Small Faces were an English rock band from London, founded in 1965. The group originally consisted of Steve Marriott, Ronnie Lane, Kenney Jones and Jimmy Winston, with Ian McLagan replacing Winston as the band's keyboardist in 1966. The band was one of the most acclaimed and influential mod groups of the 1960s, recording hit songs such as "Itchycoo Park", "Lazy Sunday", "All or Nothing" and "Tin Soldier", as well as their concept album Ogdens' Nut Gone Flake. They evolved into one of the UK's most successful psychedelic bands until 1969.
Ogdens' Nut Gone Flake is the third studio album, and only concept album by the English rock band Small Faces. Released on 24 May 1968, the LP peaked at number one on the UK Album Charts on 29 June, where it remained for a total of six weeks. It ultimately became the group's final studio album during their original incarnation. The album title and distinctive packaging design was a parody of Ogden's Nut-brown Flake, a brand of tinned tobacco that was produced in Liverpool from 1899 onwards by Thomas Ogden.
Small Faces is the second studio album by Small Faces, released through Immediate Records on 23 June 1967. Although this was their first album for new manager Andrew Loog Oldham's Immediate label, recording actually commenced during their tenure with Decca Records, whom they left in January 1967 after severing professional ties with original manager Don Arden. As a result of the switch of label and management, Decca and Arden released an outtakes compilation album, From the Beginning in early June 1967 in order to sabotage the chart success of the Immediate Small Faces release - something that it managed to do to some extent when From the Beginning reached number 17 in the UK charts. The Immediate album shares its name with their 1966 Decca debut album, which has led to some confusion regarding the titles. As a result of this, it has been unofficially dubbed The First Immediate Album by several fans.
Their Satanic Majesties Request is the 6th British and 8th American studio album by the English rock band the Rolling Stones, released in December 1967 by Decca Records in the UK and by London Records in the US. It is their first to be released in identical versions in both countries. The album's title is a play on the "Her Britannic Majesty requests and requires" text that appears inside a British passport.
Between the Buttons is the fifth British and seventh American studio album by the English rock band the Rolling Stones, released on 20 January 1967 in the UK and on 11 February in the US. Reflecting the band's brief foray into psychedelia and baroque pop balladry during the era, the album is among their most eclectic works; multi-instrumentalist Brian Jones frequently abandoned his guitar during the sessions in favor of instruments such as organ, marimba, dulcimer, vibraphone, trumpet, and kazoo. Keyboard contributions came from two session players: former Rolling Stones member Ian Stewart and frequent contributor Jack Nitzsche. Between the Buttons would be the last album produced by Andrew Loog Oldham, who had to this point acted as the band's manager and produced all of their albums.
Tonite Lets All Make Love in London is a soundtrack album released on LP in 1968, for the 1967 documentary film of the same name, made by Peter Whitehead about the "swinging London" scene of the sixties. The film consists of a series of psychedelic performances and interviews and features live performance by Pink Floyd, together with footage of John Lennon, Yoko Ono, Mick Jagger, Vanessa Redgrave, Lee Marvin, Julie Christie, Allen Ginsberg, Eric Burdon, Michael Caine and many others attending one of the band's concerts.
December's Children (And Everybody's) is the fifth American studio album by the English rock band the Rolling Stones, released on 4 December 1965. It is primarily compiled from different released tracks from across the band's recording career up to that point, including the UK version of Out of Our Heads. Bassist Bill Wyman quotes Jagger in 1968 calling the record "[not] an album, it's just a collection of songs." Accordingly, it is only briefly detailed in Wyman's otherwise exhaustive book Rolling with the Stones. It features their then-recent transatlantic hit single "Get Off of My Cloud", as well as their own remake of Marianne Faithfull's Jagger/Richards-penned hit "As Tears Go By", which was released as the album's second single in the US.
