The Complete Blind Willie Johnson

Last updated
The Complete Blind Willie Johnson
Complete Willie Johnson.jpg
Compilation album by
ReleasedApril 27, 1993 (1993-04-27)
RecordedDecember 3, 1927 – April 20, 1930
Genre
Length93:59
Label Columbia/Legacy

The Complete Blind Willie Johnson is a compilation album of all the known recordings by American gospel blues singer-guitarist Blind Willie Johnson. [1] As part of the Roots N' Blues series, it was released jointly by Columbia Records and Legacy Recordings, on April 27, 1993. All of the tracks on the two-compact disc set were originally issued by Columbia on the then-standard two-sided 78 rpm record format.

Contents

Over the years, many of the songs were included on other compilations, such as Blind Willie Johnson – His Story (1957) [2] and Praise God, I'm Satisfied (1977); [3] however, this album marks the first time all of Johnson's recordings were compiled on one set. [4] In 2013, Columbia reissued the album as The Essential Blind Willie Johnson.

Background

The tracks on the album originate from five recording dates between December 3, 1927, and April 20, 1930. Johnson, who provided lead vocals and guitar accompiment, was sometimes backed by female vocalists, most commonly his first alleged wife Willis B. Harris. [1] Blues historian Samuel Charters provided the information in album's liner booklet, correcting some bigrophahical errors he made from his first project featuring Johnson's recordings, titled Blind Willie Johnson 1927–1930. [5] [ page needed ]

Track listing

See List of songs recorded by Blind Willie Johnson for sessionography information.

Disc one

  1. "I Know His Blood Can Make Me Whole" – 3:03
  2. "Jesus Make Up My Dying Bed" – 3:12
  3. "It's Nobody's Fault but Mine" – 3:09
  4. "Mother's Children Have a Hard Time" – 3:21
  5. "Dark Was the Night, Cold Was the Ground" – 3:20
  6. "If I Had My Way I'd Tear the Building Down" – 3:08
  7. "I'm Gonna Run to the City of Refuge" – 3:23
  8. "Jesus Is Coming Soon" – 3:11
  9. "Lord I Just Can't Keep From Crying" – 3:01
  10. "Keep Your Lamp Trimmed and Burning" – 3:03
  11. "Let Your Light Shine on Me" – 3:09
  12. "God Don't Never Change" – 2:57
  13. "Bye and Bye I'm Goin' to See the King" – 2:52
  14. "Sweeter as the Years Roll By" – 2:46

Disc two

  1. "You'll Need Somebody on Your Bond" – 3:05
  2. "When the War Was On" – 3:02
  3. "Praise God I'm Satisfied" – 3:11
  4. "Take Your Burden to the Lord and Leave It There" – 2:56
  5. "Take Your Stand" – 3:01
  6. "God Moves on the Water" – 2:59
  7. "Can't Nobody Hide from God" – 3:21
  8. "If It Had Not Been For Jesus" – 3:23
  9. "Go with Me to That Land" – 3:04
  10. "The Rain Don't Fall on Me" – 3:18
  11. "Trouble Will Soon Be Over" – 3:07
  12. "The Soul of a Man" – 3:13
  13. "Everybody Ought to Treat a Stranger Right" – 3:05
  14. "Church, I'm Fully Saved To-Day" – 3:07
  15. "John the Revelator" – 3:17
  16. "You're Gonna Need Somebody on Your Bond" – 3:10

Related Research Articles

<span class="mw-page-title-main">Blind Willie Johnson</span> American blues and gospel singer and guitarist

Blind Willie Johnson was an American gospel blues singer, guitarist and evangelist. His landmark recordings completed between 1927 and 1930—thirty songs in total—display a combination of powerful "chest voice" singing, slide guitar skills, and originality that has influenced generations of musicians. Even though Johnson's records sold well, as a street performer and preacher, he had little wealth in his lifetime. His life was poorly documented, but over time, music historians such as Samuel Charters have uncovered more about Johnson and his five recording sessions.

<span class="mw-page-title-main">You'll Need Somebody on Your Bond</span>

"You'll Need Somebody on Your Bond" is a gospel song that is attributed to both tradition and to gospel blues musician Blind Willie Johnson. Johnson first recorded the song in December 1930, although Delta blues musician Charley Patton recorded a similar "You're Gonna Need Somebody When You Die" in October 1929. Over the years, several other musicians have recorded renditions of the song.

<span class="mw-page-title-main">In My Time of Dying</span> 1928 single by Blind Willie Johnson

"In My Time of Dying" is a gospel music song by Blind Willie Johnson. The title line, closing each stanza of the song, refers to a deathbed and was inspired by a passage in the Bible from Psalms 41:3 "The Lord will strengthen him upon the bed of languishing, thou wilt make all his bed in his sickness". Numerous artists have recorded variations, including Bob Dylan and Led Zeppelin.

<i>Screamin and Hollerin the Blues: The Worlds of Charley Patton</i> 2001 box set by Charley Patton

Screamin' and Hollerin' the Blues: The Worlds of Charley Patton is a boxed set collecting remastered versions of the recorded works of blues singer Charley Patton, with recordings by many of his associates, supplementary interviews and historical data. The set won three Grammy awards, for Best Historical Album, Best Boxed or Special Limited Edition Package, and Best Album Notes.

