"Laugh, Laugh" | ||||
---|---|---|---|---|
Single by the Beau Brummels | ||||
from the album Introducing the Beau Brummels | ||||
B-side | "Still In Love With You Baby" | |||
Released | December 1964 [1] | |||
Recorded | 3 November 1964 | |||
Studio | Golden State Recorders, San Francisco, California | |||
Genre | ||||
Length | 2:48 | |||
Label | Autumn | |||
Songwriter(s) | Ron Elliott | |||
Producer(s) | Sylvester "Sly Stone" Stewart | |||
The Beau Brummels singles chronology | ||||
|
"Laugh, Laugh" is a song by American rock group the Beau Brummels, written by guitarist Ron Elliott and produced by Sylvester Stewart, later known as Sly Stone. Released in December 1964 as the band's debut single, the song reached number 15 on the U.S. Billboard Hot 100 chart the following February. "Laugh, Laugh" was the first hit single to come out of the emerging San Francisco music scene in response to the British Invasion. [3] [4] The song was later included on the band's first full-length album, Introducing the Beau Brummels , released in April 1965.
The Beau Brummels promoted the single by appearing on several television shows, including a 1965 episode of The Flintstones in which the band gave an animated performance as the Beau Brummelstones. [5] In 1994, "Laugh, Laugh" was selected to The Rock and Roll Hall of Fame's 500 Songs that Shaped Rock and Roll exhibit. Lead singer Sal Valentino reworked the song for his 2008 solo album, Every Now and Then.
In 1964, San Francisco disc jockeys Tom Donahue and Bobby Mitchell were looking for new acts to bring to their Autumn Records label. [6] They discovered the Beau Brummels performing at the Morocco Room, a club in nearby San Mateo, and signed the band shortly thereafter. [6] Donahue and Mitchell were eager to capitalize on Beatlemania, a phenomenon surrounding the Beatles that originated several years before in Germany and was spreading across the U.S. by this time. [6] The Beau Brummels had taken their name, a British term for an excessively well-dressed person, suggested to them, which lead singer Valentino maintained they didn't even know how to spell. [7] Even the harmonies of "Laugh, Laugh" were reminiscent of popular British acts of the time, [8] [9] such as the Beatles and the Zombies. [10] However, songwriter-guitarist Ron Elliott said the song was directly influenced not by UK bands, but by U.S. pop group the Four Seasons. [11]
Elliott grew up writing music inspired by theatrical composers such as George Gershwin and Jerome Kern, as well as country music artist Lefty Frizzell. [10] After forming the Beau Brummels with lead vocalist Sal Valentino, Elliott wanted to create simplified music that had mainstream appeal. [10] He noted that "Laugh, Laugh" had a "very complex chord structure, but instead of using the major seventh chords and the passing chords that I prefer, I wrote the song in flat major and minor keys using a simplified tonal structure." [12] Elliott said he liked using minor keys as he believed they added an element of mystery to the music, similar to that of James Bond films. [10] Lyrically, "Laugh, Laugh" describes a rejected lover who takes pleasure in revenge when someone rejects the one who had rejected him.
The song features a harmonica, played by Declan Mulligan, throughout the tune.
