The Family Way (soundtrack)

Last updated

The Family Way
Thefamilyway1967.jpg
Soundtrack album by
Released6 January 1967 (UK)
12 June 1967 (US)
RecordedDecember 1966
StudioCTS Studios, London
Genre Classical, soundtrack
Length24:59
Label Decca (UK)
London (US)
Producer George Martin
The George Martin Orchestra chronology
George Martin Instrumentally Salutes "The Beatle Girls"
(1966)
The Family Way
(1967)
Yellow Submarine
(1969)

The Family Way is a soundtrack album composed by Paul McCartney, produced and arranged by George Martin, and credited to "the George Martin Orchestra". [1] [2] Released on Decca Records in January 1967 under the full title The Family Way (Original Soundtrack Album), it is the soundtrack to the 1966 film The Family Way , directed by Roy Boulting and starring Hayley Mills. It consists of Martin's arrangements of music composed by Paul McCartney of the Beatles especially for the project. The record was preceded by a non-album single, again credited to the George Martin Orchestra, issued on 23 December 1966 by United Artists Records and comprising "Love in the Open Air" backed with "Theme from 'The Family Way'". [3]

Contents

"Love in the Open Air" won the Ivor Novello Award for Best Instrumental Theme in 1968. [4] [5] The Family Way was remastered and released on CD in 1996 with musical compositions omitted from the original album, including the two tracks issued on the 1966 single.

Composition and recording

McCartney and Martin began collaborating on the project in November 1966, shortly before the Beatles started work on their album Sgt. Pepper's Lonely Hearts Club Band . [6] McCartney's contribution to the project was minimal, according to authors Howard Sounes and Steve Turner. [7] [8] McCartney composed a brief piano piece, which Martin then interpreted into several variations and arrangements, sufficient to produce 24 minutes of music. [8] At McCartney's suggestion, one of the versions had a brass band arrangement, anticipating his production of the Black Dyke Mills Band's instrumental "Thingumybob" in 1968. [9] Turner writes that, given the film's setting in northern England, the use of a brass band in the Family Way soundtrack might have been part of McCartney's inspiration for the fictitious Sgt. Pepper band, which McCartney termed "a bit of a brass band, in a way". [10]

A second composition was required for a pivotal love scene in the film. [8] Quoting Martin's recollection, Sounes says that he had to "pester Paul for the briefest scrap of a tune" for this piece. [7] Martin recalled that only after he had threatened to write the theme himself did McCartney comply, and that it was created on the spot at McCartney's home in St John's Wood, as Martin stood over McCartney at his piano. [11] Titled "Love in the Open Air", the piece was "a sweet little fragment of a waltz tune", according to Martin. [9]

McCartney, who had initially been enthusiastic about the project, likened his subsequent lack of productivity to a type of writer's block. [12] As a result of the delay, recording for the score did not begin until 15 December. [12] The sessions took place over three days at CTS Studios in London. [13] Members of the George Martin Orchestra included violinists Neville Marriner and Raymond Keenlyside, viola player John Underwood and cellist Joy Hall. [13] Aside from the brass band, other musicians contributed on church organ and tuba. [9]

Release

Professional ratings
Review scores
SourceRating
AllMusic Star full.svgStar full.svgStar half.svgStar empty.svgStar empty.svg [14]
Mojo Star full.svgStar full.svgStar full.svgStar empty.svgStar empty.svg [15]

Although The Family Way was released in January 1967, most commentators consider George Harrison's Wonderwall Music (1968), also a film soundtrack, to be the first solo album by a member of the Beatles. Unlike with McCartney's film score, Harrison directed and produced the recordings for Wonderwall Music, in addition to playing on the album. [16]

The Family Way was released on CD, in mono, in 2003. In 2011, a new remastered version of the soundtrack was released by Varèse Vintage. It featured the 1967 score in the original sequence, remastered from the first-generation stereo master tapes. It also included the unreleased stereo mix of "A Theme from The Family Way" as a bonus track. This piece was originally issued as the B-side of the 1966 UK/US single by the Tudor Minstrels.

Track listing

All tracks composed by Paul McCartney, arranged by George Martin.

