"Jokerman" | ||||
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Single by Bob Dylan | ||||
from the album Infidels | ||||
B-side | "Isis" (live version from Renaldo and Clara ) | |||
Released | June 1, 1984 | |||
Recorded | April 14, 1983 | |||
Studio | Power Station, New York City | |||
Genre | Reggae rock [1] [2] | |||
Length | 6:12 | |||
Label | Columbia | |||
Songwriter(s) | Bob Dylan | |||
Producer(s) |
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Bob Dylan singles chronology | ||||
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"Jokerman" is a song by Bob Dylan that appeared as the opening track of his 1983 album Infidels. [3] [4] Recorded on April 14, 1983, [5] it was released as a single on June 1, 1984, featuring a live version of "Isis" from the film Renaldo and Clara as its B-side. [6]
In addition to appearing on Infidels, "Jokerman" appeared on several Dylan "Best of" compilations, including Bob Dylan's Greatest Hits Volume 3 , The Best of Bob Dylan , The Essential Bob Dylan , and the deluxe version of Dylan.
The song has been noted for its biblical imagery and has also been analyzed as a political metaphor. [7] In a 1984 interview with Kurt Loder for Rolling Stone , Bob Dylan discussed his inspiration behind the song: "Me and another guy have a boat down there [in the Caribbean]. 'Jokerman' kinda came to me in the islands. It’s very mystical. The shapes there, and shadows, seem to be so ancient. The song was sorta inspired by these spirits they call jumbis ". [8]
On March 27, 1984, a music video was released for "Jokerman", directed by Larry Sloman and George Lois. [9] [10] [8] [11] The video features footage of Dylan lip synching the song during the chorus. The verses are illustrated using photographs of historical figures such as Adolf Hitler, Ronald Reagan, Muhammad Ali and Dylan himself, and paintings by artists such as Hieronymus Bosch, Francisco Goya, and Albrecht Dürer. The lyrics of the song are superimposed over these images. [8]
In addition to Dylan, the song features Mark Knopfler and Mick Taylor on guitar, Alan Clark on the keyboard, Robbie Shakespeare on bass and Sly Dunbar on drums. [5] Percussion performed by Sammy Figueroa was later overdubbed onto the track. [5]
As a single, "Jokerman" failed to chart but was critically well-received and continues to have a positive legacy. In its contemporary review of the single, Cash Box said that the reggae rhythm section provides "an infectious, bubbling bottom while [the guitarists] trade rough and sweet licks across the moving Dylan lyric" and that "at his stirring, thought provoking best on this one, Dylan summons the passion and fervor synonymous with his earlier work and delivers an inspiring vocal performance". [12]
The Telegraph named "Jokerman" as Dylan's fourth best song, [13] while Spectrum Culture included the song on a list of "Bob Dylan's 20 Best Songs of the 1980s". In an article accompanying the latter list, critic Ian Maxton called it an "unlikely successor to Mr. Tambourine Man" and "the strongest evidence available that Dylan continued to operate at another level long after fans and critics had marked him as having fallen off". [14]
Rolling Stone readers named the song one of Dylan's best post-1960s songs, with the magazine calling it "a brilliant six-minute tune about a twisted figure", noting the song's biblical [15] imagery. [16] A Rolling Stone critics poll listed "Jokerman" at #46 on its list of 100 Greatest Bob Dylan Songs. [17] As a guest writer for Rolling Stone, Chris Martin of Coldplay wrote a tribute to "Jokerman", writing "How can this guy [Dylan] have a song that comes from this other world, and it's still so brilliant?" [17] Rolling Stone also included it on a list of "Bob Dylan's Greatest Songs of the 1980s", calling it "one trippy song", noting that "it rocks harder than most anything else Dylan did in the 1980s" and claiming Dylan's 1984 performance of the song on Late Night with David Letterman to be the "definitive" version. [18]
Rapper Wyclef Jean referred to the song in an interview as "the most incredible piece of literature I ever read" and a point of entry for him into the music of Bob Dylan. [19]
A 2021 Guardian article included it on a list of "80 Bob Dylan songs everyone should know". [20]
Stereogum ran an article to coincide with Dylan's 80th birthday on May 24, 2021 in which 80 musicians were asked to name their favorite Dylan song. Pure Bathing Culture's Daniel Hindman selected it, noting how "the lyrics of 'Jokerman' are these quips of mystic wisdom from a source only Bob is in touch with. It’s like he’s decoded these buds of knowledge through his 1960s 'isn’t it all so fucked up man' vibe, filtered through Mark Knopfler’s 1980s roots-pop sensibility. This combination is absolutely perfect for me". [21]
Two remixes of the song by Doctor Dread, a reggae remix and a more radically altered dub remix were included on a 12" vinyl "Jokerman / I and I Reggae Remix EP" released on Record Store Day in 2021. [23]
An alternate take of the song from the Infidels sessions in 1983, with somewhat different lyrics, was included on the 2021 compilation album The Bootleg Series Vol. 16: Springtime in New York 1980–1985 . [24]
