Rosalind Ashford | |
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Background information | |
Birth name | Rosalind Ashford |
Born | September 2, 1943 |
Origin | Detroit, Michigan, U.S. |
Genres | R&B, doo-wop, rock'n'roll, soul |
Occupation(s) | Singer |
Years active | 1957–present |
Labels | Checkmate, Mel-O-Dy, Tamla, Gordy |
Rosalind "Roz" Ashford-Holmes (born September 2, 1943) is an American soprano R&B and soul singer, known for her work as an original member of the Motown singing group Martha and the Vandellas.
Born Rosalind Ashford on September 2, 1943, to John and Mary Ashford in Detroit, Michigan, Ashford sang in church choirs and learned to dance in local centers. [1] Developing a passion for music, she joined the glee club and mixed choruses while attending Wilbur Wright High School. According to Ashford, in 1957 her mother and sister helped land her an audition at a local Detroit YMCA club, where a man named Edward "Pops" Larkins recruited her, Annette Beard and Gloria Williams to form a sister group to a male vocal group. [2] [3] Martha Reeves, contrary to belief, was not an original member of The Del-Phis, as she was a member of another group. Reeves would not join until 1960.
Naming themselves The Del-Phis, the group performed in local benefit parties throughout Detroit and performed at YMCA parties and high school functions before the group became serious about music around 1960 shortly after Reeves joined the group. The following year, they released "I'll Let You Know" on the Chess Records label subsidiary Checkmate. The record did not go anywhere and two follow-up records where they changed their name to The Vels including "Camel Walk" and "There He Is (At My Door)" also failed to bring any national interest to the group. The group later became Marvin Gaye's background singers on hit singles such as "Stubborn Kind of Fellow" and "Hitch Hike".
After Martha recruited Roz, Gloria and Annette to back her on a demo record intended for Mary Wells titled "I Have to Let Him Go," Motown president Berry Gordy offered Reeves, who was then holding a secretarial job for the label, a recording contract for herself and her background singing partners. Choosing the name Martha and the Vandellas, the group signed to Motown in September 1962 and issued what had been intended as a demo recording for their first single.
Following a successful performance while performing at the Motortown Revue, the Vandellas scored a hit with their second single, "Come and Get These Memories". The song, one of the first major compositions by the team of Holland-Dozier-Holland, charted at the top ten of the American R&B singles chart. Their second hit, "(Love Is Like a) Heat Wave", helped the group to distinguish themselves from the other girl groups in the label including the pop-oriented Marvelettes and the doo-wop-influenced Supremes with a rougher, brassier gospel-influenced sound.
Reeves was a brassy alto while Annette was a deep contralto, and Rosalind was a high soprano. Ashford registered as the high background vocal in Vandellas records. After "Quicksand" gave the group a third top forty pop hit, Beard left to start a family with her new spouse. Reeves recruited a former member of The Velvelettes, Betty Kelly, to replace her.
With Kelly, the group continued their success with signature songs "Dancing in the Street", "Nowhere to Run", "I'm Ready for Love", and "Jimmy Mack". Ashford remained in the group when Kelly was replaced by Martha's sister Lois Reeves in 1967, but finally left in 1969. She was replaced by yet another Velvelette, Sandra Tilley. Ashford married (last name, Holmes) and began a career with the local Detroit telephone company. In the mid-1980s, she reunited with Martha and fellow original Vandella Annette Helton for a UK tour and recordings on Ian Levine's "Motor City Records." In 2005, the three performed in Atlantic City at the Vocal Group Hall of Fame induction ceremonies and a week later in the Baltimore/Washington area. Now retired, Ashford-Holmes and Helton periodically perform as "The Original Vandellas,"
In 1978, Rosalind was convinced to join Martha and Annette in a reunion performance while performing for a benefit concert for actor Will Geer. Eleven years later, the three original Vandellas recorded the single, "Step Into My Shoes" for the London-based Motorcity Records label. Since then, she and Annette have continued to perform often billing themselves as The Original Vandellas with lead vocalist, Roschelle Laughhunn; rarely reuniting with Martha. In 1995, she was inducted to the Rock & Roll Hall of Fame as member of Martha and the Vandellas.
