collage . Their most recent album is Electric Arguments (2008).
In June 2008, McCartney's official website announced that a track called "Lifelong Passion (Sail Away)", from the album Electric Arguments, would be issued as a limited-edition download to fans who donated to the charity Adopt-A-Minefield. [3] The album was released on the label One Little Indian on 24 November 2008. [4] The new album features more traditional songs, in which there are vocals (the first time on any of their albums). The majority of the album's vocals come from McCartney. In February 2009, Sirius XM launched Fireman Radio, a limited-run channel dedicated to the music of the group.
In early 1993, Paul McCartney had finished recording the tracks for his ninth solo studio album Off the Ground and was in the process of mixing the songs. McCartney wanted some input and help from another producer, so his friend Allen Crowder recommended Youth to come into the studio. [5] Soon after, McCartney phoned Youth about the prospects of him mixing the album, and subsequently invited him to his private Hog Hill studio in Sussex. Youth accepted the offer and the two began the process of remixing the song for the album which was eventually released in February 1993. [6] While working together professionally for the album, McCartney and Youth also became good friends. They both felt that their musical relationship could be expanded upon further than merely focusing on McCartney's solo work, so the two began compiling material which would ultimately become Strawberries Oceans Ships Forest. [5]
That's the whole point about The Fireman – it's very free. And also it's an approach I'm interested in. The Whole idea behind 'Sgt. Pepper's...' was to create a band, and we could pretend that we were that band and not the Beatles, so we made that record with that in mind...But it's very free – it's a very joyful way to record. Sometimes it can be pretty scary but that's OK. And it's very quick. But I enjoy the process because it's exhilarating.
— Paul McCartney [7]
The collaboration of Paul McCartney and Youth began as a mere hobby between the two. McCartney proposed to Youth that he go through the multi tracks of the recently completed Off the Ground album and sample the material in order to create some songs. Youth began making the tracks with intentions of using samples from the album, yet much of the final product had either used previous work or newly recorded material by McCartney. Youth worked on these songs' mixes for a few days while at McCartney's Sussex studio and eventually presented his work to McCartney and his wife Linda McCartney, who both stayed up all night to watch him work. As Youth recalls, McCartney told him, "We love these mixes so much I wanna put them all out as an album." [6] By that point, the duo decided to officially release the album. The final product consisted of nine songs that all centered around a common musical theme and techno dance beat yet had slight underlying variations added, much like different mixes on a 12-inch single. The album, which featured only a pure red background on the cover, was the first release under the Fireman name and lacked any marks of either McCartney's or Youth's names but refers to MPL Communications. The album was released in November 1993. [8] Shortly before the release, the true identities of the band were leaked to the press and most who bought the album were fully aware that the Fireman was a pseudonym for Paul McCartney and Youth. Although this broke the guise that McCartney wanted to have, it allowed the album to gain more attention in the music scene. [8]
Recording for their second studio album Rushes began in February 1998. [9] Unlike their previous work, Rushes was not reliant on McCartney's previously released songs to create the tracks for the album. It has been released in September 1998 with positive reviews, most of which had the consensus that it improved upon their first album. [10]
Nearly ten years passed before McCartney and Youth began creating material for their third studio album, Electric Arguments. The duo again recorded songs at McCartney's Hog Hill studio, yet did so one session at a time between 2007 and 2008. [6] This was their first album to feature any vocals because both Youth and McCartney felt that their material needed a change; thus the genre of the band evolved from its more electronic roots to an experimental rock influence. [7] Like their previous two albums however, McCartney played all of the instruments while Youth co-produced the tracks.The duo borrowed the title Electric Arguments from the poem "Kansas City to St. Louis" by Allen Ginsberg. In Wired magazine, McCartney said he had "been looking at the beauty of word combinations rather than their meaning." [11]
We had a ball making this album, and it was a great departure because it seemed more like improv theatre. In the improv spirit, there are William Burroughs-type cut-ups in the lyrics. I came to 'Sing the Changes', as well as all the other songs in the album, with absolutely no concept of what the melody or lyrics would be about. So it was like writing on the spot, which I think lent an electricity to the whole sound.
— Paul McCartney [12]
This was the Fireman's first album to be released on the independent label One Little Independent, switching from McCartney's usual EMI. This was due to McCartney's belief that major labels were not adapting to the times, referring to the newfound popularity of online music at the time such as iTunes. [7]
The Fireman began as an ambient techno group but over three albums it has morphed into an experimental rock band more reminiscent of McCartney's solo work. The duo have said that their work has been highly influenced by songs such as "Tomorrow Never Knows," a Lennon-McCartney track from 1966's Revolver . [5] [13] For the most part, the recording process for the band is very casual and spontaneous. Youth described this informal way of making songs in the online magazine Sound on Sound:
"I'd bring down all these poetry books or play him some really old traditional folk music and say, 'Listen to this story and see if you can write some words.' Or I'd go, 'Take these poems and just pick out five words on that page and write a line out of those. (Laughs) And you've got 10 minutes!' And he did it!" [6]
Although this way of recording seemed relaxed, McCartney found the process thrilling – even frightening at times – compared to the orderly style to which he is accustomed in the studio. [6] "If I hadn't done The Fireman," he said, "I think I would wish I'd done that, because it freshened ideas up for me." [14]
Sgt. Pepper's Lonely Hearts Club Band is the eighth studio album by the English rock band the Beatles. Released on 26 May 1967, Sgt. Pepper is regarded by musicologists as an early concept album that advanced the roles of sound composition, extended form, psychedelic imagery, record sleeves, and the producer in popular music. The album had an immediate cross-generational impact and was associated with numerous touchstones of the era's youth culture, such as fashion, drugs, mysticism, and a sense of optimism and empowerment. Critics lauded the album for its innovations in songwriting, production and graphic design, for bridging a cultural divide between popular music and high art, and for reflecting the interests of contemporary youth and the counterculture.