The originally-released version of "Laugh, Laugh," universally heard in 1965 when it was a hit, fades out just before the second iteration of the line "Lonely/Oh so lonely." The full version does not fade out, but rather ends "cold" on an E chord. As most oldies radio stations today play songs provided by a music service rather than actual records, the version with the cold ending is heard almost universally now. This version also features a "yeah" uttered by Sal Valentino between the two iterations of "lonely" that was edited out of the original release. [13]
The song was produced by Autumn house producer Sylvester Stewart, who later gained fame as Sly Stone of Sly & the Family Stone. [14] Valentino recalled the band's recording sessions with Stone: "He was only about nineteen or twenty when we worked with him. It was before all of his reputation came to be, that everybody knows him for now." [15] Valentino added, "He was a cheerleader. He could play everything if we needed him to. He was great. He was the guy in San Francisco who knew how to make a record in the studio. There was nobody before him." [15] Elliott agreed, saying Stone was a positive influence on the band because of his talent, intelligence and experience. [10]
"Laugh, Laugh" was released in December 1964, seven months after the band's formation. [3] In January 1965, the song entered the Billboard Hot 100 at number 96. [16] The song remained in the top 40 portion of the chart for eight weeks, peaking at number 15 in February. [17] [18] Donahue believed the single would have peaked at number one if the band was on a label with stronger distribution. [19] In Canada, the song reached number two on RPM magazine's singles chart. [20] As the song climbed the charts, many listeners assumed the Beau Brummels were British, due to the band's name and musical style. [3] [10] For their part, Donahue and Mitchell spread rumors that the band was indeed from the UK, and had the band dress in Beatlesque suits. [6]
"Laugh, Laugh" was the first hit single from a burgeoning San Francisco music scene—including such bands as Jefferson Airplane, the Grateful Dead, We Five, Moby Grape, Quicksilver Messenger Service and Country Joe and the Fish— [12] to respond to the British Invasion. [21] [22] The song is credited as one of the earliest tracks to blend beat music with folk rock, even before the Byrds recorded "Mr. Tambourine Man." [3] [6] Chris Hillman, who played bass guitar with the Byrds, saw the Beau Brummels at a Los Angeles concert, and later remarked: "I remember them doing the hit they had, 'Laugh, Laugh.' They really sort of answered the Beatles before we did, in that sense." [11] However, Byrds singer-guitarist Roger McGuinn claimed "they had a little trouble singing in tune." [11] Record World commented on the song's "dynamism" and said that the Beau Brummels "sing and play with a splendid slant toward the contemporary teenage beat." [23] The song was one of 10 pop singles named in a January 1966 issue of Billboard which credited the use of harmonica in folk, pop, and rhythm and blues (R&B) music for sparking a harmonica sales boom at record retailers in 1964 and 1965. [24]
Music critic Dave Marsh selected the song for his 1989 book, The Heart of Rock & Soul: The 1001 Greatest Singles Ever Made. [25] William Ruhlmann of Allmusic called it a "pivotal" song with "cleverly arranged harmonies." [13] On the other hand, Chris Smith of Stylus Magazine described it as a "mostly colorless, indistinct Beatles rip-off" and "pretty unmemorable." [26] In 1994, the Rock and Roll Hall of Fame's curatorial staff, along with rock critics and historians, selected "Laugh, Laugh" for a Hall of Fame exhibit featuring The 500 Songs that Shaped Rock and Roll." [27]
The Beau Brummels performed "Laugh, Laugh" on several television music variety shows of the mid-1960s, including NBC's Hullabaloo on February 23, 1965, [28] ABC's Shindig! on March 10, 1965 [29] and American Bandstand on April 9, 1966. [30] In September 1965, the Beatles' self-titled animated television series debuted and became an immediate ratings success. [31] As a result, animation studios moved quickly to incorporate cartoon rock bands into other programs. [31] An early effort by Hanna-Barbera showcased the Beau Brummels as animated guests on The Flintstones sitcom in the season six episode "Shinrock A Go-Go," which originally aired on December 3, 1965. [31] [32] Appearing as The Beau Brummelstones, the band performed "Laugh, Laugh" on Bedrock's TV teen dance show, Shinrock—a takeoff of the Shindig! program. [32]
"Laugh, Laugh" was included on the 1998 four-CD expanded edition of Nuggets: Original Artyfacts from the First Psychedelic Era, 1965–1968 , a collection of American garage rock singles that helped influence the development of 1970s punk rock. (It was not included in the original 1972 compilation double album). [33] [34] [35] The song was also featured in the 1989 John Candy comedy film Uncle Buck . [36]
An alternate take appears on the Beau Brummels' 1996 three-disc box set San Fran Sessions , a collection of rarities, demos and outtakes. [37] The band's Live! album, released in 2000, contains a 1974 performance of "Laugh, Laugh" recorded during a concert in Fair Oaks Village near Sacramento, California. [38] Sal Valentino revisited the song on his 2008 solo album, Every Now and Then, on which he offers a darker interpretation of the track. [39] Surf rock group the Astronauts performed a cover version of "Laugh, Laugh" on their 1967 album, Travelin' Man. [40] The song was also covered by California garage rock band the E-Types, whose live rendition is part of the Live at the Rainbow Ballroom 1966 album, released in 1998. [41] Experimental musician [42] R. Stevie Moore recorded a version of the song on his 1983 album, Crises. [43] Rob Seel released a version in 2017, which includes performances by Mark Dawson of the Grass Roots and Grip Weeds members Kurt Reil, Rick Reil, and Kristin Pinell. [44]
The Beau Brummels
Production team
Chart (1964–65) | Peak position |
---|---|
Australia | 78 |
Canadian Singles Chart [20] | 2 |
U.S. Billboard Hot 100 [45] | 15 |
U.S. Cash Box Top 100 [46] | 17 |
The Beau Brummels were an American rock band. Formed in San Francisco in 1964, the band's original lineup included Sal Valentino, Ron Elliott, Ron Meagher, Declan Mulligan, and John Petersen (drums). They were discovered by local disc jockeys who were looking to sign acts to their new label, Autumn Records, where Sylvester Stewart—later known as Sly Stone—produced the group's early recording sessions. Initially, the band's musical style blended beat music and folk music and typically drew comparisons to the Beatles, while their later work incorporated other music genres such as psychedelic rock and country rock.
