Paul McCartney and Wings, often billed simply as Wings, were an English-American rock band formed in 1971 in London by former Beatles bassist and singer Paul McCartney, his wife Linda McCartney on keyboards, session drummer Denny Seiwell, and former Moody Blues guitarist Denny Laine. Wings were noted for their commercial successes, musical eclecticism and frequent personnel changes; going through three lead guitarists and four drummers. However, the core trio of the McCartneys and Laine remained intact throughout the group's existence.
Band on the Run is the third studio album by the British–American rock band Paul McCartney and Wings, released by Apple on 30 November 1973. It was McCartney's fifth album after leaving the Beatles in April 1970. Although sales were modest initially, its commercial performance was aided by two hit singles – "Jet" and "Band on the Run" – such that it became the top-selling studio album of 1974 in the United Kingdom and Australia, in addition to revitalising McCartney's critical standing. It remains McCartney's most successful album and the most celebrated of his post-Beatles works.
Venus and Mars is the fourth studio album by the British–American rock band Wings. Released in May 1975 as the follow-up to Band on the Run, Venus and Mars continued Wings' run of commercial success and provided a springboard for a year-long worldwide tour. The album was Paul McCartney's first post-Beatles album to be released worldwide by Capitol Records rather than Apple.
Wild Life is the debut studio album by the British-American rock band Wings and the third studio album by Paul McCartney after the breakup of the Beatles. The album was mainly recorded in seven sessions between 24 July and 4 September 1971, at EMI Studios by McCartney, his wife Linda, session drummer Denny Seiwell, whom they had worked with on the McCartneys' previous album Ram, and guitarist Denny Laine, formerly of the English rock band the Moody Blues. It was released by Apple Records on 7 December in the UK and US, to lukewarm critical and commercial reaction.
Red Rose Speedway is the second studio album by the English-American rock band Wings, although credited to "Paul McCartney and Wings". It was released through Apple Records on 5 May 1973, preceded by its lead single, the ballad "My Love". By including McCartney's name in the artist credit, the single and album broke with the tradition of Wings' previous records. The change was made in the belief that the public's unfamiliarity with the band had been responsible for the weak commercial performance of the group's 1971 debut album Wild Life.
Wings at the Speed of Sound is the fifth studio album by the British–American rock band Wings, released on 26 March 1976. Issued at the height of the band's popularity, it reached the top spot on the US album chart—the band's fourth consecutive album to do so—and peaked at number 2 on the UK album chart. Both singles from the album also reached the top 5 of the UK and US singles charts, with "Silly Love Songs" reaching number 1 in the US.
Wings over America is a triple live album by the British–American rock band Wings, released in December 1976. The album was recorded during the American leg of the band's 1975–76 Wings Over the World tour. It peaked at number 8 on the UK Albums Chart and reached number 1 on the US Billboard Top LPs & Tape chart.
Flowers in the Dirt is the eighth solo studio album by Paul McCartney. The album was released on 5 June 1989 on Parlophone, as he was embarking on his first world tour since the Wings Over the World tour in 1975–76. It earned McCartney some of his best reviews for an album of original songs since Tug of War (1982). The album made number one in the United Kingdom and Norway and produced several hit singles. The album artwork was a collaboration between artist Brian Clarke, who painted the canvas and arranged the flowers, and Linda McCartney, who produced the cover photography.
"Give Ireland Back to the Irish" is the debut single by the British–American rock band Wings that was released in February 1972. It was written by Paul McCartney and his wife Linda in response to the events of Bloody Sunday, on 30 January that year, when British troops in Northern Ireland shot dead thirteen civil rights protestors. Keen to voice their outrage at the killings, Wings recorded the track two days later at EMI Studios in London. It was the band's first song to include Northern Irish guitarist Henry McCullough.
"Junior's Farm" is a song written by Paul McCartney and performed by Paul McCartney and Wings. It was issued as a non-album single by Apple Records in October 1974; it peaked at No. 3 in the United States and No. 16 in the United Kingdom.
In the summer of 1972, Paul McCartney's newly formed band, Wings, set out on a concert tour of Europe, in a double decker bus, WNO 481.
The Wings Over the World tour was a series of concerts in 1975 and 1976 by the British–American rock band Wings performed in Britain, Australia, Europe, the United States and Canada. The North American leg constituted band leader Paul McCartney's first live performances there since the Beatles' final tour, in 1966, and the only time Wings would perform live in the US and Canada. The world tour was well-attended and critically acclaimed, and resulted in a triple live album, Wings over America, which Capitol Records released in December 1976. In addition, the tour was documented in the television film Wings Over the World (1979) and a cinema release, Rockshow (1980).
"Country Dreamer" is the B-side song to the single "Helen Wheels" released by Paul McCartney and Wings on 26 October 1973 in the UK and 12 November 1973 in the US. It was recorded in October 1972, and its country ambiance is similar to "Heart of the Country" from Paul McCartney's 1971 album Ram.
"Bluebird" is a song written by Paul and Linda McCartney and originally performed by the British rock band Wings, released on their 1973 album Band on the Run. According to author John Blaney, it was written during a vacation in Jamaica. However, author Vincent Benitez claims the song was written as early as 1970 or 1971, noting that Paul and Linda sang the song during a live interview in New York City in 1971. In Continental Europe it was also released as the B-side of the "Mrs. Vandebilt" single.
"Nineteen Hundred and Eighty-Five" is a song by the British–American rock band Paul McCartney and Wings, released as the final track on their 1973 album Band on the Run. It has been featured on the 2001 documentary DVD Wingspan and Paul McCartney and Wings' 1974 TV special One Hand Clapping. A 2016 remix of the song was nominated for a Grammy Award. The song was referenced in Brett Easton Ellis’s novel Glamorama, driving a group of fictional supermodels to extreme terrorist acts.
One Hand Clapping is a 1974 rockumentary made by Paul McCartney and his then band, Wings, at Abbey Road Studios in London. The film features the band playing live and also voice overs with each member talking about their musical experiences up to that point. Songs featured include "Maybe I'm Amazed", "Jet" and "Live and Let Die". It was directed by David Litchfield and filmed over four days in August 1974.
"Mama's Little Girl" is a song by Paul McCartney & Wings that was taped in March 1972 during the Red Rose Speedway recording sessions.
Wings Over the World is a 1979 television music documentary film featuring the rock band Wings. It consists of concert performances from their acclaimed Wings Over the World tour of 1975-1976, together with behind-the-scenes footage. Also included is a short excerpt of Wings rehearsing at London's Institute of Contemporary Arts before their 1972 UK university tour. Problems with the audio from the 1976 live performances delayed the film's release until 16 March 1979 in the United States and 8 April 1979 in the United Kingdom, by which time, band members Jimmy McCulloch and Joe English had left the group and been replaced.
One Hand Clapping is a live studio album by the British–American rock band Wings, credited to "Paul McCartney & Wings". It is set to be officially released through Apple Corps on 14 June 2024, 50 years after it was recorded. The album was mixed by Giles Martin and Steve Orchard.
