Martha and the Vandellas Live! | ||||
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Live album by | ||||
Released | September 1967 | |||
Recorded | 1967 | |||
Venue | 20 - Grand, Detroit, Michigan | |||
Genre | Soul | |||
Length | 43:51 | |||
Label | Gordy | |||
Producer | unknown | |||
Martha and the Vandellas chronology | ||||
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Martha and the Vandellas Live! is a 1967 live album by Motown girl group Martha and the Vandellas, recorded live at Detroit's Twenty Grand Club, and released on the Gordy label. Among their legion of hits including "Heat Wave", "Jimmy Mack", "Nowhere to Run", "Love (Makes Me Do Foolish Things)" and "Dancing in the Street", the group also covered a bit of Aretha Franklin in the medley of "Do Right Woman, Do Right Man" and "Respect" and The Temptations' version of the standard "For Once in My Life".
No. | Title | Writer(s) | Length |
---|---|---|---|
1. | "Introduction" | 0:05 | |
2. | "I'm Ready for Love" | Holland–Dozier–Holland | 2:35 |
3. | "Love Bug Leave My Heart Alone" | 2:40 | |
4. | "For Once in My Life" |
| 4:20 |
5. | "Love Is Like a Heat Wave" | Holland–Dozier–Holland | 2:15 |
6. | "Nowhere to Run" | Holland–Dozier–Holland | 2:25 |
7. | "My Baby Loves Me" | 5:35 |
No. | Title | Writer(s) | Length |
---|---|---|---|
1. | "I Found a Love" |
| 2:42 |
2. | "Jimmy Mack" | Holland–Dozier–Holland | 3:52 |
3. | "You've Been in Love Too Long" |
| 3:00 |
4. | "Love (Makes Me Do Foolish Things)" | Holland–Dozier–Holland | 3:12 |
5. | "Do Right Woman / Respect" | Chips Moman; Dan Penn / Otis Redding | 2:58 |
6. | "Medley: Dancing in the Street, I Can't Help Myself (Sugar Pie Honey Bunch), Sweet Soul Music, Uptight (Everything's Alright) " | Marvin Gaye; Stevenson; Hunter, Holland–Dozier–Holland, Sam Cooke; Arthur Conley; Redding, Stevie Wonder; Moy; Henry Cosby | 8:12 |
Martha and the Vandellas were an American vocal girl group formed in Detroit in 1957. The group achieved fame in the 1960s with Motown.
Martha Rose Reeves is an American R&B and pop singer. She is the lead singer of the Motown girl group Martha and the Vandellas, which scored over a dozen hit singles, including "Come and Get These Memories", "Nowhere to Run", "Heat Wave", "Jimmy Mack", and their signature "Dancing in the Street". From 2005 until 2009, Reeves served as an elected councilwoman in her hometown of Detroit, Michigan, U.S. Martha Reeves and the Vandellas were inducted into the Rock and Roll Hall of Fame in 1995. In 2023, Rolling Stone ranked Reeves at number 151 on its list of the 200 Greatest Singers of All Time.
"Hitch Hike" is a 1962 song by Marvin Gaye, released on the Tamla label. Another song Gaye co-wrote.
"Dancing in the Street" is a song written by Marvin Gaye, William "Mickey" Stevenson and Ivy Jo Hunter. It first became popular in 1964 when recorded by Martha and the Vandellas whose version reached No. 2 on the Billboard Hot 100 chart and peaked at No. 4 in the UK Singles Chart. It is one of Motown's signature songs and is the group's premier signature song. A 1966 cover by the Mamas & the Papas was a minor hit on the Hot 100 reaching No. 73. In 1982, the rock group Van Halen took their cover of "Dancing in the Street" to No. 38 on the Hot 100 chart and No. 15 in Canada on the RPM chart. A 1985 duet cover by David Bowie and Mick Jagger charted at No. 1 in the UK and reached No. 7 in the US. The song has been covered by many other artists, including The Kinks, Tages, Black Oak Arkansas, Grateful Dead, Little Richard, Myra and Karen Carpenter.
"Heat Wave" is a 1963 song written by the Holland–Dozier–Holland songwriting team. It was first made popular by the Motown vocal group Martha and the Vandellas. Released as a 45 rpm single on July 9, 1963, on the Motown subsidiary Gordy label, it hit number one on the Billboard Hot R&B chart—where it stayed for four weeks—and peaking at number 4 on the Billboard Hot 100.
"Come and Get These Memories" is an R&B song by Motown girl group Martha and the Vandellas. Their second single released under Motown's Gordy Records subsidiary, "Memories" became the group's first hit single, reaching number 29 on the Billboard Pop Singles Chart, and number-six on the Billboard R&B Singles Chart.
"In My Lonely Room" is a 1964 single by Motown girl group Martha and the Vandellas. In this song, which registered at #6 R&B (Cashbox) and #44 Pop, the narrator solemnly discusses how her lover's flirting with other girls leave her so depressed that all she can do was sit by "(her) lonely room and cry". The song was produced under a more solemn though still uptempo gospel-influenced number that had been on a number of the group's hits starting with "(Love Is Like a) Heat Wave". It was their fifth hit with Holland–Dozier–Holland.
