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"Keep Your Lamp(s) Trimmed and Burning" is a traditional gospel blues song. It alludes to the Parable of the Wise and Foolish Virgins, found in the Gospel of Matthew at 25:1-13, and also to a verse in the Gospel of Luke, at 12:35.
The song has been attributed to Blind Willie Johnson, who recorded it in 1928; to Reverend Gary Davis, who recorded it in 1956; and to Mississippi Fred McDowell, who recorded it in 1959.
The song is in call-and-response format. As is common with traditional songs, lyrics vary between performers –in this instance, often very widely. A usual first verse is:
Keep your lamp(s) trimmed and burning,
The world (or "work") is nearly done (or "The time is drawing nigh")
"The world" and "the time" relate to the apocalyptic prophecies of the New Testament. "The work" can do so also, but suggests that the song may derive from an African-American work song.[ citation needed ]
Recordings by people with Wikipedia articles include:
Blind Willie Johnson was an American gospel blues singer, guitarist and evangelist. His landmark recordings completed between 1927 and 1930—thirty songs in total—display a combination of powerful "chest voice" singing, slide guitar skills, and originality that has influenced generations of musicians. Even though Johnson's records sold well, as a street performer and preacher, he had little wealth in his lifetime. His life was poorly documented, but over time, music historians such as Samuel Charters have uncovered more about Johnson and his five recording sessions.
The Best of Hot Tuna is a Hot Tuna compilation album released in 1998. It covers songs from all the Hot Tuna albums released on Grunt Records. Bill Thompson, former manager of Jefferson Airplane and Hot Tuna helped select the songs for inclusion. The artwork on the cover is a painting of Jorma Kaukonen and Jack Casady made by Grace Slick. The album was released as a double CD.
Live in Japan is a live album by Hot Tuna recorded in 1997 in Yokohama, Japan. Originally the band planned to play an electric set as part of their Japanese tour, but the venue in Yokohama was too small and there wasn't any room for an electric setup. The band played acoustic, and afterwards Jack Casady suggested to Jorma Kaukonen that the recording was good enough for a new live album. Michael Falzarano and Kaukonen listened to the tape and decided that Casady was right, and a new album was released. The album was Hot Tuna's last release on Relix Records. In 2004 Eagle Records remastered the album and re-released it with previously unreleased performances of "Parchman Farm", "Follow the Drinking Gourd", "Keep Your Lamps Trimmed & Burning" and "Folsom Prison." Three of the tracks from the initial release were dropped from the remaster: "Hesitation Blues", "Candy Man" and "Keep on Truckin'".
Splashdown is a Hot Tuna album released in 1984 containing the tracks from a previously unreleased live acoustic performance that had been played on the short-lived radio station WQIV in the mid-1970s. During the recording, news of the Apollo–Soyuz mission returning to Earth after the first USA-USSR rendezvous in space reached the station, and the astronauts' radio transmissions were played at the same time as Jorma and Jack continued with "Police Dog Blues." The transmissions mixed with the song were preserved for this release as the last track of side 1. The album was Hot Tuna's first release on Relix Records, and one of the first Relix releases. Jorma Kaukonen was signed on as a solo artist to the label as well. In 1997 an expanded version of the album was released as Splashdown Two.
Historic Live Tuna is an album by the band Hot Tuna. It was released in 1985. Side A contains previously unreleased tracks from a live acoustic performance played on KSAN radio in 1971. Side B contains previously unreleased material from a live electric performance in 1971 recorded at the Fillmore West auditorium in San Francisco. The album was Hot Tuna's second release on Relix Records, and would be their last release until after the 1989 Jefferson Airplane reunion tour and reunion album, when they were signed to Epic Records for a short time before returning to Relix.
Classic Hot Tuna Electric is a Hot Tuna album released in 1996 and is an expansion of the B-side of the 1985 vinyl release Historic Live Tuna. The tracks were recorded at a live electric performance on July 3, 1971, at the Fillmore West auditorium in San Francisco.