<span class="mw-page-title-main">John the Revelator (Blind Willie Johnson song)</span> 1930 traditional American folk song

"John the Revelator" is a gospel blues call and response song. Music critic Thomas Ward describes it as "one of the most powerful songs in all of pre-war acoustic music ... [which] has been hugely influential to blues performers". American gospel-blues musician Blind Willie Johnson recorded "John the Revelator" in 1930. Subsequently, a variety of artists, including the Golden Gate Quartet, Son House, Depeche Mode, Jerry Garcia Band, The Forest Rangers, The Sword, have recorded their renditions of the song, often with variations in the verses and music.

<span class="mw-page-title-main">Soul of a Man (song)</span> Song first recorded by Blind Willie Johnson in 1930

"(The) Soul of a Man" is a gospel blues song recorded by Blind Willie Johnson in 1930. As with most of Johnson's songs, it deals with a spiritual theme within a blues musical framework. Accompanying Johnson is Willie B. Harris, sometimes identified as his first wife, who sang harmony on the refrain:

<span class="mw-page-title-main">It's Nobody's Fault but Mine</span> 1927–1928 single by Blind Willie Johnson

"It's Nobody's Fault but Mine" or "Nobody's Fault but Mine" is a song first recorded by gospel blues artist Blind Willie Johnson in 1927. It is a solo performance with Johnson singing and playing slide guitar. The song has been interpreted and recorded by numerous musicians in a variety of styles, including Led Zeppelin on their 1976 album Presence.

<i>In Progress & in Motion: 1965–1998</i> 1998 compilation album by Taj Mahal

In Progress & In Motion: 1965-1998 is a compilation album by American blues artist Taj Mahal, which was released in 1998.

<i>The Essential Taj Mahal</i> 2005 greatest hits album by Taj Mahal

The Essential Taj Mahal is a "best of" album by American blues artist Taj Mahal. AllMusic stated that "The Essential Taj Mahal pulls together the bluesman's Columbia, Warner, Gramavision Private Music, and Hannibal labels' recordings, making it the first truly cross-licensed compilation of his work.

The Soul of a Man is an album of "twenty haunting spiritual blues songs" recorded in the late 1920s and 1930 by the American gospel blues singer and guitarist Blind Willie Johnson that was released by Charly Records in 2003.

<span class="mw-page-title-main">Bye and Bye We're Going to See the King</span>

"Bye and Bye We're (or, I'm) Going to See the King" is a Christian song from the African-American musical tradition. It is known by a variety of titles, including "I Wouldn't Mind Dying (If Dying Was All)" and "A Mother's Last Word to Her Daughter". It was recorded seven times before 1930, using the preceding titles.

<span class="mw-page-title-main">Can't Nobody Hide from God</span> 1930 single by Blind Willie Johnson

"Can't Nobody Hide from God" is a traditional gospel blues song recorded in 1930 by Blind Willie Johnson with by Willie B. Harris, who is thought to have been his first wife. It was released as a single on Columbia Records, backed with "If It Had Not Been For Jesus"

"(I Know) His Blood Can Make Me Whole" is a traditional gospel blues song recorded by Blind Willie Johnson in 1927. It ws released on his first single, with the flip side "Jesus Make Up My Dying Bed".

"Trouble Will Soon Be Over" is a traditional gospel blues song recorded in 1929 by Blind Willie Johnson and Willie B. Harris, who is thought to have been his first wife.

<span class="mw-page-title-main">Praise God I'm Satisfied</span> Single by Blind Willie Johnson

"Praise God I'm Satisfied" is a traditional gospel blues song recorded in 1929 by Blind Willie Johnson and Willie B. Harris (vocals), who is thought to have been his first wife.

<span class="mw-page-title-main">The Rain Don't Fall on Me</span> Single by Blind Willie Johnson

"The Rain Don't Fall on Me" is a gospel blues song recorded in 1929 by Blind Willie Johnson and Willie B. Harris (vocals), who is thought to have been his first wife.

<span class="mw-page-title-main">Take Your Stand</span> Song performed by Blind Willie Johnson

"Take Your Stand" is a gospel blues song recorded in 1929 by Blind Willie Johnson on vocals and acoustic guitar and an unidentified female singer.

God Don't Never Change: The Songs of Blind Willie Johnson earned Grammy Award nominations for Best Roots Gospel Album and Best American Roots Performance for Blind Boys of Alabama recording of Mother's Children Have a Hard Time. The compilation was produced by Jeffrey Gaskill of Burning Rose Productions. The package features extensive historical liner notes by author Michael Corcoran.

<i>American Epic: The Best of Blind Willie Johnson</i> 2017 compilation album by Blind Willie Johnson

American Epic: The Best of Blind Willie Johnson is a compilation album released to accompany the award-winning American Epic documentary film series. It collects performances from Blind Willie Johnson's five recording sessions for Columbia Records in Dallas, Atlanta, and New Orleans between 1927 and 1930. The album was released as a 16-track download and a vinyl LP.

References

  1. 1 2 Koda, Cub. "The Complete Blind Willie Johnson – Review". AllMusic . Retrieved January 3, 2016.
  2. Folkways Records FG 3585
  3. Yazoo Records L-1058
  4. Reid, Graham. "Blind Willie Johnson Considered (2015)". elsewhere.co.nz. Retrieved January 3, 2016.
  5. Charters, Samuel (1993). The Complete Blind Willie Johnson (CD booklet). Blind Willie Johnson. New York City: Columbia Records/Legacy Recordings. C2K 52835.