Natural Resources | ||||
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Studio album by | ||||
Released | September 8, 1970 | |||
Recorded | 1969 – 1970 | |||
Genre | Soul | |||
Length | 33:10 | |||
Label | Gordy | |||
Producer | Henry Cosby Clarence Paul | |||
Martha Reeves and the Vandellas chronology | ||||
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Singles from Natural Resources | ||||
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Review scores | |
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Source | Rating |
Allmusic | [1] |
Natural Resources is a 1970 soul album released by Motown girl group Martha Reeves and the Vandellas on the Gordy (Motown) label. The album is significant for the Vietnam War ballad "I Should Be Proud" and the slow jam, "Love Guess Who". The album marked a return from lead singer Martha Reeves, recovering from a time in a mental institution after an addiction to painkillers nearly wrecked her (though it still took her until 1977 to beat her addiction).[ citation needed ] This was the next-to-last album for the Vandellas, whose success had peaked in the mid-1960s.
No. | Title | Writer(s) | Length |
---|---|---|---|
1. | "Something" | George Harrison | 2:47 |
2. | "Easily Persuaded" |
| 2:44 |
3. | "Didn't We" | Jimmy Webb | 2:41 |
4. | "I'm in Love" | Ernie Shelby | 2:58 |
5. | "Love, Guess Who" |
| 2:54 |
6. | "Everybody's Talking" | Fred Neil | 2:50 |
No. | Title | Writer(s) | Length |
---|---|---|---|
1. | "Put a Little Love in Your Heart" |
| 2:57 |
2. | "The Hurt Is Over (Since I've Found You)" | Duke Browner | 2:57 |
3. | "Take a Look" | Clyde Otis | 2:16 |
4. | "Won't It Be So Wonderful" |
| 2:30 |
5. | "I Should Be Proud" | 2:56 | |
6. | "People Got to Be Free" |
| 2:40 |
Martha and the Vandellas were an American vocal girl group formed in Detroit in 1957. The group achieved fame in the 1960s with Motown.
Martha Rose Reeves is an American R&B and pop singer and former politician. She is the lead singer of the Motown girl group Martha and the Vandellas which scored over a dozen hit singles, including "Come and Get These Memories", "Nowhere to Run", "Heat Wave", "Jimmy Mack", and their signature "Dancing In The Street". From 2005 until 2009, Reeves served as an elected council woman for the city of Detroit, Michigan.
"Hitch Hike" is a 1962 song by Marvin Gaye, released on the Tamla label. Another song Gaye co-wrote, this time instead of confessing to being stubborn, the singer is now hitchhiking on the look out for his girl, whom he feels has run so far that he has to travel "around the world" thinking of places she could have found herself at including St. Louis, "Chicago City Limits" and "L.A."
"Dancing in the Street" is a song written by Marvin Gaye, William "Mickey" Stevenson and Ivy Jo Hunter. It first became popular in 1964 when recorded by Martha Reeves & The Vandellas whose version reached No. 2 on the Billboard Hot 100 chart and peaked at No. 4 in the UK Singles Chart. It is one of Motown's signature songs and is the group's premier signature song. A 1966 cover by the Mamas & the Papas was a minor hit on the Hot 100 reaching No. 73. In 1982, the rock group Van Halen took their cover of "Dancing in the Street" to No. 38 on the Hot 100 chart and No. 15 in Canada on the RPM chart. A 1985 duet cover by David Bowie and Mick Jagger charted at No. 1 in the UK and reached No. 7 in the US. The song has been covered by many other artists, including The Kinks, Tages, Grateful Dead, Little Richard, Myra, and The Struts.
"Heat Wave" is a 1963 song written by the Holland–Dozier–Holland songwriting team. It was first made popular by the Motown vocal group Martha and the Vandellas. Released as a 45 rpm single on July 9, 1963, on the Motown subsidiary Gordy label, it hit number one on the Billboard Hot R&B chart—where it stayed for four weeks—and peaking at number 4 on the Billboard Hot 100.