Dylan's first live performance of the song, in which he was backed by guitarist J.J. Holiday and the rhythm section from the L.A.-based punk band The Plugz, took place on Late Night with David Letterman , on March 22, 1984. [25] [4] Ian Maxton, writing from the vantage point of 2020, called it "a blistering, righteous version of the song that ranks among his best-ever live performances. The emergence of that performance online is one of the reasons why Infidels has rightfully been re-evaluated in recent years...As good as the album is though – and I’m a partisan – there is a glimpse of something on that Letterman performance that can’t help but leave one wondering what it would have been like to see Dylan go Punk". [14]
Dylan used the song to open his show at Woodstock '94, a version he later made available on his official YouTube channel. [26]
According to Dylan's official website, he performed the song over 150 times in total. [3] The last performance to date took place at Brixton Academy in London, England on November 25, 2003. [27]
"Blind Willie McTell" is a song written and performed by American singer-songwriter Bob Dylan. Named for the blues singer of the same name, the song was recorded in the spring of 1983, during the sessions for Dylan's album Infidels; however, it was ultimately left off the album and did not receive an official release until 1991, when it appeared on The Bootleg Series Volumes 1–3 1961–1991. It was also later anthologized on Dylan (2007).
Infidels is the twenty-second studio album by American singer-songwriter Bob Dylan, released on October 27, 1983, by Columbia Records.
"Tangled Up in Blue" is a song by American singer-songwriter Bob Dylan, which was released as the opening track of his 15th studio album Blood on the Tracks (1975). The song was written by Dylan and produced by David Zimmerman, Dylan's brother. Released as a single, it reached No. 31 on the Billboard Hot 100. The song concerns relationships and contains different narrative perspectives. Dylan has altered the lyrics in subsequent performances, changing the point of view and details in the song.
"Knockin' on Heaven's Door" is a song by American singer-songwriter Bob Dylan, written for the soundtrack of the 1973 film Pat Garrett and Billy the Kid. Released as a single two months after the film's premiere, it became a worldwide hit, reaching the Top 10 in several countries. The song became one of Dylan's most popular and most covered post-1960s compositions, spawning covers from Eric Clapton, Guns N' Roses, Randy Crawford, and more.
Real Live is a live album by American singer-songwriter Bob Dylan, released on November 29, 1984, by Columbia Records. Recorded during the artist's 1984 European Tour, most of the album was recorded at Wembley Stadium on 7 July, but "License to Kill" and "Tombstone Blues" come from St James' Park, Newcastle on 5 July, and "I and I" and "Girl from the North Country" were recorded at Slane Castle, Ireland on 8 July.
"Shelter from the Storm" is a song by Bob Dylan, recorded on September 17, 1974, and released on his 15th studio album, Blood on the Tracks, in 1975. It was later anthologized on the compilation album The Essential Bob Dylan in 2000.
The Plugz were a Latino punk band from Los Angeles that formed in 1977 and disbanded in 1984. They and The Zeros were among the first Latino punk bands, although several garage rock bands, such as Thee Midniters and Question Mark & the Mysterians, predated them. The Plugz melded the spirit of punk and Latino music.
"Abandoned Love" is a song written by Bob Dylan, recorded on July 31, 1975, but not released until 1985, on his compilation album Biograph. It was originally recorded for inclusion on his 1976 album Desire, but was dropped in favor of "Joey". "Abandoned Love" was written during Dylan's breakup with his then-wife Sara Lownds. A working title for the song was "Sara Part II Abandoned Love." It was also known at one point as "Saint John the Evangelist", after a line in the song lyrics.
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"Silvio" is a folk rock song written by Bob Dylan and Robert Hunter and released by Dylan as the seventh track of his 1988 album Down in the Groove. Performed alongside the Grateful Dead, the song was released as the album's only single and spent eight weeks on Billboard's Mainstream Rock chart, peaking at #5 on July 1, 1988.
"I and I" is a song by Bob Dylan that appears as the seventh track of his 1983 album Infidels. Recorded on April 27, 1983, it was released as a single in Europe in November of that year, featuring a version of Willie Nelson's "Angel Flying Too Close to the Ground" as its B-side. The song was produced by Dylan and Dire Straits frontman Mark Knopfler.
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Two standouts come from 1983's Infidels: Built to Spill turn the smooth reggae rock of "Jokerman" into a prickly, guitar-centric anthem of flailing faith, and Craig Finn makes the cosmic barroom come-on of "Sweetheart Like You" seem both sleazier and more sincere than Dylan's.
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