Martha and the Vandellas were an American vocal girl group formed in Detroit in 1957. The group achieved fame in the 1960s with Motown.
Martha Rose Reeves is an American R&B and pop singer. She is the lead singer of the Motown girl group Martha and the Vandellas, which scored over a dozen hit singles, including "Come and Get These Memories", "Nowhere to Run", "Heat Wave", "Jimmy Mack", and their signature "Dancing in the Street". From 2005 until 2009, Reeves served as an elected councilwoman in her hometown of Detroit, Michigan, U.S. Martha Reeves and the Vandellas were inducted into the Rock and Roll Hall of Fame in 1995. In 2023, Rolling Stone ranked Reeves at number 151 on its list of the 200 Greatest Singers of All Time.
"Hitch Hike" is a 1962 song by Marvin Gaye, released on the Tamla label. Another song Gaye co-wrote.
The Velvelettes were an American singing girl group, signed to Motown in the 1960s. Their biggest chart success occurred in 1964, when Norman Whitfield produced "Needle in a Haystack", which peaked at number 45 on the Billboard Hot 100, and number 27 in Canada.
"Quicksand" is a song recorded by the Motown girl group Martha and the Vandellas. It was written by the songwriting team of Holland-Dozier-Holland and released as a single in November 1963.
"In My Lonely Room" is a 1964 single by Motown girl group Martha and the Vandellas. In this song, which registered at #6 R&B (Cashbox) and #44 Pop, the narrator solemnly discusses how her lover's flirting with other girls leave her so depressed that all she can do was sit by "(her) lonely room and cry". The song was produced under a more solemn though still uptempo gospel-influenced number that had been on a number of the group's hits starting with "(Love Is Like a) Heat Wave". It was their fifth hit with Holland–Dozier–Holland.
Sandra L. Tilley was an American R&B and soul singer, best known for being a member of Motown girl group the Velvelettes; and later joining Martha and the Vandellas.
"Jimmy Mack" is a pop/soul song that in 1967 became a hit single by Martha and the Vandellas for Motown's Gordy imprint. Written and produced by Motown's main creative team, Holland–Dozier–Holland, "Jimmy Mack" was the final Top 10 pop hit for the Vandellas in the United States, peaking at No.10 on the Billboard Hot 100 in 1967 and at No.1 on the Billboard R&B Singles chart. Billboard named the song No.82 on their list of 100 Greatest Girl Group Songs of All Time.
"Love Bug Leave My Heart Alone" is a 1967 single released by Motown girl group Martha and the Vandellas. The song's production was a departure from the Vandellas' repertoire as their label, Motown, was having a harder time staying with the times in the music industry and having a much harder time finding a hit for its acts after several departures including Vandellas collaborators William "Mickey" Stevenson and Holland-Dozier-Holland, who produced the b-side to this single, "One Way Out", one of the trio's final recordings with the Vandellas. Produced by Richard Morris, the song displayed of the narrator wanting "the love bug" to leave her alone so she won't "fall in love". The narrator, lead singer Martha Reeves, was left heart-broken the last time she allowed the man to come back to her but after suffering heartbreak, she expresses her disgust at the man's attempts, with her fellow members Rosalind Ashford and Betty Kelley chanting "get outta there, love bug, leave my heart alone". The song was their second consecutive Top 40 single of 1967 peaking at number twenty-five on the Billboard pop singles chart and number fourteen on the Billboard Hot R&B singles chart. The record was the first track ever played on UK Radio One by DJ John Peel.
Watchout! is the fourth studio album and fifth album overall by Martha and the Vandellas, released on the Gordy (Motown) label in 1966. The album included the top 10 hit singles, "I'm Ready for Love" and "Jimmy Mack" and the ballad single, "What Am I Gonna Do Without Your Love?". This was one of the last albums by the group with songs by Holland–Dozier–Holland who, the following year, left Motown, and with William "Mickey" Stevenson, who helped put the group on the musical map. The title of the album was derived from a song on the B-side of their hit single "My Baby Loves Me" entitled "Never Leave Your Baby's Side". That song's chorus warned to "Watchout!" for "other girls" who could steal your man.