"Come and Get These Memories" is an R&B song by Motown girl group Martha and the Vandellas. Their second single released under Motown's Gordy Records subsidiary, "Memories" became the group's first hit single, reaching number 29 on the Billboard Pop Singles Chart, and number-six on the Billboard R&B Singles Chart. The song speaks of heartbreak, as the narrator goes through her things and gives back everything her now ex-boyfriend had given her, including teddy bears, records, and "lingering love".
"In My Lonely Room" is a 1964 single by Motown girl group Martha and the Vandellas. In this song, which registered at #6 R&B (Cashbox) and #44 Pop, the narrator solemnly discusses how her lover's flirting with other girls leave her so depressed that all she can do was sit by "(her) lonely room and cry". The song was produced under a more solemn though still uptempo gospel-influenced number that had been on a number of the group's hits starting with "(Love Is Like a) Heat Wave". It was their fifth hit with Holland–Dozier–Holland.
"My Baby Loves Me" is a 1966 soul standard by Martha Reeves but released under Martha and The Vandellas. None of the Vandellas are featured in this song. Instead, the background is sung by Motown's session group, The Andantes, and another legendary Motown group, The Four Tops. Co-written and co-produced by William "Mickey" Stevenson & Ivy Jo Hunter, the song rose to #22 on Billboard Hot 100 singles chart and #3 on Billboard's Hot R&B singles chart.
"Jimmy Mack" is a pop/soul song that in 1967 became a hit single by Martha and the Vandellas for Motown's Gordy imprint. Written and produced by Motown's main creative team, Holland–Dozier–Holland, "Jimmy Mack" was the final Top 10 pop hit for the Vandellas in the United States, peaking at number 10 on the Billboard Hot 100 in 1967 and at number-one on the Billboard R&B Singles chart. Billboard named the song #82 on their list of 100 Greatest Girl Group Songs of All Time.
"Love Bug Leave My Heart Alone" is a 1967 single released by Motown girl group Martha and the Vandellas. The song's production was a departure from the Vandellas' repertoire as their label, Motown, was having a harder time staying with the times in the music industry and having a much harder time finding a hit for its acts after several departures including Vandellas collaborators William "Mickey" Stevenson and Holland-Dozier-Holland, who produced the b-side to this single, "One Way Out", one of the trio's final recordings with the Vandellas. Produced by Richard Morris, the song displayed of the narrator wanting "the love bug" to leave her alone so she won't "fall in love". The narrator, lead singer Martha Reeves, was left heart-broken the last time she allowed the man to come back to her but after suffering heartbreak, she expresses her disgust at the man's attempts, with her fellow members Rosalind Ashford and Betty Kelley chanting "get outta there, love bug, leave my heart alone". The song was their second consecutive Top 40 single of 1967 peaking at number twenty-five on the Billboard pop singles chart and number fourteen on the Billboard Hot R&B singles chart. The record was the first track ever played on UK Radio One by DJ John Peel.
"Honey Chile" is a 1967 single by Motown girl group Martha Reeves and the Vandellas on the Gordy label. Produced by Richard Morris and written by Morris and Sylvia Moy, This was the first single to bill Martha Reeves by her full name, as opposed to simply "Martha" and the Vandellas.
"Bless You" is a 1971 hit single by Motown girl group Martha and the Vandellas and was the group's last significant hit before disbanding in 1972.
"(We've Got) Honey Love" is a 1967 song by Motown girl group The Velvelettes that later became a 1969 single released by another Motown girl group Martha and the Vandellas from their album Ridin' High released in 1968. The song returned the Vandellas to the top forty of Billboard's R&B singles chart where it peaked at number twenty-seven while it hit the Billboard Hot 100 peaking at number fifty-seven. It was the group's sixth record where they were listed as Martha Reeves and the Vandellas following the successful "Honey Chile" single two years earlier. The song talked of how one woman's lover's charm was like "sugar and spice" adding names of candy and soda adding "a little bit of me, a little bit of you and we've got honey love." The Velvelettes, meanwhile, had recorded two versions of the song, both of which would go unreleased for almost 40 years. All three versions were written by Richard Morris and Sylvia Moy, and produced by Morris. Every version also used the same track with The Andantes as background vocals.
