Baby, Let Me Follow You Down

Last updated
"Baby, Let Me Follow You Down"
Song by Bob Dylan
from the album Bob Dylan
ReleasedMarch 19, 1962 (1962-03-19)
RecordedNovember 1961
Genre Folk
Length2:37
Label Columbia
Songwriter(s)

"Baby, Let Me Follow You Down" is a traditional folk song popularised in the late 1950s by blues guitarist Eric Von Schmidt. The song is best known for its appearance on Bob Dylan's debut album Bob Dylan .

Contents

Early years of the song

The song was first recorded as "Don't Tear My Clothes" in January 1935 by the State Street Boys, a group that included Big Bill Broonzy and Jazz Gillum. [2] The next few years saw several more versions, including "Don't Tear My Clothes" by Washboard Sam in June 1936, [3] "Baby Don't You Tear My Clothes" by the Harlem Hamfats in May 1937, [4] "Let Your Linen Hang Low" by Rosetta Howard with the Harlem Hamfats in October 1937 [5] and "Mama Let Me Lay It On You" by Blind Boy Fuller in April 1938. [6]

The song was adapted by Eric Von Schmidt, a blues-guitarist and singer-songwriter of the folk revival in the late 1950s. Von Schmidt was a well-known face in the East Coast folk scene and was reasonably well-known across the United States. According to his chronicle of the Cambridge Folk era, also called "Baby, Let Me Follow You Down", Eric had first heard the song via the Blind Boy Fuller recording. Von Schmidt credits Reverend Gary Davis for writing "three quarters" of his version of the song [7] (the melody is very similar to Davis's "Please Baby"). Van Ronk's version became a feature in the coffee houses of Greenwich Village in the early 1960s.

Dylan years

The song was later picked up by the young, up and coming folk singer Bob Dylan, who made it famous on his Columbia Records debut. As an introduction to the song on the album, Dylan pays homage to Schmidt, saying: "I first heard this from Ric von Schmidt. He lives in Cambridge/ Ric is a blues guitarplayer. I met him one day on/ The green pastures of the Harvard University." [8]

The song became very popular amongst Dylan's following and was a regular feature of Dylan's song list. During his 1966 World Tour, Dylan electrified the song's sound, playing it on electric guitar with a five-piece electric band as backing. A decade later, he performed the song with a medley of "Forever Young" at The Band's Last Waltz concert.

Additional verses

An early version of the song contained two verses and a main chorus. Bob Dylan added another verse to the song which appeared regularly. The song has also been edited and changed over the last half a century.

Dylan albums containing the song

Other recordings

Related Research Articles

<span class="mw-page-title-main">Big Joe Williams</span> American guitarist, recording artist, singer and songwriter

Joseph Lee "Big Joe" Williams was an American Delta blues guitarist, singer and songwriter, notable for the distinctive sound of his nine-string guitar. Performing over five decades, he recorded the songs "Baby, Please Don't Go", "Crawlin' King Snake" and "Peach Orchard Mama", among many others, for various record labels, including Bluebird, Delmark, Okeh, Prestige and Vocalion. He was inducted into the Blues Hall of Fame on October 4, 1992.

<i>Bob Dylan</i> (album) 1962 album of Bob Dylan

Bob Dylan is the debut studio album by American singer-songwriter Bob Dylan, released on March 19, 1962 by Columbia Records. The album was produced by Columbia talent scout John H. Hammond, who had earlier signed Dylan to the label, a controversial decision at the time. The album primarily features folk standards but also includes two original compositions, "Talkin' New York" and "Song to Woody". The latter was an ode to Woody Guthrie, a significant influence in Dylan's early career.

<span class="mw-page-title-main">Dave Van Ronk</span> American folk musician (1936–2002)

David Kenneth Ritz Van Ronk was an American folk singer. An important figure in the American folk music revival and New York City's Greenwich Village scene in the 1960s, he was nicknamed the "Mayor of MacDougal Street".

<i>Biograph</i> (album) 1985 box set by Bob Dylan

Biograph is a 53-track box set compilation spanning the career of American singer-songwriter Bob Dylan, released on November 7, 1985, by Columbia Records. Consisting of 53 released and unreleased tracks from 1962 to 1981, the box set was released as a five-LP set, a three-cassette tape set, and a three-compact disc set. Biograph reached No. 33 on the Billboard 200 in the U.S. and has been certified platinum by the RIAA.

<span class="mw-page-title-main">Reverend Gary Davis</span> American singer

Reverend Gary Davis, also Blind Gary Davis, was a blues and gospel singer who was also proficient on the banjo, guitar and harmonica. Born in Laurens, South Carolina and blind since infancy, Davis first performed professionally in the Piedmont blues scene of Durham, North Carolina in the 1930s, then converted to Christianity and became a minister. After moving to New York in the 1940s, Davis experienced a career rebirth as part of the American folk music revival that peaked during the 1960s. Davis' most notable recordings include "Samson and Delilah" and "Death Don't Have No Mercy".

<span class="mw-page-title-main">Kind Hearted Woman Blues</span> 1937 single by Robert Johnson

"Kind Hearted Woman Blues" is a blues song recorded on November 23, 1936, in San Antonio, Texas, by the American Delta bluesman Robert Johnson. The song was originally released on 78 rpm format as Vocalion 03416 and ARC 7-03-56. Johnson performed the song in the key of A, and recorded two takes, the first of which contains his only recorded guitar solo. Both takes were used for different pressings of both the Vocalion issue and the ARC issue. The first take (SA-2580-1) can be found on many compilation albums, including the first one, King of the Delta Blues Singers (1961). Take 2 (SA-2580-2) can be heard on the later compilation Robert Johnson, The Complete Recordings (1990).