Splashdown Two is a 1997 CD release and expansion of the previous Hot Tuna vinyl release from 1984, Splashdown. It is a recording of a live acoustic performance from the mid-1970s that had played on the short-lived radio station WQIV.
Fillmore: The Last Days is a live album, recorded at the Fillmore West in San Francisco, California from June 29 to July 4, 1971. It contains performances by 14 different bands, mostly from the San Francisco Bay Area, including Santana, the Grateful Dead, Hot Tuna, Quicksilver Messenger Service, and the New Riders of the Purple Sage. It was released by Columbia Records in June 1972 as a three-disc LP. It was re-released by Epic Records in 1991 as a two-disc CD.
Traditional Ties is a third album by the progressive bluegrass band Hot Rize. It was the first Hot Rize album released by Sugar Hill Records, following the band's earlier releases with Flying fish records. Critic Thom Owens called the album "arguably their best effort ever".
The Soul of a Man is an album of "twenty haunting spiritual blues songs" recorded in the late 1920s and 1930 by the American gospel blues singer and guitarist Blind Willie Johnson that was released by Charly Records in 2003.
"Bye and Bye We're (or, I'm) Going to See the King" is a Christian song from the African-American musical tradition. It is known by a variety of titles, including "I Wouldn't Mind Dying (If Dying Was All)" and "A Mother's Last Word to Her Daughter". It was recorded seven times before 1930, using the preceding titles.
"Let Your Light Shine on Me" is a traditional gospel blues song, having been recorded by The Wiseman Quartet in 1923, by Ernest Phipps in 1928, and by Blind Willie Johnson in 1929. The song itself is also known as "Shine On Me", "Let It Shine on Me", "Light from the Lighthouse" and "Light from Your Lighthouse".
"God Don't Never Change" is a gospel blues song recorded by Blind Willie Johnson in 1929. The song is sometimes titled "God Don't Ever Change".
"Lord I Just Can't Keep From Crying" is a traditional gospel blues song recorded in 1928 by Blind Willie Johnson and Willie B. Harris (vocals), who is thought to have been his first wife. Some versions of the song recorded by other artists have slightly different titles: for example, a comma after "Lord"; or, "Cryin'" instead of "Crying"; or, an appended "Sometime" or "Sometimes".
ReverendPearly Brown was an American singer and guitarist, known primarily as a street performer. He also played harmonica and accordion. Brown's repertoire included gospel blues, blues, country, and spirituals. His bottleneck style of slide guitar inspired Georgia rock and roll musicians. He performed at the Newport Folk Festival, Carnegie Hall, and—as one of the first African American performers—the Grand Ole Opry.
Live at New Orleans House: Berkeley, CA 09/69 is an album by the American rock band Hot Tuna. As the name suggests, it was recorded live at the New Orleans House music venue in Berkeley, California in September 1969. It was released in April 2010.
God Don't Never Change: The Songs of Blind Willie Johnson earned Grammy Award nominations for Best Roots Gospel Album and Best American Roots Performance for Blind Boys of Alabama recording of Mother's Children Have a Hard Time. The compilation was produced by Jeffrey Gaskill of Burning Rose Productions. The package features extensive historical liner notes by author Michael Corcoran.
The Complete Blind Willie Johnson is a compilation album of all the known recordings by American gospel blues singer-guitarist Blind Willie Johnson. As part of the Roots N' Blues series, it was released jointly by Columbia Records and Legacy Recordings, on April 27, 1993. All of the tracks on the two-compact disc set were originally issued by Columbia on the then-standard two-sided 78 rpm record format.
American Epic: The Best of Blind Willie Johnson is a compilation album released to accompany the award-winning American Epic documentary film series. It collects performances from Blind Willie Johnson's five recording sessions for Columbia Records in Dallas, Atlanta, and New Orleans between 1927 and 1930. The album was released as a 16-track download and a vinyl LP.