When the War Was On

Last updated

"When the War Was On"
Johnson-WhenTheWarWasOn.jpg
Single by Blind Willie Johnson
Released1929 (1929)
RecordedDecember 11, 1929, New Orleans, Louisiana
Genre Gospel blues
Length3:04
Label Columbia
Songwriter(s) Unknown

"When the War Was On" is a call and response blues song recorded in 1929 by Blind Willie Johnson and Willis B. Harris, who is thought to have been his first wife. [1] Johnson plays bottleneck guitar, and sings throughout in his "growl" (false bass) voice; Harris sings soprano.

Lyrics

The war referred to is World War I (191418). The lyrics reference U.S. President Wilson (191321) and the German Kaiser; the U.S. entered the war in 1917.

Unusually for Johnson, the song deals with a temporal rather than a spiritual subject. It shares tune and lyrics with "Everybody Help the Boys Come Home" (1927) by William and Versey Smith, husband and wife. The other side of that record by the Smiths is "When That Great Ship Went Down", which relates to the sinking of RMS Titanic. Johnson recorded his only other song on a temporal subject, "God Moves on the Water" (about the Titanic disaster), on the same day as he recorded "When the War Was On". It therefore seems likely that he knew that record.

Related Research Articles

<span class="mw-page-title-main">Blind Willie Johnson</span> American blues and gospel singer and guitarist

Blind Willie Johnson was an American gospel blues singer, guitarist and evangelist. His landmark recordings completed between 1927 and 1930—thirty songs in total—display a combination of powerful "chest voice" singing, slide guitar skills, and originality that has influenced generations of musicians. Even though Johnson's records sold well, as a street performer and preacher, he had little wealth in his lifetime. His life was poorly documented, but over time, music historians such as Samuel Charters have uncovered more about Johnson and his five recording sessions.

Richard "Rabbit" Brown was an American blues guitarist and composer. His music has been characterized as a mixture of blues, pop songs, and original topical ballads. He recorded six sides for Victor Records on March 11, 1927, one of which, "James Alley", is included in the 1952 Anthology of American Folk Music and has been covered by Bob Dylan, among others.

<span class="mw-page-title-main">You'll Need Somebody on Your Bond</span>

"You'll Need Somebody on Your Bond" is a gospel song that is attributed to both tradition and to gospel blues musician Blind Willie Johnson. Johnson first recorded the song in December 1930, although Delta blues musician Charley Patton recorded a similar "You're Gonna Need Somebody When You Die" in October 1929. Over the years, several other musicians have recorded renditions of the song.

<span class="mw-page-title-main">In My Time of Dying</span> 1928 single by Blind Willie Johnson

"In My Time of Dying" is a gospel music song by Blind Willie Johnson. The title line, closing each stanza of the song, refers to a deathbed and was inspired by a passage in the Bible from Psalms 41:3 "The Lord will strengthen him upon the bed of languishing, thou wilt make all his bed in his sickness". Numerous artists have recorded variations, including Bob Dylan and Led Zeppelin.

Samuel Barclay Charters IV was an American music historian, writer, record producer, musician, and poet. He was a widely published author on the subjects of blues and jazz. He also wrote fiction.

<span class="mw-page-title-main">John the Revelator (Blind Willie Johnson song)</span> 1930 traditional American folk song

"John the Revelator" is a gospel blues call and response song. Music critic Thomas Ward describes it as "one of the most powerful songs in all of pre-war acoustic music ... [which] has been hugely influential to blues performers". American gospel-blues musician Blind Willie Johnson recorded "John the Revelator" in 1930. Subsequently, a variety of artists, including the Golden Gate Quartet, Son House, Depeche Mode, Jerry Garcia Band, The White Stripes, The Forest Rangers, The Sword, have recorded their renditions of the song, often with variations in the verses and music.

<span class="mw-page-title-main">Soul of a Man (song)</span> Song first recorded by Blind Willie Johnson in 1930

"(The) Soul of a Man" is a gospel blues song recorded by Blind Willie Johnson in 1930. As with most of Johnson's songs, it deals with a spiritual theme within a blues musical framework. Accompanying Johnson is Willis B. Harris, sometimes identified as his first wife, who sang harmony on the refrain:

<span class="mw-page-title-main">It's Nobody's Fault but Mine</span> 1927–1928 single by Blind Willie Johnson

"It's Nobody's Fault but Mine" or "Nobody's Fault but Mine" is a song first recorded by gospel blues artist Blind Willie Johnson in 1927. It is a solo performance with Johnson singing and playing slide guitar. The song has been interpreted and recorded by numerous musicians in a variety of styles, including Led Zeppelin on their 1976 album Presence.