"I Should Be Proud" is a 1970 protest song written by Henry Cosby, Pam Sawyer and Joe Hinton and recorded by Motown girl group Martha and the Vandellas.
Watchout! is the fourth studio album and fifth album overall by Martha and the Vandellas, released on the Gordy (Motown) label in 1966. The album included the top 10 hit singles, "I'm Ready for Love" and "Jimmy Mack" and the ballad single, "What Am I Gonna Do Without Your Love?". This was one of the last albums by the group with songs by Holland–Dozier–Holland who, the following year, left Motown, and with William "Mickey" Stevenson, who helped put the group on the musical map. The title of the album was derived from a song on the B-side of their hit single "My Baby Loves Me" entitled "Never Leave Your Baby's Side". That song's chorus warned to "Watchout!" for "other girls" who could steal your man.
"Ridin' High" is a 1968 soul album released by Motown girl group Martha and the Vandellas on the Gordy (Motown) label. This album featured the last Top 40 pop hits scored by the group during their recording tenure, "Love Bug Leave My Heart Alone" and "Honey Chile". It was a series of firsts for the group: it was the first album without the help of since departed producers William "Mickey" Stevenson and Holland–Dozier–Holland, however, Motown included one HDH track on the album, "Leave It In The Hands Of Love." Also on Ridin' High is a cover version of Dionne Warwick's then recent hit "I Say a Little Prayer."
Sugar 'n' Spice is a 1969 soul album released by Motown girl group Martha and the Vandellas on the Gordy (Motown) label. The album was released during a troubling and downward time for the lead singer, Martha Reeves, who was now heavily addicted to painkillers. Like many Motown albums of the late sixties, the album was produced by several in-house producers including Ashford & Simpson, Frank Wilson and Deke Richards. Two tracks were in the can from Holland–Dozier–Holland. The modest R&B hit (#44), "Taking My Love " is featured on this album. Although new member and former Velvelettes member Sandra Tilley is featured on the album cover, her vocals do not appear on the album. Instead, tracks were used with Rosalind Ashford, Lois Reeves with additional vocals accompanied by The Andantes and Syreeta Wright.
Black Magic is a 1972 soul album released by Martha Reeves and the Vandellas on the Gordy (Motown) label. It is the last studio album issued by the group after ten years with the label. The album is significant for featuring the group's biggest hit of the decade with the Jackson 5-esque "Bless You". The track returned the Vandellas to chart success briefly in the US reaching number fifty-three pop, number twenty-nine R&B and reaching number thirty-three on the UK pop singles chart. It was also a top twenty hit in Canada reaching number sixteen on the chart, and a top ten single in Puerto Rico, where it reached the number two position. Two other subsequent singles, "In and Out of My Life" and "Tear It on Down", were the trio's last Billboard charted hits reaching the top 40 on the R&B charts. "No One There" was released in the UK as a solo single for Reeves. The album has become a cult classic amongst the group's hard core fans.
Sandra Delores Reeves, better known as Lois Reeves, is an American singer, most notable for being the younger sister of Motown legend Martha Reeves, for having replaced popular Martha and the Vandellas member Betty Kelly as member of her sister's group in 1967, and for later singing background for records by Al Green in the 1970s as a member of the backing group Quiet Elegance. Lois' nickname was "Pee Wee" as she is only 5'1" tall.
"There He Is " is a 1962 song and B-side single written and composed by all three line-ups of what would soon be Motown's main production team. Credited to the Vells the performers on both sides of the single were an early version of the group that would be better known as Martha and the Vandellas. The single is also notable as the last one the label subsidiary would release under an R&B/soul music format, changing that point onward to a country music subsidiary.