Origin
Spaeth has a note claiming that the original referred to François, Duke of Anjou's wooing of Elizabeth I of England; however, that was in 1579 and the version in Scots had been published thirty years earlier. If the second known version (1611, in Melismata, also reprinted in Chappell) were the oldest, this might be possible — there are seeming political references to "Gib, our cat" and "Dick, our drake." But the Wedderburn text, which at least anticipates the song, predates the reign of Queen Elizabeth by nine years, and Queen Mary by four. If it refers to any queen at all, it would seemingly have to be Mary Stuart. Evelyn K. Wells, however, in the liner notes to the LP Brave Boys; New England traditions in folk music (New World Records 239, 1977), suggests that the original may have been satirically altered in 1580 when it was recorded in the register of the London Company of Stationers, as this would have been at the height of the unpopular courtship.
According to Albert Jack in his book "Pop Goes the Weasel: The secret meanings of nursery rhymes" (pp. 33–37, copyright 2008), the earliest known version of the song was published in 1549 as "The Frog Came to the Myl Dur" in Robert Wedderburn's Complaynt of Scotland. He states that in 1547 the Scottish Queen Consort, Mary of Guise, under attack from Henry VIII, sought to have her daughter Princess Mary (later Mary Queen of Scots), "Miss Mouse", married to the three-year old French Prince Louis – the "frog" – and that the song resurfaced a few years later, with changes, when another French (frog) wooing caused concern – that of the Duke of Anjou and Queen Elizabeth I in 1579. Elizabeth even nicknamed Anjou, her favorite suitor, "the frog".
"On Ilkla Mooar Baht 'at" is a folk song from Yorkshire, England. It is sung in the Yorkshire dialect, and is considered the official anthem of Yorkshire. It is sung to the hymn tune "Cranbrook", composed by Thomas Clark in 1805; while according to Andrew Gant, the words were composed by members of Halifax Church Choir "some 50 years after Clark wrote his melody", on an outing to Ilkley Moor near Ilkley, West Yorkshire. It is classified as numbers 2143 and 19808 in the Roud Folk Song Index.
"Barbara Allen" is a traditional folk song that is popular throughout the English-speaking world and beyond. It tells of how the eponymous character denies a dying man's love, then dies of grief soon after his untimely death.
"The Daemon Lover" – also known as "James Harris", "A Warning for Married Women", "The Distressed Ship Carpenter", "James Herries", "The Carpenter’s Wife", "The Banks of Italy", or "The House-Carpenter" – is a popular ballad dating from the mid-seventeenth century, when the earliest known broadside version of the ballad was entered in the Stationers' Register on 21 February 1657.
"The Three Ravens" is an English folk ballad, printed in the songbook Melismata compiled by Thomas Ravenscroft and published in 1611, but the song is possibly older than that. Newer versions were recorded up through the 19th century. Francis James Child recorded several versions in his Child Ballads.
"Fare Thee Well" is an 18th-century English folk ballad, listed as number 422 in the Roud Folk Song Index. In the song, a lover bids farewell before setting off on a journey, and the lyrics include a dialogue between the lovers.
"Captain Wedderburn's Courtship" is an old Scottish ballad dating from 1785 or earlier. It is Child Ballad #46, Roud 36. It is known by a number of titles, including "Lord Roslin's Daughter" and "The Laird of Rosslyn's Daughter".
"The Two Sisters" is a traditional murder ballad, dating at least as far back as the mid 17th century. The song recounts the tale of a girl drowned by her jealous sister. At least 21 English variants exist under several names, including "Minnorie" or "Binnorie", "The Cruel Sister", "The Wind and Rain", "Dreadful Wind and Rain", "The Bonny Swans" and the "Bonnie Bows of London". The ballad was collected by renowned folklorist Francis J. Child as Child Ballad 10 and is also listed in the Roud Folk Song Index. Whilst the song is thought to originate somewhere around England or Scotland, extremely similar songs have been found throughout Europe, particularly in Scandinavia.
The Famous Flower of Serving-Men or The Lady Turned Serving-Man is a traditional English language folk song and murder ballad. Child considered it as closely related to the ballad "The Lament of the Border Widow" or "The Border Widow's Lament".