Original 1967 release

Side one
  1. The Family Way
Side two
  1. The Family Way

2011 CD reissue

  1. Cue 2M1 / 2M4
  2. 5M1 / 11M3
  3. 6M4 / 7M2
  4. 6M2 / 1M2
  5. 10M1 / 6M3 / 4M1 / 1M3 / 1M4
  6. Love in the Open Air (7M3)
  7. 2M5
  8. 1M1
  9. 7M1
  10. 11M1 / 11M2 / 10M3 / 8M1
  11. 12M1
  12. 13M1
  13. 13M2
  14. Theme from The Family Way

Related Research Articles

<i>Revolver</i> (Beatles album) 1966 studio album by the Beatles

Revolver is the seventh studio album by the English rock band the Beatles. It was released on 5 August 1966, accompanied by the double A-side single "Eleanor Rigby" / "Yellow Submarine". The album was the Beatles' final recording project before their retirement as live performers and marked the group's most overt use of studio technology to date, building on the advances of their late 1965 release Rubber Soul. It has since become regarded as one of the greatest and most innovative albums in the history of popular music, with recognition centred on its range of musical styles, diverse sounds, and lyrical content.

<span class="mw-page-title-main">Paul is dead</span> Urban legend about Paul McCartney

"Paul is dead" is an urban legend and conspiracy theory alleging that English musician Paul McCartney of the Beatles died on 9 November 1966 and was secretly replaced by a look-alike. The rumour began circulating in 1967, gaining broad popularity in September 1969 following reports on American college campuses.

<span class="mw-page-title-main">Penny Lane</span> 1967 single by the Beatles

"Penny Lane" is a song by the English rock band the Beatles that was released in February 1967 as a double A-side single with "Strawberry Fields Forever". It was written primarily by Paul McCartney and credited to the Lennon–McCartney songwriting partnership. The lyrics refer to Penny Lane, a street in Liverpool, and make mention of the sights and characters that McCartney recalled from his upbringing in the city.

<span class="mw-page-title-main">The Long and Winding Road</span> 1970 single by the Beatles

"The Long and Winding Road" is a song by the English rock band the Beatles from their 1970 album Let It Be. It was written by Paul McCartney and credited to Lennon–McCartney. When issued as a single in May 1970, a month after the Beatles' break-up, it became the group's 20th and last number-one hit on the Billboard Hot 100 chart in the United States.

<i>McCartney</i> (album) 1970 studio album by Paul McCartney

McCartney is the debut solo album by English musician Paul McCartney, released on 17 April 1970 by Apple Records. McCartney recorded it in secrecy, mostly using basic home-recording equipment at his house in St John's Wood. Mixing and some recording took place at professional London studios. In its loosely arranged performances, McCartney eschewed the polish of the Beatles' past records in favour of a lo-fi style. Apart from occasional contributions by his wife, Linda, McCartney performed the entire album alone by overdubbing on four-track tape.

<i>Red Rose Speedway</i> 1973 studio album by Paul McCartney and Wings

Red Rose Speedway is the second studio album by the British–American rock band Wings, although credited to "Paul McCartney and Wings". The album was released by Beatles-owned label Apple Records in April 1973, preceded by its lead single, the ballad "My Love". By including McCartney's name in the artist credit, the single and album broke with the tradition of Wings' previous records. The change was made in the belief that the public's unfamiliarity with the band had been responsible for the weak commercial performance of the group's 1971 debut album Wild Life.

<span class="mw-page-title-main">Hello, Goodbye</span> 1967 single by the Beatles

"Hello, Goodbye" is a song by the English rock band the Beatles, written by Paul McCartney and credited to Lennon–McCartney. Backed by John Lennon's "I Am the Walrus", it was issued as a non-album single in November 1967, the group's first release since the death of their manager, Brian Epstein. The single was commercially successful around the world, topping charts in the United States, the United Kingdom, New Zealand, Canada, Australia and several other countries.

<span class="mw-page-title-main">We Can Work It Out</span> 1965 song by the Beatles

"We Can Work It Out" is a song by the English rock band the Beatles, written by Paul McCartney and John Lennon. It was first issued as a double A-side single with "Day Tripper" in December 1965. It also appeared on the 1966 US release Yesterday and Today. The release marked the first time in Britain that both tracks on an artist's single were promoted as joint A-sides. The song was recorded during the sessions for the band's Rubber Soul album. The single was number 1 in Britain, the United States, Australia, Canada and Ireland. In the UK, it was the seventh highest selling single of the 1960s.

