Cosmic Slop is the fifth studio album by Funkadelic, released in May 1973 on Westbound Records. While it has been favorably reevaluated by critics long after its original release, the album was a commercial failure, producing no charting singles, and reaching only #112 on the Billboard pop chart and #21 on the R&B chart.
Tales of Kidd Funkadelic is the eighth studio album by the band Funkadelic, released in September 1976. It was their final album on the Westbound record label. The tracks were recorded during the same sessions as their first release for Warner Brothers Records, Hardcore Jollies; which was released a month later. Two tracks from Tales of Kidd Funkadelic, the single “Undisco Kidd” and the party anthem “Take Your Dead Ass Home!” have been staples in the band’s live performances since the album’s 1976 release, and can be heard on the 1977 Parliament (band) concert album Live: P-Funk Earth Tour. The album opener “Butt-To-Buttresuscitation” and the song “I’m Never Gonna Tell It” were included in the band’s live shows during the early 2000s. The song "Let's Take It to the People" has been sampled by hip-hop band A Tribe Called Quest for their song "Everything Is Fair", on their album The Low End Theory.
Uncle Jam Wants You is the eleventh studio album by American funk rock band Funkadelic. It was originally released by Warner Bros. Records on September 21, 1979, and was later reissued on CD by Charly Groove Records and Priority Records. It was produced by George Clinton under the alias Dr. Funkenstein. It is the first Funkadelic album since America Eats Its Young in 1972 not to sport a cover illustrated by Funkadelic artist Pedro Bell, though Bell did provide artwork for the album’s back cover and interior. Uncle Jam Wants You was the second Funkadelic album to be certified gold. The album peaked at #18 on the US Billboard 200 and #2 on the US Billboard Top R&B/Hip-Hop Albums charts.
Funkentelechy vs. the Placebo Syndrome is the sixth album by funk band Parliament, released in 1977.
Gwendolyn Guthrie was an American singer-songwriter and pianist who also sang backing vocals for Aretha Franklin, Billy Joel, Stevie Wonder, Peter Tosh, The Limit and Madonna, among others, and who wrote songs made famous by Ben E. King, Angela Bofill and Roberta Flack. Guthrie is well known for her 1986 anthem "Ain't Nothin' Goin' on But the Rent," and for her 1986 cover of the song "(They Long to Be) Close to You."
It Ain't Easy is the fourth album by American rock band Three Dog Night, released in 1970.
Skyscraper is the second full-length studio album by David Lee Roth, released during his solo career after his departure as the original lead vocalist from Van Halen. It was released on January 26, 1988, on Warner Bros. Records.
Chocolate City is the third album by the funk band Parliament, released in 1975. It was a "tribute to Washington D.C.", where the group had been particularly popular. The album's cover includes images of the United States Capitol, the Washington Monument, and the Lincoln Memorial in the form of a chocolate medallion, as well as sticker labeled "Washington DC". The album was very popular in the capitol city, selling 150,000 copies alone there.
The Clones of Dr. Funkenstein is the fifth album by funk band Parliament, released in September 1976. The album is notable for featuring horn arrangements by ex-James Brown band member, Fred Wesley. The album charted at #3 on the Billboard R&B Albums chart, #20 on the Billboard pop chart, and became Parliament's second album to be certified gold. Two singles were released off the album, "Do That Stuff", which charted at #22, and "Dr. Funkenstein" which charted at #43.
Cher is the eighteenth studio album by American singer-actress Cher, released on November 10, 1987 by Geffen Records. The album has been certified Platinum in the US by the RIAA and Gold in Australia by ARIA and the UK by BPI.
Up for the Down Stroke is an album by the American funk band Parliament. It was the band's second album, and their first to be released on Casablanca Records. The album was released on July 3, 1974. Its title track was Parliament's first chart hit and remains one of the most well-known P-Funk songs. The album also contains a funk reworking of The Parliaments' song "(I Wanna) Testify" under the title "Testify". The original title of the album was Whatever Makes Baby Feel Good, and the cover featured group leader George Clinton hovering over a woman in distress, sporting a black wig and monster-type gloves.
Utah Saints is the self-titled debut album by British electronic band Utah Saints. It was released in the United States in 1992 on London Records, and in 1993 the album was released in the United Kingdom on FFRR, featuring a different track listing, cover, and two additional songs. The album reached number 10 on the UK Albums Chart; singles released from this album include "Something Good", "I Want You", and "What Can You Do for Me".
The Best That I Could Do 1978–1988 is the first greatest hits compilation album by American singer-songwriter John Mellencamp, released by Mercury Records in 1997. It compiles Mellencamp's most popular material recorded during his first decade with Riva and Mercury Records, beginning with 1978's A Biography, up through 1987's The Lonesome Jubilee, with a new recording of Terry Reid's "Without Expression". Mellencamp picked the songs for the album and also came up with the title for the album. The album reached No. 33 on the Billboard 200. This album and Rough Harvest came about because, after leaving Mercury Records for Columbia Records, Mellencamp still owed the label two more albums.
Based on a True Story is an album by the American band the Del-Lords, released in 1988 on Enigma Records. The band supported the album with a North American tour.
All The Woo In The World is the debut Funk album by Parliament-Funkadelic keyboardist Bernie Worrell, released in 1978 by Arista Records. The album was produced by Bernie Worrell and P-Funk leader George Clinton and features various P-Funk alumni including Garry Shider, Bootsy Collins, Junie Morrison, Billy Bass Nelson, and Eddie Hazel.
"Ain't Nothin' Goin' On but the Rent" is a 1986 song by American singer Gwen Guthrie. It was released as the lead single from her fourth album, Good to Go Lover (1986), on Polydor Records. It became the biggest hit of Guthrie's career, and the song's title became a semi-popular catchphrase among many women throughout the late 1980s and early 1990s. The single peaked at number five in the UK, but hit number-one in New Zealand, Zimbabwe and on the US Billboard Hot Dance Club Play. In 1993, it was remixed and again charted in the UK, peaking at number 42. In 2005, Blender listed "Ain't Nothin' Goin' On but the Rent" as number 339 on its list of "Greatest Songs Since You Were Born".
P Is the Funk is the second installment of the George Clinton Family Series collection. The album was released in 1992 by P-Vine Records in Japan, and then was released later in the same year by AEM Records in the United States and Sequel Records in the United Kingdom. The album contains notable tracks such as the first song ever recorded by the Brides of Funkenstein entitled "Love Is Something" featuring P-Funk lead guitarist Eddie Hazel, as well radio commercials for the Ultra Wave album by Bootsy Collins.
"What Can You Do for Me" is a song by English electronic group Utah Saints. It was released on 12 August 1991 as the first single from their debut album, Utah Saints (1992). The song reached number 10 on the UK Singles Chart and number three on the UK Dance Singles Chart. It uses samples from "There Must Be an Angel " by Eurythmics and "Ain't Nothin' Goin' on But the Rent" by Gwen Guthrie. The title "What Can You Do for Me" is taken from lyrics of "Ain't Nothin' Goin' on But the Rent". A music video was also produced to promote the single.
Essar is a 1984 album by American singer Smokey Robinson. It was produced and arranged by Robinson with Reginald "Sonny" Burke. The album was released on the Motown sub-label Tamla. The album's title is a pun on the initials of Robinson's name.
Love Remembers is the 28th album by George Benson, released June 8, 1993. This album charted at No. 1 on Billboard's Contemporary Jazz Albums chart, as well as No. 7 on its Jazz Albums chart.
