"Baby, Let Me Follow You Down" | |
---|---|
Song by Bob Dylan | |
from the album Bob Dylan | |
Released | March 19, 1962 |
Recorded | November 1961 |
Genre | Folk |
Length | 2:37 |
Label | Columbia |
Songwriter(s) |
"Baby, Let Me Follow You Down" is a traditional folk song popularised in the late 1950s by blues guitarist Eric Von Schmidt. The song is best known for its appearance on Bob Dylan's debut album Bob Dylan .
The song was first recorded as "Don't Tear My Clothes" in January 1935 by the State Street Boys, a group that included Big Bill Broonzy and Jazz Gillum. [2] The next few years saw several more versions, including "Don't Tear My Clothes" by Washboard Sam in June 1936, [3] "Baby Don't You Tear My Clothes" by the Harlem Hamfats in May 1937, [4] "Let Your Linen Hang Low" by Rosetta Howard with the Harlem Hamfats in October 1937 [5] and "Mama Let Me Lay It On You" by Blind Boy Fuller in April 1938. [6]
The song was adapted by Eric Von Schmidt, a blues-guitarist and singer-songwriter of the folk revival in the late 1950s. Von Schmidt was a well-known face in the East Coast folk scene and was reasonably well-known across the United States. According to his chronicle of the Cambridge Folk era, also called "Baby, Let Me Follow You Down", Eric had first heard the song via the Blind Boy Fuller recording. Von Schmidt credits Reverend Gary Davis for writing "three quarters" of his version of the song [7] (the melody is very similar to Davis's "Please Baby"). Dave Van Ronk's version became a feature in the coffee houses of Greenwich Village in the early 1960s.
The song was later picked up by the young, up and coming folk singer Bob Dylan, who made it famous on his Columbia Records debut. As an introduction to the song on the album, Dylan pays homage to Schmidt, saying: "I first heard this from Ric von Schmidt. He lives in Cambridge/ Ric is a blues guitarplayer. I met him one day on/ The green pastures of the Harvard University." [8]
The song became very popular amongst Dylan's following and was a regular feature of Dylan's song list. During his 1966 World Tour, Dylan electrified the song's sound, playing it on electric guitar with a five-piece electric band as backing. A decade later, he performed the song with a medley of "Forever Young" at the Band's Last Waltz concert.
An early version of the song contained two verses and a main chorus. Bob Dylan added another verse to the song which appeared regularly. The song has also been edited and changed over the last half a century.
Joseph Lee Williams was an American Delta blues guitarist, singer, and songwriter, notable for the distinctive sound of his nine-string guitar. Performing over five decades, he recorded the songs "Baby, Please Don't Go", "Crawlin' King Snake", and "Peach Orchard Mama", among many others, for various record labels. He was inducted into the Blues Hall of Fame on October 4, 1992.
Bob Dylan is the debut studio album by the American singer-songwriter Bob Dylan, released on March 19, 1962, by Columbia Records. The album was produced by Columbia talent scout John H. Hammond, who had earlier signed Dylan to the label, a controversial decision at the time. The album primarily features folk standards but also includes two original compositions, "Talkin' New York" and "Song to Woody". The latter was an ode to Woody Guthrie, a significant influence in Dylan's early career.
Gary D. Davis, known as Reverend Gary Davis and Blind Gary Davis, was a blues and gospel singer who was also proficient on the banjo, guitar and harmonica. Born in Laurens, South Carolina and blind since infancy, Davis first performed professionally in the Piedmont blues scene of Durham, North Carolina in the 1930s, then converted to Christianity and became a minister. After moving to New York in the 1940s, Davis experienced a career rebirth as part of the American folk music revival that peaked during the 1960s. Davis' most notable recordings include "Samson and Delilah" and "Death Don't Have No Mercy".
The Memphis Jug Band was an American musical group active from the mid-1920s to the late-1950s. The band featured harmonica, kazoo, fiddle and mandolin or banjolin, backed by guitar, piano, washboard, washtub bass and jug. They played slow blues, pop songs, humorous songs and upbeat dance numbers with jazz and string band flavors. The band made the first commercial recordings in Memphis, Tennessee, and recorded more sides than any other prewar jug band.
"Kind Hearted Woman Blues" is a blues song recorded on November 23, 1936, in San Antonio, Texas, by the American Delta bluesman Robert Johnson. The song was originally released on 78 rpm format as Vocalion 03416 and ARC 7-03-56. Johnson performed the song in the key of A, and recorded two takes, the first of which contains his only recorded guitar solo. Both takes were used for different pressings of both the Vocalion issue and the ARC issue. The first take (SA-2580-1) can be found on many compilation albums, including the first one, King of the Delta Blues Singers (1961). Take 2 (SA-2580-2) can be heard on the later compilation Robert Johnson, The Complete Recordings (1990).
Robert Malcolm Ward "Bob" Dixon is a Professor of Linguistics in the College of Arts, Society, and Education and The Cairns Institute, James Cook University, Queensland. He is also Deputy Director of The Language and Culture Research Centre at JCU. Doctor of Letters, he was awarded an Honorary Doctor of Letters Honoris Causa by JCU in 2018. Fellow of British Academy; Fellow of the Australian Academy of the Humanities, and Honorary member of the Linguistic Society of America, he is one of three living linguists to be specifically mentioned in The Concise Oxford Dictionary of Linguistics by Peter Matthews (2014).
Eric Von Schmidt was an American folk musician and painter. He was associated with the folk boom of the late 1950s and early 1960s and was a key part of the Cambridge folk music scene. As a singer and guitarist, he was considered to be the leading specialist in country blues in Cambridge at the time, the counterpart of Greenwich Village's Dave Van Ronk. Von Schmidt co-authored with Jim Rooney Baby, Let Me Follow You Down: The Illustrated Story of the Cambridge Folk Years.
No Direction Home: Bob Dylan is a 2005 documentary film by Martin Scorsese that traces the life of Bob Dylan, and his impact on 20th-century American popular music and culture. The film focuses on the period between Dylan's arrival in New York in January 1961 and his "retirement" from touring following his motorcycle accident in July 1966. This period encapsulates Dylan's rise to fame as a folk singer and songwriter where he became the center of a cultural and musical upheaval, and continues through the electric controversy surrounding his move to a rock style of music.
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Bessie Mae Smith was an American blues singer from St. Louis, who recorded for the Okeh, Vocalion and Paramount record labels under a variety of names between 1927 and 1941. She is reported to have been married to Delta bluesman Big Joe Williams, who sometimes credited her with writing his song “Baby, Please Don't Go”. Her songs often included surreal imagery and sexual metaphors.
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