<span class="mw-page-title-main">Dark Was the Night, Cold Was the Ground</span> Instrumental by Blind Willie Johnson

"Dark Was the Night, Cold Was the Ground" is a gospel blues song written and performed by American musician Blind Willie Johnson and recorded in 1927. The song is primarily an instrumental featuring Johnson's self-taught bottleneck slide guitar and picking style accompanied by his vocalizations of humming and moaning. It has the distinction of being one of 27 samples of music included on the Voyager Golden Record, launched into space in 1977 to represent the diversity of life on Earth. The song has been highly praised and covered by numerous musicians and is featured on the soundtracks of several films.

"Mother's Children Have a Hard Time", also known as "Motherless Children", is a gospel blues song recorded by Blind Willie Johnson in 1927. It is a solo performance, with Johnson singing and playing an acoustic slide guitar.

<span class="mw-page-title-main">Can't Nobody Hide from God</span> 1930 single by Blind Willie Johnson

"Can't Nobody Hide from God" is a traditional gospel blues song recorded in 1930 by Blind Willie Johnson with by Willis B. Harris, who is thought to have been his first wife. It was released as a single on Columbia Records, backed with "If It Had Not Been For Jesus"

<span class="mw-page-title-main">Church, I'm Fully Saved To-Day</span> 1930 single by Blind Willie Johnson

"Church, I'm Fully Saved To-Day" is a gospel blues song recorded by Blind Willie Johnson in 1930, with backing vocals by Willis B. Harris, sometimes identified as his first wife. It was released on Columbia 14582-D, as B-side to "The Soul of a Man". The song is derived from the hymn "Fully Saved Today" by William J. Henry (words) and Clarence E. Hunter (music), published in 1911, and follows a call-and-response format.

<span class="mw-page-title-main">I'm Gonna Run to the City of Refuge</span> Single by Blind Willie Johnson

"(I'm Gonna Run to) The City of Refuge" is a gospel blues song recorded in 1928 by Blind Willie Johnson, with backing vocals by Willis B. Harris, who may have been his first wife. It is an adaptation of the traditional song "You Better Run".

<span class="mw-page-title-main">Everybody Ought to Treat a Stranger Right</span> 1930 single by Blind Willie Johnson

"Everybody Ought to Treat a Stranger Right" is a gospel blues song recorded in 1930 by Blind Willie Johnson with backing vocals by Willis B. Harris, who may have been his first wife. The song was released in 1930 on Columbia 14597 as B-side to "Go with Me to That Land".

<span class="mw-page-title-main">Go with Me to That Land</span> 1930 single by Blind Willie Johnson

"Go with Me to That Land" or "Come and Go with Me (to That Land)" is a traditional gospel blues song recorded on April 20, 1930 by Blind Willie Johnson with backing vocals by Willis B. Harris, who may have been his first wife. It was released as a single on Columbia 14597-D, backed with "Everybody Ought to Treat a Stranger Right".

<span class="mw-page-title-main">God Moves on the Water</span> 1929 single by Blind Willie Johnson

"God Moves on the Water" is a gospel blues song recorded by Blind Willie Johnson in 1929 and released on a 78 rpm record by Columbia Records.

<span class="mw-page-title-main">Praise God I'm Satisfied</span> Single by Blind Willie Johnson

"Praise God I'm Satisfied" is a traditional gospel blues song recorded in 1929 by Blind Willie Johnson and Willis B. Harris (vocals), who is thought to have been his first wife.

<i>The Complete Blind Willie Johnson</i> 1993 compilation album by Blind Willie Johnson

The Complete Blind Willie Johnson is a compilation album of all the known recordings by American gospel blues singer-guitarist Blind Willie Johnson. As part of the Roots N' Blues series, it was released jointly by Columbia Records and Legacy Recordings, on April 27, 1993. All of the tracks on the two-compact disc set were originally issued by Columbia on the then-standard two-sided 78 rpm record format.

<i>American Epic: The Best of Blind Willie Johnson</i> 2017 compilation album by Blind Willie Johnson

American Epic: The Best of Blind Willie Johnson is a compilation album released to accompany the award-winning American Epic documentary film series. It collects performances from Blind Willie Johnson's five recording sessions for Columbia Records in Dallas, Atlanta, and New Orleans between 1927 and 1930. The album was released as a 16-track download and a vinyl LP.

References

  1. Charters, Samuel (1993). The Complete Blind Willie Johnson (CD booklet). Blind Willie Johnson. New York City: Columbia Records/Legacy Recordings. C2K 52835.