<span class="mw-page-title-main">Paperback Writer</span> 1966 single by the Beatles

"Paperback Writer" is a song by the English rock band the Beatles. Written primarily by Paul McCartney and credited to the Lennon–McCartney partnership, the song was released as the A-side of their eleventh single in May 1966. It topped singles charts in the United Kingdom, the United States, Ireland, West Germany, Australia, New Zealand and Norway. On the US Billboard Hot 100, the song was at number one for two non-consecutive weeks, being interrupted by Frank Sinatra's "Strangers in the Night".

<span class="mw-page-title-main">Eleanor Rigby</span> 1966 song by the Beatles

"Eleanor Rigby" is a song by the English rock band the Beatles from their 1966 album Revolver. It was also issued on a double A-side single, paired with "Yellow Submarine". The song was written primarily by Paul McCartney and credited to Lennon–McCartney.

<i>Wonderwall Music</i> 1968 soundtrack album by George Harrison

Wonderwall Music is the debut solo album by English musician George Harrison and the soundtrack to the 1968 film Wonderwall, directed by Joe Massot. Released in November 1968, it was the first solo album by a member of the Beatles, and the first album issued on the band's Apple record label. The songs are all instrumental pieces, except for occasional non-English language vocals, and mostly comprise short musical vignettes. Following his Indian-styled compositions for the Beatles since 1966, he used the film score to further promote Indian classical music by introducing rock audiences to instruments that were relatively little-known in the West – including shehnai, sarod, tar shehnai and santoor. The Indian pieces are contrasted by Western musical selections, in the psychedelic rock, experimental, country and ragtime styles.

<span class="mw-page-title-main">Carnival of Light</span> Composition by the Beatles

"Carnival of Light" is an unreleased avant-garde recording by the English rock band the Beatles. It was commissioned for the Million Volt Light and Sound Rave, an event held at the Roundhouse in London on 28 January and 4 February 1967. Recorded during a session for the song "Penny Lane", "Carnival of Light" is nearly 14 minutes long and contains distorted, echo-laden sounds of percussion, keyboards, guitar and vocals. Its creation was initiated by Paul McCartney's interest in the London avant-garde scene and through his connection with the design firm Binder, Edwards & Vaughan.

<span class="mw-page-title-main">Lady Madonna</span> 1968 single by the Beatles

"Lady Madonna" is a song by the English rock band the Beatles, written primarily by Paul McCartney and credited to Lennon–McCartney. In March 1968, it was released as a mono single, backed with "The Inner Light". The song was recorded on 3 and 6 February 1968 before the Beatles left for India, and its boogie-woogie style signalled a more conventional approach to writing and recording for the group following the psychedelic experimentation of the previous two years.

<span class="mw-page-title-main">Good Day Sunshine</span> 1966 song by the Beatles

"Good Day Sunshine" is a song by the English rock band the Beatles from their 1966 album Revolver. It was written mainly by Paul McCartney and credited to the Lennon–McCartney partnership. McCartney intended it as a song in the style of the Lovin' Spoonful's contemporaneous hit single "Daydream". The recording includes multiple pianos played in the barrelhouse style and evokes a vaudevillian mood.

<span class="mw-page-title-main">I've Just Seen a Face</span> 1965 song by the Beatles

"I've Just Seen a Face" is a song by the English rock band the Beatles. It was released in August 1965 on their album Help!, except in North America, where it appeared as the opening track on the December 1965 release Rubber Soul. Written and sung by Paul McCartney, the song is credited to the Lennon–McCartney partnership. The song is a cheerful love ballad, its lyrics discussing a love at first sight while conveying an adrenaline rush the singer experiences that makes him both enthusiastic and inarticulate.

<span class="mw-page-title-main">I'll Cry Instead</span> 1964 song by the Beatles

"I'll Cry Instead" is a song written by John Lennon, and recorded by the English rock band the Beatles for their third studio album, A Hard Day's Night (1964), a part-studio and part-soundtrack album to their film of the same name (1964). The song was released as a single in the US and later appeared on the album Something New in the US.

