"Beware My Love" | |
---|---|
Single by Wings | |
from the album Wings at the Speed of Sound | |
A-side | "Let 'Em In" |
Released | 23 July 1976 |
Recorded | 23 January 1976 |
Genre | Hard rock |
Length | 6:28 5:52 (7" single edit) |
Label | Capitol |
Songwriter(s) | |
Producer(s) | Paul McCartney |
Wings at the Speed of Sound track listing | |
11 tracks
|
"Beware My Love" is a rock song credited to Paul and Linda McCartney that was first released on the Wings 1976 album Wings at the Speed of Sound . It was also used as the B-side of the single that included "Let 'Em In". A live version recorded on June 7, 1976, in Denver, Colorado, was included on the Wings' album Wings Over America and another live version from three days later in Seattle, Washington, was shown in the concert film Rockshow . [1] An excerpt from the Rockshow performance was also included in the documentary Wings Over the World . [1]
Like a number of successful Paul McCartney songs, "Beware My Love" is made of several disparate elements. [1] [2] The song begins with a brief harmonium melody followed by a repeated acoustic guitar figure. (The song's album version has the previous song, "She's My Baby", fading out into the harmonium intro; "Beware"'s single version fades in as the harmonium part fades out into the acoustic guitar riff.) [3] This calm intro provides a contrast with the propulsiveness of main body of the song. [4] Linda McCartney sings the intro and outro movements, with her voice multi-tracked, effectively singing on behalf of Paul McCartney—who sings the lead vocal in the main song. [3] [5] Over the course of the song, Paul McCartney's singing, as well as the music, intensifies. [3] In the main verses, the singer warns the woman he loves to beware because he does not believe that the other man she is seeing is right for her. [3] In the bridges, he tells the woman that although he must leave now, "I'll leave my message in my song." [2] [3] (Author Robert Rodriguez finds this line ironic, since he believes the song apparently has no message. [2] Authors Chip Madinger and Mark Easter assert that the verses and chorus don't seem to have much to do with each other. [1] )
"Beware My Love" is a mid-tempo rock song that John Blaney compared to Wings' "Rock Show" and "Soily" and author Tim Riley compared to the Beatles' "Helter Skelter." [5] [6] It is in the key of D minor, although the harmonium and acoustic guitar sections of the prelude are in C major and A major, respectively. [3] The melody of the bridges is based on a descending tetrachord played on the bass guitar. [3] Rodriguez particularly praises Paul McCartney's bass guitar playing, Joe English's drumming and Linda McCartney's and Denny Laine's backing vocals. [2] The song was recorded in a manner that replicated a live recording set up, with all the players recorded together. [5] McCartney stated that he was looking to achieve "excitement in the backing vocal so it's human; you can hear we're all there." [5]
"Beware My Love" has been praised for being the only true rock song on Wings at the Speed of Sound, an album containing mostly ballads and disco-influenced songs. Blaney described the song as being meant to "dispel accusations that Wings were becoming a group of disco-loving softies." [5] In reviewing the album, Allmusic critic Stephen Thomas Erlewine called "Beware My Love" "the best-written song here that effortlessly moves from sun-drenched harmonies to hard rock." [7] Rock music critic Robert Christgau claimed that on the album, McCartney is "at full strength only on the impassioned 'Beware My Love.'" [8] Billboard said it "is in the "Maybe I'm Amazed" vein and is probably his strongest rocker since that song." [9] Ultimate Classic Rock critic Nick DeRiso felt it was the best song on the album, praising its "remarkably layered complexity." [10] Doug Pringle of The Montreal Gazette called the song "the only unqualified success on the album," noting that "it builds from a gentle acoustic beginning to become the only truly electric song on the album." [11] Frank Rose of The Village Voice called this song and Denny Laine's contribution to the album, "Time to Hide" "great, the kind of production numbers McCartney likes to trot out when he knows he's got a real rocker." [12] Rolling Stone critic Dave Marsh also praised "Beware My Love" and "Time to Hide" as well as "Let 'Em In" as successful examples of McCartney's rock style. [13] [14] Jim Beviglia of Culture Sonar said that while the lyrics don't mean much, "McCartney pushes them across with such screaming conviction that they hit home along with the plentiful instrumental hooks." [4] Rodriguez considered "Beware My Love" to be the only song on Wings at the Speed of Sound to be as good as the best songs from Wings' previous two albums, Band on the Run and Venus and Mars . [2] CD Review magazine described "Beware My Love" as "a fiery rocker." [15] Beatle authors Roy Carr and Tony Tyler used "Beware My Love" as an example of Wings at the Speed of Sound being strong melodically. [16] Ultimate Classic Rock critic Nick DeRiso rated it as the best song on Wings at the Speed of Sound, praising the "remarkably layered complexity." [17] Madinger and Easter also described it as one "of the best songs on the LP." [1]