A Hard Day's Night is the third studio album by the English rock band the Beatles, released on 10 July 1964 by Parlophone, with side one containing songs from the soundtrack to their film of the same name. The American version of the album was released two weeks earlier, on 26 June 1964 by United Artists Records, with a different track listing that included selections from George Martin's film score. In contrast to the Beatles' first two albums, all 13 tracks on A Hard Day's Night were written by John Lennon and Paul McCartney, showcasing the development of their songwriting partnership.
"Penny Lane" is a song by the English rock band the Beatles that was released as a double A-side single with "Strawberry Fields Forever" in February 1967. It was written primarily by Paul McCartney and credited to the Lennon–McCartney songwriting partnership. The lyrics refer to Penny Lane, a street in Liverpool, and make mention of the sights and characters that McCartney recalled from his upbringing in the city.
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Wild Life is the debut studio album by the British-American rock band Wings and the third studio album by Paul McCartney after the breakup of the Beatles. The album was mainly recorded in seven sessions between 24 July and 4 September 1971, at EMI Studios by McCartney, his wife Linda, session drummer Denny Seiwell, whom they had worked with on the McCartneys' previous album Ram, and guitarist Denny Laine, formerly of the English rock band the Moody Blues. It was released by Apple Records on 7 December in the UK and US, to lukewarm critical and commercial reaction.
Godley & Creme were an English rock duo formally established in Manchester in 1977 by Kevin Godley and Lol Creme. The pair began releasing music as a duo after their departure from the rock band 10cc. In 1979, they directed their first music video for their single "An Englishman in New York". After this, they became involved in the production of videos for artists such as Ultravox, the Police, Yes, Duran Duran, Frankie Goes to Hollywood, Huey Lewis and the News and Wang Chung, as well as directing the groundbreaking video for their 1985 single "Cry". The duo split at the end of the 1980s. Both have since been involved in music videos, TV commercials, and sporadic music projects.
Strawberries Oceans Ships Forest is the debut studio album by the Fireman, released in November 1993. The album consists of samples of McCartney's material, mostly from the sessions of his Off the Ground album, but also of "Reception" and "The Broadcast" from Wings' Back to the Egg album; remixed and with new music added. Neither McCartney nor Youth are credited on the album; rumours of McCartney's involvement were eventually confirmed by EMI.
"Every Little Thing" is a song by the English rock band the Beatles from their album Beatles for Sale, issued in the UK in December 1964. Credited to Lennon–McCartney, it was written by Paul McCartney. Capitol Records first issued the song in the US on Beatles VI in June 1965. The track is an early example of the Beatles' use of non-rock instrumentation on a recording, through the addition of timpani drum over the choruses.
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"I'll Get You" is a song by the English rock band the Beatles, written by John Lennon and Paul McCartney, and released by the Beatles as the B-side of their 1963 single "She Loves You". The song was initially titled "Get You in the End".
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Off the Ground is the ninth solo studio album by Paul McCartney. It was released on 1 February 1993, through Parlophone in the UK and Capitol Records in the US. The record was produced by McCartney with Julian Mendelsohn. As his first studio album of the 1990s, it is also the follow-up to the well received Flowers in the Dirt (1989).
Rushes is the second studio album by the Fireman, released in September 1998. The title, when combined with the band name, references a lyric from the McCartney-penned Beatles song "Penny Lane": "And then the fireman rushes in / From the pouring rain / Very strange." Rushes is distinguished by not relying on McCartney's previously released recordings, unlike the band's previous album Strawberries Oceans Ships Forest.
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Sir James Paul McCartney is an English singer, songwriter and musician who gained worldwide fame with the Beatles, for whom he played bass guitar and the piano, and shared primary songwriting and lead vocal duties with John Lennon. One of the most successful composers and performers of all time, McCartney is known for his melodic approach to bass-playing, versatile and wide tenor vocal range, and musical eclecticism, exploring genres ranging from pre–rock and roll pop to classical, ballads, and electronica. His songwriting partnership with Lennon is the most successful in modern music history.
Electric Arguments is the third studio album by the Fireman, released on 24 November 2008 on the duo's website. The album was first announced 29 September 2008 on Paul McCartney's website, making it the first Fireman release to be publicly acknowledged by McCartney. The album cover features the names of both contributors in contrast to the anonymity of their earlier works, and it's also the first album by the duo to feature prominent vocals.