Ten Years Gone

Last updated
"Ten Years Gone"
Song by Led Zeppelin
from the album Physical Graffiti
Released24 February 1975 (1975-02-24)
Recorded1974
Studio
Genre Hard rock [1]
Length6:55 [lower-alpha 1]
Label Swan Song
Songwriter(s)
Producer(s) Jimmy Page

"Ten Years Gone" is a song by English rock band Led Zeppelin from their 1975 album Physical Graffiti . Record producer Rick Rubin has described the song as, "A deep, reflective piece with hypnotic, interweaving riffs. Light and dark, shadow and glare. It sounds like nature coming through the speakers." [4]

Contents

Recording and production

Jimmy Page had originally intended the song to be an instrumental piece; he recorded around 14 guitar tracks to overdub the harmony section. [5] Robert Plant later added lyrics, which are dedicated to an old girlfriend who, ten years earlier, had made him choose either her or his music. Plant explained this in an interview in 1975:

Let me tell you a little story behind the song "Ten Years Gone" on our new album. I was working my ass off before joining Zeppelin. A lady I really dearly loved said, "Right. It's me or your fans." Not that I had fans, but I said, "I can't stop, I've got to keep going." She's quite content these days, I imagine. She's got a washing machine that works by itself and a little sports car. We wouldn't have anything to say anymore. I could probably relate to her, but she couldn't relate to me. I'd be smiling too much. Ten years gone, I'm afraid. Anyway, there's a gamble for you. [6]

Live performances

Live versions of this song were performed on Led Zeppelin's 1977 concert tour of the United States. John Paul Jones originally played the melody on an acoustic guitar before introducing a custom triple-necked instrument created by Andy Manson, that included six-string and twelve-string guitars, a mandolin, and bass pedals. [5]

Page also performed this song on his tour with the Black Crowes in 1999. In an interview he later gave to National Public Radio, Page commented on this collaboration with the Black Crowes:

We did "Ten Years Gone" and all of a sudden I heard all of the guitar parts that I had never heard apart from on record. We could never do all those guitar parts with just the one guitar with Led Zeppelin. It was fantastic. [7]

One version is included on Live at the Greek (2000). [8] It peaked at number 33 on Billboard's Mainstream Rock chart. [9]

Reception

In a contemporary review of Physical Graffiti, Jim Miller of Rolling Stone described "Ten Years Gone" as having a progression reminiscent of the Beatles' "Dear Prudence" that "resolves in a beautifully waddling refrain." [10] Miller also believed Plant sounded like Rod Stewart on the track, with Page "scooping broad and fuzzy chords" behind him. [10]

In a retrospective review of Physical Graffiti (Deluxe Edition), Jon Hadusek of Consequence of Sound called "Ten Years Gone" one of Page/Plant's "most sincere compositions". [11] In another retrospective review of Physical Graffiti (Deluxe Edition), Brice Ezell of PopMatters gave "Ten Years Gone" an extremely positive review, stating the track was one of Physical Graffiti's highlights along with having some of Page's "most enrapturing guitar work, particularly in the way he layers multiple riffs on top of each other." [12] Ezell continued, calling the song's main riff "lovely and echoey" and "over the course of six and a half minutes [the song] ebbs and flows, trading off sky-gazing moments of reflection with bursts of euphoria." [12]

See also

Footnotes

  1. The 1975 Physical Graffiti LP lists the running time as 6:55, [2] while the 1993 Complete Studio Recordings shows 6:31. [3]

Related Research Articles

<span class="mw-page-title-main">Led Zeppelin</span> English rock band (1968–1980)

Led Zeppelin were an English rock band formed in London in 1968. The group comprised vocalist Robert Plant, guitarist Jimmy Page, bassist and keyboardist John Paul Jones, and drummer John Bonham. With a heavy, guitar-driven sound, they are cited as one of the progenitors of hard rock and heavy metal, although their style drew from a variety of influences, including blues and folk music. Led Zeppelin have been credited as significantly impacting the nature of the music industry, particularly in the development of album-oriented rock (AOR) and stadium rock.

<i>Led Zeppelin</i> (album) 1969 studio album by Led Zeppelin

Led Zeppelin is the debut studio album by English rock band Led Zeppelin. It was released on 12 January 1969 in the United States and on 31 March in the United Kingdom by Atlantic Records.