"Ridin' High" is a 1968 soul album released by Motown girl group Martha and the Vandellas on the Gordy (Motown) label. This album featured the last Top 40 pop hits scored by the group during their recording tenure, "Love Bug Leave My Heart Alone" and "Honey Chile". It was a series of firsts for the group: it was the first album without the help of since departed producers William "Mickey" Stevenson and Holland–Dozier–Holland, however, Motown included one HDH track on the album, "Leave It In The Hands Of Love." Also on Ridin' High is a cover version of Dionne Warwick's then recent hit "I Say a Little Prayer."
Sugar 'n' Spice is a 1969 soul album released by Motown girl group Martha and the Vandellas on the Gordy (Motown) label. The album was released during a troubling and downward time for the lead singer, Martha Reeves, who was now heavily addicted to painkillers. Like many Motown albums of the late sixties, the album was produced by several in-house producers including Ashford & Simpson, Frank Wilson and Deke Richards. Two tracks were in the can from Holland–Dozier–Holland. The modest R&B hit (#44), "Taking My Love " is featured on this album. Although new member and former Velvelettes member Sandra Tilley is featured on the album cover, her vocals do not appear on the album. Instead, tracks were used with Rosalind Ashford, Lois Reeves with additional vocals accompanied by The Andantes and Syreeta Wright.
Martha and the Vandellas Live! is a 1967 live album by Motown girl group Martha and the Vandellas, recorded live at Detroit's Twenty Grand Club, and released on the Gordy label. Among their legion of hits including "Heat Wave", "Jimmy Mack", "Nowhere to Run", "Love " and "Dancing in the Street", the group also covered a bit of Aretha Franklin in the medley of "Do Right Woman, Do Right Man" and "Respect" and The Temptations' version of the standard "For Once in My Life".
"A Love Like Yours (Don't Come Knocking Everyday)" is a 1963 song issued as the B-side to Motown singing group Martha and the Vandellas' hit single, "Heat Wave", released on the Gordy label.
Annette Beard, also known as Annette Helton or Annette Sterling, is an American R&B and soul singer. Beard is best known for her work with Motown and as an original member of the singing group Martha and the Vandellas during the 1960s. Beard is currently known as a member of the singing group The Original Vandellas.
Gloria Williams was an American singer notable for being the original lead singer of an early incarnation of Martha and the Vandellas under the name, The Del-Phis.
Betty Kelly, also known as Betty Kelley, is an American singer most noted as being a member of the popular Motown singing group Martha and the Vandellas.
Sandra Delores Reeves, better known as Lois Reeves, is an American singer, most notable for being the younger sister of Motown legend Martha Reeves, for having replaced popular Martha and the Vandellas member Betty Kelly as member of her sister's group in 1967, and for later singing background for records by Al Green in the 1970s as a member of the backing group Quiet Elegance. Lois' nickname was "Pee Wee" as she is only 5'1" tall.
"I'll Have to Let Him Go" is a 1962 song and single written, composed and produced by William "Mickey" Stevenson and issued on the Gordy (Motown) label. it is notable for being one of two singles that marked the Motown debut of Martha and the Vandellas. The song is about ending a romantic relationship, as its narrator, after seeing her lover kissing and holding another, realizing its over and decides she going “to set him free” even though "it's gonna hurt (her) so".
"There He Is (At My Door)" is a 1962 song and B-side single written and composed by all three line-ups of what would soon be Motown's main production team (Holland–Dozier–Holland with Eddie Holland's predecessor Janie Bradford, and her predecessor Freddie Gorman). Credited to the Vells the performers on both sides of the single were an early version of the group that would be better known as Martha and the Vandellas. The single is also notable as the last one the label subsidiary would release under an R&B/soul music format, changing that point onward to a country music subsidiary.