Chaos and Creation in the Backyard | ||||
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Studio album by | ||||
Released | 12 September 2005 | |||
Recorded | September 2003 – April 2005 | |||
Studio | ||||
Genre | Rock | |||
Length | 46:53 | |||
Label | Parlophone (UK) Capitol (US) Capitol Records/Universal Music Enterprises (2018 reissue) | |||
Producer | Nigel Godrich | |||
Paul McCartney chronology | ||||
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Singles from Chaos and Creation in the Backyard | ||||
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Alternative cover | ||||
Chaos and Creation in the Backyard is the thirteenth solo studio album by Paul McCartney,released on 12 and 13 September 2005. [2] [3] Some 18 months in the making,the album was produced by Radiohead and Beck collaborator Nigel Godrich at George Martin's suggestion.
McCartney plays almost all of the instruments,similar to his 1970 album McCartney ,the 1980 McCartney II album and the 2020 McCartney III album. In addition,Chaos and Creation in the Backyard marks the first time since 1984's Give My Regards to Broad Street that McCartney was not credited as producer or co-producer of one of his studio albums.
Chaos and Creation in the Backyard was McCartney's last rock album release for longtime label EMI. He signed a deal with Hear Music,owned by Starbucks,in March 2007. [4] He later returned to his old label Capitol Records in 2016.
McCartney said that the song "Friends to Go" is influenced by,and dedicated to,George Harrison.
Upon being asked to produce an album with McCartney,Godrich admitted,"My initial reaction was one of terror,not only because it's a very important person,but I really wasn't sure how willing he would be to get his hands dirty." [5]
The two tentatively began a collaboration,recording the songs "This Never Happened Before" and "Follow Me" which was enough to convince both of them that they could develop an album. Godrich's participation was active:he inspired McCartney to write the song "At the Mercy",added piano loops on "How Kind of You" and worked with McCartney to slow the tempo of "Riding to Vanity Fair" which McCartney says "changed the mood completely". [5]
Although initially taken aback,McCartney appreciated Godrich's tenacity and honesty. "I've been on a lot of records,on my own,I’ve had a lot of hits. He said,‘I just want to make a great album,and for the album to be you’,Once we got in the studio,and we’re playing head to head on a couple of songs that I thought as good and he didn't,I thought of immediately firing him. I just thought,‘I don’t have to take this.' But the point is,‘This is why you’re working with him.'” [6]
According to McCartney,Godrich was at times blunt in his appraisal of McCartney's songs-in-progress during the making of Chaos and Creation in the Backyard:
Recording sessions for the album covered a period of some 18 months,with many pauses. First sessions were held at RAK Studios,London in September 2003 by McCartney and his band. After a few takes,Godrich said to McCartney he wanted to work with him alone,not involving the band. After some months' break,sessions resumed at Ocean Way Studios,Los Angeles in April 2004,with more sessions in September. Final recordings took place at AIR Studios,London in April 2005. [7]
The cover for Chaos and Creation in the Backyard is from a photograph of McCartney strumming a guitar in his family's back yard in Liverpool,taken by his brother Mike McCartney (aka Mike McGear) and originally titled Paul Under Washing,before being retitled Our Kid Through Mum's Net Curtains.
The first single,the upbeat "Fine Line",was released in late August 2005,ahead of the release of Chaos and Creation in the Backyard,and reached No. 20 in the UK. A second single,"Jenny Wren",reached No. 22 in the UK that November. "Fine Line" and "Jenny Wren" appeared on singles with their running time shortened. The singles also included five non-album b-sides:"Comfort of Love","Growing Up Falling Down" ("Fine Line"),"Summer of '59" (vinyl edition of "Jenny Wren"),"This Loving Game" and "I Want You to Fly" (CD edition of "Jenny Wren").
The Japanese CD release of the album included the song "She Is So Beautiful". The song was also offered as a free download in Windows Media Audio format to US customers who purchased the CD at Target stores. Other bonus downloadable songs were made available to people who bought the CD at certain other stores,such as Best Buy and Wal-Mart.
The 'US' Tour in 2005 helped to promote the album in the US and Canada.
There was also a promotional concert for the album held at Abbey Road Studios,called Chaos and Creation at Abbey Road. During the show McCartney played acoustic versions of various songs,demonstrated some instruments and told stories. At the end he and the audience recorded a short track together.
