| "Down Along the Cove" | |
|---|---|
| Song by Bob Dylan | |
| from the album John Wesley Harding | |
| Released | December 27, 1967 |
| Recorded | November 29, 1967 |
| Studio | Columbia Studio A (Nashville, Tennessee) [1] |
| Genre | Country rock |
| Length | 2:23 |
| Label | Columbia |
| Songwriter(s) | Bob Dylan |
| Producer(s) | Bob Johnston |
"Down Along the Cove" is a song written and originally performed by Bob Dylan for his album John Wesley Harding . Dylan recorded the song in one take at Columbia's Studio A, Nashville, on November 29, 1967. [2]
"Down Along the Cove" features minimal instrumentation and a 12-bar country blues style. The song includes Bob Dylan on piano and Peter Drake on pedal steel guitar. [3]
Dylan debuted this song at the EMU Ballroom on the University of Oregon campus in Eugene, Oregon, on June 14, 1999. [4] Dylan played the song with some regularity beginning in 2003 until the song's last live performance to date in Rome, Italy on June 16, 2006, performing it a total of 83 times. [5] A live version performed at the Bonnaroo Music Festival in 2004 was the b-side to Dylan's 2009 single "Beyond Here Lies Nothin'". [6]
"Down Along the Cove" has been covered several times. British folk artist Davey Graham covered the song on his 1969 album, Hat, Epic recording artists West covered it on their 1969 album "Bridges", and Georgie Fame also recorded the song in late 1970s. His version appears on the compilation record Somebody Stole My Summer. The song was also covered by Johnny Jenkins on his critically acclaimed and influential electric blues album Ton-Ton Macoute! in 1970. [7]
Highway 61 Revisited is the sixth studio album by the American singer-songwriter Bob Dylan, released on August 30, 1965, by Columbia Records. Dylan continued the musical approach of his previous album Bringing It All Back Home (1965), using rock musicians as his backing band on every track of the album in a further departure from his primarily acoustic folk sound, except for the closing track, the 11-minute ballad "Desolation Row". Critics have focused on the innovative way Dylan combined driving, blues-based music with the subtlety of poetry to create songs that captured the political and cultural climate of contemporary America. Author Michael Gray argued that, in an important sense, the 1960s "started" with this album.
Blonde on Blonde is the seventh studio album by the American singer-songwriter Bob Dylan, released as a double album on June 20, 1966, by Columbia Records. Recording sessions began in New York in October 1965 with numerous backing musicians, including members of Dylan's live backing band, the Hawks. Though sessions continued until January 1966, they yielded only one track that made it onto the final album—"One of Us Must Know ". At producer Bob Johnston's suggestion, Dylan, keyboardist Al Kooper, and guitarist Robbie Robertson moved to the CBS studios in Nashville, Tennessee. These sessions, augmented by some of Nashville's top session musicians, were more fruitful, and in February and March all the remaining songs for the album were recorded.
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"All Along the Watchtower" is a song by American singer-songwriter Bob Dylan from his eighth studio album, John Wesley Harding (1967). The song was written by Dylan and produced by Bob Johnston. The song's lyrics, which in its original version contain twelve lines, feature a conversation between a joker and a thief. The song has been subject to various interpretations; some reviewers have noted that it echoes lines in the Book of Isaiah, Chapter 21, verses 5–9. Dylan has released several different live performances, and versions of the song are included on some of his subsequent greatest hits compilations.
John Wesley Harding is the eighth studio album by the American singer-songwriter Bob Dylan, released on December 27, 1967, by Columbia Records. Produced by Bob Johnston, the album marked Dylan's return to semi-acoustic instrumentation and folk-influenced songwriting after three albums of lyrically abstract, blues-indebted rock music. John Wesley Harding was recorded around the same time as the home recording sessions with The Band known as The Basement Tapes.
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"The Ballad of Frankie Lee and Judas Priest" is a song by American singer-songwriter Bob Dylan. It was released as the fifth track on his eighth studio album John Wesley Harding (1967). The track was written by Dylan and produced by Bob Johnston. It was recorded in one take on October 17, 1967, at Columbia Studio A in Nashville. The song's lyrics refer to two friends, Frankie Lee and Judas Priest. Lee asks Priest for a loan of money and Priest offers it freely. Lee spends it in a brothel over 16 days, then dies of thirst in Priest's arms. It has been suggested by commentators that the song refers to Dylan's relationship with his manager Albert Grossman or to his contractual negotiations with his record company. The song received a mixed critical reception. Dylan performed the song live in concert 20 times, from 1987 to 2000.
Bob Dylan is an American singer-songwriter. Often considered to be one of the greatest songwriters in history, Dylan has been a major figure in popular culture over his 60-year career. He rose to prominence in the 1960s, when songs such as "The Times They Are a-Changin'" (1964) became anthems for the civil rights and antiwar movements. Initially modeling his style on Woody Guthrie's folk songs, Robert Johnson's blues and what he called the "architectural forms" of Hank Williams's country songs, Dylan added increasingly sophisticated lyrical techniques to the folk music of the early 1960s, infusing it "with the intellectualism of classic literature and poetry". His lyrics incorporated political, social and philosophical influences, defying pop music conventions and appealing to the burgeoning counterculture.
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