Sly Dunbar | |
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 Sly Dunbar on tour with Peter Tosh in Cardiff, Wales, 1979 | |
| Background information | |
| Birth name | Lowell Fillmore Dunbar |
| Born | 10 May 1952 Kingston, Jamaica |
| Genres | Reggae |
| Occupation | Musician |
| Instrument(s) | Drums, percussion, programming |
Lowell Fillmore "Sly" Dunbar (born 10 May 1952, Kingston, Jamaica) [1] is a Jamaican drummer, best known as one half of the prolific Jamaican rhythm section and reggae production duo Sly and Robbie.
Dunbar began playing at 15 in a band called The Yardbrooms. His first appearance on a recording was on the Dave and Ansell Collins album Double Barrel. Dunbar joined a band Ansell Collins called Skin, Flesh and Bones. [1]
Speaking on his influences, Sly explains “My mentor was the drummer for the Skatalites, Lloyd Knibb. And I used to listen a lot to the drummer for Booker T. & the M.G.'s, Al Jackson Jr., and a lot of Philadelphia. And there are other drummers in Jamaica, like Santa and Carly from the Wailers Band, Winston Bennett, Paul Douglas, Mikey Boo. I respect all these drummers and have learnt a lot from them. From them, I listened and created my own style. They played some things I copied, other things I recreated." [2]
In 1972, Dunbar met and became friends with Robbie Shakespeare, who was then bass guitarist for the Hippy Boys. Shakespeare recommended Dunbar to Bunny Lee as a possible session drummer for the Aggrovators. Dunbar and Shakespeare decided to continue performing together. They worked with Peter Tosh and his band until 1981, recording five albums. [1]
Dunbar noted about the Mighty Diamonds' song "Right Time": "When that tune first come out, because of that double tap on the rim nobody believe it was me on the drums, they thought it was some sort of sound effect we was using. Then when it go to number 1 and stay there, everybody started trying for that style and it soon become established." [3] According to The Independent , the entire album Right Time was "revolutionary", the breakthrough album of "masters of groove and propulsion" Dunbar and Shakespeare, with "Sly's radical drumming matching the singers' insurrectionary lyrics blow-for-blow." [4]
Dunbar and Shakespeare formed their Taxi Records label in 1980. It has seen releases from many international successful artists, including Black Uhuru, Chaka Demus and Pliers, Ini Kamoze, Beenie Man and Red Dragon. [1]
Dunbar played for the Aggrovators for Bunny Lee, the Upsetters for Lee Perry, the Revolutionaries for Joseph Hoo Kim, and recorded for Barry O'Hare in the 1990s. [1]
Dunbar plays drums on several noteworthy tracks produced by Lee Perry including "Night Doctor", Junior Murvin's "Police and Thieves", and Bob Marley's "Punky Reggae Party" 12" track (although the track was produced by Perry, Dunbar's drum track was actually recorded at Joe Gibbs Duhaney Park studio). [5]
Sly and Robbie also played on Bob Dylan's albums Infidels and Empire Burlesque (using recordings from the Infidels sessions). Other sessions include their appearance on three Grace Jones albums, and work with Herbie Hancock, Joe Cocker, Serge Gainsbourg and the Rolling Stones. [1]
In 2008, Sly Dunbar collaborated with the Jamaican percussionist Larry McDonald, on his debut album Drumquestra. [6]
Dunbar appeared in the 2011 documentary Reggae Got Soul: The Story of Toots and the Maytals which was featured on the BBC and described as “The untold story of one of the most influential artists ever to come out of Jamaica”. [7] [8]
In 1979, Brian Eno remarked of Sly Dunbar: " (...) So when you buy a reggae record, there's a 90 percent chance the drummer is Sly Dunbar. You get the impression that Sly Dunbar is chained to a studio seat somewhere in Jamaica, but in fact what happens is that his drum tracks are so interesting, they get used again and again." [9]
Sly Dunbar is a 13-time Grammy nominee. He received two Grammy awards: the 1985 Grammy for Best Reggae Recording for the Black Uhuru album "Anthem" for which Dunbar and Robbie Shakespeare were producers, and one for the 1999 Best Reggae Album Grammy award for the Sly & Robbie album entitled "Friends". [10]
Grammy Nominations
Grammy Wins
With Joan Armatrading
With Gary Barlow
With Dennis Brown
With Jackson Browne
With Jimmy Cliff
With Joe Cocker
With Bootsy Collins
With Carlene Davis
With Ian Dury
With Bob Dylan
With Gwen Guthrie
With Nona Hendryx
With Mick Jagger
With Garland Jeffreys
With Grace Jones
With Ziggy Marley and the Melody Makers
With Jenny Morris
With Yoko Ono
With Sinéad O'Connor
With Barry Reynolds
With Carly Simon
With Simply Red
With The Rolling Stones
With Peter Tosh
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"Punky Reggae Party" is a song by Bob Marley, recorded and released in 1977. Not appearing on any studio album, it was released in 1977 as a 12-inch single in Jamaica only on the Tuff Gong and Lee Perry's Black Art labels, as a B-side to the "Jamming" single on Chris Blackwell's Island Records label in some countries and was later released as a live single on Babylon by Bus. Subsequently, it appeared on a number of compilations and "Best of" albums as well as the Deluxe Edition of Exodus and the 2002 CD reissue of Legend.
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Frederick Nathaniel "Toots" Hibbert, was a Jamaican singer and songwriter who was the lead vocalist for the reggae and ska band Toots and the Maytals. A reggae pioneer, he performed for six decades and helped establish some of the fundamentals of reggae music. Hibbert's 1968 song "Do the Reggay" is widely credited as the genesis of the genre name reggae. His band's album True Love won a Grammy Award in 2005.
Sly and Robbie were a prolific Jamaican rhythm section and production duo, associated primarily with the reggae and dub genres. Drummer Sly Dunbar and bassist Robbie Shakespeare teamed up in the mid-1970s after establishing themselves separately in Jamaica as professional musicians. Shakespeare died in December 2021 following kidney surgery.
Robert Warren Dale Shakespeare was a Jamaican bass guitarist and record producer, best known as half of the reggae rhythm section and production duo Sly and Robbie, with drummer Sly Dunbar. Regarded as one of the most influential reggae bassists, Shakespeare was also known for his creative use of electronics and production effects units. He was sometimes nicknamed "Basspeare".
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Mighty Diamonds Right Time.
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