Sal Valentino is an American rock musician, singer and songwriter, best known as lead singer of The Beau Brummels, subsequently becoming a songwriter as well. The band released a pair of top 20 U.S. hit singles in 1965, "Laugh, Laugh" and "Just a Little". He later fronted another band, Stoneground, which produced three albums in the early 1970s. After reuniting on numerous occasions with the Beau Brummels, Valentino began a solo career, releasing his latest album, Every Now and Then, in 2008.
John Louis Petersen was an American drummer, most notably for rock bands The Beau Brummels and Harpers Bizarre.
"You Tell Me Why" is a song by American rock group The Beau Brummels, from the band's second album, The Beau Brummels, Volume 2. The song was written by guitarist Ron Elliott and produced by Sylvester Stewart, later known as Sly Stone. "You Tell Me Why" was released as the album's lead single, and peaked at number 38 on the Billboard Hot 100 in August 1965. The band revisited the song and included it on their 1975 eponymous album. The original version later appeared on the band's 1987 compilation album The Best of The Beau Brummels 1964–1968.
Triangle is the fourth studio album by American rock band the Beau Brummels. Produced by Lenny Waronker and released in July 1967, it was the band's first album to include songs that vocalist Sal Valentino and guitarist Ron Elliott composed together. The band incorporated fantasy elements and surreal characters into the album's song titles and lyrics, and worked with a variety of session musicians to create Triangle's psychedelic musical style. The Beau Brummels were reduced to a trio—Valentino, Elliott, and Ron Meagher—at the time Triangle was recorded, as former group members Don Irving (guitars) and John Petersen (drums) left the band following the release of the group's previous album, Beau Brummels '66.
"Just a Little" is a song by the American rock group the Beau Brummels. The song is included on the band's debut album, Introducing the Beau Brummels, and was released as its second single, following "Laugh, Laugh". "Just a Little" became the band's best hit parade U.S. single, which peaked at number eight on the Billboard Hot 100 in June 1965. It also reached no lower than position #10 of the hit parades in Canada and Australia.
Bradley's Barn is the fifth studio album by the American rock group the Beau Brummels. Released in October 1968, it contains the singles "Long Walking Down to Misery" and "Cherokee Girl." The album has received critical acclaim as an early example of country rock. The album was named after the recording studio owned by Owen Bradley where the album was recorded.
The Beau Brummels were an American rock band that formed in 1964 and originally consisted of singer Sal Valentino, lead guitarist Ron Elliott, bassist Ron Meagher, rhythm guitarist Declan Mulligan and drummer John Petersen. Local radio disc jockeys Tom Donahue and Bobby Mitchell discovered the band at a club near San Francisco. They signed the Beau Brummels to their fledgling Autumn Records label, and their house producer, Sylvester Stewart, later known as Sly Stone, recorded the band's early sessions.
The Beau Brummels, Volume 2 is the second studio album by the American rock group the Beau Brummels. Released in August 1965, the album contains the U.S. top 40 hit "You Tell Me Why" and follow-up single "Don't Talk to Strangers."