<span class="mw-page-title-main">Yellow Submarine (song)</span> 1966 single by the Beatles

"Yellow Submarine" is a song by the English rock band the Beatles from their 1966 album Revolver. It was also issued on a double A-side single, paired with "Eleanor Rigby". Written as a children's song by Paul McCartney and John Lennon, it was drummer Ringo Starr's vocal spot on the album. The single went to number one on charts in the United Kingdom and several other European countries, and in Australia, Canada and New Zealand. It won an Ivor Novello Award for the highest certified sales of any single written by a British songwriter and issued in the UK in 1966. In the US, the song peaked at number two on the Billboard Hot 100 chart.

<i>George Martin Instrumentally Salutes "The Beatle Girls"</i> 1966 studio album by George Martin & His Orchestra

George Martin Instrumentally Salutes "The Beatle Girls" is a 1966 album by George Martin & His Orchestra. It is the third in a series of albums by Martin, the Beatles' producer at the time, that consist of instrumental arrangements of Beatles songs. It was released by United Artists Records on 28 November 1966 in the United States, with the United Kingdom release following on 3 March 1967.

<span class="mw-page-title-main">My Love (Paul McCartney and Wings song)</span> 1973 single by Paul McCartney and Wings

"My Love" is a song by the British–American band Paul McCartney and Wings that was first released as the lead single from their 1973 album Red Rose Speedway. It was written by Paul McCartney as a love song to his wife and Wings bandmate Linda. The single marked the first time that McCartney's name appeared in the artist credit for a Wings record, after their previous releases had been credited to Wings alone. Released on 23 March 1973, the song topped the Billboard Hot 100 chart in the US for four weeks and peaked at number 9 on the UK Singles Chart. The single was viewed as Wings' first significant success in the US and helped Red Rose Speedway achieve commercial success.

"The Lovely Linda" is a song by English musician Paul McCartney, released as the opening track of his debut solo album, McCartney, in April 1970. McCartney wrote the song to his first wife, Linda McCartney.

References

  1. Castleman, Harry; Podrazik, Walter J. (1976). All Together Now: The First Complete Beatles Discography 1961–1975 . New York, NY: Ballantine Books. p.  61. ISBN   0-345-25680-8.
  2. Miles, Barry (2001). The Beatles Diary Volume 1: The Beatles Years. London: Omnibus Press. p. 253. ISBN   0-7119-8308-9.
  3. Castleman, Harry; Podrazik, Walter J. (1976). All Together Now: The First Complete Beatles Discography 1961–1975 . New York, NY: Ballantine Books. p.  58. ISBN   0-345-25680-8.
  4. "The Ivors 1968". theivors.com. Archived from the original on 7 March 2017. Retrieved 12 November 2021.
  5. "Novello Award Winners Listed". Billboard . 4 April 1968. p. 38. Retrieved 12 November 2021.
  6. Sounes, Howard (2010). Fab: An Intimate Life of Paul McCartney. London: HarperCollins. p. 158. ISBN   978-0-00-723705-0.
  7. 1 2 Sounes 2010, p. 159.
  8. 1 2 3 Turner, Steve (2016). Beatles '66: The Revolutionary Year. New York, NY: Ecco. p. 360. ISBN   978-0-06-247558-9.
  9. 1 2 3 Turner 2016, p. 361.
  10. Turner 2016, pp. 361–62.
  11. Turner 2016, pp. 360–61.
  12. 1 2 Womack, Kenneth (2018). Sound Pictures: The Life of Beatles Producer George Martin – The Later Years, 1966–2016. Chicago, IL: Chicago Review Press. p. 140. ISBN   978-0-912777-74-0.
  13. 1 2 Turner 2016, p. 360.
  14. Ginell, Richard S. "The Family Way [Original Motion Picture Soundtrack] Review". AllMusic . Retrieved 12 November 2021.
  15. Male, Andrew (January 2012). "Soundtracks: Paul McCartney The Family Way". Mojo . p. 93.
  16. Spizer, Bruce (2005). The Beatles Solo on Apple Records. New Orleans, LA: 498 Productions. p. 206. ISBN   0-9662649-5-9.