Rosalind "Roz" Ashford-Holmes is an American soprano R&B and soul singer, known for her work as an original member of the Motown singing group Martha and the Vandellas.
"Jimmy Mack" is a pop/soul song that in 1967 became a hit single by Martha and the Vandellas for Motown's Gordy imprint. Written and produced by Motown's main creative team, Holland–Dozier–Holland, "Jimmy Mack" was the final Top 10 pop hit for the Vandellas in the United States, peaking at No.10 on the Billboard Hot 100 in 1967 and at No.1 on the Billboard R&B Singles chart. Billboard named the song No.82 on their list of 100 Greatest Girl Group Songs of All Time.
"Bless You" is a 1971 hit single by Motown girl group Martha and the Vandellas and was the group's last significant hit before disbanding in 1972.
"I Can't Dance to That Music You're Playin'" is a 1968 funk-soul single by Motown girl group Martha and the Vandellas.
"(We've Got) Honey Love" is a 1967 song by Motown girl group The Velvelettes that later became a 1969 single released by another Motown girl group Martha and the Vandellas from their album Ridin' High released in 1968. The song returned the Vandellas to the top forty of Billboard's R&B singles chart where it peaked at number twenty-seven while it hit the Billboard Hot 100 peaking at number fifty-seven. It was the group's sixth record where they were listed as Martha Reeves and the Vandellas following the successful "Honey Chile" single two years earlier. The song talked of how one woman's lover's charm was like "sugar and spice" adding names of candy and soda adding "a little bit of me, a little bit of you and we've got honey love." The Velvelettes, meanwhile, had recorded two versions of the song, both of which would go unreleased for almost 40 years. All three versions were written by Richard Morris and Sylvia Moy, and produced by Morris. Every version also used the same track with The Andantes as background vocals.
Watchout! is the fourth studio album and fifth album overall by Martha and the Vandellas, released on the Gordy (Motown) label in 1966. The album included the top 10 hit singles, "I'm Ready for Love" and "Jimmy Mack" and the ballad single, "What Am I Gonna Do Without Your Love?". This was one of the last albums by the group with songs by Holland–Dozier–Holland who, the following year, left Motown, and with William "Mickey" Stevenson, who helped put the group on the musical map. The title of the album was derived from a song on the B-side of their hit single "My Baby Loves Me" entitled "Never Leave Your Baby's Side". That song's chorus warned to "Watchout!" for "other girls" who could steal your man.
Natural Resources is a 1970 soul album released by Motown girl group Martha Reeves and the Vandellas on the Gordy (Motown) label. The album is significant for the Vietnam War ballad "I Should Be Proud" and the slow jam, "Love Guess Who". The album marked a return from lead singer Martha Reeves, recovering from a time in a mental institution after an addiction to painkillers nearly wrecked her. This was the next-to-last album for the Vandellas, whose success had peaked in the mid-1960s.
Black Magic is a 1972 soul album released by Martha Reeves and the Vandellas on the Gordy (Motown) label. It is the last studio album issued by the group after ten years with the label. The album is significant for featuring the group's biggest hit of the decade with the Jackson 5-esque "Bless You". The track returned the Vandellas to chart success briefly in the US reaching number fifty-three pop, number twenty-nine R&B and reaching number thirty-three on the UK pop singles chart. It was also a top twenty hit in Canada reaching number sixteen on the chart, and a top ten single in Puerto Rico, where it reached the number two position. Two other subsequent singles, "In and Out of My Life" and "Tear It on Down", were the trio's last Billboard charted hits reaching the top 40 on the R&B charts. "No One There" was released in the UK as a solo single for lead singer Martha Reeves.
"I Promise to Wait My Love" is a 1968 single recorded by girl group Martha and the Vandellas, released on the Gordy label.
Annette Beard, also known as Annette Helton or Annette Sterling, is an American R&B and soul singer. Beard is best known for her work with Motown and as an original member of the singing group Martha and the Vandellas during the 1960s. Beard is currently known as a member of the singing group The Original Vandellas.
Sandra Delores Reeves, better known as Lois Reeves, is an American singer, most notable for being the younger sister of Motown legend Martha Reeves, for having replaced popular Martha and the Vandellas member Betty Kelly as member of her sister's group in 1967, and for later singing background for records by Al Green in the 1970s as a member of the backing group Quiet Elegance. Lois' nickname was "Pee Wee" as she is only 5'1" tall.
"Mickey's Monkey" is a 1963 song recorded by the R&B group the Miracles on Motown Records' Tamla label. It was written and produced by Motown's main songwriting team of Brian Holland, Lamont Dozier, and Eddie Holland, who later went on to write two more Miracles hit singles, the Top 40 "I Gotta Dance to Keep From Crying", and the Top 20 "(Come 'Round Here) I'm The One You Need". This was an unusual writing situation for the Miracles, as most of their songs were composed by the group members themselves.
"There He Is (At My Door)" is a 1962 song and B-side single written and composed by all three line-ups of what would soon be Motown's main production team (Holland–Dozier–Holland with Eddie Holland's predecessor Janie Bradford, and her predecessor Freddie Gorman). Credited to the Vells the performers on both sides of the single were an early version of the group that would be better known as Martha and the Vandellas. The single is also notable as the last one the label subsidiary would release under an R&B/soul music format, changing that point onward to a country music subsidiary.