"Good Time Music" is a song originally recorded by the American folk-rock band the Lovin' Spoonful in 1965. Written by John Sebastian, it appeared on the 1966 Elektra Records compilation What's Shakin'. Author Richie Unterberger characterizes the song as "a sort of manifesto of the group's optimism in its jaunty rhythms and celebration of the return of good time music to the radio."
Ronald Charles Elliott is an American musician, composer and record producer, best known as songwriter and lead guitarist of the rock band The Beau Brummels. Elliott wrote or co-wrote the band's 1965 U.S. top 20 hits "Laugh, Laugh" and "Just a Little". In addition to reuniting with the Beau Brummels on occasion over the years, Elliott released a solo album in 1970, and has played on and produced albums by a number of other artists.
Beau Brummels '66 is the third studio album by the American rock group the Beau Brummels, and their first on Warner Bros. Records. The album consists of twelve cover songs and no originals. Autumn Records, the band's previous label, had sold the band to Warner Brothers in early 1966. Warner Brothers, however, did not control the publishing rights, and opted to have the band record an album of covers, including songs originally performed by The Beatles and Bob Dylan, as well as recent hit singles by such acts as The Mamas & the Papas and Simon & Garfunkel. Lead vocalist Sal Valentino explained, "When we went to Warner Brothers, they were just anxious to get a record out, to capitalize on the success we had. That record was the wrong one to do at the time."
"Here We Are Again" is a song by American rock group The Beau Brummels. It was released in 1966 as the band's second single on Warner Bros. Records, following their cover of Bob Dylan's "One Too Many Mornings," released earlier that year. "Here We Are Again" was the first Beau Brummels' A-side written by lead vocalist Sal Valentino.
"Magic Hollow" is a song by American rock group The Beau Brummels, from the band's fourth album, 1967's Triangle. The song, written by guitarist Ron Elliott and lead singer Sal Valentino, was released as the album's first single. The song appeared on the band's 1987 compilation album The Best of the Beau Brummels 1964-1968, and "Magic Hollow" also served as the title of the band's 2005 four-disc box set.
The Beau Brummels is the sixth studio album by the American rock band of the same name. Released in April 1975, the album features the work of all five original band members for the first time since the band's debut album, 1965's Introducing the Beau Brummels. The album peaked at number 180 on the U.S. Billboard 200 albums chart in 1975.
John Declan Mulligan was an Irish-born American musician, best known as a guitarist of rock band The Beau Brummels in the 1960s.
Live! is a live album by American rock group The Beau Brummels. The album, released in August 2000 by Dig Music, was recorded in February 1974 near Sacramento, California, shortly after it was announced that the band had reunited. The album includes a mix of performances of their most commercially singles, including "Laugh, Laugh" and "Just a Little," as well as then-new material, some of which would be recorded for the band's 1975 eponymous studio album.
The Best of the Beau Brummels 1964–1968, sometimes titled The Best of the Beau Brummels: Golden Archive Series, is a compilation album by American rock band The Beau Brummels. Released in 1987 by Rhino Records, the album features 18 songs, including the band's biggest hit singles—"Laugh, Laugh", "Just a Little", "You Tell Me Why", and "Don't Talk to Strangers"—as well as songs which never appeared on an album before this collection, such as the 1967 single "Here We Are Again".
San Fran Sessions is a box set compilation which collects 60 demos, outtakes, rarities and unissued performances recorded by The Beau Brummels from 1964 to 1966. The three-disc set, released by Sundazed Records on June 11, 1996, includes alternate takes of the band's singles "Laugh, Laugh" and "Just a Little", as well as early versions of songs that were likely targeted for their never-completed third album on Autumn Records.
Stoneground was an American rock band formed in 1970 in Concord, California. Originally a trio, Stoneground expanded to a 10-piece band by the time of their eponymous 1971 debut album. The group appeared in two films, Medicine Ball Caravan (1971) and Dracula A.D. 1972 (1972), and released three albums before singer Sal Valentino quit in 1973. Three other band members—Cory Lerios, Steve Price and David Jenkins—left to form pop group Pablo Cruise. Stoneground continued as an act through 1982, with only Tim Barnes and Annie Sampson remaining from the early incarnation of the band. Barnes and Price led a re-formed Stoneground in 2003 and released a studio album the following year.
The Rocklopedia Fakebandica.