Rodriguez was even more effusive in his praise of the live version of the song on Wings Over America, which is a minute and half shorter than the studio version, praising Jimmy McCulloch's guitar playing, Laine's piano playing and English's drum rolls. [2] Larry Rohter of The Washington Post described the performance on Wings Over America as "rollicking" and "exciting." [18] Ben Fong-Torres described McCartney's live performance of the song as "reaching back for some of that Little Richard inspiration." [19] Jon Marlowe of Miami News described the performance of "Beware My Love" in Rockshow as "rollicking" and one of the two moments in the film that feels like being at a rock show. [20]
According to DeRiso, as good as the Wings at the Speed of Sound version is, an unreleased version that McCartney recorded with Led Zeppelin drummer John Bonham was even better. [10] This version was eventually released in 2014 as part of the Archive Collection box. [21]
Back to the Egg is the seventh and final studio album by the British–American rock band Wings, released in June 1979 on Parlophone in the UK and Columbia Records in North America. Co-produced by Chris Thomas, the album reflects band leader Paul McCartney's embracing of contemporary musical trends such as new wave and punk, and marked the arrival of new Wings members Laurence Juber and Steve Holley. Back to the Egg adopts a loose conceptual theme around the idea of a working band, and its creation coincided with a period of considerable activity for the group, which included making a return to touring and work on several television and film projects.
Red Rose Speedway is the second studio album by the English-American rock band Wings, although credited to "Paul McCartney and Wings". It was released through Apple Records on 5 May 1973, preceded by its lead single, the ballad "My Love". By including McCartney's name in the artist credit, the single and album broke with the tradition of Wings' previous records. The change was made in the belief that the public's unfamiliarity with the band had been responsible for the weak commercial performance of the group's 1971 debut album Wild Life.
Wings at the Speed of Sound is the fifth studio album by the British–American rock band Wings, released on 26 March 1976. Issued at the height of the band's popularity, it reached the top spot on the US album chart—the band's fourth consecutive album to do so—and peaked at number 2 on the UK album chart. Both singles from the album also reached the top 5 of the UK and US singles charts, with "Silly Love Songs" reaching number 1 in the US.
Wings over America is a triple live album by the British–American rock band Wings, released in December 1976. The album was recorded during the American leg of the band's 1975–76 Wings Over the World tour. It peaked at number 8 on the UK Albums Chart and reached number 1 on the US Billboard Top LPs & Tape chart.
Rockshow is a 1980 concert film released by Paul McCartney and Wings, filmed during the band's 1976 North American tour. The film features 30 songs from segments of four concerts of the tour: New York, on 25 May ; Seattle, Washington, 10 June ; and Los Angeles, California, 22 June and 23 June. However, both the cover of the home video release and McCartney, in his intro to The McCartney Years DVD, acknowledge only the Seattle concert. These concerts were part of the 1975–76 Wings Over the World tour, which also produced the triple live album Wings over America (1976) and the Wings Over the World television documentary (1979). This is also the first film released by Miramax.
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"Letting Go" is a song credited to Paul and Linda McCartney and originally released by Wings on their 1975 album Venus and Mars. The song was remixed and released as a single on 4 October 1975 in the United States, and on 18 October 1975 in the United Kingdom. The song peaked at number 41 in the UK, 41 on the Cash Box Top 100 and number 39 on the Billboard Hot 100.
The Wings Over the World tour was a series of concerts in 1975 and 1976 by the British–American rock band Wings performed in Britain, Australia, Europe, the United States and Canada. The North American leg constituted band leader Paul McCartney's first live performances there since the Beatles' final tour, in 1966, and the only time Wings would perform live in the US and Canada. The world tour was well-attended and critically acclaimed, and resulted in a triple live album, Wings over America, which Capitol Records released in December 1976. In addition, the tour was documented in the television film Wings Over the World (1979) and a cinema release, Rockshow (1980).
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