<i>Led Zeppelin III</i> 1970 studio album by Led Zeppelin

Led Zeppelin III is the third studio album by the English rock band Led Zeppelin, released on 5 October 1970. It was recorded in three locations. Much of the work was done at Headley Grange, a country house, using the Rolling Stones Mobile Studio. Additional sessions were held at Island Studios and Olympic Studios in London. As with the prior album, the band eschewed the use of guest musicians, with all music performed by band members Robert Plant (vocals), Jimmy Page (guitars), John Paul Jones, and John Bonham (drums). The range of instruments played by the band was greatly enhanced on this album, with Jones especially emerging as a talented multi-instrumentalist, playing a wide range of keyboard and stringed instruments, including various synthesizers, mandolin and double bass, in addition to his usual bass guitar. As with prior albums, Page served as producer on the album, with mixing done by Andy Johns and Terry Manning.

<i>Houses of the Holy</i> 1973 studio album by Led Zeppelin

Houses of the Holy is the fifth studio album by the English rock band Led Zeppelin, released on 28 March 1973 by Atlantic Records. The album benefited from two band members installing studios at home, which allowed them to develop more sophisticated songs and arrangements and expand their musical style. Several songs subsequently became fixtures in the group's live set, including "The Song Remains the Same", "The Rain Song" and "No Quarter". Other material recorded at the sessions, including the title track, was shelved and released on the later albums Physical Graffiti and Coda. All instruments and vocals were provided by the band members Robert Plant (vocals), Jimmy Page (guitar), John Paul Jones, and John Bonham (drums). The album was produced by Page and mixed by Eddie Kramer. The cover was the first for the band to be designed by Hipgnosis and was based on a photograph taken at Giant's Causeway in Northern Ireland.

<i>Physical Graffiti</i> 1975 studio album by Led Zeppelin

Physical Graffiti is the sixth studio album by the English rock band Led Zeppelin. Released as a double album on 24 February 1975, it was the group's first album to be released under their new label, Swan Song Records. The band wrote and recorded eight new songs for the album in early 1974 at Headley Grange, a country house in Hampshire, which gave them ample time to improvise arrangements and experiment with recording. The total playing time covered just under three sides of an LP, so they decided to expand it into a double by including previously unreleased tracks from the sessions for the earlier albums Led Zeppelin III, Led Zeppelin IV and Houses of the Holy. The album covered a range of styles including hard rock, progressive rock, rock 'n' roll and folk. The album was then mixed over summer 1974 and planned for an end-of-year release; however, its release was delayed because the Peter Corriston-designed die-cut album cover proved difficult to manufacture.

<i>Presence</i> (album) 1976 studio album by Led Zeppelin

Presence is the seventh studio album by the English rock band Led Zeppelin, released by their own label Swan Song Records on 31 March 1976. While the record was commercially successful, reaching the top of both the British and American album charts, and achieving a triple-platinum certification in the United States by the RIAA, it received mixed reviews from critics and is the lowest-selling album by the band.

<span class="mw-page-title-main">Jimmy Page</span> English guitarist (born 1944)

James Patrick Page is an English musician and producer who achieved international success as the guitarist and founder of the rock band Led Zeppelin. Prolific in creating guitar riffs, Page’s style involves various alternative guitar tunings and melodic solos, coupled with aggressive, distorted guitar tones. It is also characterized by his folk and eastern-influenced acoustic work. He is notable for occasionally playing his guitar with a cello bow to create a droning sound texture to the music.

"Kashmir" is a song by the English rock band Led Zeppelin. Included on their sixth album Physical Graffiti (1975), it was written by Jimmy Page and Robert Plant with contributions from John Bonham over a period of three years with lyrics dating to 1973.

<span class="mw-page-title-main">Trampled Under Foot</span> 1975 single by Led Zeppelin

"Trampled Under Foot" is a song by English rock group Led Zeppelin. A funk-influenced piece with John Paul Jones on clavinet, it was included on their 1975 album Physical Graffiti. The song was released as a single in several countries and was frequently performed in concert.

"Achilles Last Stand" is a song by the English rock group Led Zeppelin released as the opening track on their seventh studio album, Presence (1976). Guitarist Jimmy Page and singer Robert Plant began writing the song during the summer of 1975 and were influenced by Eastern music, mythology, and exposure to diverse cultures during their travels. At roughly ten-and-a-half minutes, it is one of the group's longest studio recordings and one of their most complex, with interwoven sections and multiple, overdubbed guitar parts.