"Unusually, it is possible to give a precise date and authorship to this ballad. It was written by the prolific balladeer, Laurence Price, and published in July 1656, under the title of The famous Flower of Serving-Men. Or, The Lady turn'd Serving-Man. It lasted in the mouths of ordinary people for three hundred years: what a tribute to the work of any writer, leave alone the obscure Laurence Price. Oral tradition, however, has made changes. The original has twenty-eight verses and a fairy-tale ending: “And then for fear of further strife, / he took Sweet William to be his Wife: / The like before was never seen, / A Serving-man to be a Queen”. – Roy Palmer, A Book of British Ballads
Nimrod Workman was an American folk singer, coal miner and trade unionist. His musical repertoire included traditional English and Scottish ballads passed down through his family, Appalachian folk songs and original compositions.
"The Maid and the Palmer" is an English language medieval murder ballad with supernatural/religious overtones. Because of its dark lyrics, the song was often avoided by folk singers. Considered by scholars to be a "debased" version of a work more completely known in European sources as the Ballad of the Magdalene, the ballad was believed lost in the oral tradition in the British Isles from the time of Sir Walter Scott, who noted a fragment of it having heard it sung in the early years of the nineteenth century, until it was discovered in the repertoire of a living Irish singer, John Reilly, from whom it was collected in the 1960s, although subsequently other versions have surfaced from Ireland from the 1950s to the 1970s; an additional full text, collected and notated in around 1818, was also recently published in Emily Lyle's 1994 Scottish Ballads under the title "The Maid of Coldingham", having remained in manuscript form in the intervening time. Based on a tape of Reilly's performance provided by the collector Tom Munnelly, the singer Christy Moore popularised the song under its alternate title "The Well Below the Valley" with the Irish folk band Planxty and later solo performances/recordings, this song providing the title of that group's second album released in 1973; the song has subsequently been recorded by a number of more recent "folk revival" acts.
A Collection of Old Ballads is an anonymous book published 1723–1725 in three volumes in London by Roberts and Leach. It was the second major collection of British folksongs to be published, following Wit and Mirth, or Pills to Purge Melancholy. Ambrose Philips was once credited as the editor, but this has since been challenged.
"The Riddle Song", also known as "I Gave My Love a Cherry", is an English-language folk song, a lullaby most likely originating in England and carried over by settlers to the American Appalachians. As is typical with such songs, it is based on the pentatonic scale.
Frog Went A-Courtin' is a book by John Langstaff and illustrated by Feodor Rojankovsky. Released by Harcourt, it was the recipient of the Caldecott Medal for illustration in 1956. It is based on the folk song "Frog Went A-Courting." In 1961, Weston Woods Studios made an iconographic version of the story produced and directed by Morton Schindel, narrated by the author with music by Arthur Kleiner, culminating in a sing-along, sung by the story's narrator. In 2007, the film has been remade with narration and music by Jack Sundrud and Rusty Young.
"Polly Vaughn" is an Irish folk-song.
"The Butcher’s Boy" or "The Butcher Boy" is an American folk song derived from traditional English ballads. Folklorists of the early 20th century considered it to be a conglomeration of several English broadside ballads, tracing its stanzas to "Sheffield Park", "The Squire's Daughter", "A Brisk Young Soldier", "A Brisk Young Sailor" and "Sweet William " and "Died for Love".
"Pretty Saro" is an English folk ballad originating in the early 1700s. The song died out in England by the mid eighteenth century but was rediscovered in North America in the early twentieth century, where it had been preserved through oral traditions. Cecil Sharp and later folklorists and proponents of the folk revival helped keep songs such as "Pretty Saro" alive well into modern times.
Frederick R. "Chubby" Parker (1876–1940) was an American old-time and folk musician and early radio entertainer.
"One Morning in May" is an English folk song which has been collected from traditional singers in England and the USA and has also been recorded by revival singers. Through the use of double-entendre, at least in the English versions, it tells of an encounter between a grenadier and a lady.
Louisa Caulfield, known as Mrs Caulfield, was an English music hall singer active in the 1850s and 1860s.
Ellen Stekert is an American academic, folklorist and musician. Stekert is a Professor Emerita of English at the University of Minnesota and a former president of the American Folklore Society. She released four albums of folk music in the 1950s, including Songs Of A New York Lumberjack and Traditional American Love Songs, and continued to perform occasionally during her academic career.
