"Poor Boy Blues" | |
---|---|
Single by Gus Cannon as "Banjo Joe" | |
B-side | "Can You Blame the Colored Man" |
Released | 1927 |
Recorded | 1927 |
Genre | Blues |
Label | Paramount |
Songwriter(s) | Traditional |
"Poor Boy Blues", or "Poor Boy, Long Ways From Home", is a traditional blues song that has been cited as one of the oldest in the genre. [1] [2] As with most traditional blues songs, there is great variation in the melody and lyrical content as performed by different artists. However, there is often a core verse containing some variation of the line "I'm a poor boy a long way from home."
Blues historian Gérard Herzhaft described it as:
much a part of black folklore as it is of white folklore, and its origin is quite questionable. It is probably an old English piece revised by Appalachian musicians. Strangely enough, "Poor Boy", after decades of being a standard refrain, especially in country music, resurfaced among postwar bluesmen. [3]
The song is often associated with a slide guitar accompaniment. Gus Cannon recalled hearing a slide guitarist named Alec or Alex Lee in Coahoma County around 1900, playing a version of the song. [2] In 1927, Cannon recorded the song under the pseudonym Banjo Joe [4] for Paramount Records. He performed the piece using a slide on a five string banjo, with guitar accompaniment by Blind Blake. [4]
A version recorded by Howlin' Wolf in 1957 is described by Herzhaft as "a sensational rendering". [3] Chess Records issued it as a single, with another traditional song, "Sitting on Top of the World" as the second side. [5]
Slide guitar is a technique for playing the guitar that is often used in blues music. It involves playing a guitar while holding a hard object against the strings, creating the opportunity for glissando effects and deep vibratos that reflect characteristics of the human singing voice. It typically involves playing the guitar in the traditional position with the use of a slide fitted on one of the guitarist's fingers. The slide may be a metal or glass tube, such as the neck of a bottle, giving rise to the term bottleneck guitar to describe this type of playing. The strings are typically plucked while the slide is moved over the strings to change the pitch. The guitar may also be placed on the player's lap and played with a hand-held bar.
"Back Door Man" is a blues song written by American musician Willie Dixon and recorded by Howlin' Wolf in 1960. The lyrics draw on a Southern U.S. cultural term for an extramarital affair. The song is one of several Dixon-Wolf songs that became popular among rock musicians, including the Doors who recorded it for their 1967 self-titled debut album.
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"Sitting on Top of the World" is a country blues song written by Walter Vinson and Lonnie Chatmon. They were core members of the Mississippi Sheiks, who first recorded it in 1930. Vinson claimed to have composed the song one morning after playing at a white dance in Greenwood, Mississippi. It became a popular crossover hit, and was inducted into the Grammy Hall of Fame in 2008.
"Little Red Rooster" is a blues standard credited to arranger and songwriter Willie Dixon. The song was first recorded in 1961 by American blues musician Howlin' Wolf in the Chicago blues style. His vocal and slide guitar playing are key elements of the song. It is rooted in the Delta blues tradition and the theme is derived from folklore. Musical antecedents to "Little Red Rooster" appear in earlier songs by blues artists Charlie Patton and Memphis Minnie.
"One Way Out" is a blues song that was recorded in the early 1960s by both Sonny Boy Williamson II and Elmore James. A reworking of the song by G. L. Crockett, titled "It's a Man Down Here", appeared on the Billboard record charts in 1965. In 1971, the Allman Brothers Band recorded an updated live version of the song, which was included on their popular Eat a Peach album (1972).
Hoodoo Man Blues is the debut album of blues vocalist and harmonica player Junior Wells, performing with the Junior Wells' Chicago Blues Band, an early collaboration with guitarist Buddy Guy. Released on LP by Delmark Records in November 1965, the album has been subsequently reissued on CD and LP by Delmark and Analogue Productions.
"Evil", sometimes listed as "Evil (Is Going On)", is a Chicago blues song written by Willie Dixon. Howlin' Wolf recorded the song in Chicago for Chess Records in 1954. It was included on the 1959 compilation album Moanin' in the Moonlight. When he re-recorded it for The Howlin' Wolf Album in 1969, "Evil" became Wolf's last charting single, reaching number 43 Billboard R&B chart.
"Forty-Four" or "44 Blues" is a blues standard whose origins have been traced back to early 1920s Louisiana. However, it was Roosevelt Sykes, who provided the lyrics and first recorded it in 1929, that helped popularize the song. "Forty-Four," through numerous adaptations and recordings, remains in the blues lexicon eighty years later.
"You've Got to Love Her with a Feeling", or "Love with a Feeling" as it was originally titled, is a blues song first recorded by Tampa Red in 1938. Numerous blues artists have interpreted and recorded the song, making it a blues standard. When Freddie King adapted it in 1961, it became his first single to appear in the record charts.
"Blues with a Feeling" is a blues song written and first recorded by Rabon Tarrant with Jack McVea and His All Stars in 1947, as the B-side of "Slowly Goin' Crazy Blues". Although the original release was commercially unsuccessful, the song later became an important hit for Little Walter, with whom it is usually identified.
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"Long Distance Call" is a song by American blues musician Muddy Waters. It was first released as a single in 1951 by Chess Records (#1452), with "Too Young To Know" on the B-side. The single reached #8 on the US R&B chart. It was later released on the greatest hits album The Best of Muddy Waters (1958), and is hailed as a classic modern blues song; Waters's singing is cited as an excellent example of blue notes.
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