"The Rover" is a song by English rock band Led Zeppelin written by guitarist Jimmy Page and singer Robert Plant. Although mostly recorded years earlier, it was released on the group's 1975 double album, Physical Graffiti.

"In the Light" is a song by English rock band Led Zeppelin from their 1975 album Physical Graffiti. The song was composed primarily by bassist/keyboardist John Paul Jones on synthesizer, though singer Robert Plant and guitarist Jimmy Page also received songwriting credits.

"The Rain Song" is a song by the English rock band Led Zeppelin. It was released in March 1973 as the second track on their fifth album, Houses of the Holy.

"Carouselambra" is the fifth song on Led Zeppelin's 1979 album In Through the Out Door. The title refers to the first section of the song that has similarities to carousel music. At more than 10 minutes in length, the song is the second-longest the band recorded in the studio. John Paul Jones' synthesizers dominate the song, with Jimmy Page's guitar playing a supporting role.

"Houses of the Holy" is a song by English rock band Led Zeppelin from their 1975 sixth album Physical Graffiti. The name of the song was used as the title of the band's fifth album, although it was not included on that album; they decided the song did not fit well with the other album material, so it was moved to the subsequent release.

"The Wanton Song" is a song by English rock band Led Zeppelin from their sixth studio album, 1975's Physical Graffiti. It was developed from a jam session during rehearsals.

<span class="mw-page-title-main">In My Time of Dying</span> 1928 single by Blind Willie Johnson

"In My Time of Dying" is a gospel music song by Blind Willie Johnson. The title line, closing each stanza of the song, refers to a deathbed and was inspired by a passage in the Bible from Psalms 41:3 "The Lord will strengthen him upon the bed of languishing, thou wilt make all his bed in his sickness". Numerous artists have recorded variations, including Bob Dylan and Led Zeppelin.

<span class="mw-page-title-main">Candy Store Rock</span> 1976 single by Led Zeppelin

"Candy Store Rock" is a song by English rock band Led Zeppelin, released in 1976 on their album Presence. It was also released as a single in the United States, but it did not chart.

The Led Zeppelin Deluxe Edition is a series of albums reissued by English rock group Led Zeppelin, distributed by Atlantic Records. It contains all nine of the original Led Zeppelin studio albums remastered from the original analog tapes. Along with the remastered albums, there is a companion disc with each album, consisting of previously unreleased audio tracks and alternate mixes of released tracks. Many of these are described as work-in-progress or alternate mixes made during the original production rather than new remixes generated to highlight discarded recording elements. The first companion album consists of the 10 October 1969 concert in Paris. The albums were released in chronological order, each with inverted album covers.

References

  1. Guesdon, Jean-Michel; Margotin, Philippe (2018). Led Zeppelin All the Songs: The Story Behind Every Track. Running Press. p. 485. ISBN   9780316418034.
  2. Physical Graffiti (LP record notes). Swan Song Records. 1974. Side Three label. SSK 89400.
  3. The Complete Studio Recordings (Boxed set notes). Atlantic Records. 1993. Physical Graffiti sleeve.
  4. The Playlist Special: Fifty Artists Pick Their Personal Top 10s Archived 2010-12-11 at the Wayback Machine . Rolling Stone . Retrieved 2 January 2011.
  5. 1 2 Dave Lewis (1994), The Complete Guide to the Music of Led Zeppelin, Omnibus Press, ISBN   0-7119-3528-9.
  6. "Interview with Jimmy Page and Robert Plant, January 1975". Archived from the original on 2020-10-20. Retrieved 2008-03-21.
  7. National Public Radio, Guitar Legend Jimmy Page, June 2, 2003.
  8. Erlewine, Stephen Thomas. "Live at the Greek". AllMusic.
  9. "Hot Mainstream Rock Tracks - 2 September 2000". Billboard . Archived from the original on April 9, 2015. Retrieved 2009-01-19.
  10. 1 2 Miller, Jim (27 March 1975). "Physical Graffiti". Rolling Stone. Retrieved 28 July 2017.
  11. Hadusek, Jon (19 February 2015). "Led Zeppelin – Physical Graffiti (Reissue)". Consequence of Sound. Retrieved 28 July 2017.
  12. 1 2 Ezell, Brice (27 February 2015). "Led Zeppelin: Physical Graffiti (Deluxe Edition)". PopMatters. Retrieved 28 July 2017.