The album was reissued in 2018 on vinyl in black and gold editions. [8]
Aggregate scores | |
---|---|
Source | Rating |
Metacritic | 78/100 [9] |
Review scores | |
Source | Rating |
AllMusic | [10] |
Entertainment Weekly | B [11] |
The Guardian | [12] |
Los Angeles Times | [13] |
Mojo | [14] |
NME | 6/10 [15] |
Q | [16] |
Rolling Stone | [17] |
Uncut | [18] |
USA Today | [19] |
At Metacritic,the album holds an average Metascore of 78 out of 100,based on 19 reviews,which indicates a generally favourable reception. [9] Advance reviews for Chaos and Creation in the Backyard suggested that after delivering Flaming Pie , Run Devil Run , Driving Rain and this album –all in uninterrupted succession –McCartney was in a late-career creative peak. Many critics and longtime listeners also considered that the album was unusually reflective and intimate-sounding for McCartney.[ citation needed ] The sudden shift in direction was generally considered an unexpected and welcome surprise,and resulted in four Grammy nominations for the album,including the nomination for Album of the Year.
Reviewing for the BBC,Daryl Easlea described Chaos and Creation as "Very,very good",and added:"'Riding to Vanity Fair','Too Much Rain','Anyway' and 'How Kind of You' are full of subtle nuances,killer hooks and sweet surprises. They really do rank among his very best work." [20] In The New York Times ,Jon Pareles wrote that McCartney's return to a multi-instrumentalist role "makes the songs more intimate and less conventional",while remarking of the project:"Sir Paul chose a producer who favored the experimental side:Nigel Godrich …Sir Paul also lined up his best backup band since the Beatles:himself." [21]
In the US,Chaos and Creation in the Backyard debuted at the No. 6 on the Billboard 200 with sales of 91,545 copies. It stayed on chart for a total of 21 weeks,selling over 530,000 copies up to 2007. [22] However,the album underperformed in the UK,peaking at the No. 10 and spending only three weeks inside the top 200,with cumulative sales of around 45,000 units. [23] According to the annual report published by EMI,Chaos and Creation in the Backyard had sold 1.3 million copies worldwide by the end of March 2006. [24]
No. | Title | Length |
---|---|---|
1. | "Fine Line" | 3:06 |
2. | "How Kind of You" | 4:48 |
3. | "Jenny Wren" | 3:47 |
4. | "At the Mercy" | 2:38 |
5. | "Friends to Go" | 2:44 |
6. | "English Tea" | 2:12 |
7. | "Too Much Rain" | 3:25 |
8. | "A Certain Softness" | 2:42 |
9. | "Riding to Vanity Fair" | 5:07 |
10. | "Follow Me" | 2:32 |
11. | "Promise to You Girl" | 3:10 |
12. | "This Never Happened Before" | 3:25 |
13. | "Anyway" | 3:52 |
14. | "I've Only Got Two Hands" (unlisted instrumental) | 3:15 |
Total length: | 46:53 |
No. | Title | Length |
---|---|---|
15. | "She Is So Beautiful" | 3:01 |
Total length: | 49:54 |
Personnel per booklet. [26]
Musicians
|
Production
|
Recording dates per The Paul McCartney Project [27]
Fine Line
How Kind of You
Jenny Wren
At the Mercy
Friends to Go
English Tea
Too Much Rain
A Certain Softness
Riding to Vanity Fair
Follow Me
Promise to You Girl
This Never Happened Before
Anyway
Year | Nominee / work | Award | Result |
---|---|---|---|
2006 [28] | Chaos and Creation in the Backyard | Album of the Year | Nominated |
Best Pop Vocal Album | Nominated | ||
"Fine Line" | Best Male Pop Vocal Performance | Nominated | |
Nigel Godrich | Non-Classical Producer of the Year | Nominated | |
2007 [29] | "Jenny Wren" | Best Male Pop Vocal Performance | Nominated |
Weekly charts
| Year-end charts
|
Region | Certification | Certified units/sales |
---|---|---|
Canada (Music Canada) [51] | Gold | 50,000^ |
France (SNEP) [52] | Gold | 100,000* |
Japan (ORICON) | — | 139,000 [53] |
Russia (NFPF) [54] | Gold | 10,000* |
United Kingdom (BPI) [55] | Gold | 100,000^ |
United States (RIAA) [56] | Gold | 547,000 [57] |
Summaries | ||
Worldwide (IFPI) | — | 1,300,000 [24] |
* Sales figures based on certification alone. |
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