<span class="mw-page-title-main">Eric Von Schmidt</span> American musician and artist

Eric Von Schmidt was an American singer and guitarist, songwriter, painter and illustrator, and Grammy Award recipient. He was associated with the folk boom of the late 1950s and early 1960s and was a key part of the Cambridge folk music scene. As a singer and guitarist, he was considered to be the leading specialist in country blues in Cambridge at the time, the counterpart of Greenwich Village's Dave Van Ronk. Von Schmidt co-authored with Jim Rooney Baby, Let Me Follow You Down: The Illustrated Story of the Cambridge Folk Years.

<i>No Direction Home</i> 2005 documentary film by Martin Scorsese

No Direction Home: Bob Dylan is a 2005 documentary film by Martin Scorsese that traces the life of Bob Dylan, and his impact on 20th-century American popular music and culture. The film focuses on the period between Dylan's arrival in New York in January 1961 and his "retirement" from touring following his motorcycle accident in July 1966. This period encapsulates Dylan's rise to fame as a folk singer and songwriter where he became the center of a cultural and musical upheaval, and continues through the electric controversy surrounding his move to a rock style of music.

King Solomon Hill is the name assigned to a blues singer and guitarist who recorded a handful of songs in 1932. His unique guitar and voice combined to produce a sound that has been described as haunting. After much speculation and dispute, he has been identified as Joe Holmes, a self-taught guitarist from Mississippi.

"He Was a Friend of Mine" is a traditional folk song in which the singer laments the death of a friend. Ethnomusicologist Alan Lomax was the first to collect the song, in 1939, describing it as a "blues" that was "a dirge for a dead comrade."

<i>Boz</i> (album) 1965 studio album by Boz Scaggs

Boz is the debut album by Boz Scaggs, recorded under the name "William R. Scaggs" on September 30, 1965, in Stockholm, Sweden. It was released in Sweden by Karusell Grammofon AB and distributed in Europe by Polydor International. It was never released in any other country or in any other format, and went out of print soon after its initial pressings.

Buster Brown was an American blues and R&B singer best known for his hit, "Fannie Mae".

Bessie Mae Smith was an American blues singer from St. Louis, who recorded for the Okeh, Vocalion and Paramount record labels under a variety of names between 1927 and 1941. She is reported to have been married to Delta bluesman Big Joe Williams, who sometimes credited her with writing his song “Baby, Please Don't Go”. Her songs often included surreal imagery and sexual metaphors.

Document Records is an independent record label, founded in Austria and now based in Scotland, that specializes in reissuing vintage blues and jazz. The company has been recognised by The Blues Foundation, being honoured with a Keeping the Blues Alive Award. Document Records is the only UK-based recipient of the award in 2018.

<i>Just Dave Van Ronk</i> 1964 studio album by Dave Van Ronk

Just Dave Van Ronk is a 1964 album by folk/blues singer Dave Van Ronk. It has not been released on CD.

<i>To All My Friends in Far-Flung Places</i> 1994 studio album by Dave Van Ronk

To All My Friends in Far-Flung Places is a 1994 album by the American musician Dave Van Ronk. He performed versions of songs written by people he knew. Van Ronk spent 18 months working on the album. Christine Lavin sang on To All My Friends in Far-Flung Places.

"Ramblin' on My Mind" is a blues song recorded on November 23, 1936, by Delta blues musician Robert Johnson. He recorded two takes of the song, which were used for different pressings of the 78 rpm records issued by both the Vocalion and ARC record companies.

"Milk Cow Blues" is a blues song written and originally recorded by Kokomo Arnold in September 1934. In 1935 and 1936, he recorded four sequels designated "Milk Cow Blues No. 2" through No. 5. The song made Arnold a star, and was widely adapted by artists in the blues, Western swing and rock idioms.

"When You Got a Good Friend" is a blues song recorded on November 23, 1936, in San Antonio, Texas, by legendary bluesman Robert Johnson. The song was unissued until 1961, when it was included on the LP King of the Delta Blues Singers.

Bayless Rose was an American singer and guitarist who recorded for Gennett Records in 1930. Although the music industry was highly segregated at the time, it is uncertain whether he was White or African American.

References

  1. von Schmidt, Eric, with John Kruth: Remembering Reverend Gary Davis, Sing Out! 51(4) 67-73 2008
  2. Dixon, Robert M.W., John Godrich and Howard Rye. "Blues & Gospel Records 1890-1943," 4th ed., page 861 (1997) - ISBN   978-0-19-816239-1
  3. Dixon, Robert M.W., John Godrich and Howard Rye. "Blues & Gospel Records 1890-1943," 4th ed., page 984 (1997) - ISBN   978-0-19-816239-1
  4. Dixon, Robert M.W., John Godrich and Howard Rye. "Blues & Gospel Records 1890-1943," 4th ed., page 352 (1997) - ISBN   978-0-19-816239-1
  5. Dixon, Robert M.W., John Godrich and Howard Rye. "Blues & Gospel Records 1890-1943," 4th ed., page 407 (1997) - ISBN   978-0-19-816239-1
  6. Dixon, Robert M.W., John Godrich and Howard Rye. "Blues & Gospel Records 1890-1943," 4th ed., page 279 (1997) - ISBN   978-0-19-816239-1
  7. von Schmidt, Eric, with John Kruth: Remembering Reverend Gary Davis. Sing Out! 51(4) 67-73 2008.
  8. "Baby, Let Me Follow You Down | The Official Bob Dylan Site". www.bobdylan.com. Retrieved 2018-08-02.