Don Drummond was a Jamaican ska trombonist and composer. He was one of the original members of The Skatalites, and composed many of their tunes.
Johnny Clarke is a Jamaican reggae musician, best known for his recordings with producer Bunny Lee in the 1970s.
Dennis Emmanuel Brown CD was a Jamaican reggae singer. During his prolific career, which began in the late 1960s when he was aged eleven, he recorded more than 75 albums and was one of the major stars of lovers rock, a subgenre of reggae. Bob Marley cited Brown as his favourite singer, dubbing him "The Crown Prince of Reggae", and Brown would prove influential on future generations of reggae singers.
Mystic Man is the fourth studio album by Peter Tosh. All songs were composed by Peter Tosh. It was released in 1979 by Rolling Stones Records, EMI, and Intel Diplo.
Lloyd James, who is better known as Prince Jammy or King Jammy, is a dub mixer and record producer. He began his musical career as a dub master at King Tubby's recording studio. His dubs were known for their clear sound and use of effects.
Blood and Fire is a British reggae record label specialising in reissues of 1970s dub.
Clive Hunt is a Jamaican reggae multi-instrumentist, arranger, composer and producer.
Richell Bonner, better known as Richie Spice is a Jamaican reggae artist. He is a member of the Rastafari movement. Some of his most famous songs include, "Brown Skin", "Youth Dem Cold", "Groovin' My Girl", "Earth A Run Red", "Marijuana" and "The Plane Land". Three of his brothers are also reggae artists - Pliers, Spanner Banner, and Snatcha Lion.
Leroy Sibbles is a Jamaican reggae musician and producer. He was the lead singer for The Heptones in the 1960s and 1970s.
Phyllis Dillon was a Jamaican rocksteady and reggae singer who recorded for Duke Reid's lucrative Treasure Isle record label in the late 1960s and early 1970s.
The Wailing Souls are a Jamaican reggae vocal group whose origins date back to the 1960s. The group has undergone several line-up changes over the years with Winston "Pipe" Matthews and Lloyd "Bread" McDonald the only constant members. They have been nominated for Grammy Awards three times.
The Revolutionaries is a Jamaican reggae band.
Roy Anthony Johnson, better known simply as Anthony Johnson, is a Jamaican reggae musician who was a member of the group Mystic I and is known for the 1980s hit song "Gunshot".
Michael George Haynes, known professionally as Michael Prophet, was a Jamaican roots reggae singer known for his "crying" tenor vocal style, whose recording career began in 1977. Prophet was one of Jamaica’s most popular roots reggae singers and had several prominent hits during his 40-year career.
Cleveland Watkiss,, is a British vocalist, actor, and composer.
Triston Palma aka Triston or Tristan Palmer is a reggae singer/deejay. He has been active since the mid-1970s.
Pick Up the Pieces is the debut album from Jamaican roots reggae group The Royals, collecting recordings made between 1973 and 1977, and produced by Royals lead vocalist and only constant member Roy Cousins. Musicians on the album include members of The Wailers, Soul Syndicate, The In Crowd, and the Now Generation. The album was later licensed to United Artists subsidiary Ballistic Records, and was reissued in an expanded form in 2002 by Pressure Sounds. The songs on the album have been described as "some of the most musically sublime expressions of Rastafarian faith and the hardships of ghetto living Jamaica has produced".
Geoffrey Aloysius Chung was a Jamaican musician, recording engineer, and record producer.
Winston Lara, better known by his stage name Gene Rondo, was a Jamaican reggae singer. After first recording as part of the duo Gene & Roy in Jamaica, he relocated to London where he continued to record until the 1980s, including several album releases in the 1970s, both solo and as a member of The Undivided. He was sometimes credited as Gene Laro or Winston Laro.
A New Chapter of Dub is an album by English reggae band Aswad, released by Island Records in April 1982. The record is a dub version of Aswad's previous album New Chapter (1981), and was produced by the group with Michael "Reuben" Campbell. Having felt New Chapter under-performed commercially because it was too intricate for mainstream reggae audiences, the group conceived the dub remix album as a way of appealing to core reggae audiences. The record emphasises dub techniques like delay, echo and drop-out and was among the first British dub albums to use tape and digitally-manipulated echo on a horn section. Although not a commercial success, A New Chapter of Dub received critical acclaim and has since been cited by some writers as one of the greatest dub albums of all time.
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