I See a Darkness is the sixth album by American musician Will Oldham, released on Palace Records on January 19, 1999, as the first album under the name Bonnie "Prince" Billy. The album features appearances from Bob Arellano, Colin Gagon, Paul Oldham, David Pajo, and Peter Townsend.
The Rolling Stones is the debut studio album by the English rock band the Rolling Stones, released by Decca Records in the UK on 16 April 1964. The American edition of the LP, with a slightly different track list, came out on London Records on 30 May 1964, subtitled England's Newest Hit Makers, which later became its official title.
Got Live If You Want It! is an album of mostly live recordings by the English rock band the Rolling Stones. It was released on 3 December 1966 by London Records in the United States. With its release, the label attempted to fill a marketing gap between the Stones' studio albums and capitalise on their popularity in the US market, which was heightened that year by a famously successful North American concert tour supporting their hit album Aftermath (1966).
Essence to Essence is the eleventh studio album, and thirteenth album overall, from British singer-songwriter Donovan. It was released in both the UK and the US in December 1973.
Flowers is the second compilation album by the Rolling Stones, released in June 1967. The group recorded the songs at various studios dating back to 1965. Three of the songs had never been released: "My Girl", "Ride On, Baby" and "Sittin' on a Fence", the first of which was recorded in May 1965 during the sessions for "(I Can't Get No) Satisfaction," and the other two of which were recorded in December 1965 during the first lot of Aftermath sessions. The rest of the album tracks either appeared as singles or had been omitted from the American versions of Aftermath and Between the Buttons.
Town and Country is the second studio album by rock band Humble Pie, released in November 1969. It was released only in the UK.
Workers Playtime is a 1988 album by Billy Bragg. Originally released on the Go! Discs label, it is his fourth release but third full-length album. It was reissued on compact disc in September 1996 on the Cooking Vinyl label before being remastered, expanded and reissued in 2006 on Cooking Vinyl in the UK and on the Yep Roc label in the United States.
Silver is the 25th anniversary studio album by American country singer Johnny Cash and his 62nd album overall, released on Columbia Records in 1979. It peaked at #28 on the Billboard albums chart. "(Ghost) Riders in the Sky" peaked at #2 on the singles chart; the two other singles, "Bull Rider" and "I'll Say It's True", had reached #66 and #42, respectively. Recordings of "Cocaine Blues" had previously appeared on At Folsom Prison and Now, There Was a Song!, under the title "Transfusion Blues" on the latter. The album was produced by Brian Ahern, who controversially introduced digital elements into the songs to the disapproval of some listeners. This is the last album that featured bassist Marshall Grant, longtime Cash collaborator in Tennessee Two. He departed from Cash's band the following year.
The Art of Chris Farlowe is the third 1966 album by British singer Chris Farlowe, featuring his band the Thunderbirds, but only credited to him.
The Autumn Stone is a posthumous retrospective double album, and the second compilation album released in the UK by Small Faces in 1969 on the Immediate label.
From the Beginning is the first compilation album by the English rock band Small Faces. It was released by Decca Records of group material after the band had left the record label; it consisted of the band's Decca hit singles combined with various unreleased recordings. The album rose to Number 17 in the UK Album Chart.
"(Tell Me) Have You Ever Seen Me?" is a song by English rock band Small Faces. It has a complicated release history and was issued by both Decca and Immediate Records in 1967. The track apparently had a working title of "Mystery" in 1966. Initially planned as the Small Faces debut single on Immediate in mid-1967, it was shelved due to threats from Decca.
In Memoriam is the first posthumous album release by East London rock band Small Faces after the announcement of their break-up in early 1969. It was released on 1 May 1969 through Immediate Records in West Germany only. Their second compilation album following 1967's From the Beginning, In Memoriam is a collection of live cuts and unreleased studio tracks. The studio material was recorded during 1967 and the 1968 sessions for Ogdens' Nut Gone Flake, and also included a few tracks possibly intended for their projected but unrealised fourth album 1862. The studio outtakes were complemented by five live tracks recorded on tour in November 1968.
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